CHAPTER XX.

PAK LAUT, OR THE MOUTH OF THE OCEAN.

Pak Lat, or, more properly, Pak Laut, is situated a few miles above

Pak Nam, and is in itself a picturesque village containing from six

to seven thousand inhabitants. The most important portion of the

town faces a beautiful bend of the great river Mèinam, and is rather

irregularly built, and surrounded by a great many rude houses and

shops, some of them quite old, and others quite new.

A magnificent new Buddhist temple is seen gradually raising its head

close by the side of an ancient one which has so far crumbled to decay

that the bright sun pours down unchecked a flood of golden light on

the tapering crown of a huge brass image of the Buddha, which sits

with its hands folded in undisturbed and profound contemplation on

its glittering altar. On the other side, as far as the eye can reach,

stretch unlimited groves of bananas and extensive plantations of

cocoanut and betel-nut palms. The mango, tamarind, banyan, and boh,

or bogara, trees here are of wonderful size and beauty, ponderous

and overshadowing, as if they had weathered a thousand summers and

winters, and would live unimpaired through a thousand more; and as

you wander through the deep cool shade which they afford, you find

that many of them must have served hundreds of years ago--before

Buddhism was introduced into Siam, and at a period when both the "Tree"

and "Serpent" worship prevailed here, as in other parts of the Old

World--as altars to a generation long gone by.

Many of their huge old trunks have been hollowed out and carved in the

form of oriel chapels or windows, in the inmost recesses of which may

still be traced the faint remains of what was intended to represent

the cobra-de-capello, or hooded snake of India, now covered over with

tender leaves and brilliant flowers, and forming at once the cosiest

and most delicious of couches for the weary traveller to rest upon.

Pak Laut, with all its ancient splendor and attractiveness, had one

drawback, and that was a very serious one. Among the village edifices

was an open sala, or hall, which had long been the favorite place of

rendezvous for all the rough and riotous seamen, English and American,

the crews of the merchant vessels trading to Bangkok; and it was in

consequence set down in the code of etiquette observed by the dozen or

so of the _élite_ of the English and American foreigners who resided at

Bangkok "as a dreadfully improper place for a lady to visit alone."

Thus it was quite out of the question that I should go there without an

escort, and not be tabooed by those good people as one utterly outside

of the pale of their society.

Luckily, at this time Monsieur M----, an _attaché_ to the French

consulate, had been sent by Dr. Campbell to Pak Laut for change of air,

and Monsieur L----, the commander of the king's guard, and his wife,

were going to see him. Being acquainted with the invalid, I obtained

their permission to make one of the party.

Notwithstanding the perplexity of friends, who could not imagine my

motive for going there, and who made themselves quite merry at my

expense, I found myself in a boat, with the blue letter pinned in my

pocket, my boy at my side, and Monsieur and Madame L---- opposite me,

at five o'clock one morning, sailing down with the tide to Pak Laut.

When I arrived there, I made a hasty breakfast with the sick man and

his friends, and leaving my boy at play in charge of the lady, I

hurried off in the direction of the governor's palace.

P'haya Keean, the governor, was a Peguan prince by birth, and the

father of my dear friend, whose name, translated into English is

"Hidden Perfume."

He received me so kindly and looked so benevolent that I felt

encouraged to tell him the object of my visit at once.

Taking my hand in his, and keeping the smile of appreciation on his

honest face, he led me through several long halls and corridors,

which brought us at length to a very queer-looking old tower, covered

with moss and black with age, with narrow loopholes for windows, and

surrounded by a deep moat or ditch full of stagnant water.

From the roof of this extraordinary building descended two flights

of steps built in the wall, and leading directly to two ruinous old

drawbridges that spanned the moat. The one communicated with the

governor's palace, while the other led to a low arched gateway which

opened immediately on a canal, and thus had access to the river.

What the moat was intended for I could in no wise imagine, unless it

were especially designed to connect the tower, independent of the

bridges, with the river, and thus, in cases of necessity, afford the

inmates an opportunity of immediate flight by water. There were two

boats on the moat, ready for any such emergency.

The governor left me standing outside of the low wall that skirted the

moat, crossed one of the crumbling old bridges, and entered the tower

through an arched doorway, solemn and ponderous as if it had withstood

the storms of many a dreadful siege.

In a few minutes May-Peâh, the Laotian slave-girl, came running out,

crying, "O, I love you dearly! I love you dearly! I am so happy. Come

in, come in and see the prince!" So saying, she pulled me after her

into that singular, toppling-down-looking old edifice, which I must

confess inspired me with a dread that I could not overcome, nor could

I divest myself of the feeling that I was under the influence of some

wild, fantastic dream.

The only floor of the old tower (for there was but one) consisted of

three rooms; one was rather large, and might have been in its best days

of a vermilion color, but was now utterly discolored by great patches

made by rain-water, which had changed it to a dull, yellowish, muddy

hue. It was an ancient and gloomy-looking apartment, with all manner

of rusty and antique Indian armor, shields, banners, spears, swords,

bows and arrows, and lances ranged along the wall, which seemed to have

been wielded by men of gigantic stature, and pointed to an epoch beyond

the memory of the present race. Passing through this hall, we entered

another and smaller room, the walls of which had also once been painted

with gigantic flowers, birds, and beasts, among which the figure of

the crocodile was most conspicuous. It contained a bed of state which

looked like Indian, i.e. Bombay, workmanship, lifting to the ceiling a

high, solemn canopy of that ponderous flowered silk called kinkaub.

I cannot depict the scene: how the glimmering light within and the

changing lights without, reflected from the dark green waters, touched

upon and singled out for a momentary illumination one after another the

picturesque arms and the gigantic pictures on the walls, and diffused

an air of mystery over the whole.

[Illustration: A LAOTIAN.]

"Welcome, welcome, brave friend!" said one of the three dark young men

I found seated within, who rose and came to meet me with a singular

gesture of courtesy and respect, and whom I at once recognized, from

his strong likeness to the Princess Sunartha Vismita, to be the

Prince P'hra O'Dong Karmatha. The prince, for it was he, with an

excitement he could not quite control, inquired if I had seen his

sister. As I spoke, May-Peâh drew near and listened to what I said,

with intense interest and anxiety expressed in her fine face. But when

I handed the prince the letter, they were all inexpressibly delighted.

All the others waited anxiously, turning silent looks of sympathy and

affection on him, as he read it first to himself, and then aloud to the

party.

"May-Peâh" were the only two words I understood of its contents; but

I saw two big drops like thunder-rain fall suddenly from the eyes of

P'hra O'Dong on the blotted yellow paper, and his voice died away in a

hoarse whisper as he concluded the strange epistle.

After which the party were silent, saying nothing for nearly a whole

hour, as it appeared to me, and absorbed each with his own thoughts.

Then P'hra O'Dong cast an upward glance as if in prayer, and May-Peâh

crept quietly to his side and looked at him with the calm, deep

determination of high and noble resolve depicted on her fine face.

The two faces presented the strongest contrast possible,--the one

dark, troubled, impetuous, and weak; the other resolute, passionate,

unchangeable, and brave. I wanted no further proof of the nature of

the friendship which May-Peâh bore to the young prince and his sister.

There are times when one almost knows what is passing in the mind of

another. Thus it was that I was able to form some glimmering conception

of the elevated character of the slave-woman before me.

It was time for me to go. The prince begged me to take something from

him by way of compensation, but I declined, thanking him all the same,

and carrying away with me only loving words of comfort and hope to his

long-imprisoned sister and her companions.

May-Peâh followed me out, and her fine face--for the oftener I saw it

the finer it looked--was never more expressive than when she thanked

me, and bade me tell her beloved mistress to keep a stout heart,

adding, in a whisper: "I do not know what I am going to do, but

something shall be done to save her, even if I die for it."

It was in vain that I urged her to be patient, and not to do anything

so rash as to attempt the rescue of the princess; nothing that I could

say would move her from her purpose.

The day, though it commenced brightly, now began to be overcast, and

the tide was turning for Bangkok, so I left her. As we parted, she was

standing in one of the long corridors, with her hands folded and raised

high above her head, and a flood of tender emotions brimming over into

her eyes.

The Romance of the Harem · 第 20 / 31 章