“Well, you’ll have to guess my name before I’ll tell you,” the girl
said, with a free laugh, pushing her way into the narrow hall and
leaning against the tattered wall-paper, which, representing blocks of
marble with bevelled edges, in streaks and speckles of black and gray,
had not been renewed for years and came back to her out of the past. As
Miss Pynsent closed the door, seeing her visitor was so resolute, the
light filtered in from the street, through the narrow, dusty glass
above it, and then the very smell and sense of the place returned to
Millicent; a kind of musty dimness, with the vision of a small, steep
staircase at the end, covered with a strip of oilcloth which she
recognised, and made a little less dark by a window in the bend (you
could see it from the hall), from which you could almost bump your head
against the house behind. Nothing was changed except Miss Pynsent, and
of course the girl herself. She had noticed, outside, that the sign
between the windows had not even been touched up; there was still the
same preposterous announcement of ‘fashionable bonnets’—as if the poor
little dressmaker had the slightest acquaintance with that style of
head-dress, of which Miss Henning’s own knowledge was now so complete.
She could see Miss Pynsent was looking at her hat, which was a
wonderful composition of flowers and ribbons; her eyes had travelled up
and down Millicent’s whole person, but they rested in fascination upon
this ornament. The girl had forgotten how small the dressmaker was; she
barely came up to her shoulder. She had lost her hair, and wore a cap,
which Millicent noticed in return, wondering if that were a specimen of
what she thought the fashion. Miss Pynsent stared up at her as if she
had been six feet high; but she was used to that sort of surprised
admiration, being perfectly conscious that she was a magnificent young
woman.
“Won’t you take me into your shop?” she asked. “I don’t want to order
anything; I only want to inquire after your ’ealth; and isn’t this
rather an awkward place to talk?” She made her way further in, without
waiting for permission, seeing that her startled hostess had not yet
guessed.
“The show-room is on the right hand,” said Miss Pynsent, with her
professional manner, which was intended, evidently, to mark a
difference. She spoke as if on the other side, where the horizon was
bounded by the partition of the next house, there were labyrinths of
apartments. Passing in after her guest she found the young lady already
spread out upon the sofa, the everlasting sofa, in the right-hand
corner as you faced the window, covered with a light, shrunken shroud
of a strange yellow stuff, the tinge of which revealed years of
washing, and surmounted by a coloured print of Rebekah at the Well,
balancing, in the opposite quarter, with a portrait of the Empress of
the French, taken from an illustrated newspaper and framed and glazed
in the manner of 1853. Millicent looked about her, asking herself what
Miss Pynsent had to show and acting perfectly the part of the most
brilliant figure the place had ever contained. The old implements were
there on the table: the pincushions and needle-books; the pink
measuring-tape with which, as children, she and Hyacinth used to take
each other’s height; and the same collection of fashion-plates (she
could see in a minute), crumpled, sallow and fly-blown. The little
dressmaker bristled, as she used to do, with needles and pins (they
were stuck all over the front of her dress), but there were no rustling
fabrics tossed in heaps about the room—nothing but the skirt of a
shabby dress (it might have been her own), which she was evidently
repairing and had flung upon the table when she came to the door. Miss
Henning speedily arrived at the conclusion that her hostess’s business
had not increased, and felt a kind of good-humoured, luxurious scorn of
a person who knew so little what was to be got out of London. It was
Millicent’s belief that she herself was already perfectly acquainted
with the resources of the metropolis.
“Now tell me, how is Hyacinth? I should like so much to see him,” she
remarked, extending a pair of large protrusive feet and supporting
herself on the sofa by her hands.
“Hyacinth?” Miss Pynsent repeated, with majestic blankness, as if she
had never heard of such a person. She felt that the girl was cruelly,
scathingly, well dressed; she couldn’t imagine who she was, nor with
what design she could have presented herself.
“Perhaps you call him Mr Robinson, to-day—you always wanted him to hold
himself so high. But to his face, at any rate, I’ll call him as I used
to: you see if I don’t!”
“Bless my soul, you must be the little ’Enning!” Miss Pynsent
exclaimed, planted before her and going now into every detail.
“Well, I’m glad you have made up your mind. I thought you’d know me
directly. I had a call to make in this part, and it came into my ’ead
to look you up. I don’t like to lose sight of old friends.”
“I never knew you—you’ve improved so,” Miss Pynsent rejoined, with a
candour justified by her age and her consciousness of respectability.
“Well, _you_ haven’t changed; you were always calling me something
horrid.”
“I dare say it doesn’t matter to you now, does it?” said the
dressmaker, seating herself, but quite unable to take up her work,
absorbed as she was in the examination of her visitor.
“Oh, I’m all right now,” Miss Henning replied, with the air of one who
had nothing to fear from human judgments.
“You were a pretty child—I never said the contrary to that; but I had
no idea you’d turn out like this. You’re too tall for a woman,” Miss
Pynsent added, much divided between an old prejudice and a new
appreciation.
“Well, I enjoy beautiful ’ealth,” said the young lady; “every one
thinks I’m twenty.” She spoke with a certain artless pride in her
bigness and her bloom, and as if, to show her development, she would
have taken off her jacket or let you feel her upper arm. She was very
handsome, with a shining, bold, good-natured eye, a fine, free, facial
oval, an abundance of brown hair, and a smile which showed the
whiteness of her teeth. Her head was set upon a fair, strong neck, and
her tall young figure was rich in feminine curves. Her gloves, covering
her wrists insufficiently, showed the redness of those parts, in the
interstices of the numerous silver bracelets that encircled them, and
Miss Pynsent made the observation that her hands were not more delicate
than her feet. She was not graceful, and even the little dressmaker,
whose preference for distinguished forms never deserted her, indulged
in the mental reflection that she was common, for all her magnificence;
but there was something about her indescribably fresh, successful and
satisfying. She was, to her blunt, expanded finger-tips, a daughter of
London, of the crowded streets and hustling traffic of the great city;
she had drawn her health and strength from its dingy courts and foggy
thoroughfares, and peopled its parks and squares and crescents with her
ambitions; it had entered into her blood and her bone, the sound of her
voice and the carriage of her head; she understood it by instinct and
loved it with passion; she represented its immense vulgarities and
curiosities, its brutality and its knowingness, its good-nature and its
impudence, and might have figured, in an allegorical procession, as a
kind of glorified townswoman, a nymph of the wilderness of Middlesex, a
flower of the accumulated parishes, the genius of urban civilisation,
the muse of cockneyism. The restrictions under which Miss Pynsent
regarded her would have cost the dressmaker some fewer scruples if she
had guessed the impression she made upon Millicent, and how the whole
place seemed to that prosperous young lady to smell of poverty and
failure. Her childish image of Miss Pynsent had represented her as
delicate and dainty, with round loops of hair fastened on her temples
by combs, and associations of brilliancy arising from the constant
manipulation of precious stuffs—tissues at least which Millicent
regarded with envy. But the little woman before her was bald and white
and pinched; she looked shrunken and sickly and insufficiently
nourished; her small eyes were sharp and suspicious, and her hideous
cap did not disguise her meagreness. Miss Henning thanked her stars, as
she had often done before, that she had not been obliged to get _her_
living by drudging over needlework year after year in that
undiscoverable street, in a dismal little room where nothing had been
changed for ages; the absence of change had such an exasperating effect
upon her vigorous young nature. She reflected with complacency upon her
good fortune in being attached to a more exciting, a more dramatic,
department of the dressmaking business, and noticed that though it was
already November there was no fire in the neatly-kept grate beneath the
chimney-piece, on which a design, partly architectural, partly
botanical, executed in the hair of Miss Pynsent’s parents, was flanked
by a pair of vases, under glass, containing muslin flowers.
If she thought Miss Pynsent’s eyes suspicious it must be confessed that
this lady felt very much upon her guard in the presence of so
unexpected and undesired a reminder of one of the least honourable
episodes in the annals of Lomax Place. Miss Pynsent esteemed people in
proportion to their success in constituting a family circle—in cases,
that is, when the materials were under their hand. This success, among
the various members of the house of Henning, had been of the scantiest,
and the domestic broils in the establishment adjacent to her own, whose
vicissitudes she was able to follow, as she sat at her window at work,
by simply inclining an ear to the thin partition behind her—these
scenes, amid which the crash of crockery and the imprecations of the
wounded were frequently audible, had long been the scandal of a humble
but harmonious neighbourhood. Mr Henning was supposed to occupy a place
of confidence in a brush-factory, while his wife, at home, occupied
herself with the washing and mending of a considerable brood, mainly of
sons. But economy and sobriety, and indeed a virtue more important
still, had never presided at their councils. The freedom and frequency
of Mrs Henning’s relations with a stove-polisher in the Euston Road
were at least not a secret to a person who lived next door and looked
up from her work so often that it was a wonder it was always finished
so quickly. The little Hennings, unwashed and unchidden, spent most of
their time either in pushing each other into the gutter or in running
to the public-house at the corner for a pennyworth of gin, and the
borrowing propensities of their elders were a theme for exclamation.
There was no object of personal or domestic use which Mrs Henning had
not at one time or another endeavoured to elicit from the dressmaker;
beginning with a mattress, on an occasion when she was about to take to
her bed for a considerable period, and ending with a flannel petticoat
and a pewter teapot. Lomax Place had, eventually, from its over-peeping
windows and doorways, been present at the seizure, by a long-suffering
landlord, of the chattels of this interesting family and at the
ejectment of the whole insolvent group, who departed in a straggling,
jeering, unabashed, cynical manner, carrying with them but little of
the sympathy of the street. Millicent, whose childish intimacy with
Hyacinth Robinson Miss Pynsent had always viewed with vague anxiety—she
thought the girl a ‘nasty little thing’, and was afraid she would teach
the innocent orphan low ways—Millicent, with her luxuriant tresses, her
precocious beauty, her staring, mocking manner on the doorstep, was at
this time twelve years of age. She vanished with her vanishing
companions; Lomax Place saw them turn the corner, and returned to its
occupations with a conviction that they would make shipwreck on the
outer reefs. But neither spar nor splinter floated back to their former
haunts, and they were engulfed altogether in the fathomless deeps of
the town. Miss Pynsent drew a long breath; it was her conviction that
none of them would come to any good, and Millicent least of all.
When, therefore, this young lady reappeared, with all the signs of
accomplished survival, she could not fail to ask herself whether, under
a specious seeming, the phenomenon did not simply represent the triumph
of vice. She was alarmed, but she would have given her silver thimble
to know the girl’s history, and between her alarm and her curiosity she
passed an uncomfortable half-hour. She felt that the familiar,
mysterious creature was playing with her; revenging herself for former
animadversions, for having been snubbed and miscalled by a peering
little spinster who now could make no figure beside her. If it was not
the triumph of vice it was at least the triumph of impertinence, as
well as of youth, health, and a greater acquaintance with the art of
dress than Miss Pynsent could boast, for all her ridiculous signboards.
She perceived, or she believed she perceived, that Millicent wanted to
scare her, to make her think she had come after Hyacinth; that she
wished to inveigle, to corrupt him. I should be sorry to impute to Miss
Henning any motive more complicated than the desire to amuse herself,
of a Saturday afternoon, by a ramble which her vigorous legs had no
occasion to deprecate; but it must be confessed that when it occurred
to her that Miss Pynsent regarded her as a ravening wolf and her early
playmate as an unspotted lamb, she laughed out, in her hostess’s
anxious face, irrelevantly and good-humouredly, without deigning to
explain. But what, indeed, had she come for, if she had not come after
Hyacinth? It was not for the love of the dressmaker’s pretty ways. She
remembered the boy and some of their tender passages, and in the
wantonness of her full-blown freedom—her attachment, also, to any
tolerable pretext for wandering through the streets of London and
gazing into shop-windows—she had said to herself that she would
dedicate an afternoon to the pleasures of memory, would revisit the
scenes of her childhood. She considered that her childhood had ended
with the departure of her family from Lomax Place. If the tenants of
that obscure locality never learned what their banished fellows went
through, Millicent retained a deep impression of those horrible
intermediate years. The family, as a family, had gone down-hill, to the
very bottom; and in her humbler moments Millicent sometimes wondered
what lucky star had checked her own descent, and indeed enabled her to
mount the slope again. In her humbler moments, I say, for as a general
thing she was provided with an explanation of any good fortune that
might befall her. What was more natural than that a girl should do well
when she was at once so handsome and so clever? Millicent thought with
compassion of the young persons whom a niggardly fate had endowed with
only one of these advantages. She was good-natured, but she had no idea
of gratifying Miss Pynsent’s curiosity; it seemed to her quite a
sufficient kindness to stimulate it.
She told the dressmaker that she had a high position at a great
haberdasher’s in the neighbourhood of Buckingham Palace; she was in the
department for jackets and mantles; she put on all these articles to
show them off to the customers, and on her person they appeared to such
advantage that nothing she took up ever failed to go off. Miss Pynsent
could imagine, from this, how highly her services were prized. She had
had a splendid offer from another establishment, in Oxford Street, and
she was just thinking whether she should accept it. “We have to be
beautifully dressed, but I don’t care, because I like to look nice,”
she remarked to her hostess, who at the end of half an hour, very
grave, behind the clumsy glasses which she had been obliged to wear of
late years, seemed still not to know what to make of her. On the
subject of her family, of her history during the interval that was to
be accounted for, the girl was large and vague, and Miss Pynsent saw
that the domestic circle had not even a shadow of sanctity for her. She
stood on her own feet, and she stood very firm. Her staying so long,
her remaining over the half-hour, proved to the dressmaker that she had
come for Hyacinth; for poor Amanda gave her as little information as
was decent, told her nothing that would encourage or attract. She
simply mentioned that Mr Robinson (she was careful to speak of him in
that manner) had given his attention to bookbinding, and had served an
apprenticeship at an establishment where they turned out the best work
of that kind that was to be found in London.
“A bookbindery? Laws!” said Miss Henning. “Do you mean they get them up
for the shops? Well, I always thought he would have something to do
with books.” Then she added, “But I didn’t think he would ever follow a
trade.”
“A trade?” cried Miss Pynsent. “You should hear Mr Robinson speak of
it. He considers it one of the fine arts.”
Millicent smiled, as if she knew how people often considered things,
and remarked that very likely it was tidy, comfortable work, but she
couldn’t believe there was much to be seen in it. “Perhaps you will say
there is more than there is here,” she went on, finding at last an
effect of irritation, of reprehension, an implication of aggressive
respectability, in the image of the patient dressmaker, sitting for so
many years in her close, brown little den, with the foggy familiarities
of Lomax Place on the other side of the pane. Millicent liked to think
that she herself was strong, and she was not strong enough for that.
This allusion to her shrunken industry seemed to Miss Pynsent very
cruel; but she reflected that it was natural one should be insulted if
one talked to a vulgar girl. She judged this young lady in the manner
of a person who was not vulgar herself, and if there was a difference
between them she was right in feeling it to be in her favour. Miss
Pynsent’s ‘cut’, as I have intimated, was not truly fashionable, and in
the application of gimp and the distribution of ornament she was not to
be trusted; but, morally, she had the best taste in the world. “I
haven’t so much work as I used to have, if that’s what you mean. My
eyes are not so good, and my health has failed with advancing years.”
I know not to what extent Millicent was touched by the dignity of this
admission, but she replied, without embarrassment, that what Miss
Pynsent wanted was a smart young assistant, some nice girl with a
pretty taste, who would brighten up the business and give her new
ideas. “I can see you have got the same old ones, always: I can tell
that by the way you have stuck the braid on that dress;” and she
directed a poke of her neat little umbrella to the drapery in the
dressmaker’s lap. She continued to patronise and exasperate her, and to
offer her consolation and encouragement with the heaviest hand that had
ever been applied to Miss Pynsent’s sensitive surface. Poor Amanda
ended by gazing at her as if she were a public performer of some kind,
a ballad-singer or a conjurer, and went so far as to ask herself
whether the hussy could be (in her own mind) the ‘nice girl’ who was to
regild the tarnished sign. Miss Pynsent had had assistants, in the
past—she had even, once, for a few months, had a ‘forewoman’; and some
of these damsels had been precious specimens, whose misdemeanours lived
vividly in her memory. Never, all the same, in her worst hour of
delusion, had she trusted her interests to such an extravagant baggage
as this. She was quickly reassured as to Millicent’s own views,
perceiving more and more that she was a tremendous highflyer, who
required a much larger field of action than the musty bower she now
honoured, heaven only knew why, with her presence. Miss Pynsent held
her tongue, as she always did, when the sorrow of her life had been
touched, the thought of the slow, inexorable decline on which she had
entered that day, nearly ten years before, when her hesitations and
scruples resolved themselves into a hideous mistake. The deep
conviction of error, on that unspeakably important occasion, had ached
and throbbed within her ever since like an incurable disease. She had
sown in her boy’s mind the seeds of shame and rancour; she had made him
conscious of his stigma, of his exquisitely vulnerable spot, and
condemned him to know that for him the sun would never shine as it
shone for most others. By the time he was sixteen years old she had
learned—or believed she had learned—the judgment he passed upon her,
and at that period she had lived through a series of horrible months,
an ordeal in which every element of her old prosperity perished. She
cried her eyes out, on coming to a sense of her aberration, blinded and
weakened herself with weeping, so that for a moment it seemed as if she
should never be able to touch a needle again. She lost all interest in
her work, and that artistic imagination which had always been her pride
deserted her, together with the reputation of keeping the tidiest
lodgings in Lomax Place. A couple of commercial gentlemen and a Welsh
plumber, of religious tendencies, who for several years had made her
establishment their home, withdrew their patronage on the ground that
the airing of her beds was not what it used to be, and disseminated
cruelly this injurious legend. She ceased to notice or to care how
sleeves were worn, and on the question of flounces and gores her mind
was a blank. She fell into a grievous debility, and then into a long,
low, languid fever, during which Hyacinth tended her with a devotion
which only made the wrong she had done him seem more bitter, and in
which, so soon as she was able to hold up her head a little, Mr Vetch
came and sat with her through the dull hours of convalescence. She
re-established to a certain extent, after a while, her connection, so
far as the letting of her rooms was concerned (from the other
department of her activity the tide had ebbed apparently forever); but
nothing was the same again, and she knew it was the beginning of the
end. So it had gone on, and she watched the end approach; she felt it
was very near indeed when a child she had seen playing in the gutters
came to flaunt it over her in silk and lace. She gave a low, inaudible
sigh of relief when at last Millicent got up and stood before her,
smoothing the glossy cylinder of her umbrella.
“Mind you give my love to Hyacinth,” the girl said, with an assurance
which showed all her insensibility to tacit protests. “I don’t care if
you do guess that if I have stopped so long it was in the hope he would
be dropping in to his tea. You can tell him I sat an hour, on purpose,
if you like; there’s no shame in my wanting to see my little friend. He
may know I call him that!” Millicent continued, with her show-room
laugh, as Miss Pynsent judged it to be; conferring these permissions,
successively, as if they were great indulgences. “Do give him my love,
and tell him I hope he’ll come and see me. I see you won’t tell him
anything. I don’t know what you’re afraid of; but I’ll leave my card
for him, all the same.” She drew forth a little bright-coloured
pocket-book, and it was with amazement that Miss Pynsent saw her
extract from it a morsel of engraved pasteboard—so monstrous did it
seem that one of the squalid little Hennings should have lived to
display this emblem of social consideration. Millicent enjoyed the
effect she produced as she laid the card on the table, and gave another
ringing peal of merriment at the sight of her hostess’s half-angry,
half-astonished look. “What _do_ you think I want to do with him? I
could swallow him at a single bite!” she cried.
Poor Amanda gave no second glance at the document on the table, though
she had perceived it contained, in the corner, her visitor’s address,
which Millicent had amused herself, ingeniously, with not mentioning:
she only got up, laying down her work with a trembling hand, so that
she should be able to see Miss Henning well out of the house. “You
needn’t think I shall put myself out to keep him in the dark. I shall
certainly tell him you have been here, and exactly how you strike me.”
“Of course you’ll say something nasty—like you used to when I was a
child. You let me ’ave it then, you know!”
“Ah, well,” said Miss Pynsent, nettled at being reminded of an acerbity
which the girl’s present development caused to appear ridiculously
ineffectual, “you are very different now, when I think what you’ve come
from.”
“What I’ve come from?” Millicent threw back her head, and opened her
eyes very wide, while all her feathers and ribbons nodded. “Did you
want me to stick fast in this low place for the rest of my days? You
have had to stay in it yourself, so you might speak civilly of it.” She
coloured, and raised her voice, and looked magnificent in her scorn.
“And pray what have you come from yourself, and what has _he_ come
from—the mysterious ‘Mr Robinson’, that used to be such a puzzle to the
whole Place? I thought perhaps I might clear it up, but you haven’t
told me that yet!”
Miss Pynsent turned straight away, covering her ears with her hands. “I
have nothing to tell you! Leave my room—leave my house!” she cried,
with a trembling voice.
V
It was in this way that the dressmaker failed either to see or to hear
the opening of the door of the room, which obeyed a slow, apparently
cautious impulse given it from the hall, and revealed the figure of a
young man standing there with a short pipe in his teeth. There was
something in his face which immediately told Millicent Henning that he
had heard, outside, her last resounding tones. He entered as if, young
as he was, he knew that when women were squabbling men were not called
upon to be headlong, and evidently wondered who the dressmaker’s
brilliant adversary might be. She recognised on the instant her old
playmate, and without reflection, confusion or diplomacy, in the
fullness of her vulgarity and sociability, she exclaimed, in no lower
pitch, “Gracious, Hyacinth Robinson, is _that_ your form?”
Miss Pynsent turned round, in a flash, but kept silent; then, very
white and trembling, took up her work again and seated herself in her
window.
Hyacinth Robinson stood staring; then he blushed all over. He knew who
she was, but he didn’t say so; he only asked, in a voice which struck
the girl as quite different from the old one—the one in which he used
to tell her she was beastly tiresome—“Is it of me you were speaking
just now?”
“When I asked where you had come from? That was because we ’eard you in
the ’all,” said Millicent, smiling. “I suppose you have come from your
work.”
“You used to live in the Place—you always wanted to kiss me,” the young
man remarked, with an effort not to show all the surprise and agitation
that he felt. “Didn’t she live in the Place, Pinnie!”
Pinnie, for all answer, fixed a pair of strange, pleading eyes upon
him, and Millicent broke out, with her recurrent laugh, in which the
dressmaker had been right in discovering the note of affectation, “Do
you want to know what you look like? You look for all the world like a
little Frenchman! Don’t he look like a little Frenchman, Miss Pynsent?”
she went on, as if she were on the best possible terms with the
mistress of the establishment.
Hyacinth exchanged a look with that afflicted woman; he saw something
in her face which he knew very well by this time, and the sight of
which always gave him an odd, perverse, unholy satisfaction. It seemed
to say that she prostrated herself, that she did penance in the dust,
that she was his to trample upon, to spit upon. He did neither of these
things, but she was constantly offering herself, and her permanent
humility, her perpetual abjection, was a sort of counter-irritant to
the soreness lodged in his own heart for ever, which had often made him
cry with rage at night, in his little room under the roof. Pinnie meant
that, to-day, as a matter of course, and she could only especially mean
it in the presence of Miss Henning’s remark about his looking like a
Frenchman. He knew he looked like a Frenchman, he had often been told
so before, and a large part of the time he felt like one—like one of
those he had read about in Michelet and Carlyle. He had picked up the
French tongue with the most extraordinary facility, with the aid of one
of his mates, a refugee from Paris, in the workroom, and of a
second-hand dog’s-eared dictionary, bought for a shilling in the
Brompton Road, in one of his interminable, restless, melancholy, moody,
yet all-observant strolls through London. He spoke it (as he believed)
as if by instinct, caught the accent, the gesture, the movement of
eyebrow and shoulder; so that if it should become necessary in certain
contingencies that he should pass for a foreigner he had an idea that
he might do so triumphantly, once he could borrow a blouse. He had
never seen a blouse in his life, but he knew exactly the form and
colour of such a garment, and how it was worn. What these contingencies
might be which should compel him to assume the disguise of a person of
a social station lower still than his own, Hyacinth would not for the
world have mentioned to you; but as they were very present to the mind
of our imaginative, ingenious youth we shall catch a glimpse of them in
the course of a further acquaintance with him. At the present moment,
when there was no question of masquerading, it made him blush again
that such a note should be struck by a loud, laughing, handsome girl,
who came back out of his past. There was more in Pinnie’s weak eyes,
now, than her usual profession; there was a dumb intimation, almost as
pathetic as the other, that if he cared to let her off easily he would
not detain their terrible visitor very long. He had no wish to do that;
he kept the door open, on purpose; he didn’t enjoy talking to girls
under Pinnie’s eyes, and he could see that this one had every
disposition to talk. So without responding to her observation about his
appearance he said, not knowing exactly what to say, “Have you come
back to live in the Place?”
“Heaven forbid I should ever do that!” cried Miss Henning, with genuine
emotion. “I have to live near the establishment in which I’m employed.”
“And what establishment is that, now?” the young man asked, gaining
confidence and perceiving, in detail, how handsome she was. He hadn’t
roamed about London for nothing, and he knew that when a girl was so
handsome as that, a jocular tone of address, a pleasing freedom, was
_de rigueur;_ so he added, “Is it the Bull and Gate, or the Elephant
and Castle?”
“A public house! Well, you haven’t got the politeness of a Frenchman,
at all events!” Her good-nature had come back to her perfectly, and her
resentment of his imputation of her looking like a bar-maid—a blowzy
beauty who handled pewter—was tempered by her more and more curious
consideration of Hyacinth’s form. He was exceedingly ‘rum’, but this
quality took her fancy, and since he remembered so well that she had
been fond of kissing him, in their early days she would have liked to
say to him that she stood prepared to repeat this form of attention.
But she reminded herself, in time, that her line should be,
religiously, the ladylike, and she was content to exclaim, simply, “I
don’t care what a man looks like so long as he’s clever. That’s the
form _I_ like!”
Miss Pynsent had promised herself the satisfaction of taking no further
notice of her brilliant invader; but the temptation was great to expose
her to Hyacinth, as a mitigation of her brilliancy, by remarking
sarcastically, according to opportunity, “Miss ’Enning wouldn’t live in
Lomax Place for the world. She thinks it too abominably low.”
“So it is; it’s a beastly hole,” said the young man.
The poor dressmaker’s little dart fell to the ground, and Millicent
exclaimed, jovially, “Right you are!” while she directed to the object
of her childhood’s admiration a smile that put him more and more at his
ease.
“Don’t you suppose I’m clever?” he asked, planted before her with his
little legs slightly apart, while, with his hands behind him, he made
the open door waver to and fro.
“You? Oh, I don’t care whether you are or not!” said Millicent Henning;
and Hyacinth was at any rate quick-witted enough to see what she meant
by that. If she meant he was so good-looking that he might pass on this
score alone her judgment was conceivable, though many women would
strongly have dissented from it. He was as small as he had
threatened—he had never got his growth—and she could easily see that he
was not what she, at least, would call strong. His bones were small,
his chest was narrow, his complexion pale, his whole figure almost
childishly slight; and Millicent perceived afterward that he had a very
delicate hand—the hand, as she said to herself, of a gentleman. What
she liked was his face, and something jaunty and entertaining, almost
theatrical in his whole little person. Miss Henning was not acquainted
with any member of the dramatic profession, but she supposed, vaguely,
that that was the way an actor would look in private life. Hyacinth’s
features were perfect; his eyes, large and much divided, had as their
usual expression a kind of witty candour, and a small, soft, fair
moustache disposed itself upon his upper lip in a way that made him
look as if he were smiling even when his heart was heavy. The waves of
his dense, fine hair clustered round a forehead which was high enough
to suggest remarkable things, and Miss Henning had observed that when
he first appeared he wore his little soft circular hat in a way that
left these frontal locks very visible. He was dressed in an old brown
velveteen jacket, and wore exactly the bright-coloured necktie which
Miss Pynsent’s quick fingers used of old to shape out of hoarded
remnants of silk and muslin. He was shabby and work-stained, but the
observant eye would have noted an idea in his dress (his appearance was
plainly not a matter of indifference to himself), and a painter (not of
the heroic) would have liked to make a sketch of him. There was
something exotic about him, and yet, with his sharp young face,
destitute of bloom, but not of sweetness, and a certain conscious
cockneyism which pervaded him, he was as strikingly as Millicent, in
her own degree, a product of the London streets and the London air. He
looked both ingenuous and slightly wasted, amused, amusing, and
indefinably sad. Women had always found him touching; yet he made
them—so they had repeatedly assured him—die of laughing.
“I think you had better shut the door,” said Miss Pynsent, meaning that
he had better shut their departing visitor out.
“Did you come here on purpose to see us?” Hyacinth asked, not heeding
this injunction, of which he divined the spirit, and wishing the girl
would take her leave, so that he might go out again with her. He should
like talking with her much better away from Pinnie, who evidently was
ready to stick a bodkin into her, for reasons he perfectly understood.
He had seen plenty of them before, Pinnie’s reasons, even where girls
were concerned who were not nearly so good-looking as this one. She was
always in a fearful ‘funk’ about some woman getting hold of him, and
persuading him to make a marriage beneath his station. His
station!—poor Hyacinth had often asked himself, and Miss Pynsent, what
it could possibly be. He had thought of it bitterly enough, and
wondered how in the world he could marry ‘beneath’ it. He would never
marry at all—to that his mind was absolutely made up; he would never
hand on to another the burden which had made his own young spirit so
intolerably sore, the inheritance which had darkened the whole
threshold of his manhood. All the more reason why he should have his
compensation; why, if the soft society of women was to be enjoyed on
other terms, he should cultivate it with a bold, free mind.
“I thought I would just give a look at the old shop; I had an
engagement not far off,” Millicent said. “But I wouldn’t have believed
any one who had told me I should find you just where I left you.”
“We needed you to look after us!” Miss Pynsent exclaimed,
irrepressibly.
“Oh, you’re such a swell yourself!” Hyacinth observed, without heeding
the dressmaker.
“None of your impudence! I’m as good a girl as there is in London!” And
to corroborate this, Miss Henning went on: “If you were to offer to see
me a part of the way home, I should tell you I don’t knock about that
way with gentlemen.”
“I’ll go with you as far as you like,” Hyacinth replied, simply, as if
he knew how to treat that sort of speech.
“Well, it’s only because I knew you as a baby!” And they went out
together, Hyacinth careful not to look at poor Pinnie at all (he felt
her glaring whitely and tearfully at him out of her dim corner—it had
by this time grown too dusky to work without a lamp), and his companion
giving her an outrageously friendly nod of farewell over her shoulder.
It was a long walk from Lomax Place to the quarter of the town in which
(to be near the haberdasher’s in the Buckingham Palace Road) Miss
Henning occupied a modest back-room; but the influences of the hour
were such as to make the excursion very agreeable to our young man, who
liked the streets at all times, but especially at nightfall, in the
autumn, of a Saturday, when, in the vulgar districts, the smaller shops
and open-air industries were doubly active, and big, clumsy torches
flared and smoked over hand-carts and costermongers’ barrows, drawn up
in the gutters. Hyacinth had roamed through the great city since he was
an urchin, but his imagination had never ceased to be stirred by the
preparations for Sunday that went on in the evening among the toilers
and spinners, his brothers and sisters, and he lost himself in all the
quickened crowding and pushing and staring at lighted windows and
chaffering at the stalls of fishmongers and hucksters. He liked the
people who looked as if they had got their week’s wage and were
prepared to lay it out discreetly; and even those whose use of it would
plainly be extravagant and intemperate; and, best of all, those who
evidently hadn’t received it at all and who wandered about,
disinterestedly, vaguely, with their hands in empty pockets, watching
others make their bargains and fill their satchels, or staring at the
striated sides of bacon, at the golden cubes and triangles of cheese,
at the graceful festoons of sausage, in the most brilliant of the
windows. He liked the reflection of the lamps on the wet pavements, the
feeling and smell of the carboniferous London damp; the way the winter
fog blurred and suffused the whole place, made it seem bigger and more
crowded, produced halos and dim radiations, trickles and evaporations,
on the plates of glass. He moved in the midst of these impressions this
evening, but he enjoyed them in silence, with an attention taken up
mainly by his companion, and pleased to be already so intimate with a
young lady whom people turned round to look at. She herself affected to
speak of the rush and crush of the week’s end with disgust: she said
she liked the streets, but she liked the respectable ones; she couldn’t
abide the smell of fish, and the whole place seemed full of it, so that
she hoped they would soon get into the Edgware Road, towards which they
tended and which was a proper street for a lady. To Hyacinth she
appeared to have no connection with the long-haired little girl who, in
Lomax Place, years before, was always hugging a smutty doll and
courting his society; she was like a stranger, a new acquaintance, and
he observed her curiously, wondering by what transitions she had
reached her present pitch.
She enlightened him but little on this point, though she talked a great
deal on a variety of subjects, and mentioned to him her habits, her
aspirations, her likes and dislikes. The latter were very numerous. She
was tremendously particular, difficult to please, he could see that;
and she assured him that she never put up with anything a moment after
it had ceased to be agreeable to her. Especially was she particular
about gentlemen’s society, and she made it plain that a young fellow
who wanted to have anything to say to her must be in receipt of wages
amounting at the least to fifty shillings a week. Hyacinth told her
that he didn’t earn that, as yet; and she remarked again that she made
an exception for him, because she knew all about him (or if not all, at
least a great deal), and he could see that her good-nature was equal to
her beauty. She made such an exception that when, after they were
moving down the Edgware Road (which had still the brightness of late
closing, but with more nobleness), he proposed that she should enter a
coffee-house with him and ‘take something’ (he could hardly tell
himself, afterwards, what brought him to this point), she acceded
without a demur—without a demur even on the ground of his slender
earnings. Slender as they were, Hyacinth had them in his pocket (they
had been destined in some degree for Pinnie), and he felt equal to the
occasion. Millicent partook profusely of tea and bread and butter, with
a relish of raspberry jam, and thought the place most comfortable,
though he himself, after finding himself ensconced, was visited by
doubts as to its respectability, suggested, among other things, by
photographs, on the walls, of young ladies in tights. Hyacinth himself
was hungry, he had not yet had his tea, but he was too excited, too
preoccupied, to eat; the situation made him restless and gave him
palpitations; it seemed to be the beginning of something new. He had
never yet ‘stood’ even a glass of beer to a girl of Millicent’s stamp—a
girl who rustled and glittered and smelt of musk—and if she should turn
out as jolly a specimen of the sex as she seemed it might make a great
difference in his leisure hours, in his evenings, which were often very
dull. That it would also make a difference in his savings (he was under
a pledge to Pinnie and to Mr Vetch to put by something every week) it
didn’t concern him, for the moment, to reflect; and indeed, though he
thought it odious and insufferable to be poor, the ways and means of
becoming rich had hitherto not greatly occupied him. He knew what
Millicent’s age must be, but felt, nevertheless, as if she were older,
much older, than himself—she appeared to know so much about London and
about life; and this made it still more of a sensation to be
entertaining her like a young swell. He thought of it, too, in
connection with the question of the respectability of the
establishment; if this element was deficient she would perceive it as
soon as he, and very likely it would be a part of the general
initiation she had given him an impression of that she shouldn’t mind
it so long as the tea was strong and the bread and butter thick. She
described to him what had passed between Miss Pynsent and herself (she
didn’t call her Pinnie, and he was glad, for he wouldn’t have liked it)
before he came in, and let him know that she should never dare to come
to the place again, as his mother would tear her eyes out. Then she
checked herself. “Of course she ain’t your mother! How stupid I am! I
keep forgetting.”
Hyacinth had long since convinced himself that he had acquired a manner
with which he could meet allusions of this kind: he had had, first and
last, so many opportunities to practise it. Therefore he looked at his
companion very steadily while he said, “My mother died many years ago;
she was a great invalid. But Pinnie has been awfully good to me.”
“My mother’s dead, too,” Miss Henning remarked. “She died very
suddenly. I dare say you remember her in the Place.” Then, while
Hyacinth disengaged from the past the wavering figure of Mrs Henning,
of whom he mainly remembered that she used to strike him as dirty, the
girl added, smiling, but with more sentiment, “But I have had no
Pinnie.”
“You look as if you could take care of yourself.”
“Well, I’m very confiding,” said Millicent Henning. Then she asked what
had become of Mr Vetch. “We used to say that if Miss Pynsent was your
mamma, he was your papa. In our family we used to call him Miss
Pynsent’s young man.”
“He’s her young man still,” Hyacinth said. “He’s our best friend—or
supposed to be. He got me the place I’m in now. He lives by his fiddle,
as he used to do.”
Millicent looked a little at her companion, after which she remarked,
“I should have thought he would have got you a place at his theatre.”
“At his theatre? That would have been no use. I don’t play any
instrument.”
“I don’t mean in the orchestra, you gaby! You would look very nice in a
fancy costume.” She had her elbows on the table, and her shoulders
lifted, in an attitude of extreme familiarity. He was on the point of
replying that he didn’t care for fancy costumes, he wished to go
through life in his own character; but he checked himself, with the
reflection that this was exactly what, apparently, he was destined not
to do. His own character? He was to cover that up as carefully as
possible; he was to go through life in a mask, in a borrowed mantle; he
was to be, every day and every hour, an actor. Suddenly, with the
utmost irrelevance, Miss Henning inquired, “Is Miss Pynsent some
relation? What gave her any right over you?”
Hyacinth had an answer ready for this question; he had determined to
say, as he had several times said before, “Miss Pynsent is an old
friend of my family. My mother was very fond of her, and she was very
fond of my mother.” He repeated the formula now, looking at Millicent
with the same inscrutable calmness (as he fancied), though what he
would have liked to say to her would have been that his mother was none
of her business. But she was too handsome to talk that way to, and she
presented her large fair face to him, across the table, with an air of
solicitation to be cosy and comfortable. There were things in his heart
and a torment and a hidden passion in his life which he should be glad
enough to lay open to some woman. He believed that perhaps this would
be the cure ultimately; that in return for something he might drop,
syllable by syllable, into a listening feminine ear, certain other
words would be spoken to him which would make his pain for ever less
sharp. But what woman could he trust, what ear would be safe? The
answer was not in this loud, fresh laughing creature, whose sympathy
couldn’t have the fineness he was looking for, since her curiosity was
vulgar. Hyacinth objected to the vulgar as much as Miss Pynsent
herself; in this respect she had long since discovered that he was
after her own heart. He had not taken up the subject of Mrs Henning’s
death; he felt himself incapable of inquiring about that lady, and had
no desire for knowledge of Millicent’s relationships. Moreover he
always suffered, to sickness, when people began to hover about the
question of his origin, the reasons why Pinnie had had the care of him
from a baby. Mrs Henning had been untidy, but at least her daughter
could speak of her. “Mr Vetch has changed his lodgings: he moved out of
No. 17, three years ago,” he said, to vary the topic. “He couldn’t
stand the other people in the house; there was a man that played the
accordeon.”
Millicent, however, was but moderately interested in this anecdote, and
she wanted to know why people should like Mr Vetch’s fiddle any better.
Then she added, “And I think that while he was about it he might have
put you into something better than a bookbinder’s.”
“He wasn’t obliged to put me into anything. It’s a very good place.”
“All the same, it isn’t where I should have looked to find you,”
Millicent declared, not so much in the tone of wishing to pay him a
compliment as of resentment at having miscalculated.
“Where should you have looked to find me? In the House of Commons? It’s
a pity you couldn’t have told me in advance what you would have liked
me to be.”
She looked at him, over her cup, while she drank, in several sips. “Do
you know what they used to say in the Place? That your father was a
lord.”
“Very likely. That’s the kind of rot they talk in that precious hole,”
the young man said, without blenching.
“Well, perhaps he was,” Millicent ventured.
“He may have been a prince, for all the good it has done me.”
“Fancy your talking as if you didn’t know!” said Millicent.
“Finish your tea—don’t mind how I talk.”
“Well, you _’ave_ got a temper!” the girl exclaimed, archly. “I should
have thought you’d be a clerk at a banker’s.”
“Do they select them for their tempers?”
“You know what I mean. You used to be too clever to follow a trade.”
“Well, I’m not clever enough to live on air.”
“You might be, really, for all the tea you drink! Why didn’t you go in
for some high profession?”
“How was I to go in? Who the devil was to help me?” Hyacinth inquired,
with a certain vibration.
“Haven’t you got any relations?” said Millicent, after a moment.
“What are you doing? Are you trying to make me swagger?”
When he spoke sharply she only laughed, not in the least ruffled, and
by the way she looked at him seemed to like it. “Well, I’m sorry you’re
only a journeyman,” she went on, pushing away her cup.
“So am I,” Hyacinth rejoined; but he called for the bill as if he had
been an employer of labour. Then, while it was being brought, he
remarked to his companion that he didn’t believe she had an idea of
what his work was and how charming it could be. “Yes, I get up books
for the shops,” he said, when she had retorted that she perfectly
understood. “But the art of the binder is an exquisite art.”
“So Miss Pynsent told me. She said you had some samples at home. I
should like to see them.”
“You wouldn’t know how good they are,” said Hyacinth, smiling.
He expected that she would exclaim, in answer, that he was an impudent
wretch, and for a moment she seemed to be on the point of doing so. But
the words changed on her lips, and she replied, almost tenderly,
“That’s just the way you used to speak to me, years ago in the Plice.”
“I don’t care about that. I hate all that time.”
“Oh, so do I, if you come to that,” said Millicent, as if she could
rise to any breadth of view. And then she returned to her idea that he
had not done himself justice. “You used always to be reading: I never
thought you would work with your ’ands.”
This seemed to irritate him, and, having paid the bill and given
threepence, ostentatiously, to the young woman with a languid manner
and hair of an unnatural yellow, who had waited on them, he said, “You
may depend upon it I shan’t do it an hour longer than I can help.”
“What will you do then?”
“Oh, you’ll see, some day.” In the street, after they had begun to walk
again, he went on, “You speak as if I could have my pick. What was an
obscure little beggar to do, buried in a squalid corner of London,
under a million of idiots? I had no help, no influence, no acquaintance
of any kind with professional people, and no means of getting at them.
I had to do something; I couldn’t go on living on Pinnie. Thank God, I
help her now, a little. I took what I could get.” He spoke as if he had
been touched by the imputation of having derogated.
Millicent seemed to imply that he defended himself successfully when
she said, “You express yourself like a gentleman”—a speech to which he
made no response. But he began to talk again afterwards, and, the
evening having definitely set in, his companion took his arm for the
rest of the way home. By the time he reached her door he had confided
to her that, in secret, he wrote: he had a dream of literary
distinction. This appeared to impress her, and she branched off to
remark, with an irrelevance that characterised her, that she didn’t
care anything about a man’s family if she liked the man himself; she
thought families were played out. Hyacinth wished she would leave his
alone; and while they lingered in front of her house, before she went
in, he said—
“I have no doubt you’re a jolly girl, and I am very happy to have seen
you again. But you have awfully little tact.”
“_I_ have little tact? You should see me work off an old jacket!”
He was silent a moment, standing before her with his hands in his
pockets. “It’s a good job you’re so handsome.”
Millicent didn’t blush at this compliment, and probably didn’t
understand all it conveyed, but she looked into his eyes a while, with
a smile that showed her teeth, and then said, more inconsequently than
ever, “Come now, who are you?”
“Who am I? I’m a wretched little bookbinder.”
“I didn’t think I ever could fancy any one in that line!” Miss Henning
exclaimed. Then she let him know that she couldn’t ask him in, as she
made it a point not to receive gentlemen, but she didn’t mind if she
took another walk with him and she didn’t care if she met him
somewhere—if it were handy. As she lived so far from Lomax Place she
didn’t care if she met him half-way. So, in the dusky by-street in
Pimlico, before separating, they took a casual tryst; the most
interesting, the young man felt, that had yet been—he could scarcely
call it granted him.