CHAPTER L.

REJOICINGS IN ENGLAND OVER THE RESULT OF NAPOLEON’S RUSSIAN

CAMPAIGN--THE EMPEROR’S RETURN TO FRANCE.

One of the last caricatures of this year is a very elaborate

picture--‘The Arms and Supporters of Napoleon Bonaparte the self

created Emperor, alias the Corsican, and now the Curse of Europe.’ It

was published December 1812, but the artist is unknown, which is a

pity, as the execution is very good. The animus that inspired it will

be seen in the following Explanation, which accompanies it:--

The Crest represents the World, which, England and Sweden

excepted, is set on fire everywhere by the incendiary

Corsican; his bloody actions and designs are expressed by

the bloody hand and dagger reaching towards Spain. Tyranny,

Hypocrisy, Barbarity and Villany are his standards, which are

distinguishable through the smoke, and the fire, and have

nearly enveloped the whole Globe.

His supporters are The French Devil, and the Corsican Devil.

The French Devil, or _le diable boiteux_, formerly a Nobleman

and a priest: any body may easily guess that he, and

Talleyrand, are one and the same creature: by the hour glass he

indicates, however, that time is running away, and that Boney’s

downfall is fast approaching. The Gallic cock destroying

religion is his emblem.

The Corsican Devil, who, being intoxicated with unbounded

ambition, wears an Iron crown ornamented with thorns: he cuts

down the cap of liberty, because tyranny is his idol. The

Serpent and the hyena are very proper emblems of his infamous

character and conduct.

_Description of the Arms divided into Eight Quarters._

1. The Mushroom on a dunghill denotes his descent, or origin of

family. The Crocodile expresses his treacherous transactions in

Egypt, his apostacy, and his cowardly desertion from his army.

The bloody hand, the guillotine, and the black heart, can only

belong to such a monster.

2. Represents the shooting of 800 defenceless Turkish

prisoners, near the town of Jaffa, ordered very coolly by the

monster Boney.

3. Shews the poisoning his own sick soldiers in the hospital at

Jaffa, by his express orders.

4. Exhibits a scene never known before in the Civilized World.

The foul murder (for it cannot be called anything else, though

Boney excuses it by his mock Court Martial) of the Duke

d’Enghien.

5. Here the monster compels the Pope to come to Paris, and to

assist at a blasphemous coronation, where Boney stands upon no

ceremony with the Holy Father. Boney puts on the iron crown

himself with one hand, whilst the other hand is employed in

robbing the Catholic Church of its head.

6. Exhibits another shocking scene; the truly English patriot,

Captain Wright, is put to death, because he will not be a

traitor to his king and country.

7. Here we behold the massacre of the defenceless citizens of

Madrid, on the 2nd of May, 1808.

8. Represents the imprisonment of King Ferdinand the 7th

because he will not renounce the Crown of Spain, nor marry

Boney’s niece.

The Motto is taken from Proverbs, chapter xxviii. verse 15--‘As a

roaring lion, and a ranging bear, so is a wicked ruler over the poor

people.’

On December 16 of this year was published an ‘Extraordinary Gazette’

which perfectly electrified this country. It contained detailed reports

of the successes over the French--news which filled every English heart

with joy.

The ‘Times’ of December 17 says:--‘We hardly know the terms in which

we are to address the people of this and every other European country,

on the subject of the _Extraordinary Gazette_ contained in this day’s

paper. It does more than confirm our hopes--it does more than justify

the ardent expressions of triumph, in which we indulged yesterday.

And really, in speaking of the successes of the Russians, we are

obliged to abate the excess of our joy. Not from any doubt of their

magnitude, or reality, for upon these our countrymen may rely; but from

mere apprehension, lest the vicissitude of human affairs, which does

not usually suffer mankind to exult beyond measure upon any occasion

whatever, should, by we know not what unexpected reverse, abate

somewhat of the transcendent felicity which is promised the world,

by the overthrow, and disgrace, of its most detested and detestable

tyrant. We shall only say, therefore, in so many words, that Buonaparte

is wholly defeated in Russia; he is conquered, and a fugitive. And what

can we say more? We have seen his army pass from victory to victory;

we have seen it overthrow kingdoms, and subjugate realms,--insult

sovereigns, and oppress peasants--violate every human right, and

diffuse every species of human misery. And now where is it? Where shall

we look for it? “A wide and capable destruction hath swallowed it up.”

In this awful event we rather admire in humility the dispensations of

Providence, than exult with pride over the fall of a haughty foe; it is

hardly to be viewed as an occurrence between man and man, or between

nation and nation; but as a divine judgment upon the earth.’

To give an idea of the state of tension at which men’s minds then

were held, I may be pardoned if I give the following extract[25]: ‘He

[Professor Sedgwick] gave a curious account of Commemoration Day, on

December 16, 1812. He was then a Fellow, and, on that day, not feeling

well, had not been drinking his port wine so freely in the Combination

Room, as it was, in those days, the custom of the Fellows to do. A man,

he said, who did not then drink pretty hard, was considered a milksop.

Leaving the other Fellows over their wine, he went to the gate, where

the porter gave him a Newspaper, on opening which, he found the

official announcement by Napoleon of the destruction of his grand army

(_sic_). With this news he returned to the Combination Room, and there

read the tidings, to the intense joy and excitement of all present.

_Old and young_, he said, _wept like children_.’[26]

The Russians estimated the French losses by capture from their first

invasion of Russia to December 26, 1812, at 41 generals, 1,298 inferior

officers, 167,510 non-commissioned officers and privates, and 1,131

pieces of cannon.

Buturlin estimated the total loss sustained by the French in the

Russian campaign at ‘Slain in battle, one hundred and twenty-five

thousand; died from fatigue, hunger, and cold, one hundred and

thirty-two thousand; prisoners (comprehending forty-eight generals,

three thousand officers, and upwards of one hundred and ninety thousand

men), one hundred and ninety-three thousand; total, four hundred

and fifty thousand,’ and this takes no count of the thousands of

non-combatants who perished.

The destruction of his army, his crushing defeat, and Mallet’s

conspiracy, all determined Napoleon to return to France, and he reached

Paris about half-past eleven at night on December 18. How different

from his hitherto triumphal entries! Maria Louisa had retired to rest,

and was woke by the cries of her attendants, who were frightened at

the sight of a man muffled up in furs, not knowing he was their august

master. And thus he slunk home!

In June 1813 was published ‘Naps glorious return or the conclusion of

the Russian Campaign.

A few Usurpers to the Shades descend.

By a dry death, or with a quiet end.’

In this plate we see Maria Louisa preparing to go to bed, Madame

Letitia, Napoleon’s mother, pulling off her stockings. The old lady

cries out, ‘Ah, de Ghost!! de Ghost of mon Nap.’ The Empress is

frightened, and exclaims, ‘Jesu Maria, what is this so woe begone? It

cannot be my husband, he promised to return in triumph, it must be his

Ghost.’ Even his little boy, the King of Rome, doubts his identity.

He is getting ready for bed, and already has his nightcap on, but he

runs away in fright, crying, ‘That ain’t my Papa!! he said he would

bring me some Russians to cut up. I think they have cut him up.’ Whilst

Bonaparte, who enters in a most dilapidated condition, with his toes

coming through his boots, his sword and scabbard broken, and his face

besmeared with dirt, calls out dolefully, ‘Me voici! your poor Nap

escape from de Cossack--by gar, I jump out of de window for my life,

and I now jump into bed vid my wife.’ The ladies-in-waiting have

fainted, and one, having left the warming-pan in the bed, has set it on

fire, and it is burning brightly.

On January 1, 1813, was published another caricature of the retreat

from Moscow: ‘Boney returning from Russia covered with Glory, leaving

his Army in _Comfortable_ Winter Quarters.

Nap and Joe, from France would go

To fill the world with slaughter,

Joe fell down, and broke his crown,

And Nap came tumbling after.’

Napoleon, with one of his generals, is in full retreat, in a sledge,

leaving his army pursued by the Russians, and the ground strewn with

dead men and horses. The general asks, ‘Will your Majesty write the

Bulletin?’ ‘No,’ answers Napoleon, ‘you write it! tell them we have

left the Army all well, quite gay, in excellent Quarters, plenty of

provisions--that we travelled in great Style--received everywhere with

congratulations, and that I have almost compleated the _repose of

Europe_.’

George Cruikshank (February 22, 1813) produced, after a picture by

David, a most laughable caricature, called ‘The Hero’s Return.

Dishonest, with lopp’d arms, the man appears,

Spoil’d of his nose, and shorten’d of his ears.

She scarcely knew him, striving to disown

His blotted form, and blushing to be known.’

Dryden’s _Virgil_, Book 6.

Poor Napoleon, in very evil case, _sans_ nose, ears, fingers, and

toes, is borne in, supported by two Mamelukes, and riding on the back

of another, who is on all fours. The Empress is tearing her hair, and

weeping violently, whilst a maid-of-honour is holding a smelling-bottle

to her nose. Another lady-in-waiting has seized the King of Rome, who

is yelling with fright at the sight his father presents. His very dog

barks at him, and universal consternation prevails. The Oriental on the

floor holds a glass bottle containing Napoleon’s nose; whilst three

others in the rear bear respectively bottles which hold the Emperor’s

fingers, toes and ears.

After the return of Napoleon from Moscow, the following _jeu d’esprit_

was published:--

When Emperor Nap to France returned,

He much admired his boy;

The nurse, whose anxious bosom burned

T’ increase the father’s joy.

‘How much he talks! how much he’s grown!’

Would every moment cry;

‘Besides he has learnt to run alone.’

Says Boney, ‘So have I.’

Here is another:--

NAPOLEON A RUNAWAY FROM HIS ARMY.

‘A new Achilles, I,’ spake Gaul’s stern chief,

Nor spake a lie--albeit he _were_ a thief;

For, like Achilles, to the untimely grave

Hosts he had hurled, the bravest of the brave;

Insate of wrath, stiffnecked, implacable,

Wrecker of towns; and fleet of foot as well;

So like was he in much; yet not in all;--

The heel, that slew the Greek, has saved the Gaul.

Napoleon was not the man to sit still under defeat, and, very shortly

after his return, he set himself to repair losses. These were heavy;

there was an entirely new artillery to be provided, remounts for his

cavalry, and, what was of the greatest importance, a new army to be

made. This he got by anticipating the conscription of 1814, and the

patriotism of his people helped him largely with the remainder. The

caricaturist has sharp eyes, and he produced ‘Bonaparte reviewing his

Conscripts,’ which is an anonymous picture, dated February 23, 1813,

and represents the Emperor, who is mounted on a jackass, and who has a

very motley following, reviewing his Dutch light horse, who are mounted

on frogs, every man with a keg of Hollands under his arm.

There is a very comical picture of ‘Bonaparte addressing the

Legislative Body’ after his return from Russia (designed December 1,

1812, published February 24, 1813). Here the discomfited Emperor is in

very sorry plight: his coat is in tatters, his breeches cover only a

very small portion of his legs, his toes are well out of his boots, and

he in vain tries, with his handkerchief, to stop the tears which flow

so copiously, as he says, ‘I myself entered Russia. The Russian Armies

could not stand before our armies. The French Arms were constantly

victorious--A swarm of Tartars turned their parricidal hands against

the finest provinces of that vast Empire which they had been called

upon to defend--But the excessive and premature rigour of the winter

brought down a heavy calamity upon my army--In a few nights I saw

everything change.--The misfortunes produced by rigour of hoar frosts,

have been made apparent in all their extent--I experienced great

losses--they would have broken my heart, if under such circumstances,

I could have been accessible to any other sentiments than those of the

interest--the glory--and the future prosperity of my people--I have

signed with the Pope, a Concordat, which terminates all the differences

that unfortunately had arisen in the Church--The French Dynasty

reigns--and will reign in Spain--I am satisfied with all my allies--I

will abandon none of them--The Russians shall return into their

frightful climate.’

On March 6, 1813, appeared ‘The Wags of Paris or Downfall of Nap

the Great. “But the circumstance said to have annoyed the Emperor

most, was, some Wags of Paris taking of Dogs, and for sev’ral nights

together, tied Tin Kettles to their tails, and labels round their

necks, with the words ‘Run away from Moscow,’ & giving them liberty,

they ran with velocity, and fury, in various directions, to the great

Entertainment of the Parisians.” _Courier 1 Mar. 1813._’ One of these

dogs has got between Napoleon’s legs, and is throwing him down, while

he calls out, ‘Sacré Dieu!! Plot Anglais!! Not a Dog in Paris but shall

feel my Vengeance!! Shoot! hang them all! Not the Empress’s Favorite

shall escape. D--d John Bull--d--d Russian bears, not content with

hunting Me from the _frightful climate_, but sends Mad Dogs to Hunt

Me in my own Capital!!!’ The Governor of Paris replies, ‘Sire, be

pacified. All the Dogs in Paris shall be tried by a Military Commission

for a Conspiracy against your Sacred Majesty. All John Bull’s bull dogs

shall be destroyed! Pomeranian Danish Mastiffs & all but your Majesty’s

own breed of _Blood hounds_.’

‘Anticipation for _Boney_--or, a Court Martial on the Cowardly Deserter

from the Grand Army,’ by G. Cruikshank (March 6, 1813), is an imaginary

scene of what might happen, did the Emperor meet with his deserts. The

Parisian mob have the upper hand, and a cobbler has been proclaimed

Emperor in his stead. Before this awful being, Boney is dragged by a

ferocious butcher, who, with an enormous axe in one hand, holds in the

other the halter which encircles the neck of poor trembling Boney, who

is on his knees, with upraised, supplicating hands. The _sans-culotte_

Emperor Crispin is seated in a chair, on a _haut pas_; a cap of

liberty, on a pole, behind him. In one hand he holds a hammer, and one

foot rests on a lapstone. Pointing to the wretched culprit, he says,

‘Well! you are found guilty of cowardly deserting from the grand army,

and, by repairing here with your cobbling defence, you have done a d--d

bad job for yourself, and, as your time waxes near its end, I would

have you prepare your Sole for your Last. So off with his head, Mr.

Butcher.’ The butcher looks unutterable things at Boney, saying, ‘Ah,

D--n you we’ll cut off your head, and your Tail too!’ The poor craven

wretch, with streaming eyes, and upstanding hair, pitifully supplicates

that at all events his head should be spared. But the yelling mob cry

out, ‘Off with his head.’ ‘Aye, Aye, he has butchered Millions.’ And

the women and children scream, ‘Where’s my husband, wretch?’ ‘Where’s

my Father?’ ‘Where’s my Daddy?’ &c.

Drilling went on, a necessary step to the formation of a new army,

and the French temperament is well shown in a caricature, published

in April 1813, of ‘Nap reviewing the Grand Army, or the Conquest of

Russia anticipated,’ in which, during the march past, he points to his

soldiers with his sword, and says to two of his generals, ‘With this

Army will I crush those Russian Scourges, and make all Nations tremble

at my wrath.’ One general, in his enthusiasm, exclaims, ‘Parbleu!

vid dis Armée ve vil conquer de Heaven!!!’ The other, evidently an

Anglophobe, says, ‘And de Hell too, dat we may send dere de dam

Anglais.’

In April Napoleon judged that his army was in a fit state to take the

field, and the caricaturist’s idea of a council of war is humorously

told in the picture of ‘Boney and the Gay lads of Paris calculating

for the next Triumphal entry into Moscow.’ This broadside, which made

its appearance in April 1813, represents Bonaparte and his generals

in council. The latter are in different stages of dilapidation, some

having lost their noses, others with their feet bound up, and all more

or less suffering from frost-bite. One, pointing to a map, says, ‘By

Gar, Sire, we had better go to Petersburgh at once.’ Napoleon replies,

‘Aye, and then we can march to Siberia, and release the Exiles, who

will gladly join us, and abjure their tyrant.’ Two generals, in

conversation together, do not seem to relish the plan. One remarks,

‘Sacre Dieu, I no like de Russia Campaign. I lose my nose, my fingers,

and toes, in de last.’ And the other replies, ‘Eh bien, den now we lose

all our odds and ends.’ The letterpress is as follows:--

Master Boney was fain, after fighting with Spain,

And loseing some thousands of men;

To make an attack on the Russian Cossack,

With Nations to assist him full Ten.

He began with a boast, that he’d scower their Coast,

And drive them all into the Sea;

He continued his blow, till he got to Moscow,

His designed Winter quarters to be.

But when he got there, Lord how he did stare

To see the whole place in a flame,

Not a house for his head, not a rug for his bed,

Neither plunder, nor victuals, nor fame. ·

So he sent every Scout, who ran in and out,

But brought neither forage, nor food;

For that d--d Wittgenstein, so compleat hem’d him in,

That they dared not to venture a rood.

Now the fire having ceas’d, and the frost much encreas’d,

No cov’ring, no clothes to protect ’em;

Boney thought to be packing, Kutusoff began hacking,

And the Cossacks did fairly dissect ’em.

Says this Corsican wight, Why let my Friends fight,

As for me, the old Proverb I’ll follow,

He that fights and then runs, may, in spite of their guns,

Live! and some future day beat them hollow.

But take care, Master Nap, you meet with no trap,

To poke either leg or your head in;

Loss of legs stops your flight, lose your head, why the sight

Will be welcome at Miss Platoff’s[27] wedding.

In a sledge it is said, this King was convey’d,

Like a criminal back into France;

But his Army and Friends, to make them amends,

He gave them a precious cold dance.

The frost kill’d one half, the rest Kutusoff

Kill’d, or prisoners made in their flight;

Thus the Russians did beat Nap and Friends so compleat,

That no Armies e’er suffered such plight.

Now this madman, ’tis said, has ta’en in his head

To attempt at another Campaign,

With but half of his friends, yet still he intends

To venture to Moscow again.

But if Nap, and Ten more, were beaten before,

By raw Russian troops single handed;

With what chance can he hope against Russia to cope,

When their force with Allies is extended?

No, No, Master Nap, you’ll not feather your cap

Any more, for your race is near run;

And your murderous heart, is destined, Bonaparte,

To suffer for crimes it has done.

Then ye Nations whose voice through fear, not from choice,

To this tyrant its homage has paid,

Join the brave Russian throng, that your miseries ere long

May with Nap in Oblivion be laid.

English Caricature and Satire on Napoleon I. Volume 2 (of 2) · 第 13 / 25 章