CHAPTER XI

A RIVER FETE

Close alongside of the Prince's boat, waiting also for the opening of the

lock, was one of those great barges which carry wood or charcoal up and

down the Seine.

A whole family often lives on board these big, heavy boats. The smoke of

the kitchen fire issues from a sort of wooden cabin where several human

beings breathe, eat, sleep, are born and die, sometimes without hardly

ever having set foot upon the land. Pots of geranium or begonia give a

bit of bright color to the dingy surroundings; and the boats travel

slowly along the river, impelled by enormous oars, which throw long

shadows upon the water.

It was this motionless barge that Marsa was now regarding.

The hot sun, falling upon the boat, made its brown, wet sides sparkle

like the brilliant wings of some gigantic scarabee; and, upon the

patched, scorched deck, six or seven half-naked, sunburned children, boys

and girls, played at the feet of a bundle of rags and brown flesh, which

was a woman, a young woman, but prematurely old and wasted, who was

nursing a little baby.

A little farther off, two men-one tough and strong, a man of thirty, whom

toil had made forty, the other old, wrinkled, white-haired and with skin

like leather, father and grandfather, doubtless, of the little brats

beyond--were eating bread and cheese, and drinking, turn by turn, out of

a bottle of wine, which they swallowed in gulps. The halt was a rest to

these poor people.

As Marsa watched them, she seemed to perceive in these wanderers of the

river, as in a vision, those other wanderers of the Hungarian desert, her

ancestors, the Tzigani, camped in the puszta, the boundless plain,

crouched down in the long grass beneath the shade of the bushes, and

playing their beautiful national airs. She saw the distant fires of the

bivouac of those unknown Tzigani whose daughter she was; she seemed to

breathe again the air of that country she had seen but once, when upon a

mournful pilgrimage; and, in the presence of that poor bargeman's wife,

with her skin tanned by the sun, she thought of her dead, her cherished

dead, Tisza.

Tisza! To the gipsy had doubtless been given the name of the river on

the banks of which she had been born. They called the mother Tisza, in

Hungary, as in Paris they called the daughter the Tzigana. And Marsa was

proud of her nickname; she loved these Tzigani, whose blood flowed in her

veins; sons of India, perhaps, who had descended to the valley of the

Danube, and who for centuries had lived free in the open air, electing

their chiefs, and having a king appointed by the Palatine--a king, who

commanding beggars, bore, nevertheless, the name of Magnificent;

indestructible tribes, itinerant republics, musicians playing the old

airs of their nation, despite the Turkish sabre and the Austrian police;

agents of patriotism and liberty, guardians of the old Hungarian honor.

These poor people, passing their lives upon the river as the Tzigani

lived in the fields and hedges, seemed to Marsa like the very spectres of

her race. More than the musicians with embroidered vests did the poor

prisoners of the solitary barge recall to her the great proscribed family

of her ancestors.

She called to the children playing upon the sunbeaten deck: "Come here,

and hold up your aprons!"

They obeyed, spreading out their little tattered garments. "Catch

these!" she cried.

They could not believe their eyes. From the steamer she threw down to

them mandarins, grapes, ripe figs, yellow apricots, and great velvety

peaches; a rain of dainties which would have surprised a gourmand: the

poor little things, delighted and afraid at the same time, wondered if

the lady, who gave them such beautiful fruit, was a fairy.

The mother then rose; and, coming toward Marsa to thank her, her sunburnt

skin glowing a deeper red, the poor woman, with tears in her tired eyes,

and a wan smile upon her pale lips, touched, surprised, happy in the

pleasure of her children, murmured, faltering and confused:

"Ah! Madame! Madame! how good you are! You are too good, Madame!"

"We must share what we have!" said Marsa, with a smile. "See how happy

the children are!"

"Very happy, Madame. They are not accustomed to such things. Say 'Thank

you,' to the beautiful lady. Say 'Thank you,' Jean; you are the oldest.

Say like this: 'Thank-you-Ma-dame.'"

"Thank-you-Ma-dame" faltered the boy, raising to Marsa big, timid eyes,

which did not understand why anybody should either wish him ill or do him

a kindness. And other low, sweet little voices repeated, like a refrain:

"Thank-you-Ma-dame."

The two men, in astonishment, came and stood behind the children, and

gazed silently at Marsa.

"And your baby, Madame?" said the Tzigana, looking at the sleeping

infant, that still pressed its rosy lips to the mother's breast. "How

pretty it is! Will you permit me to offer it its baptismal dress?"

"Its baptismal dress?" repeated the mother.

"Oh, Madame!" ejaculated the father, twisting his cap between his

fingers.

"Or a cloak, just as you please," added Marsa.

The poor people on the barge made no reply, but looked at one another in

bewilderment.

"Is it a little girl?" asked the Tzigana.

"No, Madame, no," responded the mother. "A boy."

"Come here, jean," said Marsa to the oldest child. "Yes, come here, my

little man."

Jean came forward, glancing askance at his mother, as if to know whether

he should obey.

"Here, jean," said the young girl, "this is for your baby brother."

And into the little joined hands of the boy, Marsa let fall a purse,

through whose meshes shone yellow pieces of gold.

The people of the barge thought they were dreaming, and stood open-

mouthed in amazement, while Jean cried out:

"Mamma, see, mamma! Mamma! Mamma!"

Then the younger bargeman said to Marsa:

"Madame, no, no! we can not accept. It is too much. You are too good.

Give it back, Jean."

"It is true, Madame," faltered his wife. "It is impossible. It is too

much."

"You will cause me great pain if you refuse to accept it," said Marsa.

"Chance has brought us together for a moment, and I am superstitious.

I would like to have the little children pray that those I love--that the

one I love may be happy." And she turned her eyes upon Prince Andras,

who had returned to the deck, and was coming toward her.

The lock was now opened.

"All aboard!" shouted the captain of the steamer.

The poor woman upon the barge tried to reach the hand of Marsa to kiss

it.

"May you be happy, Madame, and thank you with all our hearts for your

goodness to both big and little."

The two bargemen bowed low in great emotion, and the whole bevy of little

ones blew kisses to the beautiful lady in the black dress, whom the

steamer was already bearing away.

"At least tell us your name, Madame," cried the father. "Your name, that

we may never forget you."

A lovely smile appeared on Marsa's lips, and, in almost melancholy

accents, she said:

"My name!" Then, after a pause, proudly: "The Tzigana!"

The musicians, as she spoke, suddenly struck up one of the Hungarian

airs. Then, as in a flying vision, the poor bargemen saw the steamer

move farther and farther away, a long plume of smoke waving behind it.

Jacquemin, hearing one of those odd airs, which in Hungary start all feet

moving and keeping time to the music, exclaimed:

"A quadrille! Let us dance a quadrille! An Hungarian quadrille!"

The poor people on the barge listened to the music, gradually growing

fainter and fainter; and they would have believed that they had been

dreaming, if the purse had not been there, a fortune for them, and the

fruit which the children were eating. The mother, without understanding,

repeated that mysterious name: "The Tzigana."

And Marsa also gazed after them, her ears caressed by the czardas of the

musicians. The big barge disappeared in the distance in a luminous haze;

but the Tzigana could still vaguely perceive the little beings perched

upon the shoulders of the men, and waving, in sign of farewell, pieces of

white cloth which their mother had given them.

A happy torpor stole over Marsa; and, while the guests of the Baroness

Dinati, the Japanese Yamada, the English heiresses, the embassy attaches,

all these Parisian foreigners, led by Jacquemin, the director of the

gayety, were organizing a ballroom on the deck, and asking the Tzigani

for polkas of Fahrbach and waltzes of Strauss, the young girl heard the

voice of Andras murmur low in her ear:

"Ah! how I love you! And do you love me, Marsa?"

"I am happy," she answered, without moving, and half closing her eyes,

"and, if it were necessary for me to give my life for you, I would give

it gladly."

In the stern of the boat, Michel Menko watched, without seeing them,

perhaps, the fields, the houses of Pecq, the villas of Saint-Germain,

the long terrace below heavy masses of trees, the great plain beside

Paris with Mont Valerien rising in its midst, the two towers of the

Trocadero, whose gilded dome sparkled in the sun, and the bluish-black

cloud which hung over the city like a thick fog.

The boat advanced very slowly, as if Prince Andras had given the order to

delay as much as possible the arrival at Maisons-Lafitte, where the whole

fete would end for him, as Marsa was to land there. Already, upon the

horizon could be perceived the old mill, with its broad, slated roof.

The steeple of Sartrouville loomed up above the red roofs of the houses

and the poplars which fringe the bank of the river. A pale blue light,

like a thin mist, enveloped the distant landscape.

"The dream is over," murmured Marsa.

"A far more beautiful one will soon begin," said Andras, "and that one

will be the realization of what I have waited for all my life and never

found--love."

Marsa turned to the Prince with a look full of passionate admiration and

devotion, which told him how thoroughly his love was returned.

The quadrille had ended, and a waltz was beginning. The little Japanese,

with his eternal smile, like the bronze figures of his country, was

dancing with a pre-raphaelite English girl.

"How well you dance," she said.

"If we only had some favors," replied the Japanese, showing his teeth in

a grin, "I would lead the cotillon."

The boat stopped at last at Maisons-Lafitte. The great trees of the park

formed a heavy mass, amid which the roof of the villa was just

discernible.

"What a pity it is all over," cried the Baroness, who was ruddy as a

cherry with the exercise of dancing. "Let us have another; but Maisons-

Lafitte is too near. We will go to Rouen the next time; or rather, I

invite you all to a day fete in Paris, a game of polo, a lunch, a garden

party, whatever you like. I will arrange the programme with Yamada and

Jacquemin."

"Willingly," responded the Japanese, with a low bow. "To collaborate

with Monsieur Jacquemin will be very amusing."

As Marsa Laszlo was leaving the boat, Michel Menko stood close to the

gangway, doubtless on purpose to speak to her; and, in the confusion of

landing, without any one hearing him, he breathed in her ear these brief

words:

"At your house this evening. I must see you."

She gave him an icy glance. Michel Menko's eyes were at once full of

tears and flames.

"I demand it!" he said, firmly.

The Tzigana made no reply; but, going to Andras Zilah, she took his arm;

while Michel, as if nothing had happened, raised his hat.

General Vogotzine, with flaming face, followed his niece, muttering, as

he wiped the perspiration unsteadily from his face:

"Fine day! Fine day! By Jove! But the sun was hot, though! Ah, and

the wines were good!"

ETEXT EDITOR'S BOOKMARKS:

A man's life belongs to his duty, and not to his happiness

All defeats have their geneses

Foreigners are more Parisian than the Parisians themselves

One of those beings who die, as they have lived, children

Playing checkers, that mimic warfare of old men

Superstition which forbids one to proclaim his happiness

The Hungarian was created on horseback

There were too many discussions, and not enough action

Would not be astonished at anything

You suffer? Is fate so just as that

Prince Zilah — Volume 1 · 第 11 / 11 章