"You, then, whose judgment the right course would steer,

Know well each Ancient's proper character:

His fable, subject, scope in ev'ry page;

Religion, country, genius of his age:

Without all these at once before your eyes,

Cavil you may, but never criticise.

Be Homer's works your study and delight,

Read them by day, and meditate by night;

Thence form your Judgment, thence your maxims bring,

And trace the muses upward to their spring.

Still with itself compared, his text peruse;

And let your comment be the Mantuan muse.

"When first young Maro in his boundless mind

A work t' outlast immortal Rome design'd,

Perhaps he seem'd above the critic's law,

And but from Nature's fountains scorn'd to draw:

But when t' examine ev'ry part he came,

Nature and Homer were, he found, the same.

Convinced, amazed, he checks the bold design;

And rules as strict his labour'd work confine,

As if the Stagyrite o'erlook'd each line.

Learn hence for ancient rules a just esteem;

To copy nature is to copy them.

Some beauties yet no precepts can declare,

For there's a happiness as well as care.

Music resembles poetry; in each

Are nameless graces which no methods teach,

And which a master-hand alone can reach.

If, where the rules not far enough extend,

(Since rules were made but to promote their end,)

Some lucky license answer to the full

Th' intent proposed, that license is a rule.

Thus Pegasus, a nearer way to take,

May boldly deviate from the common track;

Great wits sometimes may gloriously offend,

And rise to faults true critics dare not mend.

From vulgar bounds with brave disorder part,

And snatch a grace beyond the reach of art,

Which, without passing through the judgment, gains

The heart, and all its end at once attains.

In prospects thus, some objects please our eyes,

Which out of nature's common order rise,

The shapeless rock, or hanging precipice.

But though the ancients thus their rules invade,

(As kings dispense with laws themselves have made,)

Moderns, beware! or if you must offend

Against the precept, ne'er transgress its end;

Let it be seldom, and compell'd by need,

And have, at least, their precedent to plead,

The critic else proceeds without remorse,

Seizes your fame, and puts his laws in force.

I know there are, to whose presumptuous thought

Those freer beauties, ev'n in them, seem faults.

Some figures monstrous and mis-shaped appear,

Consider'd singly, or beheld too near;

Which, but proportion'd to their light or place,

Due distance reconciles to form and grace.

A prudent chief not always must display

His powers in equal ranks, and fair array,

But with the occasion and the place comply,

Conceal his force, nay seem sometimes to fly.

Those oft are stratagems which errors seem;

Nor is it Homer nods, but we that dream.

Still green with bays each ancient altar stands,

Above the reach of sacrilegious hands;

Secure from flames, from Envy's fiercer rage,

Destructive war, and all-involving age.

See from each clime the learn'd their incense bring!

Hear, in all tongues consenting paeans ring!

In praise so just let ev'ry voice be join'd,

And fill the gen'ral chorus of mankind.

Hail, bards triumphant! born in happier days;

Immortal heirs of universal praise!

Whose honours with increase of ages grow,

As streams roll down, enlarging as they flow;

Nations unborn your mighty names shall sound,

And worlds applaud that must not yet be found

O may some spark of your celestial fire,

The last, the meanest of your sons inspire,

(That on weak wings, from far, pursues your flights;

Glows while he reads, but trembles as he writes,)

To teach vain wits a science little known,

T' admire superior sense, and doubt their own!

A magnificent burst of thoughtful enthusiasm! an urgent and monitory

exhortation, in which Pope calls upon rising critics and poets to pursue,

in the great writings of classical antiquity, the study of that art which

proceeds from the true study of Nature. It depictures his own studies; and

expresses the admiration of a glowing disciple, who, having found his own

strength and light in the conversation of his high instructors, will utter

his own gratitude, will advance their honour, and will satisfy his zeal

for the good of his brethren, by engaging others to use the means that

have prospered with himself.

The art delivered by Greece was self-regulated nature. Criticism was the

well-expounded Reason of inspiration, calling and instructing emulation.

The critic that will be, must transport himself into the mind of

antiquity; and, in particular, into the mind of his author for the time

being. Homer is your one great, all-sufficient lesson. Read him, after

Virgil's manner of reading him, who sought Nature by submitting himself to

rules drawn from her, and emblazoned in the Iliad and Odyssey.

Nevertheless, the rules do not yet comprehend every thing; and emergencies

occur when they whom the rules have trained to mastery, inspired by their

spirit, and following out their design, transcend them: so creating a new

excellence, which, in its turn, becomes a rule--but, O ye moderns! beware,

and dare tremblingly!

There are critics of a confined and self-confident wit, who impeach these

liberties, even of the masters, most unthinkingly and rashly; for

sometimes the skillful tactician is on his way to winning the victory,

when you think him flying.

The fame of those ancients is now safe and universal. Withhold not your

solitary voice. Hail, ye victorious inheritors of ever-gathering renown!

And, oh! enable the last and least of poets to teach the pretenders of

criticism modesty and reverence!

_Edinburgh: Printed by Ballantyne and Hughes, Paul's Work._

Footnotes:

[1] Daguerreotype, &c.

[2] Valerius Flaccus.

[3] Cicero, in a well-known passage of his _Ethics_, speaks of trade as

irredeemably base, if petty; but as not so absolutely felonious if

wholesale. He gives a _real_ merchant (one who is such in the English

sense) leave to think himself a shade above small-beer.

[4] "_The astonishment of science._"--Her medical attendants were Dr

Percival, a well-known literary physician, who had been a correspondent of

Condorcet, D'Alembert, &c., and Mr Charles White, a very distinguished

surgeon. It was he who pronounced her head to be the finest in its

structure and development of any that he had ever seen--an assertion

which, to my own knowledge, he repeated in after years, and with

enthusiasm. That he had some acquaintance with the subject may be presumed

from this, that he wrote and published a work on the human skull,

supported by many measurements which he had made of heads selected from

all varieties of the human species. Meantime, as I would be loth that any

trait of what might seem vanity should creep into this record, I will

candidly admit that she died of hydrocephalus; and it has been often

supposed that the premature expansion of the intellect in cases of that

class, is altogether morbid--forced on, in fact, by the mere stimulation

of the disease. I would, however, suggest, as a possibility, the very

inverse order of relation between the disease and the intellectual

manifestations. Not the disease may always have caused the preternatural

growth of the intellect, but, on the contrary, this growth coming on

spontaneously, and outrunning the capacities of the physical structure,

may have caused the disease.

[5] Amongst the oversights in the _Paradise Lost_, some of which have not

yet been perceived, it is certainly _one_--that, by placing in such

overpowering light of pathos the sublime sacrifice of Adam to his love for

his frail companion, he has too much lowered the guilt of his disobedience

to God. All that Milton can say afterwards, does not, and cannot, obscure

the beauty of that action: reviewing it calmly, we condemn--but taking the

impassioned station of Adam at the moment of temptation, we approve in our

hearts. This was certainly an oversight; but it was one very difficult to

redress. I remember, amongst the many exquisite thoughts of John Paul,

(Richter,) one which strikes me as peculiarly touching upon this subject.

He suggests--not as any grave theological comment, but as the wandering

fancy of a poetic heart--that, had Adam conquered the anguish of

separation as a pure sacrifice of obedience to God, his reward would have

been the pardon and reconciliation of Eve, together with her restoration

to innocence.

[6]

"I stood in unimaginable trance

And agony, which cannot be remember'd."

--_Speech of Alhadra in Coleridge's Remorse._

[7] Some readers will question the _fact_, and seek no reason. But did

they ever suffer grief at _any_ season of the year?

[8] [Greek: Phyge monou pros monon].--PLOTINUS.

[9] The thoughts referred to will be given in final notes; as at this

point they seemed too much to interrupt the course of the narrative.

[10] "Everlasting Jew!"--_der ewige Jude_--which is the common German

expression for _The Wandering Jew_, and sublimer even than our own.

[11] "_I felt._"--The reader must not forget, in reading this and other

passages, that, though a child's feelings are spoken of, it is not the

child who speaks. _I_ decipher what the child only felt in cipher. And so

far is this distinction or this explanation from pointing to any thing

metaphysical or doubtful, that a man must be grossly unobservant who is

not aware of what I am here noticing, not as a peculiarity of this child

or that, but as a necessity of all children. Whatsoever in a man's mind

blossoms and expands to his own consciousness in mature life, must have

pre-existed in germ during his infancy. I, for instance, did not, as a

child, _consciously_ read in my own deep feeling these ideas. No, not at

all; nor was it possible for a child to do so. I the child had the

feelings, I the man decipher them. In the child lay the handwriting

mysterious to _him_; in me the interpretation and the comment.

[12] I except, however, one case--the case of a child dying of an organic

disorder, so therefore as to die slowly, and aware of its own condition.

Because such a child is solemnized, and sometimes, in a partial sense,

inspired--inspired by the depth of its sufferings, and by the awfulness of

its prospect. Such a child having put off the earthly mind in many things,

may naturally have put off the childish mind in all things. I therefore,

speaking for myself only, acknowledge to have read with emotion a record

of a little girl, who, knowing herself for months to be amongst the elect

of death, became anxious even to sickness of heart for what she called the

_conversion_ of her father. Her filial duty and reverence had been

swallowed up in filial love.

[13] _The Englishwoman in Egypt._--Letters from Cairo, written during a

residence in 1842, 1843, and 1844, with E. W. Lane, Esq., author of the

_Modern Egyptians_. By his SISTER.

[14] Blue eyes are regarded in the East as so unlucky, that the epithet

"blue-eyed" is commonly applied as a term of abuse--(see Lane's _Thousand

and One Nights_, chap. XV. note 9.) We find from Miss Pardoe, that a

similar prejudice prevails among the Osmanlis.

[15] A representation of ladies thus mounted, is found in the _Modern

Egyptians_, Vol. i. p. 240, first edit.

[16] _Observations on the Mussulmans of India_, by Mrs Meer Hassan Ali,

(Parbury and Allen, 1832.) The authoress of these volumes became, under

what circumstances she does not inform us, the wife of a Moslem native of

wealth and rank in India, of whose hareem she had been twelve years an

inmate, without once having had reason, by her own account, to regret her

apparently strange choice of a partner.

[17] Knight's _Quarterly Magazine_, ii. 414, a talented but shortlived

periodical, chiefly by members of the University of Cambridge, to which

Praed was a principal contributor under the assumed signature of Peregrine

Courtenay.

[18] Lane's _Thousand and One Nights_, i. 176, ii. 345.

[19] A representation of the Mahmal is given in the _Modern Egyptians_,

ii. 182.

[20] Mrs Damer describes this lady, to whose amiability and

accomplishments she does ample justice, as "a sort of Turkish

_chanoinesse_," who had renounced marriage in order to devote herself to

her mother--a circumstance which, if correctly stated, would be almost

unparalleled in the East. But Mrs Poole's silence would rather lead us to

suppose that Mrs Damer was mistaken.

[21] A belief precisely similar prevailed throughout Christendom, previous

to the year 1260 of our own era: the reference being to the two mystic

periods in the eleventh chapter of the Apocalypse.

[22] An anecdote of this personage is given in Mr Lane's works, i. 153.

[23] It is hareem etiquette to address mothers by the names of their

children.

[24] Marriages of slaves from the khalif's hareem occur more than once in

the Thousand and One Nights.

[25] The higher classes are not free from this reproach if we are to

believe the story told by Mrs Damer, that Nezleh Hanum punished a female

slave who had offended her by the daily amputation of a joint of one of

her fingers!

[26] A Spanish proverb of former days, defines "Castilian faith and

Moorish works" as the ingredients of a good Christian.

[27] _Lectures on Agricultural Chemistry and Geology._ 1 vol. 8vo.

_Elements of Agricultural Chemistry and Geology._ 4th Edition.

_Catechism of Agricultural Chemistry and Geology._ 7th Edition.

[28] _Elements of Agricultural Chemistry and Geology_, 4th Edition, p.

239.

[29] Yet we are sometimes led to doubt if our author be really so

kind-hearted as he would have us to believe. The following passage, for

example, would lead us to believe that he is really savage at heart, and

that his humanity is little better than affectation. The contrast between

the two passages which we have put in italics is very amusing. He is

speaking of the _weeding_ of pigeons.

"Every bird that is caught should be examined and recognized and every one

exhibiting signs of old age should be destroyed, by pushing the joint of

the thumb with force into the back of the head, and severing the cervical

vertebrae, or _applying the teeth for that purpose_; but should these modes

be disliked or impracticable, _rather than torture the poor devoted

animals_ by abortive attempts, let their heads be cut off at once by a

sharp table-knife."--(Vol. ii. p. 253.)

[30] _Diaries and Correspondence of James Harris, First Earl of

Malmesbury._ Edited by his GRANDSON, the Third Earl, Vols. 3 and 4,

London: 1844.

[31] Barrancas are those immense clefts or ravines, some of them several

thousand feet deep, which abound upon the plateau, or table-land, on which

the city of Mexico stands.

[32] Orizava--in Mexican, Citlatepetl, or the Star Mountain.

[33] The Mexican wolf.

[34] A proverbial expression amongst the Indians, signifying something

inimical or prejudicial; the day of ill luck.

[35] Bixa Orellana--a species of dye-wood. String is made out of the bark.

The wood takes fire easily upon friction.

[36] Infamous by birth. The children of whites and negroes, or whites and

Indians, or Indians and negroes, were _infames de derecho_.

[37] Guachinango is another name for Lepero. Pulque is the favourite drink

of the Mexicans, made from the sap of the agave or aloe.

[38] Beef, salted and dried.

[39] _Walpole's Memoirs of the Reign of George III._ London: 1845. 2 vols.

Transcriber's Notes:

Passages in italics are indicated by _underscore_.

The original text includes Greek characters. For this text version these

letters have been replaced with transliterations.

The first numbered page in the original text is 269.

The following misprints have been corrected:

"subjct" corrected to "subject" (page 392)

"tougue" corrected to "tongue" (page 396)

Other than the corrections listed above, printer's inconsistencies in

spelling and hyphenation have been retained.

Some quotes are opened with marks but are not closed. Obvious errors

have been silently closed, while those requiring interpretation have

been left open.

Other punctuation has been corrected without note.

Blackwood's Edinburgh Magazine, Volume 57, No. 353, March 1845 · 第 22 / 22 段