"I would have you tied till your bones were locked together. Beat him,

you! He is trying to gain time."

"If you beat me," said Wimsey, "I'm damned if I'll speak at all.

Control yourself, madame; it does not do to move hastily when your king

is in check."

"Get on!' she cried again, stamping with rage.

"Where was I? Ah! the inner compartment. As I say, it is a little

snug--the more so that it is not ventilated in any way. Did I mention

that the book lay on a steel shelf?"

"You did."

"Yes. The steel shelf is balanced on a very delicate concealed spring.

When the weight of the book--a heavy one, as I said--is lifted, the

shelf rises almost imperceptibly. In rising it makes an electrical

contact. Imagine to yourself, madame; our revered President steps

in--propping the false door open behind him--he sees the book--quickly

he snatches it up. To make sure that it is the right one, he opens

it--he studies the pages. He looks about for the other objects I have

mentioned, which bear the marks of finger-prints. And silently, but

very, very quickly--you can imagine it, can you not?--the secret panel,

released by the rising of the shelf, leaps across like a panther behind

him. Rather a trite simile, but apt, don't you think?"

"My God! oh, my God!" Her hand went up as though to tear the choking

mask from her face. "You--you devil--devil! What is the word that

opens the inner door? Quick! I will have it torn out of you--the word!"

"It is not a hard word to remember, madame--though it has been

forgotten before now. Do you recollect, when you were a child, being

told the tale of 'Ali Baba and the Forty Thieves'? When I had that door

made, my mind reverted, with rather a pretty touch of sentimentality,

in my opinion, to the happy hours of my childhood. The words that open

the door are--'Open Sesame'."

"Ah! How long can a man live in this devil's trap of yours?"

"Oh," said Wimsey cheerfully, "I should think he might hold out a

few hours if he kept cool and didn't use up the available oxygen by

shouting and hammering. If we went there at once, I dare say we should

find him fairly all right."

"I shall go myself. Take this man and--do your worst with him. Don't

finish him till I come back. I want to see him die!"

"One moment," said Wimsey, unmoved by this amiable wish. "I think you

had better take me with you."

"Why--why?"

"Because, you see, I'm the only person who can open the door."

"But you have given me the word. Was that a lie?"

"No--the word's all right. But, you see, it's one of these new-style

electric doors. In fact, it's really the very latest thing in doors.

I'm rather proud of it. It opens to the words 'Open Sesame' all

right--_but to my voice only_."

"Your voice? I will choke your voice with my own hands. What do you

mean--your voice only?"

"Just what I say. Don't clutch my throat like that, or you may alter

my voice so that the door won't recognise it. That's better. It's apt

to be rather pernickety about voices. It got stuck up for a week once,

when I had a cold and could only implore it in a hoarse whisper. Even

in the ordinary way, I sometimes have to try several times before I hit

on the exact right intonation."

She turned and appealed to a short, thick-set man standing beside her.

"Is this true? Is it possible?"

"Perfectly, ma'am, I'm afraid," said the man civilly. From his voice

Wimsey took him to be a superior workman of some kind--probably an

engineer.

"Is it an electrical device? Do you understand it?"

"Yes, ma'am. It will have a microphone arrangement somewhere, which

converts the sound into a series of vibrations controlling an electric

needle. When the needle has traced the correct pattern, the circuit

is completed and the door opens. The same thing can be done by light

vibrations equally easily."

"Couldn't you open it with tools?"

"In time, yes, ma'am. But only by smashing the mechanism, which is

probably well protected."

"You may take that for granted," interjected Wimsey reassuringly.

She put her hands to her head.

"I'm afraid we're done in," said the engineer, with a kind of respect

in his tone for a good job of work.

"No--wait! Somebody must know--the workmen who made this thing?"

"In Germany," said Wimsey briefly.

"Or--yes, yes, I have it--a gramophone. This--this--_he_--shall be made

to say the word for us. Quick--how can it be done?"

"Not possible, ma'am. Where should we get the apparatus at half-past

three on a Sunday morning? The poor gentleman would be dead long

before----"

There was a silence, during which the sounds of the wakening day came

through the shuttered windows. A motor-horn sounded distantly.

"I give in," she said. "We must let him go. Take the ropes off him. You

will free him, won't you?" she went on, turning piteously to Wimsey.

"Devil as you are, you are not such a devil as that! You will go

straight back and save him!"

"Let him go, nothing!" broke in one of the men. "He doesn't go to peach

to the police, my lady, don't you think it. The President's done in,

that's all, and we'd all better make tracks while we can. It's all up,

boys. Chuck this fellow down the cellar and fasten him in, so he can't

make a row and wake the place up. I'm going to destroy the ledgers. You

can see it done if you don't trust me. And you, Thirty, you know where

the switch is. Give us a quarter of an hour to clear, and then you can

blow the place to glory."

"No! You can't go--you can't leave him to die--your President--your

leader--my--I won't let it happen. Set this devil free. Help me, one of

you, with the ropes----"

"None of that, now," said the man who had spoken before. He caught her

by the wrists, and she twisted, shrieking, in his arms, biting and

struggling to get free.

"Think, think," said the man with the treacly voice. "It's getting on

to morning. It'll be light in an hour or two. The police may be here

any minute."

"The police!" She seemed to control herself by a violent effort. "Yes,

yes, you are right. We must not imperil the safety of all for the sake

of one man. _He_ himself would not wish it. That is so. We will put

this carrion in the cellar where it cannot harm us, and depart, every

one to his own place, while there is time."

"And the other prisoner?"

"He? Poor fool--he can do no harm. He knows nothing. Let him go," she

answered contemptuously.

In a few minutes' time Wimsey found himself bundled unceremoniously

into the depths of the cellar. He was a little puzzled. That they

should refuse to let him go, even at the price of Number One's life, he

could understand. He had taken the risk with his eyes open. But that

they should leave him as a witness against them seemed incredible.

The men who had taken him down strapped his ankles together and

departed, switching the lights out as they went.

"Hi! Kamerad!" said Wimsey. "It's a bit lonely sitting here. You might

leave the light on."

"It's all right, my friend," was the reply. "You will not be in the

dark long. They have set the time-fuse."

The other man laughed with rich enjoyment, and they went out together.

So that was it. He was to be blown up with the house. In that case

the President would certainly be dead before he was extricated. This

worried Wimsey; he would rather have been able to bring the big crook

to justice. After all, Scotland Yard had been waiting six years to

break up this gang.

He waited, straining his ears. It seemed to him that he heard footsteps

over his head. The gang had all crept out by this time....

There was certainly a creak. The trap-door had opened; he felt, rather

than heard, somebody creeping into the cellar.

"Hush!" said a voice in his ear. Soft hands passed over his face, and

went fumbling about his body. There came the cold touch of steel on

his wrists. The ropes slackened and dropped off. A key clicked in the

handcuffs. The strap about his ankles was unbuckled.

"Quick! quick! they have set the time-switch. The house is mined.

Follow me as fast as you can. I stole back--I said I had left my

jewellery. It was true. I left it on purpose. _He_ must be saved--only

you can do it. Make haste!"

Wimsey, staggering with pain, as the blood rushed back into his bound

and numbed arms, crawled after her into the room above. A moment, and

she had flung back the shutters and thrown the window open.

"Now go! Release him! You promise?"

"I promise. And I warn you, madame, that this house is surrounded. When

my safe-door closed it gave a signal which sent my servant to Scotland

Yard. Your friends are all taken----"

"Ah! But you go--never mind me--quick! The time is almost up."

"Come away from this!"

He caught her by the arm, and they went running and stumbling across

the little garden. An electric torch shone suddenly in the bushes.

"That you, Parker?" cried Wimsey. "Get your fellows away. Quick! the

house is going up in a minute."

The garden seemed suddenly full of shouting, hurrying men. Wimsey,

floundering in the darkness, was brought up violently against the

wall. He made a leap at the coping, caught it, and hoisted himself

up. His hands groped for the woman; he swung her up beside him. They

jumped; everyone was jumping; the woman caught her foot and fell with

a gasping cry. Wimsey tried to stop himself, tripped over a stone, and

came down headlong. Then, with a flash and a roar, the night went up in

fire.

* * * * *

Wimsey picked himself painfully out from among the débris of the garden

wall. A faint moaning near him proclaimed that his companion was still

alive. A lantern was turned suddenly upon them.

"Here you are!" said a cheerful voice. "Are you all right, old thing?

Good lord! what a hairy monster!"

"All right," said Wimsey. "Only a bit winded. Is the lady safe?

H'm--arm broken, apparently--otherwise sound. What's happened?"

"About half a dozen of 'em got blown up; the rest we've bagged."

Wimsey became aware of a circle of dark forms in the wintry dawn.

"Good Lord, what a day! What a come-back for a public character! You

old stinker--to let us go on for two years thinking you were dead! I

bought a bit of black for an arm-band. I did, really. Did anybody know,

besides Bunter?"

"Only my mother and sister. I put it in a secret trust--you know, the

thing you send to executors and people. We shall have an awful time

with the lawyers, I'm afraid, proving I'm me. Hullo! Is that friend

Sugg?"

"Yes, my lord," said Inspector Sugg, grinning and nearly weeping with

excitement. "Damned glad to see your lordship again. Fine piece of

work, your lordship. They're all wanting to shake hands with you, sir."

"Oh, Lord! I wish I could get washed and shaved first. Awfully glad

to see you all again, after two years' exile in Lambeth. Been a good

little show, hasn't it?"

"Is he safe?"

Wimsey started at the agonised cry.

"Good Lord!" he cried. "I forgot the gentleman in the safe. Here, fetch

a car, quickly. I've got the great big top Moriarty of the whole bunch

quietly asphyxiating at home. Here--hop in, and put the lady in too. I

promised we'd get back and save him--though" (he finished the sentence

in Parker's ear) "there may be murder charges too, and I wouldn't give

much for his chance at the Old Bailey. Whack her up. He can't last

much longer shut up there. He's the bloke you've been wanting, the man

at the back of the Morrison case and the Hope-Wilmington case, and

hundreds of others."

* * * * *

The cold morning had turned the streets grey when they drew up before

the door of the house in Lambeth. Wimsey took the woman by the arm and

helped her out. The mask was off now, and showed her face, haggard and

desperate, and white with fear and pain.

"Russian, eh?" whispered Parker in Wimsey's ear.

"Something of the sort. Damn! the front door's blown shut, and the

blighter's got the key with him in the safe. Hop through the window,

will you?"

Parker bundled obligingly in, and in a few seconds threw open the door

to them. The house seemed very still. Wimsey led the way to the back

room, where the strong-room stood. The outer door and the second door

stood propped open with chairs. The inner door faced them like a blank

green wall.

"Only hope he hasn't upset the adjustment with thumping at it,"

muttered Wimsey. The anxious hand on his arm clutched feverishly.

He pulled himself together, forcing his tone to one of cheerful

commonplace.

"Come on, old thing," he said, addressing himself conversationally to

the door. "Show us your paces. Open Sesame, confound you. Open Sesame!"

The green door slid suddenly away into the wall. The woman sprang

forward and caught in her arms the humped and senseless thing that

rolled out from the safe. Its clothes were torn to ribbons, and its

battered hands dripped blood.

"It's all right," said Wimsey, "it's all right! He'll live--to stand

his trial."

* * * * *

NOTES TO THE SOLUTION

I.1. VIRGO: The sign of the zodiac between LEO (strength) and LIBRA

(justice). Allusion to parable of The Ten Virgins.

I.3. R.S.: Royal Society, whose "fellows" are addicted to studies

usually considered dry-as-dust.

IV.3. TESTAMENT (or will); search is to be directed to the Old

Testament. Ref. to parable of New Cloth and Old Garment.

XIV.3. HI:

"He would answer to Hi!

Or to any loud cry."

_The Hunting of the Snark._

I.5. TRANS.: Abbreviation of Translation; ref. to building of Babel.

XI.5. SCENT:

"Even the scent of roses

Is not what they supposes,

But more than mind discloses

And more then men believe."

G. K. Chesterton: _The Song of Quoodle_.

VI.7. ICTUS: Blow; add V (five) and you get VICTUS (vanquished);

the ictus is the stress in a foot of verse; if the stress be

misplaced the line goes lamely.

I.8. SPINOZA: He wrote on the properties of optical glasses; also

on metaphysics.

IV.13. THIRTY-ONE: Seven (months) out of the twelve of the sun's

course through the heavens have thirty-one days.

XIV.13. ET: Conjunction. In astrology an aspect of the heavenly

bodies. That Cicero was the master of this word indicates that it

is a Latin one.

X.14. BEZOAR: The bezoar stone was supposed to be a prophylactic

against poison.

11.I. PLAUD: If you would laud, then plaud (var. of applaud);

Plaud-it also means "cheer."

10.II. ALIENA: _As You Like It_. II. 1. 130.

1.III. R.D.: "Refer to Drawer."

4.III. CANTICLES: The Magnificat and Nunc Dimittis are known as the

Canticles, but the Book of Canticles (the Vulgate name for the Song

of Songs, in which the solution is found) occurs earlier in the

Bible.

2.VI. EST: [Greek: 'on kai mê 'on] = _est_ and _non est_--the

problem of being and not-being. Ref. Marlowe: _Doctor Faustus_ I. 1.

12.X. TOB.: Add IT to get Tobit; the tale of Tobit and the Fish is

in the Apocrypha (the book of hidden things).

1.XI. MANES: "Un lion est une mâchoire et non pas une crinière":

Emile Faguet: _Lit. du XVIIe siècle_. Manes: benevolent spirits of

the dead.

1.XV. SAINT: Evidence of miraculous power is required for

canonisation.

THE SOLUTION OF THE CROSS-WORD PUZZLE IN "UNCLE MELEAGER'S WILL."

I | II|III| IV| V | VI|VII|VIII| IX| X | XI|XII|XIII|XIV| XV|

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

1| V | I | R | G | O | | | S | | | M | I | D | A | S |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

2| E | N | D | I | V | E | | C | | V | A | N | I | T | A |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

3| R | S | |=T=|=E=|=S=|=T=|=A= |=M=|=E=|=N=|=T=| | H | I |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

4| S | E |=C=| A | N | T | | R | | L | E | A |=V= | E | N |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

5| T | R |=A=| N | S | | | L | | | S | C |=E= | N | T |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

6| | T |=N=| A | | | S | E | G | | | T |=R= | E | |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

7| | |=T=| | | I | C | T | U | S | | |=S= | | |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

8| S | P |=I=| N | O | Z | A | | A | U | C | T |=I= | O | N |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

9| | |=C=| | | E | L | A | N | D | | |=C= | | |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

10| | A |=L=| T | | | A | D | O | | | F |=L= | U | |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

11| P | L |=E=| A | S | | | M | | | A | R |=E= | N | A |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

12| L | I |=S=| T | E | N | | E | | T | W | I |=S= | T | S |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

13| A | E | |=T=|=H=|=I=|=R=|=T= |=Y=|=O=|=N=|=E=| | E | T |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

14| U | N | H | O | O | D | | U | | B | E | Z | O | A | R |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

15| D | A | M | O | N | | | S | | | D | E | R | M | A |

+---+---+---+---+---+---+---+----+---+---+---+---+----+---+---+

_BOOKS BY DOROTHY L. SAYERS:_

THE NINE TAILORS

HANGMAN'S HOLIDAY

WHOSE BODY?

HAVE HIS CARCASE

THE FIVE RED HERRINGS

STRONG POISON

LORD PETER VIEWS THE BODY

THE UNPLEASANTNESS AT THE BELLONA CLUB

THE DOCUMENTS IN THE CASE

(In collaboration with Robert Eustace)

UNNATURAL DEATH

CLOUDS OF WITNESS

GAUDY NIGHT

BUSMAN'S HONEYMOON

IN THE TEETH OF THE EVIDENCE

Lord Peter views the body · 第 21 / 21 段