PART II

A GUIDE TO MODERN COOKERY

A GUIDE TO MODERN COOKERY.

_SOME PRESS OPINIONS._

“This is probably one of the most important cookery books issued

this century, and will, it may be presumed, eventually take its

place alongside the familiar culinary classics of former days. It is

especially interesting as marking the inauguration of an entirely new

style of living. M. Escoffier’s book is a culinary education in itself,

and should take rank as a standard, be studied by all housekeepers who

have either large households or gourmets to cater for, and should most

certainly be placed in the hands of all persons training for high-class

cookery teachers.”—_Queen._

“His book is comprehensive. It begins at the beginning and explains

the principles, so that a lady who reads it may talk learnedly to her

cook; it deals fully with all the old-established dishes of different

countries; but its main feature is the number of delightful novelties

which it introduces to notice. There are plenty of recipes which may be

applied with advantage in the middle-class household where the lady in

the kitchen has nobody under her, for M. Escoffier’s directions deal

alike with humble and elaborate preparations.”—_Outlook._

“It is a big book written by a great cook, and it will be useful

not only to accomplished cooks and experienced housekeepers, but

also to beginners in the kitchen and the housekeeper’s room, for

M. Escoffier takes nothing for granted and explains very patiently all

the groundwork of the art of cookery before he discussed the _haute

cuisine_. It contains much that is interesting to the _gourmet_ as well

as much that is useful to the cook, for he has little tales to tell

concerning some of the dishes; and now and again a scrap of history

crops up.”—_Tatler._

“Even as you take up the volume a sense of pleasurable anticipation

takes possession of you, so pleasing is the cover, so clear and bold

is the type, and so delightful to the touch is the paper on which is

printed the garnered wisdom of the famous _chef_. A little reading

will soon show you that it is as full of sound wisdom, and of fresh

and interesting information, as Brillat-Savarin’s “Physiologie du

Goût”.”—_The Westminster Gazette._

“The ordinary good plain British cook will discover something worth the

learning on every page; the worried mistresses of small establishments

will cherish the book as a treasure-house of new ideas; the man who

likes a good dinner but has no special knowledge of the art of the

kitchen will find the preface and the introductions to the chapters

capital reading; and every English-speaking gourmet will have a well

thumbed copy of this very modern “Guide” upon his book-shelf. The book

is a comprehensive one, and at the same time a simple one. It is a

book that should be in every house.”—_Pall Mall Gazette._

[Illustration: _A. Escoffier_]

A GUIDE TO

MODERN COOKERY

BY

A. ESCOFFIER

OF THE CARLTON HOTEL

_WITH PORTRAIT_

NEW AND REVISED EDITION

[Logo: Windmill, 1920]

LONDON: WILLIAM HEINEMANN

_Printed in Great Britain._

_First Printed, May 1907

Second Impression, December 1907

New and Revised Edition, January 1909

New Impressions, August 1911, May 1913,

March 1916, January 1920._

_Copyright 1907 by William Heinemann._

PREFACE

If the art of Cookery in all its branches were not undergoing a process

of evolution, and if its canons could be once and for ever fixed, as

are those of certain scientific operations and mathematical procedures,

the present work would have no _raison d’être_; inasmuch as there

already exist several excellent culinary text-books in the English

language. But everything is so unstable in these times of progress at

any cost, and social customs and methods of life alter so rapidly, that

a few years now suffice to change completely the face of usages which

at their inception bade fair to outlive the age—so enthusiastically

were they welcomed by the public.

In regard to the traditions of the festal board, it is but twenty

years ago since the ancestral English customs began to make way before

the newer methods, and we must look to the great impetus given to

travelling by steam traction and navigation, in order to account for

the gradual but unquestionable revolution.

In the wake of the demand came the supply. Palatial hotels were

built, sumptuous restaurants were opened, both of which offered their

customers luxuries undreamt of theretofore in such establishments.

Modern society contracted the habit of partaking of light suppers in

these places, after the theatres of the Metropolis had closed; and

the well-to-do began to flock to them on Sundays, in order to give

their servants the required weekly rest. And, since restaurants allow

of observing and of being observed, since they are eminently adapted

to the exhibiting of magnificent dresses, it was not long before they

entered into the life of Fortune’s favourites.

But these new-fangled habits had to be met by novel methods of

Cookery—better adapted to the particular environment in which they were

to be practised. The admirable productions popularised by the old

Masters of the Culinary Art of the preceding Century did not become

the light and more frivolous atmosphere of restaurants; were, in fact,

ill-suited to the brisk waiters, and their customers who only had eyes

for one another.

The pompous splendour of those bygone dinners, served in the majestic

dining-halls of Manors and Palaces, by liveried footmen, was part and

parcel of the etiquette of Courts and lordly mansions.

It is eminently suited to State dinners, which are in sooth veritable

ceremonies, possessing their ritual, traditions, and—one might even

say—their high priests; but it is a mere hindrance to the modern, rapid

service. The complicated and sometimes heavy menus would be unwelcome

to the hypercritical appetites so common nowadays; hence the need of a

radical change not only in the culinary preparations themselves, but in

the arrangements of the menus, and the service.

Circumstances ordained that I should be one of the movers in this

revolution, and that I should manage the kitchens of two establishments

which have done most to bring it about. I therefore venture to suppose

that a book containing a record of all the changes which have come into

being in kitchen work—changes whereof I am in a great part author—may

have some chance of a good reception at the hands of the public,

_i.e._, at the hands of those very members of it who have profited by

the changes I refer to.

For it was only with the view of meeting the many and persistent

demands for such a record that the present volume was written.

I had at first contemplated the possibility of including only new

recipes in this formulary. But it should be borne in mind that the

changes that have transformed kitchen procedure during the last

twenty-five years could not all be classed under the head of new

recipes; for, apart from the fundamental principles of the science,

which we owe to Carême, and which will last as long as Cooking itself,

scarcely one old-fashioned method has escaped the necessary new

moulding required by modern demands. For fear of giving my work an

incomplete appearance, therefore, I had to refer to these old-fashioned

practices and to include among my new recipes those of the former which

most deserved to survive. But it should not be forgotten that in a few

years, judging from the rate at which things are going, the publication

of a fresh selection of recipes may become necessary; I hope to live

long enough to see this accomplished, in order that I may follow the

evolution, started in my time, and add a few more original creations to

those I have already had the pleasure of seeing adopted; despite the

fact that the discovery of new dishes grows daily more difficult.

But novelty is the universal cry—novelty by hook or by crook! It is an

exceedingly common mania among people of inordinate wealth to exact

incessantly new or so-called new dishes. Sometimes the demand comes

from a host whose luxurious table has exhausted all the resources

of the modern cook’s repertory, and who, having partaken of every

delicacy, and often had too much of good things, anxiously seeks new

sensations for his _blasé_ palate. Anon, we have a hostess, anxious to

outshine friends with whom she has been invited to dine, and whom she

afterwards invites to dine with her.

Novelty! It is the prevailing cry; it is imperiously demanded by

everyone.

For all that, the number of alimentary substances is comparatively

small, the number of their combinations is not infinite, and the amount

of raw material placed either by art or by nature at the disposal of a

cook does not grow in proportion to the whims of the public.

What feats of ingenuity have we not been forced to perform, at times,

in order to meet our customers’ wishes? Those only who have had charge

of a large, modern kitchen can tell the tale. Personally, I have ceased

counting the nights spent in the attempt to discover new combinations,

when, completely broken with the fatigue of a heavy day, my body ought

to have been at rest.

Yet, the Chef who has had the felicity to succeed in turning out an

original and skilful preparation approved by his public and producing

a vogue, cannot, even for a time, claim the monopoly of his secret

discovery, or derive any profit therefrom. The painter, sculptor,

writer and musician are protected by law. So are inventors. But the

chef has absolutely no redress for plagiarism on his work; on the

contrary, the more the latter is liked and appreciated, the more

will people clamour for his recipes. Many hours of hard work perhaps

underlie his latest creation, if it have reached the desired degree of

perfection.

He may have forfeited his recreation and even his night’s rest, and

have laboured without a break over his combination; and, as a reward,

he finds himself compelled, morally at least, to convey the result

of his study to the first person who asks, and who, very often,

subsequently claims the invention of the recipe—to the detriment of the

real author’s chances and reputation.

This frantic love of novelty is also responsible for many of the

difficulties attending the arrangement of menus; for very few people

know what an arduous task the composing of a perfect menu represents.

The majority—even of those who are accustomed to receptions and the

giving of dinners—suppose that a certain routine alone is necessary,

together with some culinary practice, in order to write a menu; and few

imagine that a good deal more is needed than the mere inscription of

Courses upon a slip of pasteboard.

In reality the planning of these alimentary programmes is among the

most difficult problems of our art, and it is in this very matter that

perfection is so rarely reached. In the course of more than forty

years’ experience as a chef, I have been responsible for thousands

of menus, some of which have since become classical and have ranked

among the finest served in modern times; and I can safely say, that in

spite of the familiarity such a period of time ought to give one with

the work, the setting-up of a presentable menu is rarely accomplished

without lengthy labour and much thought, and for all that the result is

not always to my satisfaction. From this it may be seen how slender are

the claims of those who, without any knowledge of our art, and quite

unaware of the various properties belonging to the substances we use,

pretend to arrange a proper menu.

However difficult the elaboration of a menu may be, it is but the first

and by no means the only difficulty which results from the rapidity

with which meals are served nowadays. The number of dishes set before

the diners being considerably reduced, and the dishes themselves having

been deprived of all the advantages which their sumptuous decorations

formerly lent them, they must recover, by means of perfection and

delicacy, sufficient in the way of quality to compensate for their

diminished bulk and reduced splendour. They must be faultless in regard

to quality; they must be savoury and light. The choice of the raw

material, therefore, is a matter demanding vast experience on the part

of the chef; for the old French adage which says that “_La sauce fait

passer le poisson_” has long since ceased to be true, and if one do not

wish to court disapprobation—often well earned—the fish should not be

in the slightest degree inferior to its accompanying sauce.

While on the subject of raw material, I should like, _en passant_, to

call attention to a misguided policy which seems to be spreading in

private houses and even in some commercial establishments; I refer to

the custom which, arising as it doubtless does from a mistaken idea

of economy, consists of entrusting the choice of kitchen provisions

to people unacquainted with the profession, and who, never having

used the goods which they have to buy, are able to judge only very

superficially of their quality or real value, and cannot form any

estimate of their probable worth after the cooking process.

If economy were verily the result of such a policy none would object

to it. But the case is exactly the reverse; for, in the matter of

provisions, as in all commercial matters, the cheapest is the dearest

in the end. To obtain good results, good material in a sufficient

quantity must be used, and, in order to obtain good material, the

latter should be selected by the person who is going to use it, and who

knows its qualities and properties. Amphitryons who set aside these

essential principles may hope in vain to found a reputation for their

tables.

It will be seen that the greater part of the titles in this work have

been left in French. I introduced, or rather promulgated this system,

because, since it is growing every day more customary to write menus

in French, it will allow those who are unacquainted with the language

to accomplish the task with greater ease. Moreover, many of the

titles—especially those of recent creations—are quite untranslatable.

As the index, however, is in English, and in every case the order

number of each recipe accompanies the number of the page where it is to

be found, no confusion can possibly arise. I have also allowed certain

French technical terms, for which there exist no English equivalents,

to remain in their original form, and these will be found explained in

a glossary at the end of the book.

I preferred to do this rather than strain the meaning of certain

English words, in order to fit them to a slightly unusual application;

and in so doing I only followed a precedent which has been established

on a more or less large scale by such authors of English books on

French cooking as Francatelli, Gouffé, Ranhoffer, etc.

But the example for such verbal adoptions was set long ago in France,

where sporting and other terms, for which no suitable native words

could be found, were borrowed wholesale from the English language, and

gallicised. It is therefore not unreasonable to apply the principle

to terms in cookery which, though plentiful and varied in France, are

scarce in this country.

To facilitate the reading of the recipes, all words which are not in

common use, and of which the explanation will be found in the Glossary,

are italicised in the text.

In concluding this preface, which, I fear, has already overreached

the bounds I intended for it, I should like to thank those of my lady

clients as well as many English epicures whose kind appreciation has

been conducive to the writing of this work. I trust they will favour

the latter with the generous consideration of which they have so

frequently given the author valuable proofs, and for which he is glad

of an opportunity of expressing his deep gratitude.

CONTENTS

PART I

FUNDAMENTAL ELEMENTS

CHAPTER I PAGE

FONDS DE CUISINE 1

CHAPTER II

THE LEADING WARM SAUCES 15

CHAPTER III

THE SMALL COMPOUND SAUCES 24

CHAPTER IV

COLD SAUCES AND COMPOUND BUTTERS 48

CHAPTER V

SAVOURY JELLIES OR ASPICS 59

CHAPTER VI

THE COURT-BOUILLONS AND THE MARINADES 64

CHAPTER VII

ELEMENTARY PREPARATIONS 70

CHAPTER VIII

THE VARIOUS GARNISHES FOR SOUPS 87

CHAPTER IX

GARNISHING PREPARATIONS FOR RELEVÉS AND ENTRÉES 92

CHAPTER X

LEADING CULINARY OPERATIONS 97

PART II

RECIPES AND MODES OF PROCEDURE

CHAPTER XI PAGE

HORS-D’ŒUVRES 137

CHAPTER XII

EGGS 164

CHAPTER XIII

SOUPS 197

CHAPTER XIV

FISH 260

CHAPTER XV

RELEVÉS AND ENTRÉES OF BUTCHER’S MEAT 352

CHAPTER XVI

RELEVÉS AND ENTRÉES OF POULTRY AND GAME 473

CHAPTER XVII

ROASTS AND SALADS 605

CHAPTER XVIII

VEGETABLES AND FARINACEOUS PRODUCTS 624

CHAPTER XIX

SAVORIES 678

CHAPTER XX

ENTREMETS (SWEETS) 687

CHAPTER XXI

ICES AND SHERBETS 788

CHAPTER XXII

DRINKS AND REFRESHMENTS 816

CHAPTER XXIII

FRUIT-STEWS AND JAMS 820

GLOSSARY

_Abats_, stands for such butcher’s supplies as heads, hearts, livers,

kidneys, feet, &c.

_Aiguillettes_, see No. 1755.

_Ailerons_, see No. 1583.

_Amourettes_, see No. 1288.

_Anglaise_, to treat à l’Anglaise, see No. 174.

_Anglaise_, to cook à l’Anglaise, means to cook plainly in water.

_Anglaise_, a preparation of beaten eggs, oil and seasoning.

_Attereaux_, see No. 1219.

_Baba-moulds_, a kind of small deep cylindrical mould, slightly wider

at the top than at the bottom.

_Bain-Marie_, a hot-water bath in which utensils containing various

culinary preparations are immersed to keep warm, or for the

purpose of poaching or cooking.

_Barquettes_, see No. 314.

_Biscottes_, a kind of rusks.

_Blanch_, _Blanched_, see No. 273.

_Brandade_, see No. 1027.

_Brunoise-fashion_, see _Cut_ below.

_Canapés_, see No. 316.

_Caramel Stage_, see _Stages in the Cooking of Sugar_, below.

_Casserole_ (_En_), see No. 250.

_Cassolette_, a kind of hot hors-d’œuvre, moulded to the shape of a

small drum.

_Cèpes_, a kind of mushroom (Boletus edulis).

_Chartreuse-fashion_, see No. 1220.

_Chiffonade_, see No. 215.

_Chinois_, a very small green candied orange.

_Chipolata_, a kind of small sausages.

_Choux_, a kind of cake made from Pâte à Choux, q.v.

_Cisel_, _Ciseled_, to cut a vegetable after the manner of a

chaff-cutting machine.

_Clothe_, _Clothed_, _Clothing_ (of moulds), see No. 916.

_Cocotte_ (_En_), see No. 250.

_Concass_, _Concassed_, to chop roughly.

_Contise_, to incise a piece of meat at stated intervals, and to

insert slices of truffle, or other substance, into each incision.

_Crépinettes_, see No. 1410.

_Croustade_, see No. 2393.

_Croûtons_, pieces of bread of various shapes and sizes, fried in

butter. In the case of aspic jelly, croûtons stand for variously

shaped pieces used in bordering dishes.

_Cut_, Brunoise-fashion = to cut a product into small dice.

_Cut_, Julienne-fashion = to cut a product into match-shaped rods.

_Cut_, Paysanne-fashion = to cut a product into triangles.

_Dariole-moulds_, small Baba-moulds, q.v.

_Darne_, see No. 784.

_Daubière_, an earthenware utensil used in the cooking of Daubes.

_Écarlate_ (_A l’_), salted meat is said to be à l’écarlate when it is

swathed in a coat of scarlet jelly.

_Escarole_, Batavia chicory.

_Feuilletés_, a kind of puffs made from puff-paste.

_Flute_ (French, soup), a long crisp roll of bread.

_Fondue_, (1) a cheese preparation; (2) a pulpy state to which such

vegetables as tomatoes, sorrel, &c., are reduced by cooking.

_Fumet_, a kind of essence extracted from fish, game, &c.

_Galette_, a large quoit, made from puff-paste or short-paste, &c.

_Gaufrette_, a special wafer.

_Génoise_, see No. 2376.

_Gild_, _Gilding_, _Gilded_ (1) to cover an object with beaten eggs,

by means of a brush; (2) to give a golden sheen to objects by

means of heat.

_Gratin_, _Gratined_, see No. 268 to 272 inclusive.

_Hatelet_, an ornamental skewer; the word sometimes stands for

Attereaux.

_Julienne_, Julienne-fashion, see _Cut_.

_Langoustine_, a small variety of the Spiny Lobster.

_Large-Ball Stage_, see _Stages in the Cooking of Sugar_, below.

_Large-Crack Stage_, see _Stages in the Cooking of Sugar_, below.

_Large-Thread Stage_, see _Stages in the Cooking of Sugar_, below.

_Macédoine_, a mixture of early-season vegetables or fruit.

_Madeleine-mould_, a mould in the shape of a narrow scallop-shell.

_Manied_ (said of butter), see No. 151.

_Marinade_, see No. 168.

_Meringue_, see No. 2382. _Meringued_ = coated with meringue.

_Mirepoix_, see No. 228.

_Mise-en-place_, a general name given to those elementary preparations

which are constantly resorted to during the various stages of

most culinary operations.

_Morue_, Newfoundland or Iceland salt-cod.

_Mousses_, a class of light, hot or cold preparations of fish, meat,

poultry, game, etc., and sweets, moulded in large moulds in

sufficient quantities for several people.

_Mousselines_, same as above, but moulded in small quantities at a

time, enough for one person.

_Mousserons_, a kind of mushroom.

_Nappe Stage_, see _Stages in the Cooking of Sugar_, below.

_Orgeat_, a beverage made from syrup and almonds.

_Oxalis_, a Mexican vegetable, allied to sorrel, of which the roots

principally are eaten.

_Paillettes au Parmesan_, see No. 2322.

_Palmettes_, palm-shaped pieces of puff-paste, used in decorating.

_Panés à l’Anglaise_, treated à l’Anglaise, see _Anglaise_.

_Pannequets_, see No. 2403.

_Papillote_, see No. 1259.

_Pâte à Choux_, see No. 2373.

_Paupiette_, a strip of chicken, of fish fillet, or other meat,

garnished with forcemeat, rolled to resemble a scroll and cooked.

_Paysanne-fashion_, see _Cut_.

_Pluches_, the shreds of chervil, used for soups.

_Poële_, _Poëling_, see No. 250.

_Poêle_ (_A la_), see No. 395.

_Pralin_, see No. 2352.

_Pralined_, having been treated with Pralin, q.v.

_Printanier_ (Eng. Vernal), a name given to a garnish of early-season

vegetables, cut to various shapes.

_Profiterolles_, see No. 218.

_Râble_, the back of a hare.

_Ravioli_, see No. 2296.

_Ribbon Stage_, see No. 2376.

_Rissole_, to fry brown.

_Salpicon_, a compound of various products, cut into dice, and,

generally, cohered with sauce or forcemeat.

_Sauté_, _Sautéd_, a process of cooking described under No. 251.

_Sauté_, a qualifying term applied to dishes treated in the way

described under No. 251.

_Savarin-mould_, an even, crown-shaped mould.

_Small-Ball Stage_, see _Stages in the Cooking of Sugar_, below.

_Small-Crack Stage_, see _Stages in the Cooking of Sugar_, below.

_Small-Thread Stage_, see _Stages in the Cooking of Sugar_, below.

_Soufflé_, name given to a class of light, hot or cold preparations of

fish, meat, poultry, game, etc., and sweets, to which the whites

of eggs are usually added if the preparation is served hot, and

to which whisked cream is added if the preparation is served

cold.

_Soup-Flute_, see _Flute_.

_Stages in the Cooking of Sugar_:—

Small-Thread }

Large-Thread }

Small-Ball }

Large-Ball } See No. 2344.

Small-Crack }

Large-Crack }

Caramel }

Nappe, see No. 2955.

_Subrics_, see No. 2137.

_Suprême_, a name given to the fillet of the breast of a fowl. The

term has been extended to certain of the best parts of fish,

game, etc.

_Terrine_, a patty.

_Terrine à Pâté_, a special utensil in which patties are cooked.

_Tomatéd._ Preparations are said to be tomatéd when they are mixed

with enough tomato purée for the shade and flavour of the latter

to be distinctly perceptible in them.

_Vesiga_, the dried spine-marrow of the sturgeon.

_Zest_, the outermost, coloured, glossy film of the rind of an orange

or lemon.

PART I

FUNDAMENTAL ELEMENTS OF COOKING

CHAPTER I

FONDS DE CUISINE

Before undertaking the description of the different kinds of dishes

whose recipes I purpose giving in this work, it will be necessary to

reveal the groundwork whereon these recipes are built. And, although

this has already been done again and again, and is wearisome in the

extreme, a text-book on cooking that did not include it would be not

only incomplete, but in many cases incomprehensible.

Notwithstanding the fact that it is the usual procedure, in culinary

matters, to insist upon the importance of the part played by stock, I

feel compelled to refer to it at the outset of this work, and to lay

even further stress upon what has already been written on the subject.

Indeed, stock is everything in cooking, at least in French cooking.

Without it, nothing can be done. If one’s stock is good, what remains

of the work is easy; if, on the other hand, it is bad or merely

mediocre, it is quite hopeless to expect anything approaching a

satisfactory result.

The workman mindful of success, therefore, will naturally direct his

attention to the faultless preparation of his stock, and, in order

to achieve this result, he will find it necessary not merely to make

use of the freshest and finest goods, but also to exercise the most

scrupulous care in their preparation, for, in cooking, care is half

the battle. Unfortunately, no theories, no formulæ, and no recipes,

however well written, can take the place of practical experience in the

acquisition of a full knowledge concerning this part of the work—the

most important, the most essential, and certainly the most difficult

part.

In the matter of stock it is, above all, necessary to have a sufficient

quantity of the finest materials at one’s disposal. The master or

mistress of a house who stints in this respect thereby deliberately

forfeits his or her right to make any remark whatsoever to the _chef_

concerning his work, for, let the talent or merits of the latter be

what they may, they are crippled by insufficient or inferior material.

It is just as absurd to exact excellent cooking from a _chef_ whom one

provides with defective or scanty goods, as to hope to obtain wine from

a bottled decoction of logwood.

=The Principal Kinds of Fonds de Cuisine (Foundation Sauces and Stocks)=

The principal kinds of fonds de cuisine are:—

1. Ordinary and clarified consommés.

2. The brown stock or “_estouffade_,” game stocks, the bases of

thickened gravies and of brown sauces.

3. White stock, basis of white sauces.

4. Fish stock.

5. The various essences of poultry, game, fish, &c., the complements

of small sauces.

6. The various glazes: meat, game, and poultry.

7. The basic sauces: Espagnole, Velouté, Béchamel, Tomato, and

Hollandaise.

8. The savoury jellies or aspics of old-fashioned cooking.

To these kinds of stock, which, in short, represent the buttresses of

the culinary edifice, must now be added the following preparations,

which are, in a measure, the auxiliaries of the above:—

1. The roux, the cohering element in sauces.

2. The “Mirepoix” and “Matignon” aromatic and flavouring elements.

3. The “_Court-Bouillon_” and the “_Blancs_.”

4. The various stuffings.

5. The _marinades_.

6. The various garnishes for soups, for relevés, for entrées, &c.

(“Duxelle,” “Duchesse,” “Dauphine,” _Pâte à choux_, frying

batters, various _Salpicons_, Profiterolles, Royales, Œufs filés,

Diablotins, Pastes, &c.).

1—ORDINARY OR WHITE CONSOMMÉ

_Quantities for making Four Quarts._

3 lbs. of shin of beef.

3 lbs. of lean beef.

1½ lbs. of fowls’ carcases.

1 lb. of carrots.

½ lb. of turnips.

¾ lb. of leeks and 1 stick of celery.

¼ lb. of parsnips.

1 medium-sized onion with a clove stuck in it.

_Preparation._—Put the meat into a stock-pot of suitable dimensions,

after having previously strung it together; add the poultry carcase,

five quarts of water, and one-half oz. of grey salt. Place the

stock-pot on a moderate fire in such a manner that it may not boil too

quickly, and remember to stir the meat from time to time. Under the

influence of the heat, the water gradually reaches the interior of

the meat, where, after having dissolved the liquid portions, it duly

combines with them. These liquid portions contain a large proportion

of albumen, and as the temperature of the water rises this substance

has a tendency to coagulate. It also increases in volume, and, by

virtue of its lightness, escapes from the water and accumulates on the

surface in the form of scum. Carefully remove this scum as it forms,

and occasionally add a little cold water before the boil is reached in

order that, the latter being retarded, a complete expulsion of the scum

may be effected. The clearness of the consommé largely depends upon the

manner in which this skimming has been carried out. Then the vegetable

garnishing is added. The scum from these is removed as in the previous

case, and the edge of the stock-pot should be carefully wiped to the

level of the fluid, so as to free it from the deposit which has been

formed there. The stock-pot is then moved to a corner of the fire where

it may continue cooking slowly for four or five hours. At the end of

this time it should be taken right away from the fire, and, after half

a pint of cold water has been added to its contents, it should be left

to rest a few minutes with a view to allowing the grease to accumulate

on the surface of the liquid, whence it must be carefully removed

before the consommé is strained. This last operation is effected by

means of a very fine strainer, placed on the top of a white tureen

(clean and wide), which should then be placed in a draught to hasten

the cooling of the consommé. The tureen should not on any account be

covered, and this more particularly in summer, when rapid cooling is a

precautionary measure against fermentation.

=Remarks upon the Different Causes which Combine to Influence the

Quality of a Consommé=

It will be seen that I have not made any mention in the above formula

of the meat and the vegetables which have helped to make the consommé,

my reason being that it is preferable to remove them from the stock-pot

only after the broth has been strained, so as not to run the risk of

disturbing the latter.

The quality of the meat goes a long way towards settling the quality of

the consommé. In order that the latter be perfect, it is essential that

the meat used should be that of comparatively old animals whose flesh

is well set and rich in flavour. This is a _sine quâ non_, and the lack

of meat coming from old animals in England accounts for the difficulty

attaching to the making of a good consommé and savoury sauces in this

country. Cattle in England are killed at an age varying from three to

four years at the most; the meat thus obtained has no equal for the

purpose of roasts and grills, and anything approaching it is rarely

met with on the Continent. But when this same meat is used for boiling

or braising, it does not contain enough juice or flavour to yield a

satisfactory result.

This shortcoming is furthermore aggravated by a fault that many commit

who are employed in the making of consommés and stock. The fault in

question consists in cooking the bones simultaneously with the meat.

Now to extract that gelatinous element from bone which produces the

mellowness characteristic of all good consommés, it is necessary that

the gelatigenous bodies should be cooked for twelve hours at least, and

even after that time has elapsed they are still not entirely spent.

On the Continent the quality of the meat easily compensates for this

technical error, but such is certainly not the case in England, where

five hours’ stewing only results in a flat and insipid consommé.

I therefore believe that, in the case of either consommé or stock, the

formulæ of which I shall give later, it would be advisable for the

bones to stew at least twelve hours, and this only after they have

been well broken up, while the quantity of water used should be so

calculated as to suffice exactly for the immersion of the meat that

must follow. The contents of this first stock-pot should include half

of the vegetables mentioned, and the consommé thus obtained, after

having been strained and cooled, will take the place of the water in

the recipe, in accordance with the directions I have given above.

=The Uses of White Consommé=

White consommé is used in the preparation of clarified consommés, in

which case it undergoes a process of clarifying, the directions for

which will be given later. It also serves as the liquor for thick

soups, poached fowls, &c. It must be limpid, as colourless as possible,

and very slightly salted, for, whatever the use may be for which it is

intended, it has to undergo a process of concentration.

2—THE PREPARATION OF CLARIFIED CONSOMMÉ FOR CLEAR SOUPS

_Quantities for making four quarts._—Five quarts of ordinary consommé,

one and one-half lbs. of very lean beef, the white of an egg, one

fowl’s carcase (roasted if possible). First, mince the beef and pound

it in a mortar with the fowl’s carcase and the white of egg, adding

a little cold white consommé. Put the whole into a tall, narrow, and

thick-bottomed stewpan; then gradually add the cold, white broth, from

which all grease has been removed, that the whole may be well mixed.

Then the stewpan may be put on the fire, and its contents thoroughly

stirred, for fear of their burning at the bottom. When boiling-point

is reached, move the stewpan to a corner of the fire, so that the

soup may only simmer, for anything approaching the boil would disturb

the contents. A good hour should be enough to properly finish the

consommé, and any longer time on the fire would be rather prejudicial

than the reverse, as it would probably impair the flavour of the

preparation. Now carefully remove what little grease may have collected

on the surface of the consommé, and strain the latter through muslin

into another clean stewpan. It is now ready for the addition of the

garnishes that are to form part of it, which I shall enumerate in due

course.

=Remarks upon Clarifications=

For clarified consommés, even more than for the ordinary kind, it

is eminently advisable that the meat should be that of old animals.

Indeed, it is safe to say that one lb. of meat coming from an animal of

eight years will yield much better consommé than two lbs. would, coming

from a fattened animal of about three or four years. The consommé will

be stronger, mellower, and certainly more tasty, as the flesh of young

animals has absolutely no richness of flavour.

It will be seen that I do not refer to any vegetable for the

clarification. If the white consommé has been well carried out, it

should be able to dispense with all supplementary flavouring, and,

the customary error of cooks being rather to overdo the quantity of

vegetables—even to the extent of disguising the natural aroma of

the consommé—I preferred to entirely abandon the idea of vegetable

garnishes in clarifications, and thus avoid a common stumbling-block.

3—CHICKEN CONSOMMÉ

White chicken consommé is prepared in exactly the same way as ordinary

white consommé. There need only be added to the meat, the quantity of

which may be lessened, an old hen or a cock, slightly coloured on the

spit or in the oven.

For the clarification, the quantity of roast fowl-carcases used may be

increased, provided the latter be not too fat. The process, however, is

the same as in the clarification of ordinary consommés.

The colour of chicken consommé should be lighter than that of the

ordinary kind—namely, a light, amber yellow, limpid and warm.

4—FISH CONSOMMÉ

These consommés are rarely used, for Lenten soups with a fish basis are

generally thick soups, for the preparation of which the fish _fumet_

whereof I shall give the formula later (Formula No. 11) should avail.

Whenever there is no definite reason for the use of an absolutely

Lenten consommé, it would be advisable to resort to one of the ordinary

kind, and to finish off the same by means of a good fish essence

extracted from the bones of a sole or whiting. An excellent consommé

is thus obtained, more palatable and less flat than the plain fish

consommé.

If, however, one were obliged to make a plain fish consommé, the

following procedure should be adopted:—

=Clarification of Fish Consommé=

_Quantities for making Four Quarts._—Four and one-half quarts of

ordinary fish _fumet_ having a decided taste; one-half lb. of good

fresh caviare, or pressed caviare.

_Mode of Procedure._—Pound the caviare and mix the resulting pulp with

the cold fish _fumet_. Put the whole into a saucepan, place it on the

open fire, and stir with a spatula until the contents reach the boil.

Then move the saucepan to a corner of the fire, and let the consommé

simmer gently for twenty minutes, after which strain it through muslin

with great caution, and keep it well covered and in the warmth, so as

to prevent the formation of a gelatinous film on the surface.

Fish consommés are greatly improved by the addition of such aromatics

as saffron or curry, both of which considerably add to their quality.

5—GAME CONSOMMÉ

The necks, breasts, and shoulders of venison and of hare, old wild

rabbits, old pheasants, and old partridges may be used in the

production of game consommés. An ordinary consommé may likewise be

made, in which half the beef can be replaced by veal, and to which may

be added, while clarifying, a succulent game essence. This last method

is even preferable when dealing with feathered game, but in either case

it is essential that the meat used should be half-roasted beforehand,

in order to strengthen the _fumet_.

The formula that I give below must therefore only be looked upon as

a model, necessarily alterable according to the resources at one’s

disposal, the circumstances, and the end in view.

_Quantities for making Four Quarts of Plain Game Consommé._

3 lbs. of neck, shoulder, or breast of venison.

1½ lbs. of hare-trimmings.

1 old pheasant or 2 partridges.

4 oz. of sliced carrots, browned in butter.

½ lb. of mushrooms, likewise browned in butter.

1 medium-sized leek and 2 sticks of celery.

1 bunch of herbs with extra thyme and bay leaves.

1 onion, oven-browned, with 2 cloves stuck into it.

_Liquor._—Five and one-half quarts of water.

_Seasoning._—One oz. of salt and a few peppercorns, these to be added

ten minutes previous to straining the consommé.

_Time allowed for cooking._—Three hours.

_Mode of Procedure._—Proceed in exactly the same way as for ordinary

consommés, taking care only to half-roast the meat, as I pointed out

above, before putting it in the stewpan.

=The Clarification of Game Consommés=

The constituents of the clarification of game consommés vary according

to the kind of consommé desired. If it is to have a partridge flavour,

one partridge should be allowed for each quart of the consommé, whereas

if its flavour is to be that of the pheasant, half an old pheasant will

be required per each quart of the liquid. Lastly, in the case of plain

game consommés, one lb. of lean venison, hare, or wild rabbit should be

allowed for each quart of the required consommé.

_Mode of Procedure._—Whatever be the kind of game used, the latter must

be thoroughly boned and the meat well pounded, together with the white

of an egg per four quarts of consommé. About two oz. per quart of dried

mushrooms should now be added if they can be procured, while the bones

and the remains or carcases of game should be browned in the oven and

completely drained of all grease. The whole can now be mixed with the

cold game consommé. The clarification is then put over an open fire

(stirring incessantly the while), and as soon as the boil is reached

the saucepan must be moved to a corner of the fire, where its contents

may gently boil for three-quarters of an hour. The fat should then be

removed, and the consommé strained through muslin, after which cover up

until wanted.

6—SPECIAL CONSOMMÉS FOR SUPPERS

The consommés whose formulæ I have just given are intended more

particularly for dinners. They are always finished off by some kind of

garnish, which, besides lending them an additional touch of flavour,

gives them their special and definite character when they are served up

in the diner’s plate.

But the case is otherwise with the consommés served for suppers. These,

being only served in cups, either hot or cold, do not allow of any

garnishing, since they are to be _drunk_ at table. They must therefore

be perfect in themselves, delicate, and quite clear.

These special consommés are made in a similar manner to the others,

though it is needful to slightly increase the quantity of meat used

for the clarification, and to add to that clarification the particular

flavour mentioned on the _menu_—to wit, a few stalks of celery, if the

consommé is a celery one; a small quantity of curry, if the consommé is

given as “à l’Indienne”; or a few old roast partridges if it is to be

termed “Consommé au fumet de perdreau”; and so on.

The means by which one may vary the aroma of consommés are legion, but

it is highly important, what aroma soever be used, that the latter be

not too pronounced. It ought only to lend a distinctive and, at the

same time, subtle finish to the consommé, which, besides sharpening the

latter, should increase its succulence.

When the consommé is served cold it ought to have the qualities of an

extremely light and easily-melting jelly, barely firm; but when it is

too liquid, it rarely gives that sensation of perfection and succulence

to the palate of the consumer which the latter expects. When too firm

and too gelatinous it is positively disagreeable; therefore, if it is

to be relished, it should be just right in respect of consistency.

7—BROWN STOCK OR “ESTOUFFADE”

_Quantities for making Four Quarts._

4 lbs. of shin of beef (flesh and bone).

4 lbs. of shin of veal (flesh and bone).

½ lb. of lean, raw ham.

½ lb. of fresh pork rind, rinsed in tepid water.

¾ lb. of minced carrots, browned in butter.

¾ lb. of minced onions, browned in butter.

1 faggot, containing a little parsley, a stick of celery, a small

sprig of thyme, and a bay leaf.

_Preparation._—Bone and string the meat, and keep it in readiness for

the morrow. Break the bones as finely as possible, and, after having

besprinkled them with a little stock-fat, brown them in an oven; also

stir them repeatedly. When they are slightly browned, put them in a

conveniently large saucepan with the carrots, the onions, and the

faggot. Add five quarts of cold water, and put the saucepan on an open

fire to boil. As soon as the boil is reached skim carefully; wipe the

edge of the saucepan; put the lid half on, and allow the stock to cook

gently for twelve hours; then roughly remove the fat; pass the liquid

through a sieve, and let it cool.

This being done, put the meat in a saucepan just large enough to hold

it. Brown it a little in some stock-fat, and clear it entirely of the

latter. Add half a pint of the prepared stock, cover the saucepan,

and let the meat simmer on the side of the fire until the stock is

almost entirely reduced. Meanwhile the meat should have been repeatedly

turned, that it may be equally affected throughout. Now pour the

remainder of the stock, prepared from bones, into the saucepan, bring

the whole to the boil, and then move the saucepan to a corner of the

fire for the boiling to continue very slowly and regularly with the lid

off. As soon as the meat is well cooked the fat should be removed from

the stock, and the latter should be strained or rubbed through a sieve,

after which it should be put aside to be used when required.

_Remarks Relative to the Making of Brown Stock._—Instead of stringing

the meat after having boned it, if time presses, it may be cut into

large cubes before browning. In this case one hour and a half would

suffice to cook it and to extract all its juice.

Whether brown or white, stock should never be salted, because it is

never served in its original state. It is either reduced in order to

make glazes or sauces—in which case the concentration answers the

purpose of seasoning—or else it is used to cook meat which must be

salted before being cooked, and which, therefore, imparts the necessary

salt to its surrounding liquor.

Brown stock ought to be the colour of fine burnt amber, and it must be

transparent. It is used in making meat-glazes after reduction, also to

moisten meat for braising and to prepare brown sauces.

8—BROWN GAME STOCK

There is no difference between the game consommés and game stock, or,

otherwise stated, ordinary game consommé and brown game stock are one

and the same thing. The distinction lies in the ultimate use of this

preparation; it is clarified, as we have shown (Formula 5), if it be

intended for a clear soup, and it is used in its original state if it

is to be used for a thick game soup, for a sauce, or for reducing.

9—BROWN VEAL STOCK

Brown veal stock requires the same quantities of shin and trimmings of

veal as white veal stock (Formula 10). The time allowed for cooking is,

however, a little shorter, and this operation may be completed within

eight hours. This stock is mostly used as the liquor for poultry and

poëled game, while it may also serve in the preparation of thickened

veal stock. Being quite neutral in taste, it lends itself to all

purposes, and readily takes up the aroma of the meat with which it

may happen to be combined. It is admirably suited to the poaching of

quails, and nothing can supplant it in this particular.

10—WHITE VEAL STOCK, AND POULTRY STOCK

_Quantities for making Four Quarts._

8 lbs. of shin of veal, or lean and fresh veal trimmings.

1 or 2 fowls’ carcases, raw if they are handy.

12 oz. of carrots.

6 oz. of onions stuck with a clove.

5½ quarts of cold water.

4 oz. of leeks strung with a stick of celery.

1 faggot, including 1 oz. of parsley, 1 bay leaf, and a small sprig

of thyme.

_Preparation._—Bone the shins, string the meat, break up the bones as

small as possible, and put them in a stewpan with the water. Place on

an open fire, allow to boil, skim carefully, and then move to a side of

the fire to cook very gently for five hours. At the end of this time

put the stock into another stewpan, add the meat and the vegetables,

add water, if necessary, to keep the quantity of liquid at five quarts,

let it boil, and allow it to cook slowly for another three hours, after

which remove all grease from the stock, pass the latter through a fine

strainer or a colander, and put it aside until wanted.

_Remarks upon White Stock._—One should contrive to make this stock

as gelatinous as possible. It is therefore an indispensable measure

that the bones be well broken up and cooked for at least eight hours.

Veal never yields such clear stock as beef; nevertheless, the consommé

obtained from veal should not be turbid. It must, on the contrary, be

kept as clear and as white as possible.

_Poultry Stock_ is made by adding two old fowls to the above veal

stock, and these should be put into the liquor with the meat.

=Fish Stock=

11—WHITE FISH STOCK

_Quantities for making Four Quarts._

4 lbs. of trimmings and bones of sole or whiting.

½ lb. of sliced, blanched onions.

2 oz. of parsley, root or stalks.

½ bottle of white wine.

_Preparation._—Butter the bottom of a thick, tall stewpan, put in the

blanched onions and the parsley-stalks, and upon these aromatics lay

the fish remains. Add the juice of a lemon, cover the stewpan, put it

on the fire, and allow the fish to exude its essence, jerking the pan

at intervals. Moisten, in the first place, with the white wine; then,

with the lid off, reduce the liquid to about half. Now add four quarts

of cold water, bring to the boil, skim, and then leave to cook for

twenty minutes, only, on a moderate fire. The time allowed is ample

for the purpose of extracting the aromatic and gelatinous properties

contained in the bones, and a more protracted stewing would only impair

the savour of the stock.

_Remarks upon White Fish Stock._—The formula which I give above

diverges considerably from that commonly used, for, as a rule, fish

stock is diluted far too much, and is stewed for much too long a

time. I have observed that fish stock may be greatly improved by

rapid cooking, and it was this consideration that led me to dilute it

scantily, so as to avoid prolonged reduction.

It is likewise necessary to remember that in order to make perfect fish

stock, only the sole or whiting should be used. In a case of emergency,

however, _i.e._, if the supply of the latter were to run short, a

quarter of their weight of brill bones might be added to them. But all

other kinds of fish should be avoided in the preparation.

12—FISH STOCK WITH RED WINE

This stock is comparatively rarely used, because, in practice, it is

naturally obtained in the cooking of the fish itself, as, for instance,

in the case of the “Matelotes.” Be this as it may, with the recent

incursion of a custom which seems to demand, ever more and more, the

serving of fish without bones, the following formula will be worthy of

interest, as it is likely that its need will henceforth be felt with

increasing urgency.

Fish _fumet_ with red wine may be prepared from all fresh-water fish,

as well as from the remains of sole, whiting, chicken-turbot, and

brill. It is generally better, however, to have recourse to the bones

and remains of that fish which happens to be constituting the dish—that

is to say, the bones and trimmings of sole in a stock for fillet of

sole, the bones and trimmings of a chicken-turbot in a _fumet_ for a

chicken-turbot, and so on. The preparatory formula remains the same,

whatever the kind of fish used may be.

_Quantities for making Four Quarts of_ Fumet _with Red Wine_.—Four lbs.

of bones, heads, and trimmings of the fish to be served;

three-quarters lb. of minced white onions; three oz. of parsley stalks,

two bay leaves, four small sprigs of thyme, and four cloves of garlic;

two bottles of red wine and four pints of water.

_Mode of Procedure._—Put all the above-mentioned ingredients in a thick

and tall stewpan, boil, skim carefully, and allow to cook twenty to

thirty minutes on a moderate fire; then strain the stock through a

colander into a tureen, to be used when required.

_Remarks upon Fish Stock with Red Wine._—This stock stands reduction

far better than white fish stock. Nevertheless, I urge the advisability

of trying to obtain the required quantity without reduction. In its

preparation, one may use some mushroom parings, as in the case of white

stock, if these are handy, and they will be found to lend an agreeable

flavour to the fish _fumet_.

13—VARIOUS ESSENCES

As their name implies, essences are stock which hold a large proportion

of a substance’s aroma in a concentrated form. They are, in fact,

ordinary stock, only less diluted, with the idea of intensifying the

flavour of the treated ingredients; hence their utility is _nil_ if

the stock which they are intended to finish has been reasonably and

judiciously treated. It is infinitely simpler to make savoury and

succulent stock in the first place than to produce a mediocre stock,

and finally complete it by a specially prepared essence. The result in

the first instance is better, and there is economy of time and material.

The most one can do is to recommend, in certain circumstances, the use

of essences extracted from particularly well-flavoured products, as,

for instance, mushrooms, truffles, morels, and celery. But it would be

well to remember that, nine times out of ten, it is preferable to add

the product itself to the stock during the preparation of the same than

to prepare essences.

For this reason I do not think it necessary to dilate upon the subject

of essences, the need of which should not be felt in good cooking.

14—VARIOUS GLAZES

The various glazes of meat, fowl, game, and fish are merely stock

reduced to the point of viscosity. Their uses are legion. Occasionally

they serve in decking dishes with a brilliant and unctuous coating

which makes them sightly; at other times they may help to strengthen

the consistence of a sauce or other culinary preparation, while again

they may be used as sauces proper after they have been correctly

creamed or buttered.

Glazes are distinguished from essences by the fact that the latter

are only prepared with the object of extracting all the flavour

of the product under treatment, whereas the former are, on the

contrary, constituted by the whole base of the substance itself.

They therefore have not only its savour, but also its succulence and

mellowness, whereby they are superior to the essences, and cooking can

but be improved by substituting them for the latter. Nevertheless,

many _chefs_ of the old school do not permit the use of glazes in

culinary preparations, or, rather, they are of opinion that each

cooking operation should produce them on its own account, and thus be

sufficient unto itself. Certainly, the theory is correct when neither

time nor cost is limited. But nowadays the establishments are scarce

where these theories may be applied, and, indeed, if one does not make

an abuse of glazes, and if they be prepared with care, their use gives

excellent results, while they lend themselves admirably to the very

complex demands of modern customs.

15—MEAT GLAZE

Meat glaze is made by reducing brown stock (Formula 7) in a large

stewpan upon an open fire. As often as the stock is appreciably

reduced, during ebullition, it may be transferred to smaller stewpans,

taking care to strain it through muslin at each change of stewpan. The

glaze may be considered sufficiently reduced when it evenly veneers

a withdrawn spoon. The fire used for reducing should gradually wane

as the concentration progresses, and the last phase must be effected

slowly and on a moderate fire.

When it is necessary to obtain a lighter and clearer glaze, the

brown veal stock (Formula No. 9) should be reduced instead of the

“_Estouffade_.”

16—POULTRY GLAZE

Reduce the poultry base indicated in Formula 10, and proceed in

exactly the same way as for meat glaze (Formula 15).

17—GAME GLAZE

Use the game base (Formula 8), and proceed as for meat glaze (Formula

15).

18—FISH GLAZE

This glaze is used less often than the preceding ones. As it is only

used to intensify the savour of sauces, it is sufficient for this

purpose to prepare a white fish stock (Formula 11), which may be

diluted with the stock already prepared, and which may be reduced

according to the requirements. The name of fish _fumet_ or fish essence

is given to this preparation; its flavour is more delicate than that of

fish glaze, which it replaces with advantage.

CHAPTER II

THE LEADING WARM SAUCES

Warm sauces are of two kinds: the leading sauces, also called “mother

sauces,” and the small sauces, which are usually derived from the

first-named, and are generally only modified forms thereof. Cooking

stock only includes the leading sauces, but I shall refer to the small

hot sauces and the cold sauces at the end of the auxiliary stock.

Experience, which plays such an important part in culinary work,

is nowhere so necessary as in the preparation of sauces, for not

only must the latter flatter the palate, but they must also vary in

savour, consistence and viscosity, in accordance with the dishes they

accompany. By this means, in a well-ordered dinner, each dish differs

from the preceding ones and from those that follow.

Furthermore, sauces must, through the perfection of their preparation,

obey the general laws of a rational hygiene, wherefore they should be

served and combined in such wise as to allow of easy digestion by the

frequently disordered stomachs of their consumers.

Carême was quite justified in pluming himself upon the fact that during

his stay at the English Court his master—the Prince Regent—had assured

him that he (Carême) was the only one among those who had served his

Highness whose cooking had been at all easy of digestion. Carême

had grasped the essential truth that the richer the cooking is, the

more speedily do the stomach and palate tire of it. And, indeed, it

is a great mistake to suppose that, in order to do good cooking, it

is necessary to be prodigal in one’s use of all things. In reality,

practice dictates fixed and regular quantities, and from these one

cannot diverge without upsetting the hygienic and sapid equilibrium on

which the value of a sauce depends. The requisite quantities of each

ingredient must, of course, be used, but neither more nor less, as

there are objections to either extreme.

Any sauce whatsoever should be smooth, light (without being liquid),

glossy to the eye, and decided in taste. When these conditions are

fulfilled it is always easy to digest even for tired stomachs.

An essential point in the making of sauces is the seasoning, and it

would be impossible for me to lay sufficient stress on the importance

of not indulging in any excess in this respect. It too often happens

that the insipidness of a badly-made sauce is corrected by excessive

seasoning; this is an absolutely deplorable practice.

Seasoning should be so calculated as to be merely a complementary

factor, which, though it must throw the savour of dishes into relief,

may not form a recognisable part of them. If it be excessive, it

modifies and even destroys the taste peculiar to every dish—to the

great detriment of the latter and of the consumer’s health.

It is therefore desirable that each sauce should possess its own

special flavour, well defined, the result of the combined flavours of

all its ingredients.

If, in the making of sauces, one allowed oneself to be guided by those

principles which are the very foundation of good cookery, the general

denunciation of sauces by the medical faculty would be averted; and

this denunciation no sauce deserves if it be carefully prepared,

conformably with the laws prescribed by practice and its resulting

experience.

=The Roux=

The roux being the cohering element of leading sauces, it is necessary

to reveal its preparation and constituents before giving one’s

attention to the latter.

Three kinds of roux are used—namely, brown roux, for brown sauces; pale

roux, for veloutés, or cream sauces; and white roux, for white sauces

and Béchamel.

19—BROWN ROUX

_Quantities for making about One lb._—Eight oz. of clarified butter,

nine oz. of best-quality flour.

_Preparation._—Mix the flour and butter in a very thick stewpan, and

put it on the side of the fire or in a moderate oven. Stir the mixture

repeatedly so that the heat may be evenly distributed throughout the

whole of its volume.

The time allowed for the cooking of brown roux cannot be precisely

determined, as it depends upon the degree of heat employed. The more

intense the latter, the speedier will be the cooking, while the

stirring will of necessity be more rapid. Brown roux is known to be

cooked when it has acquired a fine, light brown colour, and when it

exudes a scent resembling that of the hazel-nut, characteristic of

baked flour.

It is very important that brown roux should not be cooked too rapidly.

As a matter of fact, among the various constituent elements of flour,

the starch alone acts as the cohering principle. This starch is

contained in little cells, which tightly constrain it, but which are

sufficiently porous to permit the percolation of liquid and fatty

substances. Under the influence of moderate heat and the infiltered

butter, the cells burst through the swelling of the starch, and the

latter thereupon completely combines with the butter to form a mass

capable of absorbing six times its own weight of liquid when cooked.

When the cooking takes place with a very high initial heat the starch

gets burned within its shrivelled cells, and swelling is then possible

only in those parts which have been least burned.

The cohering principle is thus destroyed, and double or treble the

quantity of roux becomes necessary in order to obtain the required

consistency. But this excess of roux in the sauce chokes it up without

binding it, and prevents it from despumating or becoming clear. At the

same time, the cellulose and the burnt starch lend a bitterness to the

sauce of which no subsequent treatment can rid it.

From the above it follows that, starch being the only one from among

the different constituents of flour which really effects the coherence

of sauces, there would be considerable advantage in preparing roux

either from a pure form of it, or from substances with kindred

properties, such as fecula, arrow-root, &c. It is only habit that

causes flour to be still used as the cohering element of roux, and,

indeed, the hour is not so far distant when the advantages of the

changes I propose will be better understood—changes which have been

already recommended by Favre in his dictionary.

With a roux well made from the purest starch—in which case the volume

of starch and butter would equal about half that of the flour and

butter of the old method—and with strong and succulent brown stock, a

Spanish sauce or Espagnole may be made in one hour. And this sauce will

be clearer, more brilliant, and better than that of the old processes,

which needed three days at least to despumate.

20—PALE ROUX

The quantities are the same as for brown roux, but cooking must cease

as soon as the colour of the roux begins to change, and before the

appearance of any colouring whatsoever.

The observations I made relative to brown roux, concerning the cohering

element, apply also to pale roux.

21—WHITE ROUX

Same quantities as for brown and pale roux, but the time of cooking is

limited to a few minutes, as it is only needful, in this case, to do

away with the disagreeable taste of raw flour which is typical of those

sauces whose roux has not been sufficiently cooked.

22—BROWN SAUCE OR ESPAGNOLE

_Quantities Required for Four Quarts._—One lb. of brown roux dissolved

in a tall, thick saucepan with six quarts of brown stock or estouffade.

Put the saucepan on an open fire, and stir the sauce with a spatula or

a whisk, and do not leave it until it begins to boil. Then remove the

spatula, and put the saucepan on a corner of the fire, letting it lean

slightly to one side with the help of a wedge, so that boiling may only

take place at one point, and that the inert principles thrown out by

the sauce during despumation may accumulate high up in the saucepan,

whence they can be easily removed as they collect.

It is advisable during despumation to change saucepans twice or even

three times, straining every time, and adding a quart of brown stock

to replace what has evaporated. At length, when the sauce begins to

get lighter, and about two hours before finally straining it, two lbs.

of fresh tomatoes, roughly cut up, should be added, or an equivalent

quantity of tomato purée, and about one lb. of _Mirepoix_, prepared

according to Formula No. 228. The sauce is then reduced so as to

measure four quarts when strained, after which it is poured into a wide

tureen, and must be kept in motion until quite cool lest a skin should

form on its surface.

The time required for the despumation of an Espagnole varies according

to the quality of the stock and roux. We saw above that one hour

sufficed for a concentrated stock and starch roux, in which case the

Mirepoix and the tomato are inserted from the first. But much more time

is required if one is dealing with a roux whose base is flour. In the

latter case six hours should be allowed, provided one have excellent

stock and well-made roux. More often than not this work is done in two

stages, thus: after having despumated the Espagnole for six or eight

hours the first day, it is put on the fire the next day with half its

volume of stock, and it is left to despumate a few hours more before it

is finally strained.

Summing up my opinion on this subject, I can only give my colleagues

the following advice, based upon long experience:—

1. Only use strong, clear stock with a decided taste.

2. Be scrupulously careful of the roux, however it may be made. By

following these two rules, a clear, brilliant, and consistent Espagnole

will always be obtained in a fairly short time.

23—HALF GLAZE

This is the Espagnole sauce, having reached the limit of perfection by

final despumation. It is obtained by reducing one quart of Espagnole

and one quart of first-class brown stock until its volume is reduced

to nine-tenths of a quart. It is then strained into a _bain-marie_ of

convenient dimensions, and it is finished, away from the fire, with

one-tenth of a quart of excellent sherry. Cover the _bain-marie_, or

slightly butter the top to avoid the formation of a skin. This sauce is

the base of all the smaller brown sauces.

24—LENTEN ESPAGNOLE

Practical men are not agreed as to the need of Lenten Espagnole. The

ordinary Espagnole being really a neutral sauce in flavour, it is quite

simple to give it the necessary flavour by the addition of the required

quantity of fish _fumet_. It is only, therefore, when one wishes to

conform with the demands of a genuine Lent sauce that a fish Espagnole

is needed. And, certainly in this case, nothing can take its place.

The preparation of this Espagnole does not differ from that of the

ordinary kind, except that the bacon is replaced by mushroom parings in

the Mirepoix, and that the sauce must be despumated for only one hour.

This sauce takes the place of the ordinary Espagnole, for Lenten

preparations, in every case where the latter is generally used, in

Gratins, in the Genevoise sauce, &c.

25—ORDINARY VELOUTÉ SAUCE

_Quantities Required for Four Quarts._—One lb. of pale roux (Formula

20), five quarts of white veal stock (Formula 10).

Dissolve the roux in the cold white veal stock and put the saucepan

containing this mixture on an open fire, stirring the sauce with a

spatula or whisk, so as to avoid its burning at the bottom. Add one oz.

of table-salt, a pinch of nutmeg and white powdered pepper, together

with one-quarter lb. of nice white mushroom parings, if these are

handy. Now boil and move to a corner of the fire to despumate slowly

for one and a half hours, at the same time observing the precautions

advised for ordinary Espagnole (Formula 22). Strain through muslin into

a smaller saucepan, add one pint of white stock, and despumate for

another half hour. Strain it again through a tammy or a sieve into a

wide tureen, and keep moving it with a spatula until it is quite cold.

I am not partial to garnishing Velouté Sauce with carrots, an onion

with a clove stuck into it, and a faggot, as many do. The stock should

be sufficiently fragrant of itself, without requiring the addition

of anything beyond the usual condiments. The only exception I should

make would be for mushroom parings, even though it is preferable, when

possible, to replace these by mushroom liquor. But this is always

scarce in kitchens where it is used for other purposes; wherefore it

is often imperative to have recourse to parings in its stead. The

latter may not, however, be added to the stock itself, as they would

blacken it; hence I advise their addition to the Velouté during its

preparation.

26—VELOUTÉ DE VOLAILLE

This is identical with ordinary Velouté, except that instead of having

white veal stock for its liquor, it is diluted with white poultry

stock. The mode of procedure and the time allowed for cooking are the

same.

26a—FISH VELOUTÉ

Velouté is the base of various fish sauces whose recipes will be given

in Part II.

Prepare it in precisely the same way as poultry velouté, but instead of

using poultry stock, use very clear fish _fumet_, and let it despumate

for twenty minutes only. (See fish _fumet_ No. 11.)

27—ALLEMANDE SAUCE OR THICKENED VELOUTÉ

Allemande Sauce is not, strictly speaking, a basic sauce. However, it

is so often resorted to in the preparation of other sauces that I think

it necessary to give it after the Veloutés, from which it is derived.

_Quantities Required for One Quart._

The yolks of 5 eggs.

1 pint of cold white stock.

1 quart of Velouté, well despumated.

½ the juice of a lemon.

¼ pint of mushroom liquor.

_Mode of Procedure._—Put the various ingredients in a thick-bottomed

sauté-pan and mix them carefully. Then put the pan on an open fire, and

stir the sauce with a metal spatula, lest it burn at the bottom. When

the sauce has been reduced to about one quart, add one-third pint of

fresh cream to it, and reduce further for a few minutes. It should then

be passed through a fine strainer into a tureen and kept moving until

quite cold.

Prepared thus, the Allemande Sauce is ready for the preparation of the

smaller sauces. Butter must only be added at the very last moment,

for if it were buttered any earlier it would most surely turn. The

same injunction holds good with this sauce when it is to be served in

its original state; it should then receive a small addition of cream,

and be buttered so that it may attain its required delicacy; but this

addition of butter and cream ought only to be made at the last moment,

and away from the fire. When a sauce thickened with egg yolks has any

fat substance added to it, it cannot be exposed to a higher temperature

than 140 degrees Fahrenheit without risking decomposition.

28—BÉCHAMEL SAUCE

_Quantities Required for Four Quarts._

1 lb. of white roux.

4½ quarts of boiling milk.

½ lb. of lean veal.

⅔ oz. of salt, 1 pinch of mignonette, and grated nutmeg, and 1 small

sprig of thyme.

1 minced onion.

_Preparation._—Pour the boiling milk on the roux, which should be

almost cold, and whisk it well so as to avoid lumps. Let it boil, then

cook on the side of the fire. Meanwhile the lean veal should have been

cut into small cubes, and fried with butter in a saucepan, together

with the minced onion. When the veal has stiffened without becoming

coloured, it is added to the Béchamel, together with salt and the other

aromatics. Let the sauce boil slowly for about one hour in all, and

then pass it through a tammy into a tureen; butter the top, lest a

crust should form.

When Béchamel is intended for Lenten preparations, the veal must be

omitted.

There is another way of making the sauce. After having boiled the milk,

the seasoning and aromatics should be added; the saucepan is then

covered and placed on a corner of the stove, so as to ensure a thorough

infusion. The boiling milk must now be poured on to the roux which

has been separately prepared, and the sauce should then cook for one

quarter of an hour only.

29—TOMATO SAUCE

_Quantities Required for Four Quarts._

5 oz. of salted breast of pork, rather fat.

6 oz. of carrots cut into cubes.

6 oz. of onions cut into cubes.

1 bay leaf and 1 small sprig of thyme.

5 oz. of flour.

2 oz. of butter, ½ oz. of salt, 1 oz. of sugar, a pinch of pepper.

10 lbs. of raw tomatoes or 4 quarts of same, mashed.

2 quarts of white stock.

_Preparation._—Fry the pork with the butter in a tall, thick-bottomed

saucepan. When the pork is nearly melted, add the carrots, onions, and

aromatics. Cook and stir the vegetables, then add the flour, which

should be allowed to cook until it begins to brown. Now put in the

tomatoes and white stock, mix the whole well, and set to boil on an

open fire. At this point add the seasoning and a crushed clove of

garlic, cover the saucepan, and place in a moderate oven, where it may

cook for one and one-half hours. At the end of this time the sauce

should be passed through a sieve or tammy, and it should boil while

being stirred. Finally, pour it into a tureen, and butter its surface

to avoid the formation of a skin.

_Remarks._—A purée of tomatoes is also used in cookery; it is prepared

in precisely the same fashion, except that the flour is omitted and

only one pint of white stock is added.

30—HOLLANDAISE SAUCE

_Quantities Required for One Quart._—One and one-half lbs. of

butter, the yolks of six eggs, one pinch of mignonette pepper and

one-quarter oz. of salt, three tablespoonfuls of good vinegar.

_Preparation._—Put the salt, the mignonette, the vinegar, and as much

water in a small saucepan, and reduce by three-quarters on the fire.

Move the saucepan to a corner of the fire or into a _bain-marie_,

and add a spoonful of fresh water and the yolks. Work the whole with

a whisk until the yolks thicken and have the consistence of cream.

Then remove the saucepan to a tepid place and gradually pour the

butter on the yolks while briskly stirring the sauce. When the butter

is absorbed, the sauce ought to be thick and firm. It is brought to

the correct consistence with a little water, which also lightens it

slightly, but the addition of water is optional. The sauce is completed

by a drop of lemon juice, and it is rubbed through a tammy.

_Remarks._—The consistence of sauces whose processes are identical

with those of the Hollandaise may be varied at will; for instance, the

number of yolks may be increased if a very thick sauce is desired, and

it may be lessened in the reverse case. Also similar results may be

obtained by cooking the eggs either more or less. As a rule, if a thick

sauce be required, the yolks ought to be well cooked and the sauce

kept almost cold in the making. Experience alone—the fruit of long

practice—can teach the various devices which enable the skilled worker

to obtain different results from the same kind and quality of material.

CHAPTER III

=The Small Compound Sauces=

_Remarks._—In order that the classification of the small sauces should

be clear and methodical, I divide them into three parts.

The first part includes the small brown sauces; the second deals

with the small white sauces and those suited to this part of the

classification; while the third is concerned with the English sauces.

=The Small Brown Sauces=

31—SAUCE BIGARRADE

This sauce is principally used to accompany braised and poëled

ducklings. In the first case, the duckling’s braising stock, being

thickened, constitutes a sauce. In the second case, the stock is clear,

and the procedure in both cases is as follows:—

1. After having strained the braising sauce, completely remove its

grease, and reduce it until it is very dense. Strain it once more

through muslin, twisting the latter; then, in order to bring the sauce

to its normal consistence, add the juice of six oranges and one lemon

per quart of sauce. Finish with a small piece of lemon and orange

rind cut regularly and finely, Julienne-fashion, and scalded for five

minutes.

2. Strain the poëling stock, for ducklings or wild ducks, through

linen; entirely remove the grease, and add four pieces of caramel sugar

dissolved in one tablespoonful of vinegar per one-half point of stock,

the juice of the oranges and the lemon and the Julienne of rinds, as

for the braised-ducklings sauce indicated above.

32—SAUCE BORDELAISE

Put into a vegetable-pan two oz. of very finely minced shallots,

one-half pint of good red wine, a pinch of mignonette pepper, and

bits of thyme and bay. Reduce the wine by three-quarters, and add

one-half pint of half-glaze. Keep the sauce simmering for half an hour;

despumate it from time to time, and strain it through linen or a sieve.

When dishing it up, finish it with two tablespoonfuls of dissolved

meat glaze, a few drops of lemon-juice, and four oz. of beef-marrow,

cut into slices or cubes and poached in slightly salted boiling water.

This sauce may be buttered to the extent of about three oz. per pint,

which makes it smoother, but less clear. It is especially suitable for

grilled butcher’s meat.

33—CHASSEUR SAUCE (Escoffier’s Method)

Peel and mince six medium-sized mushrooms. Heat one-half oz. of butter

and as much olive oil in a vegetable-pan; put in the mushrooms, and

fry the latter quickly until they are slightly browned. Now add a

coffeespoonful of minced shallots, and immediately remove half the

butter; pour one-half pint of white wine and one glass of liqueur

brandy into the stewpan; reduce this liquid to half, and finish the

sauce with: one-half pint of half-glaze, one-quarter pint of tomato

sauce, and one tablespoonful of meat-glaze. Set to boil for five

minutes more, and complete with a teaspoonful of chopped parsley.

34—BROWN CHAUD-FROID SAUCE

Put one quart of half-glaze into a sauté-pan with one-fifth pint of

truffle essence. Put the pan on an open fire, and reduce its contents;

while making same add to the sauce, in small quantities at a time, one

and one-half pints of jelly.

The degree of reduction in this sauce is a good third, but, to be quite

certain, a test of its consistence may be made by allowing it to

cool a little. After the reduction, carefully taste, and rectify the

seasoning if necessary; mix a little Madeira or Port with the sauce,

away from the fire, and strain through muslin or, preferably, through a

Venetian-hair sieve. Stir the sauce now and then while it cools, until

it is sufficiently liquid, and at the same time consistent enough,

to coat immersed solids evenly with a film of sauce. Its use will be

explained among the formulæ of the different kinds of Chaud-froids.

35—VARIETIES OF THE CHAUD-FROID SAUCE

_For Ducks._—Prepare the sauce as above, adding to it (for the

prescribed quantity) one-half pint of duck _fumet_ obtained from the

carcases and remains of roast duckling, and finish it, away from the

fire, with the juice of four oranges and a heaped tablespoonful of

orange rind, cut finely, Julienne-fashion, and scalded for five minutes.

_For Feathered Game._—Treat the Chaud-Froid sauce as indicated in

No. 34, adding one-half pint of the _fumet_ of the game constituting

the dish in order to lend it that game’s characteristic taste. Observe

the same precaution for the cooling.

_For Fish._—Proceed as in No. 34, but (1) substitute the Espagnole

of fish for the half glaze; (2) intensify the first Espagnole with

one-half pint of very clear fish essence; (3) use Lenten jelly instead

of meat jelly.

_Remarks upon the Use of Chaud-Froid Sauces._—The chaud-froid sauce

may be prepared beforehand, and when it is wanted it need only be

gently melted without heating it too much. It ought simply to be made

sufficiently liquid to give a good coating to substances immersed in it.

36—DEVILLED SAUCE

Put in a vegetable pan two oz. of sliced shallots and one-third pint

of white wine. Reduce the latter to two-thirds, add one-half pint of

half-glaze, reduce to two-thirds, season strongly with cayenne pepper,

and strain through muslin. This sauce may be served with grilled fowls

or pigeons. It also forms an excellent accompaniment to re-dished meat

which needs a spicy sauce.

37—“ESCOFFIER” DEVILLED SAUCE

This sauce, which may be bought ready-made, is admirably fitted to

accompany grilled fish and grills in general. In order to make it

ready, all that is needed is to add its own volume of fresh butter

to it, the latter being previously well softened so as to ensure its

perfect mixture with the sauce.

38—GENEVOISE SAUCE

Heat two oz. of butter in a stewpan; insert one lb. of Mirepoix

(No. 228) without bacon. Slightly brown, add two lbs. of head of salmon

and remains or bones of fish, and stew with lid on for twenty minutes.

Let the stewpan lean slightly to one side, so that the butter may be

drained; moisten with one bottle of excellent red wine; reduce the

latter by half; add one pint of Lenten Espagnole, and allow to cook

gently for half an hour.

Rub the sauce through a sieve, pressing it so as to extract all the

essence. Let it rest awhile; carefully remove the fat which has risen

to the surface, and add one liqueur-glass of burnt brandy, one-half

pint of red wine, and as much fish _fumet_. Boil again, then move

stewpan to the side of fire to despumate for one and one-half hours.

Frequently remove what the ebullition causes to rise to the surface,

this second period of cooking being only to ensure the purification

of the sauce. If the ebullition has been well effected, the sauce

should reach the proper degree of reduction and despumation at the same

moment of time. It is then strained through muslin or tammy, and it is

finished at the last minute with a few drops of anchovy essence and

four oz. of butter per quart of sauce.

N.B.—The Genevoise Sauce, like all red-wine sauces, may be served

without being buttered. It is thus clearer and more sightly in colour,

but the addition of butter in small quantities makes it mellower and

more palatable.

38a—REMARKS ON RED-WINE SAUCES

In the general repertory of cooking we also have, in the way of

red-wine sauces, the “Bourguignonne,” “Matelote,” and “Red-Wine”

sauces, which are closely allied to the “Genevoise,” and only differ

from it in details of procedure.

The “Bourguignonne” Sauce is composed of red-wine accompanied by

aromatics, and reduced by half. In accordance with ordinary principles,

it is thickened by means of three oz. of manied butter per quart of

reduced wine. This sauce is buttered with four oz. of butter per quart,

and is especially regarded as a domestic preparation for poached,

moulded, and hard-boiled eggs.

“Matelote” Sauce is made from Court-bouillon, with red wine which has

been used for cooking fish. This Court-bouillon, with the mushroom

parings added, is reduced by two-thirds, and is thickened with one

pint of Lenten Espagnole per pint of the reduced Court-bouillon.

This sauce should be reduced by a third, strained through a tammy, and

finished by means of two oz. of butter and a little cayenne per pint of

sauce.

The Red-Wine Sauce resembles the two preceding ones in so far as it

contains mirepoix browned in butter and diluted with red wine. The wine

is reduced by half, thickened by a pint of Lenten Espagnole per pint of

the reduction, and the sauce is despumated for about twenty minutes. It

is strained through a tammy, and finished, when ready, by a few drops

of anchovy essence, a little cayenne, and two oz. of butter per pint of

sauce.

39—GRAND-VENEUR SAUCE

Take one pint of Poivrade Sauce (No. 49) and boil it, adding one pint

of game stock to keep it light; reduce the sauce by a good third;

remove it from the fire, and add four tablespoonfuls of red-currant

jelly. When the latter is well dissolved, complete the sauce by

one-quarter pint of cream per pint of sauce.

This sauce is the proper accompaniment for joints of venison.

40—ITALIAN SAUCE

_Ordinary Italian Sauce._—Put into a stewpan six tablespoonfuls of

Duxelles (see No. 223), two oz. of very lean, cooked ham, cut very

finely, brunoise-fashion, and one pint of half-glaze tomatée. Boil

for ten minutes, and complete, at the moment of dishing up, with one

teaspoonful of parsley, chervil, and tarragon, minced and mixed.

_Lenten Italian Sauce._—Same preparation, only (1) omit the Ham, and

(2) substitute Lent Espagnole (combined with fish _fumet_ made from the

fish for which the sauce is intended) for half glaze with tomatoes.

41—THICKENED GRAVY

Boil one pint of poultry or veal stock (according to the nature of

the dish the gravy is intended for). Thicken this sauce by means of

three-quarters oz. of fecula, diluted cold, with a little water or

gravy, and pour this leason into the boiling gravy, being careful to

stir briskly.

The thickened gravy with the veal-stock base is used for choicest

pieces of butcher’s meat; that with a poultry-stock base is for fillets

of poultry.

42—VEAL GRAVY TOMATÉ

Add to one pint of veal stock two oz. of purée and one-quarter pint of

tomato juice, and reduce by a fifth. Strain the gravy through linen.

This gravy is for butcher’s meat.

43—LYONNAISE SAUCE

Finely mince two oz. of onions and brown them slightly in two oz.

of butter. Moisten with one-quarter pint of white wine and as much

vinegar; almost entirely reduce the liquid; add one and one-half pints

of clear half-glaze, and set to cook slowly for half an hour. Rub the

sauce through a tammy.

N.B.—The onion may be left in the sauce or not, according to the

preparation for which it is intended and the taste of the consumer.

44—MADEIRA SAUCE

Put one and one-half pints of half-glaze into a sauté-pan, and reduce

it on a brisk fire to a stiff consistence. When it reaches this point,

take it off the fire and add one-fifth pint of Madeira to it, which

brings it back to its normal consistence. Strain through a tammy, and

keep it warm without allowing it to boil.

45—MARROW SAUCE

Follow the proportions as indicated under “Sauce Bordelaise” (No. 32)

for the necessary quantity of this sauce, the Marrow Sauce being only

a variety of the Bordelaise. Finish it with six oz. per quart of beef

marrow, cut into cubes, poached and well drained, and one teaspoonful

of chopped parsley, scalded for a second. If the sauce is to accompany

vegetables, finish it, away from the fire, with three oz. of butter,

and then add the cubes of marrow and the parsley.

46—PIGNONS SAUCE

Take the necessary amount of Poivrade Sauce prepared according to

Formula No. 49, and let it boil. Now, for one pint of sauce, prepare

an infusion of juniper berries, with one-quarter pint of water and

two oz. of concassed berries; one oz. of grilled fir-apple kernels,

and one oz. of raisins, stoned and washed, and left to soak in tepid

water for about an hour. Finish the sauce, when dishing up, by adding

the infusion of juniper berries strained through linen, the grilled

kernels, the soaked raisins, and one-eighth pint of Madeira wine.

This sauce is specially suited to joints of venison.

47—PÉRIGUEUX SAUCE

Prepare a “Sauce Madère” as explained in No. 44, and add to the

half-glaze, to be reduced, half its volume of very strong veal stock,

and keep it a little denser than usual. Finish this sauce by adding

one-sixth pint of truffle essence and three oz. of chopped truffles

per quart of Madeira Sauce. It is used for numerous small entrées,

timbales, hot pâtés, &c.

48—PIQUANTE SAUCE

Put into a vegetable pan two oz. of minced shallots, one-quarter pint

of vinegar, and as much white wine. Reduce the liquid by a good half,

and add one pint of half-glaze; set the sauce to boil, and despumate

it for half an hour. At the last moment finish it, away from the fire,

with two oz. of gherkins, one oz. of capers, and a teaspoonful of

chervil, parsley, and tarragon, mixed; all the ingredients to be finely

chopped. This sauce generally accompanies grilled or boiled pork, and

cold meat re-dished and minced which needs spicy flavouring.

49—ORDINARY POIVRADE SAUCE

1. Heat two oz. of butter in a stewpan, and insert one lb. of raw

Mirepoix (No. 228). Fry the vegetables until they are well browned;

moisten with one-quarter pint of vinegar and one-half pint of Marinade

(Formula 169); reduce to two-thirds; add one pint of Espagnole Sauce,

and cook for three-quarters of an hour. Ten minutes before straining

the sauce, put in a few crushed peppercorns. If the pepper were put in

the sauce earlier, it might make it bitter.

2. Pass the sauce through a strainer, pressing the aromatics; add a

further one-half pint of Marinade, and despumate for one-quarter of an

hour, keeping it simmering the while. Strain again through tammy, and

finish the sauce, when ready for dishing, with two oz. of butter.

This sauce is suitable for joints marinaded or not.

50—POIVRADE SAUCE FOR VENISON

Fry, with two oz. of butter and two oz. of oil, one lb. of raw Mirepoix

(No. 228) to which are added four lbs. of well-broken bones and

ground-game trimmings. When the whole is well browned, drain the grease

away, and dilute with one pint of vinegar and one pint of white wine.

Reduce this liquid by three-quarters, then add three quarts of game

stock and a quart of Espagnole Sauce. Boil, cover the saucepan, and put

into a moderate oven, where it should stay for at least three hours.

At the end of this time take out the saucepan and pour its contents

into a fine sieve placed over a tureen; press the remains so as to

expel all the sauce they hold, and pour the sauce into a tall, thick

saucepan. Add enough game stock and Marinade, mixed in equal parts,

to produce three quarts in all of sauce, and gently reduce the latter

while despumating it. As it diminishes in volume, it should be passed

through muslin into smaller saucepans, and the reduction should be

stopped when only a quart of sauce remains.

N.B.—This sauce, like red-wine sauces, may be served as it stands. It

is brilliant, clear, and perhaps more sightly thus, but the addition of

a certain quantity of butter (four oz. per quart) makes it perfectly

mellow, and admirably completes its fragrance.

51—PROVENÇALE SAUCE

Peel, remove the seeds, press and concass twelve medium tomatoes.

Heat in a sauté-pan one-fifth pint of oil, until it begins to smoke

a little; insert the tomatoes seasoned with pepper and salt; add a

crushed garlic clove, a pinch of powdered sugar, one teaspoonful of

chopped parsley, and allow to melt gently for half an hour. In reality,

true Provençale is nothing but a fine fondue of tomatoes with garlic.

52—ROBERT SAUCE

Finely mince a large onion and put it into a stewpan with butter. Fry

the onion gently and without letting it acquire any colour. Dilute

with one-third pint of white wine, reduce the latter by one-third,

add one pint of half-glaze, and leave to simmer for twenty minutes.

When dishing up, finish the sauce with one tablespoonful of meat

glaze, one teaspoonful of mustard, and one pinch of powdered sugar.

If, when finished, the sauce has to wait, it should be kept warm in

a _bain-marie_, as it must not boil again. This sauce—of a spicy

flavour—is best suited to grilled and boiled pork. It may also be used

for a mince of the same meat.

53—ESCOFFIER ROBERTS SAUCE

This sauce may be bought ready-made. It is used either hot or cold. It

is especially suitable for pork, veal, poultry, and even fish, and is

generally used hot with grills after the equivalent of its volume of

excellent brown stock has been added to it. It may also be served cold

to accompany cold meat.

54—ROUENNAISE SAUCE

Prepare a “Bordelaise” sauce according to Formula No. 32. The diluent

of this sauce must be an excellent red wine. For one pint of sauce,

pass four raw ducks’ livers through a sieve; add the resulting purée to

the Bordelaise, and heat the latter for a few minutes in order to poach

the liver. Be careful, however, not to heat the sauce too much nor too

long, lest the liver be cooked. Serve this sauce with duckling à la

Rouennaise.

55—SALMIS SAUCE

The base of this sauce, which rather resembles the cullis, is

unchangeable. Its diluent only changes according to the kind of birds

or game to be treated, and whether this game is to be considered

ordinary or Lenten.

Cut and gently brown in butter five oz. of Mirepoix (Formula 228). Add

the shin detached from the limbs and the chopped carcase of the bird

under treatment, and moisten with one pint of white wine. Reduce the

latter to two-thirds, add one-half pint of half glaze, and boil gently

for three-quarters of an hour. Pass through a strainer, while pressing

upon the carcase and the aromatics, with the view of extracting their

quintessence, and thin the cullis thus obtained by means of one-half

pint of game stock or mushroom liquor, if the game be Lenten. Now

despumate for about one hour, finally reduce the sauce, bring it to its

proper consistency with a little mushroom liquor and truffle essence,

rub it through tammy, and butter it slightly at the last moment.

56—TORTUE SAUCE

Boil one-half pint of veal stock, adding a small sprig of sage, sweet

marjoram, rosemary, basil, thyme, and as much bay, two oz. of mushroom

parings, and one oz. of parsley. Cover and allow to infuse for half an

hour. Two minutes before straining the infusion, add four concassed

peppercorns.

After straining through fine linen, add one-half pint of half-glaze and

as much tomato sauce (away from the fire) with four tablespoonfuls of

sherry, a little truffle essence, and a good pinch of cayenne.

N.B.—As this sauce must be spicy, the use of cayenne suggests itself,

but great caution should be observed, as there must be no excess of

this condiment.

57—VENISON SAUCE

Prepare a Poivrade sauce for game, as explained in No. 50. Finish

this sauce with two tablespoonfuls of red-currant jelly, previously

dissolved, and mixed with five tablespoonfuls of fresh cream per pint

of sauce. This addition of cream and red-currants must be made away

from the fire.

Serve this sauce with big ground-game.

=Small White and Compound Sauces.=

58—AMERICAN SAUCE

This sauce is that of lobster prepared “à l’Américaine” (see No. 939).

As it generally accompanies a fish, the meat of the lobster or lobsters

which have served in its preparation is sliced and used as the garnish

of the fish.

59—ANCHOVY SAUCE

Put into a small stewpan one pint of unbuttered “Normande Sauce”

(No. 99), and finish it, away from the fire, with three oz. of anchovy

butter, and one oz. of anchovy fillets, washed, well sponged, and cut

into small pieces.

60—AURORE SAUCE

Into one-half pint of boiling velouté put the same quantity of very red

tomato purée (No. 29), and mix the two. Let the sauce boil a little,

pass it through a tammy, and finish, away from the fire, with three oz.

of butter.

61—LENTEN AURORE SAUCE

This sauce is made like the preceding one, _i.e._, with the same

quantities of velouté and tomato purée, replacing ordinary velouté by

fish velouté.

62—BÉARNAISE SAUCE

Put into a small stewpan one teaspoonful of chopped shallots, two oz.

of chopped tarragon stalks, three oz. of chervil, some mignonette

pepper, a pinch of salt, and four tablespoonfuls of vinegar. Reduce

the vinegar by two-thirds, take off the fire, let the stewpan cool a

little, and add to this reduction the yolks of five eggs. Now put the

stewpan on a low fire and gradually combine with the yolks six oz. of

melted butter. Whisk the sauce briskly, so as to ensure the cooking of

the yolks, which alone, by gradual cooking, effect the leason of the

sauce.

When the butter is combined with the sauce, rub the latter through

tammy, and finish it with a teaspoonful of chervil parings and chopped

tarragon leaves. Complete the seasoning with a suspicion of cayenne.

This sauce should not be served very hot, as it is really a mayonnaise

with butter. It need only be tepid, for it would probably turn if it

were over-heated. Serve it with grilled, butcher’s meat and poultry.

63—BÉARNAISE SAUCE WITH MEAT GLAZE, OTHERWISE VALOIS SAUCE OR FOYOT

SAUCE

Prepare a Béarnaise sauce as explained in No. 62. Complete it with

three tablespoonfuls of dissolved pale meat glaze, which may be added

in small quantities at a time. Serve it with butcher’s meat.

64—BÉARNAISE TOMATÉE SAUCE OR CHORON SAUCE

Proceed in exactly the same way as for Béarnaise No. 62. When the sauce

is made and rubbed through tammy, finish it with one-third pint of

very red tomato purée. In this case the final addition of chervil and

tarragon should not be made.

This is proper to “Tournedos Choron,” but it may accompany grilled

poultry and white, butcher’s meat.

65—BERCY SAUCE

Heat two oz. of chopped shallots. Moisten with one-half pint of white

wine and as much fish _fumet_, or, when possible, the same quantity of

fish liquor, the latter being, of course, that of a fish similar to the

one the sauce is to accompany. Reduce to a good third, add one-third

pint of velouté, let the sauce boil some time, and finish it, away from

the fire, with four oz. of butter (added by degrees), a few drops of

fish glaze, half the juice of a lemon, and one oz. of chopped parsley.

Serve with medium-sized poached fish.

66—BUTTER SAUCE

Mix two oz. of sifted flour with two oz. of melted butter. Dilute with

one quart of boiling water, salted to the extent of one-quarter oz. per

quart. Stir briskly to ensure a perfect leason, and do not allow to

boil. Add immediately the yolks of six eggs mixed with one-quarter pint

of cream and the juice of half a lemon. Rub through a tammy, and finish

the sauce with five oz. of best fresh butter.

Be careful that the sauce does not boil after it has been thickened.

67—BONNEFOY SAUCE, OR WHITE BORDELAISE SAUCE

Put in a stewpan two oz. of minced shallots and one-half pint of

Graves, Sauterne, or any other excellent white Bordeaux. Reduce the

wine almost entirely, add one-quarter pint of velouté, let it simmer

twenty minutes, and rub it through a tammy. Finish it, away from the

fire, with six oz. of butter and a little chopped tarragon.

Serve it with grilled fish and grilled white meat.

68—CAPER SAUCE

This is a derivative of the Butter Sauce described under No. 66, and

there need only be added two tablespoonfuls of capers per pint of

sauce. It frequently accompanies boiled fish of all kinds.

69—CARDINAL SAUCE

Boil one pint of Béchamel, to which add one-half pint of fish _fumet_

and a little truffle essence, and reduce by a quarter. Finish the

sauce, when dishing up, with three tablespoonfuls of cream and

three oz. of very red lobster butter (No. 149).

This sauce is poured over the fish.

70—MUSHROOM SAUCE

If this be intended for poultry, add one-fifth pint of mushroom liquor

and eight oz. of button-mushroom heads turned or channelled and cooked,

to one pint of very stiff Allemande Sauce.

If it be intended for fish, take one pint of fish velouté, thickened

with the yolks of four eggs, and finish it with mushroom liquor, as

above.

The sauce that I suggest for poultry may also be used for fish, after

adding the necessary quantity of fish _fumet_.

71—CHÂTEAUBRIAND SAUCE

Put one oz. of chopped shallots, a sprig of thyme and a bit of bay,

one oz. of mushroom parings, and one-quarter pint of white wine into

a stewpan. Reduce the wine almost entirely, add one-half pint of veal

gravy, and reduce again until the liquid only measures one-quarter

pint. Strain through muslin, and finish the sauce away from the fire

with four oz. of butter “Maître d’Hôtel” (No. 150), to which may be

added a little chopped tarragon. Serve with grilled fillet of beef,

otherwise “Châteaubriand.”

72—WHITE CHAUD-FROID SAUCE

Boil one pint of velouté in a stewpan, and add three-quarters pint of

melted white poultry jelly. Put the stewpan on an open fire, reduce

the sauce by a third, stirring constantly the while, and gradually

add one-half pint of very fresh cream. When the sauce has reached the

desired degree of consistency rub it through a tammy, and stir it

frequently while it cools, for fear of a skin forming on its surface,

for if this happened it would have to be strained again. When dishing

up, this sauce should be cold, so that it may properly coat immersed

solids and yet be liquid enough to admit of the latter being easily

steeped into it.

73—ORDINARY CHAUD-FROID SAUCE

Proceed exactly as above, substituting Allemande Sauce for the velouté,

and reducing the quantity of cream to one-quarter pint. Observe the

same precautions while cooling.

74—CHAUD-FROID SAUCE, A L’AURORE

Prepare a white Chaud-Froid (No. 72). The same may be coloured by the

addition of fine red tomato purée—more or less to match the desired

shade—or by an infusion of paprika, according to the use for which it

is intended. This last product is preferable when not too deep a shade

is required.

75—CHAUD-FROID SAUCE, AU VERT-PRÉ

Add to the velouté of the white Chaud-Froid sauce, at the same time as

the jelly, an infusion prepared thus:—Boil one-quarter pint of white

wine, and add to it one pinch of chervil stalks, a similar quantity of

tarragon leaves, chives, and parsley leaves. Cover, allow infusion to

proceed away from the fire for ten minutes, and strain through linen.

Treat the sauce as explained, and finish with spinach-green (No. 143).

The shade of the sauce must not be too pronounced, but must remain

a pale green. The colouring principle must therefore be added with

caution and in small quantities, until the correct shade is obtained.

Use this sauce for Chaud-froids of fowl, particularly that kind

distinguished as “_Printanier_.”

76—LENT CHAUD-FROID SAUCE

Proceed as for white Chaud-Froid, using the same quantities, and taking

note of the following modifications:—

1. Substitute fish velouté for ordinary velouté.

2. Substitute white fish jelly for poultry jelly.

_Remarks._—I have adopted the use of this ordinary Chaud-Froid sauce

for the glazing of fillets and escalopes of fish and Shell-fish,

instead of cleared Mayonnaise, formerly used, which had certain

inconveniences—not the least being the oozing away of the oil under

the shrinkage of the gelatine. This difficulty does not obtain in the

ordinary Chaud-Froid, the definite and pronounced flavour of which is

better than that of the cleared Mayonnaise.

77—“ESCOFFIER” CHERRY SAUCE

This sauce may be bought ready-made. Like the Roberts Sauce, it can be

served hot or cold. It is an excellent adjunct to venison, and even to

small ground-game. Saddle of venison with this sauce constitutes one of

the greatest dainties that an epicure could desire.

78—CHIVRY SAUCE

In one-half pint of boiling poultry stock put a large pinch of chervil

pluches, tarragon and parsley leaves, a head of young pimpernel (the

qualification here is very important, for this aromatic plant grows

bitter as it matures), and a good pinch of chives. Cover up, and

let infusion proceed for ten to twelve minutes; then add the liquid

(strained through linen) to one pint of velouté. Boil, reduce by a

quarter, and complete it with two oz. of Green Butter (No. 143). Chivry

Sauce is admirably suited to boiled or poached poultry.

79—CREAM SAUCE

Boil one pint of Béchamel Sauce, and add one-quarter pint of cream

to it. Reduce on an open fire until the sauce has become very thick;

then pass through tammy. Bring to its normal degree of consistency by

gradually adding, away from the fire, one-quarter pint of very fresh

cream and a few drops of lemon-juice. Serve this sauce with boiled

fish, poultry, eggs, and various vegetables.

80—SHRIMP SAUCE

Boil one pint of fish velouté or, failing this, Béchamel sauce, and add

to it one-quarter pint of cream and one-quarter pint of very clear fish

_fumet_. Reduce to one pint, and finish the sauce, away from the fire,

with two oz. of Shrimp Butter (No. 145) and two oz. of shelled shrimps’

tails.

81—CURRY SAUCE

Slightly brown the following vegetables in butter:—Twelve oz. of minced

onions, one oz. of parsley roots, four oz. of minced celery, a small

sprig of thyme, a bit of bay, and a little mace. Sprinkle with two oz.

of flour and a teaspoonful of curry pepper. Cook the flour for some

minutes without letting it acquire any colour, and dilute with one and

one-half pints of white stock. Boil, cook gently for three-quarters

of an hour, and rub through a tammy. Now heat the sauce, remove its

grease, and keep it in the _bain-marie_. Serve this sauce with fish,

shell-fish, poultry, and various egg-preparations.

N.B.—This sauce is sometimes flavoured with cocoa-nut milk in the

proportion of one-quarter of the diluent.

82—DIPLOMATE SAUCE

Take one pint of Normande Sauce, prepared according to No. 99, and

finish it with two oz. of lobster butter and three tablespoonfuls of

lobster meat, and truffles cut into small, regular tubes.

83—HERB SAUCE

Prepare one pint of white-wine sauce (No. 111). Finish it away from

the fire with three oz. of shallot butter, a tablespoonful of parsley,

chervil, tarragon, and chives, chopped and mixed. Serve this sauce with

boiled or poached fish.

84—GOOSEBERRY SAUCE

Prepare one pint of butter sauce, Formula No. 66. Meanwhile put one lb.

of green gooseberries into a small copper saucepan containing boiling

water. Boil for five minutes, then drain the gooseberries, and put them

in a little stewpan with one-half pint of white wine and three oz. of

powdered sugar. Gently cook the gooseberries, rub them through a tammy,

and add the resulting pulp to the butter sauce. This sauce is excellent

with grilled mackerel and the poached fillets of that fish.

85—HUNGARIAN SAUCE

Gently fry in butter, without colouring, two tablespoonfuls of chopped

onions seasoned with table-salt and half a teaspoonful of paprika.

Moisten with one-quarter pint of white wine, add a small faggot, reduce

the wine by two-thirds, and remove the herbs.

Finish with one pint of ordinary or Lenten Velouté, according to the

use for which the sauce is intended, and boil moderately for five

minutes. Then rub the sauce through a tammy, and complete it with

two oz. of butter. Remember this sauce should be of a tender, pink

shade, which it must owe to the paprika alone.

It forms an ideal accompaniment to choice morsels of lamb and veal,

eggs, poultry, and fish.

86—OYSTER SAUCE

Take one pint of Normande Sauce, finish it as directed in that recipe,

and complete it with one-quarter pint of reduced oyster liquor,

strained through linen, and twelve poached and trimmed oysters.

87—IVORY SAUCE, OR ALBUFERA SAUCE

Take the necessary quantity of Suprême Sauce, prepared as explained

in No. 106a. Add to this four tablespoonfuls of dissolved, pale, meat

glaze per quart of sauce, in order to lend the latter that ivory-white

tint which characterises it. Serve this sauce chiefly with poultry and

poached sweet-bread.

88—JOINVILLE SAUCE

Prepare one pint of Normande Sauce (No. 99), as given in the first

part of its formula, and complete it with two oz. of shrimp butter and

two oz. of crayfish butter. If this sauce is to accompany a fish à la

Joinville, which includes a special garnish, it is served as it stands.

If it is served with a large, boiled, ungarnished fish, one oz. of

very black truffles cut _Julienne-fashion_ should be added. As may be

seen, Joinville Sauce differs from similar preparations in the final

operation where crayfish and shrimp butter are combined.

89—MALTESE SAUCE

To the Hollandaise Sauce, given under No. 30, add, when dishing up,

the juice of two blood oranges (these late-season oranges being

especially suitable for this sauce) and half a coffeespoonful of grated

orange-rind.

Maltese Sauce is the finest for asparagus.

90—MARINIÈRE SAUCE

Take the necessary quantity of Bercy Sauce (No. 65), and add, per pint

of sauce, one-quarter pint of mussel liquor and a leason composed of

the yolks of three eggs.

Serve this with small poached fish and more particularly with mussels.

91—MORNAY SAUCE

Boil one pint of Béchamel Sauce with one-quarter pint of the _fumet_

of the fish, poultry, or vegetable, which is to constitute the dish.

Reduce by a good quarter, and add two oz. of Gruyère and two oz. of

grated Parmesan.

Put the sauce on the fire again for a few minutes, and ensure the

melting of the cheese by stirring with a small whisk. Finish the sauce

away from the fire with two oz. of butter added by degrees.

92—MOUSSELINE SAUCE

To a Hollandaise Sauce, prepared as explained (No. 30), add, just

before dishing up, one-half pint of stiffly-whipped cream per pint of

sauce.

93—MOUSSEUSE SAUCE

Scald and wipe a small vegetable-pan, and put into it one-half lb. of

stiffly-_manied_ butter, properly softened. Season this butter with

table-salt and a few drops of lemon-juice, and whisk it while gradually

adding one-third pint of cold water. Finish with two tablespoonfuls

of very firm, whipped cream. This preparation, though classified as a

sauce, is really a compound butter, which is served with boiled fish.

The heat of the fish alone suffices to melt it, and its appearance is

infinitely more agreeable than that of plain, melted butter.

94—MUSTARD SAUCE

Take the necessary quantity of butter sauce and complete it, away from

the fire, with one tablespoonful of mustard per pint of sauce.

N.B.—If the sauce has to wait, it must be kept in a _bain-marie_, for

it should not on any account boil. It is served with certain small

grilled fish, especially fresh herrings.

95—NANTUA SAUCE

Boil one pint of Béchamel Sauce, add one-half pint of cream, and reduce

by a third. Rub it through a tammy, and finish it with a further

addition of two tablespoonfuls of cream, three oz. of very fine

crayfish butter, and one tablespoonful of small, shelled crayfishes’

tails.

96—NEWBURG SAUCE

_First Method_ (_with Raw Lobsters_).—Divide a two lb. lobster into

four parts. Remove its creamy parts, pound them finely with two oz. of

butter, and put them aside.

Heat in a sautépan one and one-half oz. of butter and as much oil, and

insert the pieces of lobster, well seasoned with salt and cayenne. Fry

until the pieces assume a fine, red colour; entirely drain away the

butter, and add two tablespoonfuls of burnt brandy and one-third pint

of Marsala or old Sherry.

Reduce the wine by two-thirds, and wet the lobster with one-third pint

of cream and one-half pint of fish _fumet_. Now add a faggot, cover

the sautépan, and gently cook for twenty-five minutes. Then drain the

lobster on a sieve, remove the meat and cut it into cubes, and finish

the sauce by adding the creamy portions put aside from the first. Boil

so as to ensure the cooking of these latter portions; add the meat, cut

into cubes, and verify the seasoning.

N.B.—The addition of the meat to the sauce is optional; instead of

cutting it into cubes it may be stewed and displayed on the fish

constituting the dish.

97—SECOND METHOD (WITH COOKED LOBSTER)

The lobster having been cooked in a _Court-bouillon_, shell the tail

and slice it up. Arrange these slices in a sautépan liberally buttered

at the bottom; season them strongly with salt and cayenne, and heat

them on both sides so as to effect the reddening of the skin. Immerse,

so as to cover, in a good Sherry, and almost entirely reduce same.

When dishing up, pour on to the slices a leason composed of one-third

pint of fresh cream and the yolks of two eggs. Gently stir, away from

the fire, and roll the saucepan about until the leason is completed.

Originally, these two sauces, like the American, were exclusively

composed of, and served with, lobster. They were one with the two very

excellent preparations of lobster which bear their name. In its two

forms lobster may only be served at lunch, many people with delicate

stomachs being unable to digest it at night. To obviate this serious

difficulty, I have made it a practice to serve lobster sauce with

fillets or Mousselines of sole, adding the lobster as a garnish only.

And this innovation proved most welcome to the public.

By using such condiments as curry and paprika, excellent varieties of

this sauce may be obtained, which are particularly suited to sole and

other white Lenten fish. In either of these cases it is well to add a

little rice “à l’Indienne” to the fish.

98—NOISETTE SAUCE

Prepare a Hollandaise Sauce according to the recipe under No. 30. Add

two oz. of hazel-nut butter at the last moment.

Serve this with salmon, trout, and all boiled fish in general.

99—NORMANDE SAUCE

Put in a sautépan one pint of fish velouté, three tablespoonfuls of

mushroom liquor, as much oyster liquor, and twice as much sole _fumet_,

the yolks of three eggs, a few drops of lemon-juice, and one-quarter

pint of cream. Reduce by a good third on an open fire, season with a

little cayenne, rub through a tammy, and finish with two oz. of butter

and four tablespoonfuls of good cream.

This sauce is proper to fillet of sole “à la Normande,” but it is also

frequently used as the base of other small sauces.

100—ORIENTAL SAUCE

Take one pint of American sauce, season with curry, and reduce to a

third. Then add, away from the fire, one-quarter pint of cream per pint

of sauce.

Serve this sauce in the same way as American Sauce.

101—POULETTE SAUCE

Boil for a few minutes one pint of Sauce Allemande, and add six

tablespoonfuls of mushroom liquor. Finish, away from the fire, with

two oz. of butter, a few drops of lemon-juice, and one teaspoonful

of chopped parsley. Use this sauce with certain vegetables, but more

generally with sheep’s trotters.

102—RAVIGOTE SAUCE

Reduce by half, one-quarter pint of white wine with half as much

vinegar. Add one pint of ordinary velouté, boil gently for a few

minutes, and finish with one and one-half oz. of shallot butter and

one teaspoonful of chervil, tarragon, and chopped chives. This sauce

accompanies boiled poultry and certain white “_abats_.”

103—REGENCY SAUCE

_If this sauce is to garnish poultry_, boil one pint of Allemande Sauce

with six tablespoonfuls of mushroom essence and two tablespoonfuls of

truffle essence. Finish with four tablespoonfuls of poultry glaze.

_If it is to garnish fish_, substitute for the Allemande Sauce some

fish velouté thickened with egg-yolks and the essences of mushroom and

truffle as above. Complete with some fish essence.

104—SOUBISE SAUCE

Stew in butter two lbs. of finely-minced onions, scalded for three

minutes and well dried. This stewing of the onions in butter increases

their flavour. Now add one-half pint of thickened Béchamel; season with

salt and a teaspoonful of powdered sugar. Cook gently for half an hour,

rub through a tammy, and complete the sauce with some tablespoonfuls of

cream and two oz. of butter.

105—SOUBISE SAUCE WITH RICE

The same quantity as above of minced onions, scalded and well drained.

Garnish the bottom and the sides of a tall, medium stewpan with

some thin rashers of fat bacon. Insert the onions, together with

one-quarter lb. of Carolina rice, one pint of white consommé, a large

pinch of powdered sugar, and the necessary salt. Cook gently in the

front of the oven for three-quarters of an hour. Then pound the onions

and rice in a mortar, rub the resulting purée through a tammy, and

finish with cream and butter as in the preceding case.

N.B.—This sauce, being more consistent than the former, is used as a

garnish just as often as a sauce.

106—SOUBISE SAUCE TOMATÉE

Prepare a soubise in accordance with the first of the two above

formulæ, and add to it one-third of its volume of very red tomato purée.

=Remarks.=

1. The Soubise is rather a cullis than a sauce; _i.e._, its consistence

must be greater than that of a sauce.

2. The admixture of Béchamel in Soubise is preferable to that of rice,

seeing that it makes it smoother. If, in certain cases, rice is used as

a cohering element, in order to give the Soubise more stiffness.

3. In accordance with the uses to which it may be put, the Soubise

Tomatée may be finally seasoned either with curry or paprika.

106a—SUPRÊME SAUCE

The salient characteristics of Suprême Sauce are its perfect whiteness

and consummate delicacy. It is generally prepared in small quantities

only.

_Preparation._—Put one and one-half pints of very clear poultry stock

and one-quarter pint of mushroom cooking liquor into a sautépan. Reduce

to two-thirds; add one pint of “poultry velouté”; reduce on an open

fire, stirring with the spatula the while, and combine one-half pint of

excellent cream with the sauce, this last ingredient being added little

by little.

When the sauce has reached the desired consistence, strain it through

a sieve, and add another one-quarter pint of cream and two oz. of best

butter. Stir with a spoon, from time to time, or keep the pan well

covered.

107—VENETIAN SAUCE

Put into a stewpan one tablespoonful of chopped shallots, one

tablespoonful of chervil, and one-quarter pint of white wine and

tarragon vinegar, mixed in equal quantities. Reduce the vinegar by

two-thirds; add one pint of white wine sauce (No. 111); boil for a few

minutes; rub through a tammy, and finish the sauce with a sufficient

quantity of Herb Juice (No. 183) and one teaspoonful of chopped chervil

and tarragon. This sauce accompanies various fish.

108—VILLEROY SAUCE

Put into a sautépan one pint of Allemande Sauce to which have been

added two tablespoonfuls of truffle essence and as much ham essence.

Reduce on an open fire and constantly stir until the sauce is

sufficiently stiff to coat immersed solids thickly.

109—VILLEROY SOUBISEE SAUCE

Put into a sautépan two-thirds pint of Allemande Sauce and one-third

pint of Soubise purée (Formula 105). Reduce as in the preceding case,

as the uses to which this is put are the same. Now, according to the

circumstances and the nature of the solid it is intended for, a few

teaspoonfuls of very black, chopped truffles may be added to this sauce.

110—VILLEROY TOMATÉE SAUCE

Prepare the sauce as explained under No. 108, and add to it the third

of its volume of very fine tomato purée. Reduce in the same way.

_Remarks._—1. Villeroy sauce, of whatsoever kind, is solely used for

the coating of preparations said to be “à la Villeroy.”

2. The Villeroy Tomatée may be finally seasoned with curry or paprika,

according to the preparation for which it is intended.

111—WHITE WINE SAUCE

The three following methods are employed in making it:—

1. Add one-quarter pint of fish _fumet_ to one pint of thickened

Velouté, and reduce by half. Finish the sauce, away from the fire, with

four oz. of butter. Thus prepared, this white wine sauce is suitable

for glazed fish.

2. Almost entirely reduce one-quarter pint of fish _fumet_. To this

reduction add the yolks of four eggs, mixing them well in it, and

follow with one lb. of butter, added by degrees, paying heed to the

precautions indicated under sauce Hollandaise No. 30.

3. Put the yolks of five eggs into a small stewpan and mix them with

one tablespoonful of cold fish-stock. Put the stewpan in a _bain-marie_

and finish the sauce with one lb. of butter, meanwhile adding from time

to time, and in small quantities, six tablespoonfuls of excellent fish

_fumet_. The procedure in this sauce is, in short, exactly that of the

Hollandaise, with this distinction, that here fish _fumet_ takes the

place of the water.

=Hot English Sauces=

112—APPLE SAUCE

Quarter, peel, core, and chop two lbs. of medium-sized apples; place

these in a stewpan with one tablespoonful of powdered sugar, a bit of

cinnamon, and a few tablespoonfuls of water. Cook the whole gently with

lid on, and smooth the purée with a whisk when dishing up.

Serve this sauce lukewarm with duck, goose, roast hare, &c.

113—BREAD SAUCE

Boil one pint of milk, and add three oz. of fresh, white bread-crumb,

a little salt, a small onion with a clove stuck in it, and one oz. of

butter. Cook gently for about a quarter of an hour, remove the onion,

smooth the sauce with a whisk, and finish it with a few tablespoonfuls

of cream.

This sauce is served with roast fowl and roast feathered game.

114—CELERY SAUCE

Clean six stalks of celery (only use the hearts), put them in a

sautépan, wholly immerse in consommé, add a faggot and one onion with

a clove stuck in it, and cook gently. Drain the celery, pound it in a

mortar, then rub it through a tammy and put the purée in a stewpan.

Now thin the purée with an equal quantity of cream sauce and a little

reduced celery liquor. Heat it moderately, and, if it has to wait, put

it in a _bain-marie_.

This sauce is suited to boiled or braised poultry. It is excellent, and

has been adopted in French cookery.

115—CRANBERRY SAUCE

Cook one pint of cranberries with one quart of water in a stewpan,

and cover the stewpan. When the berries are cooked drain them in a

fine sieve through which they are strained. To the purée thus obtained

add the necessary quantity of their cooking liquor, so as to make a

somewhat thick sauce. Sugar should be added according to the taste of

the consumer.

This sauce is mostly served with roast turkey. It is to be bought

ready-made, and, if this kind be used, it need only be heated with a

little water.

116—FENNEL SAUCE

Take one pint of butter sauce (No. 66) and finish it with two

tablespoonfuls of chopped fennel, scalded for a few seconds.

This is principally used with mackerel.

117—EGG SAUCE WITH MELTED BUTTER

Dissolve one-quarter pound of butter, and add to it the necessary salt,

a little pepper, half the juice of a lemon, and three hard-boiled eggs

(hot and cut into large cubes); also a teaspoonful of chopped and

scalded parsley.

118—SCOTCH EGG SAUCE

Make a white roux with one and one-half oz. of butter and one oz.

of flour. Mix in one pint of boiling milk, season with salt, white

pepper, and nutmeg, and boil gently for ten minutes. Then add three hot

hard-boiled eggs, cut into cubes (the whites and the yolks).

This sauce usually accompanies boiled fish, especially fresh haddocks

and fresh and salted cod.

119—HORSE-RADISH OR ALBERT SAUCE

Rasp five oz. of horse-radish and place them in a stewpan with

one-quarter pint of white consommé. Boil gently for twenty minutes

and add a good one-half pint of butter sauce, as much cream, and

one-half oz. of bread-crumb; thicken by reducing on a brisk fire

and rub through tammy. Then thicken with the yolks of two eggs,

and complete the seasoning with a pinch of salt and pepper, and a

teaspoonful of mustard dissolved in a tablespoonful of vinegar.

Serve this sauce with braised or roast beef—especially fillets.

119a—PARSLEY SAUCE

This is the Butter Sauce (No. 66), to which is added, per pint, a

heaped tablespoonful of freshly-chopped parsley.

120—REFORM SAUCE

Put into a small stewpan and boil one pint of half-glaze sauce and

one-half pint of ordinary Poivrade sauce. Complete with a garnish

composed of one-half oz. of gherkins, one-half oz. of the hard-boiled

white of an egg, one oz. of salted tongue, one oz. of truffles, and

one oz. of mushrooms. All these to be cut _Julienne-fashion_ and short.

This sauce is for mutton cutlets when these are “à la Reform.”

CHAPTER IV

COLD SAUCES AND COMPOUND BUTTERS

121—AIOLI SAUCE, OR PROVENCE BUTTER

Pound one oz. of garlic cloves as finely as possible in a mortar, and

add the yolk of one raw egg, a pinch of salt, and one-half pint of oil,

letting the latter gradually fall in a thread and wielding the pestle

meanwhile, so as to effect a complete amalgamation. Add a few drops of

lemon juice and cold water to the sauce as it thickens, these being to

avoid its turning.

Should it decompose while in the process of making or when made, the

only thing to be done is to begin it again with the yolk of an egg.

122—ANDALOUSE SAUCE

Take the required quantity of Mayonnaise sauce (No. 126) and add to it

the quarter of its volume of very red and concentrated tomato purée,

and finally add two oz. of capsicum cut finely, _Julienne-fashion_, per

pint of sauce.

123—BOHEMIAN SAUCE

Put in a bowl one-quarter pint of cold Béchamel, the yolks of four

eggs, a little table salt and white pepper. Add a quart of oil and

three tablespoonfuls of tarragon vinegar, proceeding as for the

Mayonnaise.

Finish the sauce with a tablespoonful of mustard.

124—GENOA SAUCE

Pound in a mortar, and make into a smooth, fine paste, one oz. of

pistachios and one oz. of fir-apple kernels, or, if these are not

available, one oz. of sweet almonds; add one-half tablespoonful of cold

Béchamel. Put this paste into a bowl, add the yolks of six eggs, a

little salt and pepper, and finish the sauce with one quart of oil, the

juice of two lemons, and proceed as for the Mayonnaise.

Complete with three tablespoonfuls of purée of herbs, prepared with

equal quantities of chervil, parsley, tarragon, and fresh pimpernel,

scalded for one minute. Cool quickly, press so as to expel the water,

and pass through a fine sieve.

Serve this sauce with cold fish.

125—GRIBICHE SAUCE

Crush in a basin the yolks of six hard-boiled eggs, and work them

into a smooth paste, together with a large tablespoonful of French

mustard, the necessary salt, a little pepper, and make up the sauce

with one pint of oil. Complete with one dessertspoonful of parsley,

chervil, and tarragon (chopped and mixed), as many capers and gherkins,

evenly mixed, and the hard-boiled whites of three eggs, cut short,

_Julienne-fashion_.

This sauce is chiefly used with cold fish.

126—MAYONNAISE SAUCE

Put in a basin the yolks of six raw eggs, after having removed the

cores. Season them with one-half oz. of table-salt and a little cayenne

pepper. Gradually pour one-fifth pint of vinegar on the yolks while

whisking them briskly. When the vinegar is absorbed add one quart of

oil, letting the latter trickle down in a thread, constantly stirring

the sauce meanwhile. The sauce is finished by the addition of the juice

of a lemon and three tablespoonfuls of boiling water—the purpose of the

latter being to ensure the coherence of the sauce and to prevent its

turning.

Mayonnaise prepared in this way is rather liquid, but it need only be

left to rest a few hours in order to thicken considerably. Unless it be

exposed to too low a temperature, the Mayonnaise, prepared as above,

never turns, and may be kept for several days without the fear of

anything happening to it. Merely cover it to keep the dust away.

_Remarks._—In the matter of that sauce there exist endless prejudices,

which I must attempt to refute:—

1. If the sauce forms badly, or not at all, the reason is that the

oil has been added too rapidly at first, before the addition of the

vinegar, and that its assimilation by the yolks has not operated

normally.

2. It is quite an error to suppose that it is necessary to work over

ice or in a cold room. Cold is rather deleterious to the Mayonnaise,

and is invariably the cause of this sauce turning in winter. In the

cold season the oil should be slightly warmed, or, at least, kept at

the temperature of the kitchen, though it is best to make it in a

moderately warm place.

3. It is a further error to suppose that the seasoning interferes with

the making of the sauce, for salt, in solution, rather provokes the

cohering force of the yolks.

_Causes of the Disintegration of the Mayonnaise_:—

1. The too rapid addition of the oil at the start.

2. The use of congealed, or too cold, an oil.

3. Excess of oil in proportion to the number of yolks, the

assimilating power of an egg being limited to two and one-half oz.

of oil (if the sauce be made some time in advance), and three oz.

if it is to be used immediately.

_Means of Bringing Turned Mayonnaise Back to its Normal State._—Put

the yolk of an egg into a basin with a few drops of vinegar, and mix

the turned Mayonnaise in it, little by little. If it be a matter of

only a small quantity of Mayonnaise, one-half a coffeespoonful of

mustard can take the place of the egg-yolk. Finally, with regard to

acid seasoning, a whiter sauce is obtained by the use of lemon juice

instead of vinegar.

127—CLEARED MAYONNAISE SAUCE

Take the necessary quantity of Mayonnaise and gradually add to it, per

one and one-half pints of the sauce, one-half pint of cold and rather

firm melting aspic jelly—Lenten or ordinary, according to the nature of

the products for which the sauce is intended.

_Remarks._—It is this very Mayonnaise, formerly used almost exclusively

for coating entrées and cold relevées of fish, filleted fish, escalopes

of common and spiny-lobster, &c., which I have allowed the Lenten

Chaud-froid (see remarks No. 76) to supersede.

128—WHISKED MAYONNAISE

Put into a copper basin or other bowl three-quarters pint of melted

jelly, two-thirds pint of Mayonnaise, one tablespoonful of tarragon

vinegar, and as much rasped or finely-chopped horse-radish. Mix up the

whole, place the utensil on ice, and whisk gently until the contents

get very frothy. Stop whisking as soon as the sauce begins to solidify,

for it must remain almost fluid so as to enable it to mix with the

products for which it is intended.

This sauce is used principally for vegetable salads.

129—RAVIGOTE SAUCE, OR VINAIGRETTE

Put into a bowl one pint of oil, one-third pint of vinegar, a little

salt and pepper, two oz. of small capers, three tablespoonfuls of fine

herbs, comprising some very finely chopped onion, as much parsley,

and half as much chervil, tarragon, and chives. Mix thoroughly. The

Ravigote accompanies calf’s head or foot, sheep’s trotters, &c.

Two or three tablespoonfuls of the liquor with which its accompanying

solids have been cooked, _i.e._, calf’s head or sheep’s trotters

liquor, &c., are often added to this sauce when dishing up.

130—REMOULADE SAUCE

To one pint of Mayonnaise add one large tablespoonful of mustard,

another of gherkins, and yet another of chopped and pressed capers,

one tablespoonful of fine herbs, parsley, chervil, and tarragon, all

chopped and mixed, and a coffeespoonful of anchovy essence.

This sauce accompanies cold meat and poultry, and, more particularly,

common and spiny lobster.

131—GREEN SAUCE

Take the necessary quantity of thick Mayonnaise and spicy seasoning,

and add to these, per pint of sauce, one-third pint of herb juice,

prepared as indicated hereafter (No. 132).

This is suitable for cold fish and shell fish.

132—VINCENT SAUCE

Prepare and carefully wash the following herbs:—One oz. each of

parsley, chervil, tarragon, chives, sorrel-leaves, and fresh pimpernel,

two oz. of water-cress and two oz. of spinach. Put all these herbs into

a copper bowl containing salted, boiling water. Boil for two minutes

only; then drain the herbs in a sieve and immerse them in a basin

of fresh water. When they are cold they are once more drained until

quite dry; then they must be finely pounded with the yolks of eight

hard-boiled eggs. Rub the purée thus obtained through a sieve first,

then through tammy, add one pint of very stiff Mayonnaise to it and

finish the sauce with a dessertspoonful of Worcestershire sauce.

=Cold English Sauces=

133—CAMBRIDGE SAUCE

Pound together the yolks of six hard-boiled eggs, the washed and dried

fillets of four anchovies, a teaspoonful of capers, a dessertspoonful

of chervil, tarragon, and chives, mixed. When the whole forms a fine

paste, add one tablespoonful of mustard, one-fifth pint of oil, one

tablespoonful of vinegar, and proceed as for a Mayonnaise. Season with

a little cayenne; rub through tammy, applying pressure with a spoon,

and put the sauce in a bowl. Stir it awhile with a whisk to smooth it,

and finish with one teaspoonful of chopped parsley.

It is suited to cold meats in general; in fact, it is an Anglicised

version of Vincent Sauce.

134—CUMBERLAND SAUCE

Dissolve four tablespoonfuls of red-currant jelly, to which are

added one-fifth pint of port wine, one teaspoonful of finely-chopped

shallots, scalded for a few seconds and pressed, one teaspoonful

of small pieces of orange rind and as much lemon rind (cut finely,

_Julienne-fashion_, scalded for two minutes, well-drained, and cooled),

the juice of an orange and that of half a lemon, one teaspoonful of

mustard, a little cayenne pepper, and as much powdered ginger. Mix the

whole well.

Serve this sauce with cold venison.

135—GLOUCESTER SAUCE

Take one pint of very thick Mayonnaise and complete it with one-fifth

pint of sour cream with the juice of a lemon added, and combine with

the Mayonnaise by degrees; one teaspoonful of chopped fennel and as

much Worcester sauce.

Serve this with all cold meats.

136—MINT SAUCE

Cut finely, _Julienne-fashion_, or chop, two oz. of mint leaves. Put

these in a bowl with a little less than one oz. of white cassonade

or castor sugar, one-quarter pint of fresh vinegar, and four

tablespoonfuls of water.

Special sauce for hot or cold lamb.

137—OXFORD SAUCE

Make a Cumberland sauce according to No. 134, with this difference:

that the _Julienne_ of orange and lemon rinds should be replaced by

rasped or finely-chopped rinds, and that the quantities of same should

be less, _i.e._, two-thirds of a teaspoonful of each.

138—HORSE-RADISH SAUCE

Dilute one tablespoonful of mustard with two tablespoonfuls of vinegar

in a basin, and add one lb. of finely-rasped horse-radish, two oz.

of powdered sugar, a little salt, one pint of cream, and one lb. of

bread-crumb steeped in milk and pressed. Serve this sauce very cold.

It accompanies boiled and roast joints of beef.

=Compound Butters for Grills and for the Completion of Sauces=

With the exception of those of the shell-fish order, the butters,

whose formulæ I am about to give, are not greatly used in kitchens.

Nevertheless, in some cases, as, for instance, in accentuating the

savour of sauces, they answer a real and useful purpose, and I

therefore recommend them, since they enable one to give a flavour to

the derivatives of the Velouté and Béchamel sauces which these could

not acquire by any other means.

With regard to shell-fish butters, and particularly those of the common

and spiny lobster and the crayfish, experience has shown that when they

are prepared with heat (that is to say, by melting in a _bain-marie_ a

quantity of butter which has been previously pounded with shell-fish

remains and afterwards strained through muslin into a basin of

iced-water where it has solidified) they are of a finer colour than the

other kind and quite free from shell particles. But the heat, besides

dissipating a large proportion of their delicacy, involves considerable

risk, for the slightest neglect gives the above preparation quite a

disagreeable taste. To obviate these difficulties I have adopted a

system of two distinct butters, one which is exclusively calorific and

prepared with heat, and the other which is prepared with all the creamy

parts, the trimmings and the remains of common and spiny lobsters,

without the shells, pounded with the required quantity of fresh butter

and passed through a sieve. The latter is used to complete sauces,

particularly those with a Béchamel base to which it lends a perfect

savour.

I follow the same procedure with shrimp and crayfish butters, sometimes

substituting for the butter good cream, which, I find, absorbs the

aromatic principles perhaps better than the former. With the above

method it is advisable to pass the butter or the cream through a very

fine sieve first and afterwards through tammy, so as to avoid small

particles of the pounded shell being present in the sauce.

139—BERCY BUTTER

Put into a small stewpan one-quarter pint of white wine and one oz. of

finely-chopped shallots, scalded a moment. Reduce the wine by one-half,

and add one-half lb. of butter softened into a cream; one teaspoonful

of chopped parsley, two oz. of beef marrow cut into cubes, poached in

slightly salted water and well drained, the necessary table-salt, and,

when dishing up, a little ground pepper and a few drops of lemon-juice.

This butter must not be completely melted, and it is principally served

with grilled beef.

140—CHIVRY OR RAVIGOTE BUTTER

Put into a small saucepan of salted, boiling water six oz. of chervil,

parsley, tarragon, fresh pimpernel, and chives, in equal quantities,

and two oz. of chopped shallots. Boil quickly for two minutes, drain,

cool in cold water, press in a towel to completely remove the water,

and pound in a mortar. Now add one-half lb. of half-melted butter, mix

well with the purée of herbs, and pass through tammy.

This butter is used to complete Chivry sauce and other sauces that

contain herb juices, such as the Venetian, &c.

140a—CHÂTEAUBRIAND BUTTER

Reduce by two-thirds four-fifths pint of white wine containing four

chopped shallots, fragments of thyme and bay, and four oz. of mushroom

parings. Add four-fifths pint of veal gravy, reduce the whole to half,

rub it through tammy, and finish it away from the fire with eight oz.

of Maître d’Hôtel butter (No. 150) and half a tablespoonful of chopped

tarragon.

141—COLBERT BUTTER

Take one lb. of Maître d’Hôtel butter (No. 150) and add six

tablespoonfuls of dissolved, pale meat glaze and one teaspoonful of

chopped tarragon.

Serve this sauce with fish prepared à la Colbert.

142—RED COLOURING BUTTER

Put on to a dish any available remains of shell-fish after having

thoroughly emptied and well dried them in the oven. Pound them until

they form a fine powder, and add their weight of butter.

Put the whole into a saucepan and melt in a _bain-marie_, stirring

frequently the while. When the butter is quite clarified strain it

through muslin, twisting the latter over a tureen of iced-water in

which the strained butter solidifies. Put the congealed butter in a

towel, press it heavily so as to expel the water, and keep cool in a

small bowl.

_Remarks._—A very fine and decided red colour is obtained by using

paprika as a condiment for sauces intended for poultry and certain

butcher’s meats, in accordance with the procedure I recommend for the

Hongroise. But only the very best quality should be used—that which is

mild and at the same time produces a nice pink colour without entailing

any excess of the condiment. Among the various kinds of paprika on the

market I can highly recommend that of Messrs. Kotangi, which I have

invariably found satisfactory.

143—GREEN COLOURING BUTTER

Peel, wash, and thoroughly shake (so as to get rid of every drop of

water) two lbs. of spinach. Pound it raw and then press it in a strong

towel, twisting the latter so as to extract all the vegetable juice.

Pour this juice into a sautépan, let it coagulate in a _bain-marie_,

and pour it on to a serviette stretched over a bowl in order to drain

away the water. Collect the remains of the colouring substance on the

serviette, making use of a palette-knife for the purpose, and put these

into a mortar; mix with half their weight of butter, strain through a

sieve or tammy, and put aside to cool. This green butter should in all

cases take the place of the liquid green found on the market.

144—VARIOUS CULLISES

Finely pound shrimp and crayfish shells, and combine with these the

available creamy parts and spawn of the common and spiny lobsters;

add one-quarter pint of rich cream per lb. of the above remains, and

strain, first through a fine sieve and then through tammy. This cullis

is prepared just in time for dishing up, and serves as a refining

principle in certain fish sauces.

145—SHRIMP BUTTER

Finely pound any available shrimp remains, add to these their weight of

butter, and strain through tammy. Place in a bowl and put aside in the

cool.

146—SHALLOT BUTTER

Put eight oz. of roughly minced shallots in the corner of a clean

towel, and wash them quickly in boiling water. Cool, and press them

heavily. Then pound them finely with their own weight of fresh butter

and strain through tammy.

This butter accentuates the savour of certain sauces, such as Bercy,

Ravigote, &c.

147—CRAYFISH BUTTER

Pound, very finely, the remains and shells of crayfish cooked in

Mirepoix. Add their weight of butter, and strain through a fine sieve,

and again through tammy, so as to avoid the presence of any shell

particles. This latter precaution applies to all shell-fish butters.

148—TARRAGON BUTTER

Quickly scald and cool eight oz. of fresh tarragon, drain, press in

a towel, pound in a mortar, and add to them one lb. of butter. Strain

through tammy, and put aside in the cool if it is not to be used

immediately.

149—LOBSTER BUTTER

Reduce to a paste in the mortar the spawn, shell, and creamy parts of

lobster. Add their equal in weight of butter and strain through tammy.

150—BUTTER A LA MAÎTRE D’HÔTEL

First manie and then soften into a cream one-half lb. of butter. Add a

tablespoonful of chopped parsley, a little salt and pepper, and a few

drops of lemon-juice.

Serve this with grills in general.

151—MANIED BUTTER

Mix, until perfectly combined, four oz. of butter and three oz. of

sifted flour. This butter is made immediately before the time of

dishing up, and is used for quick leasons like the Matelotes, &c.

The sauce to which manied butter has been added should not boil if

this can possibly be avoided, as it would thereby acquire a very

disagreeable taste of raw flour.

151a—MELTED BUTTER

This preparation, which is used principally as a fish sauce, should

consist of butter, only just melted, and combined with a little

table-salt and a few drops of lemon-juice. It should therefore be

prepared only at the last minute; for, should it wait and be allowed to

clarify, besides losing its flavour it will be found to disagree with

certain people.

152—BUTTER A LA MEUNIÈRE

Put into a frying-pan the necessary quantity of butter, and cook it

gently until it has acquired a golden tint and exudes a slight smell

of nut. Add a few drops of lemon-juice, and pour on the fish under

treatment, which should have been previously sprinkled with _concassed_

parsley.

This butter is proper to fish “à la Meunière” and is always served on

the fish.

153—MONTPELLIER BUTTER

Put into a saucepan containing boiling water equal quantities of

watercress leaves, parsley, chervil, chives, and tarragon (six oz. in

all), one and one-half oz. of chopped shallots, and one-half oz. of

spinach leaves. Boil for two minutes, then drain, cool, press in a

towel to expel water, and pound in a mortar with one tablespoonful of

pressed capers, four oz. of gherkins, a garlic clove, and the fillets

of four anchovies well washed.

Mix this paste with one and one-half lbs. of butter; then add the yolks

of three boiled eggs and two raw eggs, and finally pour in, by degrees,

two-fifths pint of oil. Strain through a fine sieve or through tammy,

put the butter into a basin, and stir it well with a wooden spoon so as

to make it smooth. Season with table-salt and a little cayenne.

Use this butter to deck large fish, such as salmon and trout; but it is

also used for smaller pieces and slices of fish.

_Remarks._—When this butter is specially prepared to form a coat on

fish, the oil and the egg yolks are omitted and only butter is used.

154—BLACK BUTTER

Put into a frying-pan the necessary amount of butter, and cook it until

it has assumed a brown colour and begins to smoke. At this moment add

a large pinch of _concassed_ parsley leaves and spread it immediately

over the object to be treated.

155—HAZEL-NUT BUTTER

Put eight oz. of shelled hazel-nuts, for a moment, in the front of

the oven, in order to slightly grill their skins and make them easily

removable. Now crush the nuts in a mortar until they form a paste, and

add a few drops of cold water with a view to preventing their producing

any oil. Add their equivalent in weight of butter and rub through tammy.

156—PISTACHIO BUTTER

Put into boiling water eight oz. of pistachios, and keep them on the

side of the fire until the peel may be easily removed. Drain, cool in

cold water, clean the pistachios, and finely pound while moistening

them with a few drops of water.

Add two oz. of butter and pass through tammy.

157—PRINTANIER BUTTER

These butters are made from all early-season vegetables, such as

carrots, French beans, peas, and asparagus heads.

When dealing with green vegetables cook quickly in boiling, salted

water, drain, dry, pound with their weight of butter, and rub through

tammy.

With carrots: Mince and cook with consommé, sugar, and butter until the

diluent is quite reduced. After cooling they are pounded with their own

weight of butter and rubbed through tammy.

CHAPTER V

=Savoury Jellies or Aspics=

Jellies are to cold cookery what consommés and stock are to hot.

If anything, the former are perhaps more important, for a cold

entrée—however perfect it may be in itself—is nothing without its

accompanying jelly.

In the recipes which I give hereafter I have made a point of showing

how melting jellies may be obtained, _i.e._, served in a sauce-boat

simultaneously with the cold comestible, or actually poured over it

when the latter lies in a deep dish—a common custom nowadays.

This method of serving cold entrées, which I inaugurated at the Savoy

Hotel with the “Suprême de Volaille Jeannette,” is the only one which

allows of serving a jelly in a state of absolute perfection.

Nevertheless, if a more solid jelly were required, either for the

decking of cold dishes or for a moulded entrée, there need only

be added to the following formulæ a few gelatine leaves—more or

less—according to the required firmness of the jelly.

But it should not be forgotten that the greater the viscosity of the

jelly the less value will the same possess.

The various uses of jellies are dealt with in Part II. of this work,

where the formulæ of their divers accompanying dishes will also appear.

158—ORDINARY ASPICS

_Stock for Ordinary Aspic.—Quantities for making Four Quarts._

4 lbs. of strung knuckle of veal.

3 lbs. of strung knuckle of beef.

3 lbs. of veal bones, well broken up.

3 calf’s feet, boned and blanched.

½ lb. of fresh pork rind, well blanched and with fat removed.

_Mode of Procedure._—Put the meats in a very clean and well-tinned

stockpot or stewpan. Add eight quarts of cold water, boil, and skim

after the manner indicated under No. 1. Having well skimmed the stock

add one oz. of salt, put it on the side of the fire, and let it boil

gently for four hours. Then remove the meat, taking care not to disturb

the stock. Carefully remove the fat, and garnish with one-half lb. of

carrots, six oz. of onions, two oz. of leeks, a stick of celery, and a

large faggot. Put the whole back on to the fire and cook gently for a

further two hours. Strain through a sieve into a very clean basin and

leave to cool.

_Clarification of Aspic._—When the stock, prepared according to the

above directions, has cooled, the grease that has formed on its surface

should be removed. Then pour off gently into a stewpan of convenient

size in such a way as to prevent the deposit at the bottom of the basin

from mixing with the clear liquor. Test the consistence of the aspic,

when it should be found that the quantities given above have proved

sufficient to form a fairly firm jelly. If, however, this be not the

case, a few leaves of gelatine steeped in cold water should be added,

being careful not to overdo the quantity. Now add to the stock two lbs.

of lean beef (first minced and then pounded together with the white of

an egg), a little chervil and tarragon, and a few drops of lemon-juice.

Place the saucepan on an open fire, stir its contents with a spatula

until the liquid begins to boil, remove it from the fire, and place it

on the side of the stove, where it may boil gently for half an hour.

At the end of this time take the saucepan off the fire and remove what

little grease has formed on the aspic while cooking. Strain through

a serviette stretched and fastened across the legs of an overturned

stool, and let the aspic fall into a basin placed between the legs.

Ascertain whether the liquid is quite clear, and if, as frequently

happens, this be not the case, what has already been strained should

once more be passed through the serviette, renewing the operation

until the aspic becomes quite transparent.

_Flavouring the Aspic._—The aspic obtained as above is limpid, has an

agreeable savour, and is the colour of fine amber. It now only requires

flavouring according to the tastes of the consumer and the purpose for

which it is intended. For this operation it should be allowed to become

quite tepid, and the following quantities of choice wine are added to

it, viz.:—

If the wine is of a liqueur kind, such as Sherry, Marsala,

Madeira, &c., one-fifth pint per quart.

If it is another kind of wine, for example, champagne, hock, &c.,

one-fourth pint per quart.

The wine used should be very clear, free from any deposit, and as

perfect as possible in taste.

159—CHICKEN ASPIC

The quantities of meat are the same as for ordinary aspic; there need

only be added to it either two oven-browned hens, or their equivalent

in weight of roasted fowl carcases, and poultry giblets if these are

handy. It is always better, however, to prepare the stock with the

hens and giblets and to keep the carcases for the clarification. This

clarification follows the same rules as that of the ordinary aspic,

except that a few roasted-fowl carcases, previously well freed from

fat, are added to it.

In the case of this particularly delicate aspic, it is more than ever

necessary not to overdo the amount of gelatine. It should be easily

soluble to the palate in order to be perfect.

160—GAME ASPIC

Prepare this aspic stock in exactly the same way as that of ordinary

aspic, only substitute game, such as deer, roebuck, doe, or hare,

or wild rabbit (previously browned in the oven), for the beef. When

possible also add to this stock a few old specimens of feathered game,

such as partridges or pheasants that are too tough for other purposes

and which suit admirably here.

The clarification changes according to the different flavours which are

to be given to the aspic. If it is not necessary to give it a special

characteristic, it should be prepared with the meat of that ground game

which happens to be most available at the time, adding to the quantity

used roast carcases of feathered game, the respective amounts of both

ingredients being the same as for ordinary aspic. If, on the other

hand, the aspic is to have a well-defined flavour, the meat used for

the clarification should naturally be that producing the flavour in

question, _i.e._, either partridge or pheasant, or hazel-hen, &c.

Some aspics are greatly improved by being flavoured with a small

quantity of old brandy. Rather than use an inferior kind of this

ingredient, however, I should advise its total omission from the aspic.

Without aromatisation the aspic, though imperfect, is passable; but

aromatised with bad brandy it is invariably spoilt.

LENTEN ASPICS

161—FISH ASPIC WITH WHITE WINE

The stock for this aspic is prepared in precisely the same manner as

fish stock, No. 1. The stewpan need not, however, be buttered previous

to the insertion of the onions, parsley-stalks, and fish-bones. If the

aspic is not required to be quite white, a little saffron may be added

to it, as the aroma of this condiment blends so perfectly with that of

fish.

When the stock is prepared its consistence should be tested, and

rectified, if necessary, by means of gelatine. The quantity of this

substance should on no account exceed eight leaves per quart of aspic,

and, at the risk of repeating myself, I remind the reader that the less

gelatine is used the better the aspic will be.

The clarification should be made with fresh caviare if possible,

but pressed caviare is also admirably suited to this purpose. The

quantities are the same as for the clarification of fish consommé,

No. 4.

In flavouring white fish aspics either dry champagne or a good Bordeaux

or Burgundy may be used. Take care, however—

1. That the wine used be of an unquestionably good quality.

2. That it be only added to the aspic when the latter is already

cold and on the point of coagulating, as this is the only means of

preserving all the aroma of the wine.

Finally, in certain cases, a special flavour may be obtained by the use

of crayfish, which are cooked, as for bisque, then pounded, and added

to the fish stock No. 11 ten minutes before straining it. A proportion

of four little crayfish à bisque per quart of aspic is sufficient to

secure an excellent aroma.

162—FISH ASPIC WITH RED WINE

This aspic stock is the _Court-bouillon_ with red wine No. 165, which

has served in cooking the fish for which the aspic is intended; this

fish is generally either trout or salmon; sometimes also, but less

commonly, a carp or a pike.

This stock must first of all have its grease thoroughly removed; it

should then be poured carefully away, reduced if necessary, and the

required quantity of gelatine added. This cannot be easily determined,

as all gelatines are not alike, and the stock may have contracted a

certain consistence from its contact with the fish. One can, therefore,

only be guided by testing small quantities cooled in ice, but care

should be taken that the aspic be not too firm.

The clarification of this aspic is generally made with white of egg

in the proportion of one white per quart. The white, half-whisked,

is added to the cold stock, and the latter is put over an open fire

and stirred with a spatula. As soon as it boils, the aspic is poured

through a serviette fixed on to the legs of an overturned stool. The

first drippings of the fluid are put back on to the serviette if they

do not seem clear, and this operation is repeated until the required

clearness is obtained.

It almost invariably happens that, either during the cooking of the

fish or during the clarification, the wine loses its colour through the

precipitation of the colouring elements derived from the tannin.

The only way of overcoming this difficulty is to add a few drops of

liquid carmine or vegetable red; but, in any case, it is well to

remember that the colour of red-wine aspic must never be deeper than a

sombre pink.

CHAPTER VI

=The Court-bouillons and the Marinades=

163—COURT-BOUILLON WITH VINEGAR

_Quantities Required for Five Quarts._

5 quarts of water.

½ pint of vinegar.

2 oz. of gray salt.

½ oz. of peppercorns.

¾ lb. of carrots.

1 lb. of onions.

A little thyme and bay.

2 oz. of parsley stalks.

_Preparation._—Put into a saucepan the water, salt, and vinegar, the

minced carrots and onions, and the parsley, thyme, and bay, gathered

into a bunch. Boil, allow to simmer for one hour, rub through tammy,

and put aside until wanted.

_Remarks._—Put the peppercorns into the _court-bouillon_ only twelve

minutes before straining the latter. If the pepper were in for too long

a time it would give a bitterness to the preparation. This rule also

applies to the formulæ that follow, in which the use of peppercorns is

also required.

This _court-bouillon_ is principally used for cooking trout and salmon,

as well as for various shell-fish.

164—COURT-BOUILLON WITH WHITE WINE

_Quantities Required for Two Quarts._

1 quart of white wine.

1 quart of water.

3 oz. of minced onions.

1 large faggot.

½ oz. of gray salt.

A few peppercorns.

_Preparation._—This is the same as for the _court-bouillon_ with

vinegar, except that it is boiled for half an hour and is strained

through tammy.

_Remarks._—If the _court-bouillon_ has to be reduced the quantity of

salt should be proportionately less. This preparation is principally

used for poaching fresh-water fish.

165—COURT-BOUILLON WITH RED WINE

Use the same quantities as for _court-bouillon_ with white wine, taking

care—

1. To replace white wine by excellent red wine.

2. To add four oz. of minced carrots.

3. To apportion the wine and water in the ratio of two-thirds

to one-third.

_Preparation._—The same as that of the former, with the same time for

boiling.

_Remarks._—If the _court-bouillon_ is to be reduced, the salt should

be less accordingly. When the _court-bouillon_ with red wine is to

constitute an aspic stock, fish _fumet_ with enough gelatine takes the

place of the water.

The uses of _court-bouillon_ with red wine are similar to those of the

white-wine kind.

166—PLAIN COURT-BOUILLON

The quantity of _court-bouillon_ is determined by the size of the

piece which it is to cover. It is composed of cold, salt water (the

salt amounting to a little less than one-half oz. per quart of water),

one-quarter pint of milk per quart of water, and one thin slice of

peeled lemon in the same proportion. The fish is immersed while the

liquor is cold; the latter is very slowly brought to the boil, and as

soon as this is reached, the receptacle is moved to the side of the

fire, where the cooking of the fish is completed.

This _court-bouillon_, which is used with large pieces of turbot and

brill, is never prepared beforehand.

167—SPECIAL COURT-BOUILLON, OR BLANC

This preparation is a genuine _court-bouillon_, though it is not used

in cooking fish.

_The Quantities Required for Five Quarts of this Court-bouillon are_:—

A little less than 2 oz. of flour.

1½ oz. of grey salt.

The juice of 3 lemons or ⅛ pint of good vinegar.

5 quarts of cold water.

Gradually mix the flour and the water; add the salt and the lemon

juice, and pass through a strainer. Set to boil, and stir the mixture

the while, in order to prevent the flour from precipitating; as soon

as the boil is reached, immerse the objects to be treated. These are

usually calf’s head or foot, previously blanched; sheep’s trotters,

cocks’ kidneys or combs, or such vegetables as salsify, cardoon, &c.

=Remarks upon the Use of Court-bouillon.=

1. _Court-bouillon_ must always be prepared in advance for all fish,

the time for poaching which is less than half an hour, except turbots

and brills.

2. When a fish is of such a size as to need more than half an

hour’s poaching, proceed as follows:—Place under the drainer of the

fish-kettle the minced carrots and onions and the faggot; put the fish

on the drainer, and cover it with water and vinegar, or white wine, in

accordance with the kind of _court-bouillon_ wanted and the quantity

required. Add the salt, boil, and keep the _court-bouillon_ gently

simmering for a period of time fixed by the weight of the fish. The

time allowed for poaching the latter will be given in their respective

formulæ.

3. Fish, when whole, should be immersed in cold _court-bouillon_; when

sliced, in the same liquor, boiling. The exceptions to this rule are

small trout “au bleu” and shell-fish.

4. If fish be cooked in short liquor the aromatics are put under the

drainer and the liquid elements of the selected _court-bouillon_ (as,

for example, that with red or white wine) are so calculated as to cover

only one-third of the solid body. Fish cooked in this way should be

frequently basted.

5. _Court-bouillon_ for ordinary and spiny lobsters should always be at

full boiling pitch when these are immersed. The case is the same for

small or medium fish “au bleu.”

6. Fish which is to be served cold, also shell-fish, should cool in the

_court-bouillon_ itself; the cooking period is consequently curtailed.

=Marinades and Brines.=

_Marinades_ play but a small part in English cookery, venison or other

ground-game being generally preferred fresh. However, in the event of

its being necessary to resort to these methods of preparation, I shall

give two formulæ for venison and two for mutton.

The use of the _marinade_ for venison is very much debated. Certainly

it is often desirable that the fibre of those meats that come from old

specimens of the deer and boar species be softened, but there is no

doubt that what the meat gains in tenderness it loses in flavour. On

the whole, therefore, it would be best to use only those joints which

come from young beasts.

In the case of the latter, the _marinade_ may well be dispensed with.

It would add nothing to the savour of a haunch of venison, such as may

be got in England, while it would be equally ineffectual in the case

of the roebuck or hare. A summary treatment of these two, with raw

_marinade_, may well be adopted, as also for deer.

As for cooked _marinade_, its real and only use lies in the fact that

during stormy summer weather it enables one to preserve meat which

would otherwise have to be wasted. It may, moreover, be used for

braised venison, but this treatment of game is very uncommon nowadays.

168—COOKED MARINADE FOR VENISON

_Quantities Required for Five Quarts._

½ lb. of minced carrots.

½ lb. of minced onions.

2 oz. of minced shallots.

1 crushed garlic clove.

1 faggot, including 1 oz. of parsley stalks, 2 sprigs of rosemary,

as much thyme, and 2 bay leaves.

_Preparation._—Heat one-half pint of oil in a stewpan, add the carrots

and onions, and fry them while stirring frequently. When they begin to

brown add the shallots, the garlic, and the faggot, then one pint of

vinegar, two bottles of white wine, and three quarts of water. Cook

this _marinade_ for twenty minutes, and add a further two oz. of salt,

one-half oz. of peppercorns, and four oz. of brown sugar. Ten minutes

afterwards pass it through a strainer and let it cool before inserting

the meats.

N.B.—In summer the _marinade_ very often decomposes, because of the

blood contained by the meat under treatment in it. The only means of

averting this is to boil the _marinade_ every two or three days at

least.

169—RAW MARINADE FOR BUTCHER’S MEAT OR VENISON

This _marinade_ is prepared immediately before using. The meat to be

treated is first salted and peppered on all sides, then it is put in a

receptacle just large enough to hold it, and laid therein on a litter

of aromatics, including minced carrots and onions, a few chopped

shallots, parsley stalks, thyme, and bay in proportion to the rest. Now

sprinkle the meat copiously with oil and half as much vinegar; cover

the dish with oil-paper, and put it somewhere in the cool. Remember to

turn the meat over three or four times a day, covering it each time

with a layer of vegetables.

This _marinade_ is very active, and is admirably suited to all

butcher’s meat and venison, provided these be not allowed to remain in

it for too long a time. It is very difficult to say how long the meat

must stay in these _marinades_; the time varies according to the size

and quality of the joints, and the taste of the consumer, &c. All that

can be said is that three hours should be sufficient to _marinade_ a

cutlet or escalope of roebuck, and that for big joints such as saddle

or leg the time should not exceed four days.

170—MARINADE FOR MUTTON, ROEBUCK-STYLE

This is exactly the same as cooked _marinade_, No. 168. There need only

be added one oz. of juniper berries, a few sprigs of rosemary, wild

thyme, and basil, two extra garlic cloves, and one quart less of water.

171—MARINADE WITH RED WINE FOR MUTTON

By substituting red wine for white in the preceding formula—the

quantity of the liquid equalling that of the water—and by slightly

increasing the quantity of aromatics, an excellent _marinade_ for

mutton is obtained, which in summer enables one to preserve meat,

otherwise perishable, for some days.

172—BRINE

_Quantities Required for Fifty Quarts._

56 lbs. of gray salt.

50 quarts of water.

6 lbs. of saltpetre.

3½ lbs. of brown sugar.

_Mode of Procedure._—Put the salt and the water in a tinned copper pan,

and put it on an open fire. When the water boils, throw in a peeled

potato, and, if the latter float, add water until it begins to sink.

If, on the contrary, the potato should sink immediately, reduce the

liquid until it is able to buoy the tuber up. At this stage the sugar

and saltpetre are added; let them dissolve, and the brine is then

removed from the fire and is allowed to cool. It is then poured into

the receptacle intended for it, which must be either of slate, stone,

cement, or well-jointed tiles. It is well to place in the bottom of

this reservoir a wooden lattice, whereon the meats to be salted may be

laid, for, were the immersed objects to lie directly on the bottom of

the receptacle, the under parts would be entirely shielded from the

brine.

If the meats to be salted are of an appreciable size, they should be

inoculated with brine by means of a special syringe. Without this

measure it would be impossible to salt regularly, as the sides would

already be over-saturated before the centre had even been properly

reached.

Eight days should be allowed for salting a piece of beef of what size

soever, above eight or ten lb., since the process of inoculation

equalises the salting.

Ox-tongue intended for salting, besides having to be as fresh as

possible, must be trimmed of almost all the cartilage of the throat,

and carefully beaten either with a beater or roller. Then it must be

pricked on all sides with a string-needle, and immersed in the liquid,

where it should be slightly weighted by some means or other in order

to prevent its rising to the surface. A medium-sized tongue would need

about seven days’ immersion in the brine.

Though brine does not turn as easily as the cooked _marinades_,

it would be well, especially in stormy weather, to watch it and

occasionally to boil it. But, as the process of boiling invariably

concentrates the brine, a little water should be added to it every time

it is so treated, and the test of the potato, described above, should

always be resorted to.

CHAPTER VII

=1. Elementary Preparations=

Before broaching the question of the numerous preparations which

constitute the various soup, relevé, and entrée garnishes, it will be

necessary to give the formulæ of the elementary preparations, or what

are technically called the _mise en place_. If the various operations

which go to make the _mise en place_ were not, at least summarily,

discussed here, I should be compelled to repeat them in each formula

for which they are required—that is to say, in almost every formula. I

should thus resemble those bad operators who, having neglected their

_mise en place_, are obliged to make it in the course of other work,

and thereby not only run the risk of making it badly, but also of

losing valuable time which might be used to better advantage.

Elementary preparations consist of those things whereof one is

constantly in need, which may be prepared in advance, and which are

kept available for use at a moment’s notice.

173—ANCHOVIES (FILLETS OF)

Whether they be for hors d’œuvres or for culinary use, it is always

best to have these handy.

After having washed and well wiped them, in order to remove the white

powder resulting from the little scales with which they are covered,

they should be neatly trimmed to the shape of extended oblongs. Then

detach the fillets from the bones by gentle pulling, divide each fillet

lengthwise into three or four smaller fillets, put the latter into

a small narrow dish or a little bowl, and cover them with oil. The

fillets may also be kept whole with a view to rolling them into rings.

174—ANGLAISE (FOR EGG-AND-BREAD-CRUMBING)

It is well to have this always ready for those dishes which are to be

_panés à l’anglaise_, or as many of the recipes direct: _treated à

l’anglaise_.

It is made of well-whisked eggs, salt, pepper, and one dessertspoonful

of oil per couple of eggs.

_Its Uses._—The solids to be _panés à l’anglaise_ are dipped into the

preparation described above, taking care that the latter coats them

thoroughly; whereupon, according to the requirements, they are rolled

either in bread-crumbs or in fine raspings. From this combination

of egg with bread-crumbs or raspings there results a kind of coat

which, at the moment of contact with the hot fat, is immediately

converted into a resisting crust. In _croquettes_ this crust checks the

escape, into the fat, of the substances it encloses, and this is more

especially the case when the _croquettes_ contain some reduced sauce,

or are composed of raw meats or fish whose juices are thereby entirely

retained. A solid prepared _à l’anglaise_ and cooked in fat should

always be put into the latter when this is very hot, so as to ensure

the instantaneous solidification of the egg and bread-crumbs.

N.B.—Objects to be treated _à l’anglaise_ are generally rolled in

flour before being immersed in the _anglaise_, for the flour helps the

foregoing to adhere to the object.

The crust formed over the solid thus acquires a density which is

indispensable.

174a—AROMATICS

Aromatics play a very prominent part in cookery, and their combination

with the condiments constitutes, as Grimod de la Reynière said, “the

hidden soul of cooking.” Their real object, in fact, is to throw the

savour of dishes into relief, to intensify that savour, and to give

each culinary preparation its particular stamp.

They are all derived from the vegetable kingdom; but, while some are

used dry, others are used fresh.

The first-named should belong to the permanent kitchen stock; they are:

_sage_, _basil_, _rosemary_, _sweet marjoram_, _thyme_, and _bay_.

Also to be included in the permanent stock are: _cinnamon_, _ginger_,

_juniper-berries_, _nutmeg_, _cloves_, _mace_, and _vanilla_.

The last-named comprise those aromatic herbs used fresh, such as:

_parsley_, _chervil_, _tarragon_, _pimpernel_, and _common savory_;

while, under this head, there may also be included: bits of common- and

Seville-orange rind and _zests_ of lemon rind.

174b—SEASONING AND CONDIMENTS

Seasonings are divided into several classes, which comprise:—

1. _Saline seasonings._—Salt, spiced salt, saltpetre.

2. _Acid seasonings._—Plain vinegar, or the same aromatised with

tarragon; verjuice, lemon juice, and common- or Seville-orange

juices.

3. _Hot seasonings._—Peppercorns, ground or _concassed_ pepper, or

mignonette; paprika, curry, cayenne, and compound spices.

4. _Saccharine seasonings._—Sugar and honey.

Condiments are likewise subdivided, the three classes being:—

1. _The pungents._—Onions, shallots, garlic, chives, and horseradish.

2. _Hot condiments._—Mustard, gherkins, capers, English sauces, such

as Worcester, Harvey, Ketchup, Escoffier’s sauces, &c.; the wines

used in reductions and braisings; the finishing elements of sauces

and soups.

3. _Fatty substances._—Most animal fats, butter, vegetable greases

(edible oils and cocoanut butter).

_Remarks._—In cookery it should be borne in mind that both excellence

and eatableness depend entirely upon a judicious use and a rational

blending of the aromatics, seasonings, and condiments. And, according

as the latter have been used and apportioned, their action will be

either beneficial or injurious to the health of the consumer.

In the matter of seasoning there can be no question of approximation or

half measures; the quantities must be exact, allowing only of slight

elasticity in respect of the various tastes to be satisfied.

175—CLARIFIED BUTTER

A certain quantity of clarified butter should always be kept ready and

handy.

To prepare this butter, put one lb. to melt in a saucepan large enough

to hold twice that amount. Place the saucepan on the side of the fire,

over moderate heat; remove all the scum which rises to the surface,

and, when the butter looks quite clear and all foreign substances have

dropped to the bottom, put the liquid carefully away and strain it

through muslin.

176—FAGGOTS (BOUQUETS GARNIS)

The name “faggot” is given to those little bunches of aromatics which,

when the contrary is not stated, are generally composed (in order to

weigh one ounce) of eight-tenths oz. of parsley stalks and roots,

one-tenth oz. of bay leaves, and one-tenth oz. of thyme. These various

aromatics are put neatly together so that no sprig of the one sticks

out beyond the others, and they are properly strung together.

177—CHERVIL

_Chopped Chervil._—Clean the chervil and remove the stalks; wash, dry

it well while tossing it, then chop it finely and put it aside on a

plate in the cool, if it is not for immediate use.

_Concassed Chervil._—Proceed as above, except that, instead of chopping

it, compress it between the fingers and slice it after the manner of a

chaff-cutter. _Concassed_ and chopped chervil are, if possible, only

prepared at the last moment.

_Chervil Pluches._—The pluches are greatly used in the finishing off

of soups. They are, practically, the serrated portions only of the

leaves, which are torn away in such a manner as to show no trace of the

veinings. They are immersed in water, and at the last moment withdrawn,

so as to be added, raw, to either soups or boiling consommés.

178—RASPINGS

Golden raspings are obtained by pounding and passing through a fine

sieve bread-crusts which have been previously well dried in the oven.

_White raspings_ are similarly prepared, except that very dry, white

crumb is used.

179—PEELED, CHANNELLED, AND ZESTED LEMONS

Lemons are greatly used in cookery, as dish and comestible

garnish. When a whole lemon is used for marinades of fish, for the

“_blancs_,” &c., it is well to peel it to the pulp, _i.e._, to remove

the peel and the whole of the underlying white. The lemon is then cut

into more or less large slices, according to the use for which it is

intended.

The rind of a lemon thus peeled may be cut into bits and used in this

form as the necessity arises. When cutting it up, flatten the rind

inside uppermost on the table, and, with a very sharp and flexible

knife, remove all the white; then slice the remaining peel (which

constitutes what is called _zest_) into strips about one inch wide, and

cut these laterally in fine _julienne-fashion_.

Scald the resulting bits for five minutes, cool them, drain them

carefully, and put them aside until wanted. Sometimes, instead of

cutting _julienne-fashion_, the _zest_ may be finely chopped, but the

rest of the process remains the same.

Lemons are channelled by means of a little knife, or a special

instrument for the purpose, which excises parallel ribbons from the

surface of the rind and lays the white bare. A lemon channelled in this

way is cut in two, lengthwise with the core; its two extremities are

removed, and the two halves are cut laterally into thin, regular slices

to look like serrated half-discs.

The lemon may also be cut at right angles to the core.

Fried fish, oysters, and certain game are generally garnished with

lemon slices fashioned according to the taste of the cook; but the

simplest, and perhaps the best, way is to cut the lemon through the

centre, after having trimmed the two ends quite straight, and then to

remove the rind roughly from the edge.

For whatever purpose the lemon be intended, it should be, as far as

possible, only prepared at the last moment. If it must be prepared

beforehand, it would be well to keep it in a bowl of fresh water.

180—SHALLOTS

_Chopped Shallots._—Clean the shallots, and, by means of a very sharp

knife, cut them lengthwise into thin slices; let these cling together

by not allowing the knife to cut quite through them, and, this done,

turn them half round and proceed in the same way at right angles to the

other cuts.

Finally, cut them laterally, and this will be found to produce very

fine and regular, small cubes.

_Ciseled Shallots._—The name “_ciseled_ shallots” is often erroneously

given to those shallots resulting from the above process.

But _ciseled_ shallots are merely laterally sliced, the result of which

operation is a series of thin, regular discs. _Ciseled_ or chopped

shallots should, when possible, only be prepared when required; if,

however, they must be treated in advance, they should be kept somewhere

in the cool until wanted.

181—SPICES

Strictly speaking, spices include cinnamon, nutmeg, ginger, mace; and

the many varieties of peppers and pimenta, cayenne, paprika, &c.

These various condiments are found ready-made on the market, and they

need only be kept dry in air-tight boxes in order to prevent the escape

of their aroma.

But there is another kind of preparation, in cookery, to which the

name of spice or all-spice is more especially given. Nowadays several

market varieties of this preparation exist, and vie with each other for

custom, though in most cases they deserve it equally well.

Formerly this was not so, and every chef had his own formula.

The following is a recipe for the spice in question, which would be

found useful if it had to be prepared at a moment’s notice:—

_Obtain the following, very dry._

5 oz. of bay leaves.

3 oz. of thyme (half of it wild, if possible).

3 oz. of coriander.

4 oz. of cinnamon.

6 oz. of nutmeg.

4 oz. of cloves.

3 oz. of ginger-root.

3 oz. of mace.

10 oz. of mixed pepper (half black and half white).

1 oz. of cayenne.

Put all these ingredients into a mortar and pound them until they are

all able to pass through a very fine sieve. Put the resulting powder

into an air-tight box, which must be kept dry.

Before being used, this spice is generally mixed with salt (No. 188).

182—FLOUR

For whatever use the flour is intended, it is always best to sift it.

This is more particularly necessary in the case of flour used for

coating objects to be fried; for the latter, being first dipped into

milk, must of necessity let a few drops of that liquid fall into the

flour they are rolled in. Lumps would therefore form, which might

adhere to the objects to be fried if the flour were not sifted.

183—HERB JUICE

This is to finish or intensify certain preparations.

To prepare it, throw into a small saucepan of boiling water some

parsley, chervil, and tarragon and chive leaves, in equal quantities,

according to the amount of juice required.

Set to boil for two minutes, drain, cool, press the herbs in a towel,

twisting the latter; pound very finely, and extract the juice from the

resulting paste by twisting a strong towel round it.

Keep this juice in the cool.

184—BREAD-CRUMBS

Thoroughly rub, in a closed towel, some stale bread-crumb previously

well broken up. Pass it through a fine sieve or colander, according

as to whether it is required very fine or not, and put it aside in a

convenient receptacle.

185—CHOPPED ONION

Cut the onion finely, like the shallots, but if it is to be minced

with a view to making it even finer, it should be freed of its pungent

juice, which would cause it to blacken with exposure to the air.

To accomplish this, put the onion in the corner of a towel, pour plenty

of cold water over it, and twist the towel in order to express the

water. By this means the onion remains quite white.

186—TURNED OR STONED OLIVES

There are special instruments for stoning olives, but, failing these,

cut the fruit spirally from the stone with the point of a small knife.

Keep the olives in slightly salted water.

187—PARSLEY

_Chopped Parsley._—If parsley be properly chopped, no juice should be

produced. If, on the contrary, the operation be performed badly, it

amounts to a process of pounding which, perforce, expresses the juice.

In the latter case the particles cohere, and they are sprinkled with

difficulty over an object. To remedy this shortcoming, wash the

choppings in fresh water, as in the case of the onion, pressing in a

similar manner so as to expel the water.

_Concassed Parsley_ is that kind which is roughly chopped. When a

culinary preparation is dressed with _concassed_ parsley, the latter

should be added to it a few moments before serving, in order to undergo

a slight cooking process; whereas chopped parsley may be strewn over a

dish at the last moment.

It should be remembered that parsley, when quite fresh and used in

moderation, is an excellent thing; but, should it have remained too

long in the heat, it becomes quite insufferable.

I cannot, therefore, too strongly urge the advisability of using it in

the freshest possible state, and it would even be wiser to discard it

entirely than to be forced to ignore this condition.

_Parsley Sprays._—These are chiefly used in garnishing dishes, and

it is well for the purpose to make as much use as possible of the

curled-leaf kind, after having removed the long stalks. Keep the sprays

in fresh water until required.

_Fried Parsley._—This consists of the sprays, well drained of water

after washing, and immersed for an instant in very hot fat. The moment

it is fried carefully drain it, salt it, and place it in a clean towel,

where it may get rid of any superfluous grease. It is used to dress

fried viands.

188—SALT

Two kinds of salt are used in cooking, viz., grey, or sea-salt, and

rock-salt. Grey-salt is used more especially for Brines and in the

preparation of ices, as its grey colour does not allow of its being

used indiscriminately.

Be this as it may, many prefer it to rock-salt for the salting of

stock-pots, roasts, and grills. For the last two purposes it is crushed

with a roller, without being pounded, and the result should be such

that every grain is distinctly perceptible to the touch.

This salt, in melting over a roast or a grill, certainly imparts a

supplementary flavour to the latter which could not be got with the use

of rock-salt.

_Rock-salt._—This is found on the market in the forms of cooking and

table-salt. If the kitchen is only supplied with cooking salt, the

quantity required for several days should be dried, pounded in the

mortar, and passed through a fine sieve; and then put aside in a dry

place for use when wanted. Even table-salt, as it reaches one from the

purveyor, sometimes needs drying and passing through a sieve before

being used.

_Spiced Salt._—This condiment, which serves an important purpose in

the preparation of pies and galantines, is obtained from a mixture of

one lb. of table salt with three and one-half oz. of spices (No. 181).

This kind of salt should be carefully kept in a very dry place.

=2. The Various Kinds of Garnishes for Soups, Relevés, and Entrées, Hot

or Cold=

STUFFINGS AND FORCEMEATS

189—VARIOUS PANADAS FOR STUFFINGS

Panadas are those preparations which go to make the leason of

forcemeats and which ensure their proper consistence when they are

cooked. They are not necessary to every forcemeat; for the _mousseline_

kind, which are the finest and lightest, do not require them.

Nevertheless, they are useful for varying the taste and the uses of

forcemeats, and I thought it advisable to introduce them here. The

reader will thus be able to use either forcemeats with a panada base or

_mousseline_ forcemeats; in accordance with the requirements and his

resources.

190—A. BREAD PANADA

Put one-half lb. of the crumb of bread and one-half oz. of salt into

one-half pint of boiling milk. When the crumb has absorbed all the

milk, place the saucepan over a brisk fire and stir with a spatula

until the paste has become so thick as not to cling any longer to the

end of the spatula. Turn the contents of the saucepan into a buttered

platter, and lightly butter the surface of the panada in order to avoid

its drying while it cools.

191—B. FLOUR PANADA

Put into a small saucepan one-half pint of water, a little salt,

and two oz. of butter. When the liquid boils add five oz. of sifted

flour thereto, stirring the while over a brisk fire until it reaches

the consistence described in the case of bread panada. Use the same

precautions with regard to cooling.

192—C. FRANGIPAN PANADA

Put into a stewpan four oz. of sifted flour, the yolks of four eggs, a

little salt, pepper, and nutmeg. Now add by degrees three oz. of melted

butter and dilute with one-half pint of boiled milk. Pass through a

strainer, stir over the fire until the boil is reached; set to cook

for five minutes while gently wielding the whisk, and cool as in the

preceding cases.

193—CHICKEN FORCEMEAT WITH PANADA AND BUTTER

Remove the tendons from, and cut into cubes, one lb. of chicken-meat.

Pound, and add one-third oz. of salt, a little pepper and nutmeg. When

the meat is well pounded remove it from the mortar, and place in its

stead one-half lb. of very cold panada (see No. 190). Finely pound

this panada, and then add one-half lb. of butter thereto, taking care

that the two ingredients mix thoroughly. Now put in the chicken-meat,

and wield the pestle vigorously until the whole mass is completely

mixed. Finally, add consecutively two whole eggs and the yolks of

four, stirring incessantly the while and seeing that each egg is only

inserted when the one preceding it has become perfectly incorporated

with the mass. Rub through a sieve, put the forcemeat into a basin, and

smooth it with a wooden spoon.

Test the forcemeat by poaching a small portion of it in salted, boiling

water. This test, which is indispensable, allows of rectifying the

seasoning and the consistence if necessary. If it be found that the

forcemeat is too light, a little white of egg could be mingled with

it; if, on the other hand, it should be too stiff add a little softened

butter.

N.B.—By substituting for chicken veal, game, or fish, &c., any kind

of forcemeat may be made; for the quantities of the other ingredients

remain the same whatever the basic meat may be.

194—CHICKEN FORCEMEAT WITH PANADA AND CREAM

(=For Fine Quenelles.=)

Finely pound one lb. of chicken-meat after having removed the tendons,

and seasoned with one-quarter oz. of salt, a little pepper and nutmeg.

When the meat has been reduced to a fine paste, add, very gradually,

two oz. of white of egg. Finish with seven oz. of Frangipan panada

(No. 192), and work vigorously with the pestle until the whole is

amalgamated. Strain through a fine sieve, put the forcemeat into a

vegetable-pan sufficiently large to allow of ultimately working it with

ease, and place it on ice for a good hour.

This done, stir the forcemeat (still on the ice) for a few seconds with

a wooden spoon, then add, in small quantities at a time, one pint of

raw cream. At this stage complete the preparation by adding thereto

one-half pint of whipped cream. It should then be found to be very

white, smooth, and mellow. Test as directed in the preceding recipe,

and add a little white of egg if it be too light, and a little cream if

it be too stiff.

N.B.—This forcemeat may be prepared from all butcher’s meats, game, or

fish.

195—FINE CHICKEN FORCEMEAT OR “MOUSSELINE”

Remove the tendons from, trim, and cut into cubes, one lb. of

chicken-meat. Season with one oz. of salt, a little pepper and nutmeg.

Finely pound, and, when it is reduced to a paste, gradually add the

whites of two eggs, vigorously working with the pestle meanwhile.

Strain through a fine sieve, put the forcemeat into a vegetable-pan,

stir it once more with the wooden spoon for a moment or two, and

combine with it, gradually, one pint of thick, fresh cream, working

with great caution and keeping the receptacle on ice.

_Remarks Relative to Mousseline Forcemeat._—This, like the preceding

forcemeats, may be prepared from any kind of meat. The addition of

the white of egg is not essential if the meats used already possess a

certain quantity of albumen; but without the white of egg the forcemeat

absorbs much less cream.

This forcemeat is particularly suited to preparations with a shell-fish

base. Incomparably delicate results are obtained by the process, while

it also furnishes ideal quenelles for the purpose of garnishing soup.

In a word, it may be said of mousseline forcemeat that, whereas it can

replace all other kinds, none of these can replace it.

N.B.—_Mousseline forcemeats_ of all kinds, with meat, poultry, game,

fish, or shell-fish, may be made according to the principles and

quantities given above.

196—PORK FORCEMEAT FOR DIVERS USES

Remove the tendons of, and cut into large cubes, two lbs. of fillet

of pork, and the same weight of fresh, fat bacon. Season with one and

three-quarter oz. of spiced salt (No. 188), chop the fillet and bacon

up, together or separately, pound them finely in the mortar, and finish

with two eggs and two tablespoonfuls of brandy.

This forcemeat is used for ordinary pies and _terrines_. Strictly

speaking, it is “sausage-meat.” The inclusion of eggs in this forcemeat

really only obtains when it is used to stuff joints that are to be

braised, such as stuffed breast of veal; or in the case of pies and

terrines. The addition of the egg in these cases prevents the grease

from melting too quickly, and thus averts the drying of the forcemeat.

197—FORCEMEAT FOR GALANTINES, PIES AND TERRINES

Remove the tendons from, and cut into cubes, one lb. of fillet of

veal and as much fillet of pork; add to these two lbs. of fresh, fat

bacon, also cut into cubes. Season with three oz. of spiced salt, chop

the three ingredients together or apart, and then finely pound them.

Finish with three eggs and three tablespoonfuls of burnt brandy, strain

through a sieve, and place in a basin.

When about to serve this stuffing, add to it a little _fumet_

corresponding with the meat that is to constitute the dish. For

_terrines_, pies, and galantines of game, one-quarter or one-fifth of

the forcemeat’s weight of gratin stuffing (proper to the game under

treatment) is added.

198—VEAL FORCEMEAT WITH FAT OR GODIVEAU

Remove the tendons from, and cut into cubes, one lb. of fillet of

veal; also pare, _i.e._, detach skin and filaments from, two lbs. of

the very dry fat of kidneys of beef. First, chop these up separately,

then combine and pound them in the mortar. Season with one-half oz. of

salt, a little pepper, some nutmeg, and pound afresh until the veal and

fat become a homogeneous mass. Now add four eggs, consecutively, and at

intervals of a few minutes, without ceasing to pound, and taking care

only to insert each egg after the preceding one has been properly mixed

with the mass. Spread the forcemeat thus prepared on a dish, and put

the latter on ice until the next day.

The next day pound once more, and add little by little fourteen oz. of

very clean ice (in small pieces); or, instead, an equal weight of iced

water, adding this also very gradually.

When the godiveau is properly moistened, poach a small portion of it in

boiling water in order to test its consistence. If it be too firm, add

some more ice to it; if, on the other hand, it seem too flimsy, add a

little of the white of an egg. For the uses of godiveau and quenelles

see No. 205.

199—VEAL FORCEMEAT WITH FAT AND CREAM

Chop finely and apart one lb. of very white fillet of veal, with

tendons removed, cut into cubes, and one lb. of the fat of pared kidney

of beef.

Combine the veal and the fat in the mortar, and pound until the two

ingredients form a fine and even paste. Season with one-half oz. of

salt, a little pepper, and some nutmeg, and add consecutively two eggs

and two yolks, after the manner of the preceding recipe and without

ceasing to pound. Strain through a sieve, spread the forcemeat on a

dish, and keep it on ice until the next day.

Next day pound the forcemeat again for a few minutes, and add to it,

little by little, one and one-half pints of cream.

Test as before, and rectify if necessary, either by adding cream or by

thickening with the white of an egg.

200—CHICKEN FORCEMEAT FOR GALANTINES, PIES AND TERRINES

The exact weight of chicken-meat used as the base of this forcemeat

determines the quantities of its other ingredients. Thus the weight of

meat afforded by a fowl weighing four lbs. is estimated at twenty oz.

after deducting the fillets which are always reserved. Hence the

quantities for the forcemeat are regulated thus:—

Chicken-meat, twenty oz.; lean pork, eight oz.; fillet of veal,

eight oz.; fresh, fat bacon, thirty oz.; whole eggs, five; spiced salt,

two oz.; brandy, one-fifth pint.

Chop up, either together or apart, the chicken-meat, the veal, the

pork, and the bacon. Put all these into the mortar, pound them very

finely with the seasoning, add the eggs consecutively, and, last of

all, pour in the brandy.

=Remarks=

1. The quantity of spiced salt varies, a few grammes either way,

according as to whether the atmosphere be dry or damp.

2. According to the purpose of the forcemeat, and with a view to

giving it a finer flavour, one may, subject to the resources at one’s

disposal, add a little raw trimmings of _foie gras_ to it; but the

latter must not, in any case, exceed one-fifth of the forcemeat in

weight.

3. As a rule, forcemeat should always be rubbed through a sieve so as

to ensure its being fine and even.

4. Whether the foie gras be added or not, chicken forcemeat may always

be completed with two or three oz. of chopped truffles per lb. of its

volume.

201—GAME FORCEMEAT FOR PIES AND TERRINES

This follows the same principles as the chicken forcemeat, _i.e._,

the weight of the game-meat determines the quantities of the other

ingredients. The proportions are precisely the same as above as regards

the veal, the pork, the bacon, and the seasoning. The procedure is also

the same, while the appended remarks likewise apply.

202—GRATIN FORCEMEAT FOR ORDINARY HOT, RAISED PIES

Put into a sautépan containing one oz. of very hot butter, one-half lb.

of fresh, fat bacon, cut into large cubes, brown quickly, and drain on

a dish.

Quickly brown in the same butter one-half lb. of fillet of veal cut

like the bacon and drain in the same way.

Now rapidly brown one-half lb. of pale, calf’s liver, also cut into

large cubes. Put the veal and the bacon back into the sautépan with

the liver, add the necessary quantity of salt and pepper, two oz. of

mushroom parings, one oz. of truffle parings (raw if possible), chopped

shallots, a sprig of thyme, and a fragment of bay. Put the whole on the

fire for two minutes, drain the bacon, the veal, and the liver, and put

the gravy aside. Swill the sautépan with one-quarter pint of Madeira.

Pound the bacon, veal, and liver quickly and finely, while adding

consecutively six oz. of butter, the yolks of six eggs, the gravy that

has been put aside, one-third pint of cold, reduced Espagnole, and the

Madeira used for swilling.

Strain through a sieve, place in a tureen, and smooth with the wooden

spoon.

N.B.—To make a gratin forcemeat with game, substitute for the veal that

game-meat which may happen to be required.

203—PIKE FORCEMEAT FOR QUENELLES A LA LYONNAISE

Forcemeats prepared with the flesh of the pike are extremely delicate.

Subject to circumstances, they may be prepared according to any one

of the three formulæ (Nos. 193, 194, 195). There is another excellent

method of preparing this forcemeat which I shall submit here, as it is

specially used for the preparation of pike forcemeat à la Lyonnaise.

Pound in a mortar one lb. of the meat of a pike, without the skin or

bones; combine with this one-half lb. of stiff frangipan, season with

salt and nutmeg, pass through a sieve, and put back into the mortar.

Vigorously work the forcemeat in order to make it cohere, and gradually

add to it one-half lb. of melted beef-fat. The whole half-pound,

however, need not necessarily be beef-fat; beef-marrow or butter may

form part of it in the proportion of half the weight of the beef-fat.

When the forcemeat is very fine and smooth, withdraw it from the mortar

and place it in a bowl surrounded with ice until wanted.

204—SPECIAL STUFFINGS FOR FISH

These preparations diverge slightly from the forcemeats given above,

and they are of two kinds. They are used to stuff such fish as

mackerel, herring, shad, &c., to which they lend a condimentary touch

that makes these fish more agreeable to the taste, and certainly more

digestible.

_First Method._—Put into a bowl four oz. of raw, chopped milt,

two oz. of bread-crumb, steeped in milk and well pressed, and one and

one-half oz. of the following fine herbs, mixed in equal quantities and

finely chopped:—Chives, parsley, chervil, shallots, sweet basil, half a

garlic clove (crushed), then two whole eggs, salt, pepper, and nutmeg.

Chop up all these ingredients together so as to mix them thoroughly.

_Second Method._—Put into a bowl four oz. of bread-crumb steeped in

milk and well pressed; one-half oz. of onion and one-half oz. of

chopped shallots, slightly cooked in butter, and cold; one oz. of raw

mushrooms, chopped and well pressed in a towel; a tablespoonful of

chopped parsley; a piece of garlic the size of a pea, crushed; salt,

pepper, and nutmeg, and two eggs.

Mix it as above.

205—FORCEMEAT BALLS OR QUENELLES

_Divers ways of Moulding and Poaching them._—Whatever be the required

size or shape of quenelles there are four ways of making them:—(1) By

rolling them; (2) by moulding them with a spoon; (3) by forming them

with a piping-bag; (4) by moulding them by hand into the shape of a

kidney.

1. _To roll quenelles_ it is necessary to keep the forcemeat somewhat

stiff, and therefore this process could not well apply to the

_mousseline_ forcemeats. Place one-quarter lb. of forcemeat, when

ready, on a floured board, and, with hands covered in flour, roll the

preparation until it has lengthened itself into the form of a sausage,

the thickness of which depends upon the required size of the intended

quenelles.

Cut up the sausage of forcemeat laterally with a floured knife, and

roll each section with the finger-ends until the length it assumes is

thrice that of its diameter. The balls should be put aside on a floured

tray as soon as they are made.

_The Poaching of Rolled Quenelles._—When all the forcemeat has been

used up, the balls are gently tilted into a saucepan containing

boiling, salted water, so calculated in quantity as to allow of their

not being too tightly squeezed. The saucepan is covered and kept on

the side of the fire until all the balls have risen to the surface and

are almost out of the water. They are then removed with a skimmer and

placed in a bowl of cold water.

At last, when they have properly cooled, they are carefully drained on

a cloth and put aside on a dish until required.

When the quenelles are needed for immediate use it would be better not

to cool them.

2. _To Mould Quenelles with a Spoon._—This method may be applied to all

forcemeats, and allows of the balls being much softer, as the forcemeat

need not be so stiff. First, butter the sautépan or the tray, whereon

the balls are to be laid, by means of a brush, and let the butter cool.

Put the sautépan on the table in front and a little to the right of

one; on the left, place the sautépan or bowl containing the forcemeat,

and on the further side of the buttered sautépan there should be a

receptacle containing hot water, into which the spoon used for moulding

is inserted. For ordinary quenelles two coffee-spoons are used, one of

which is kept in the hot water as stated above. Now, with the other

held in the left hand, take up a little of the forcemeat (just enough

to fill the spoon); withdraw the second spoon from the hot water and

place it, with its convex side uppermost, on the other spoon.

This smoothens the upper surface of the forcemeat. Now, with the

help of the second spoon, remove the whole of the contents of the

first spoon, and overturn the second spoon on the spot in the tray or

sautépan which the ball is intended to occupy. The second spoon, being

at once moist and hot, allows the forcemeat to leave it quite easily in

the shape of a large olive. Renew this operation until the whole of the

forcemeat has been used.

_The Poaching of Spoon-moulded Quenelles._—When all the balls have

been moulded, place the tray on the side of the stove and pour enough

boiling, salted water over them to moisten them abundantly. Leave them

to poach, and from time to time move the tray; then, when they have

swollen sufficiently and seem soft and firm to the touch, drain them.

If they are to be used at once they should be placed directly in the

sauce. If they have been prepared in advance, it would be well to cool

them as directed under rolled quenelles.

3. _To Form Quenelles with a Piping-bag._—This process is especially

recommended for small, fine, and light forcemeat balls intended for

soup garnish. For, besides being extremely quick, it allows of making

them in any desirable size or shape.

Butter a tray or a sautépan, and leave to cool. Put the forcemeat into

a bag fitted with a pipe at its narrowest end. The pipe may be grooved

or smooth, and its size must be in accordance with that intended for

the proposed balls. Now squeeze out the latter, proceeding in the usual

way and laying them very closely.

_The Poaching of Quenelles made by the above Process, with ordinary or

Mousseline Forcemeat._—These quenelles are poached in exactly the same

way as the spoon-moulded ones.

_The Poaching of Godiveau Quenelles made with a Piping-bag._—These

quenelles or balls are laid on a piece of fine, buttered paper, which

in its turn is placed upon a buttered tray. The godiveau must not be

too stiff, and the balls are laid by means of the piping-bag side by

side and slightly touching one another. When the tray is covered push

it into a very moderate oven for a few minutes. The balls are poached

when a thin dew of grease may be seen to glisten on their surfaces. On

the appearance of this dew withdraw them from the oven and overturn the

tray, carefully, upon a marble slab, taking care that the tray does not

press at all upon the balls, lest it crush them. When the latter are

nearly cold the paper which covers them is taken off with caution, and

all that remains to be done is to put them carefully away on a dish

until they are wanted.

4. _To Mould Forcemeat with the Fingers._—This excellent process is

as expedient as that of the bag, and it produces beautifully shaped

balls. Place on the edge of a table, in front of one, a saucepan

three-quarters full of boiling, salted water, the handle of the

receptacle being turned to the far side. Now take a piece of string one

yard in length, double it over, and tie the free ends to a weight of

two lbs., letting the two strands twist round each other.

This done, there should be a loop at the top of the string. Put

this loop round the handle of the saucepan, and draw the string

diametrically across the latter, letting the weight pull the string

tightly down on the side opposite to the handle. When this has been

effected the operator, with his left hand, takes some of the forcemeat,

smoothening it with a spoon, and, placing the spoon near the string

with his right, first finger, he removes from its extremity a portion

of the preparation about equal to the intended size of the balls. This

portion of the forcemeat remaining suspended on his first finger, the

operator now scrapes the latter across the string, and the ball falls

beneath into the saucepan containing the water. When all the stuffing

has been moulded in this way the saucepan is placed on the fire to

complete the poaching of the balls, and the precautions indicated in

the preceding processes are observed.

CHAPTER VIII

=The Various Garnishes for Soups=

ROYALES.

206—ORDINARY ROYALE

Put one oz. of chervil into one pint of boiling consommé, cover the

saucepan, and let infusion proceed away from the fire for twenty

minutes. Now pour this infusion over two eggs and six yolks, beaten

briskly in a basin, and mix with the whisk. Strain through muslin,

and carefully remove therefrom the froth that has formed. Pour into

buttered moulds; poach in a _bain-marie_, as in the case of cream, and

take great care that the water in the _bain-marie_ does not boil.

According to the way in which the royale is to be divided, it may be

poached either in large or small “Charlotte” moulds; but the latter,

large and small alike, must be well buttered.

If the preparation be put into large moulds, thirty-five or forty

minutes should be allowed for poaching; if, on the other hand, the

moulds are small, about fifteen minutes would suffice.

Always let the royale cool in the moulds.

207—DESLIGNAC OR CREAM ROYALE

Boil one pint of thin cream, and pour it, little by little, over one

egg and six yolks, well whisked in a basin. Season with a little salt

and nutmeg, strain through muslin, and, for the poaching, follow the

directions given above.

208—CHICKEN ROYALE

Finely pound three oz. of cooked white chicken-meat, and add thereto

three tablespoonfuls of cold Béchamel. Put this paste in a bowl, season

with a little salt and a dash of nutmeg, dilute with one-fifth pint of

cream, and strain through tammy.

Thicken this preparation with one egg and the yolks of three, and poach

in small or large moulds, in accordance with the procedure already

described.

209—GAME ROYALE

Finely pound three oz. of the cooked meat of that game which gives its

name to the preparation, and add three tablespoonfuls of cold Espagnole

Sauce and one-fifth pint of rich cream, in small quantities at a time.

Warm the seasoning with a very little cayenne, strain through tammy,

thicken with one egg and three yolks, and poach as before.

210—FISH ROYALE

Stew in butter four oz. of fillet of sole cut into cubes, or the same

quantity of any other fish suited to the nature of the intended soup.

Cool, pound finely, and add, little by little, two tablespoonfuls of

cold Béchamel and one-quarter pint of cream. Season with salt and a

pinch of nutmeg, and strain through tammy. Thicken by means of the

yolks of five eggs, and poach in large or small moulds.

211—CARROT OR CRÉCY ROYALE

Stew gently in butter five oz. of the red part only of carrots. Cool,

crush in a mortar, and gradually add two tablespoonfuls of Béchamel

and one-fifth pint of rich cream. Season with table-salt and a pinch

of castor sugar, and deepen the tint of the royale with a few drops

of vegetable red. Strain through tammy, thicken with one egg and four

yolks, put into moulds, and poach.

212—FRESH PEAS OR ST. GERMAIN ROYALE

Cook one-half lb. of fresh, small peas in boiling water with a bunch

of chervil and a few leaves of fresh mint. Pass through a sieve, and

dilute the resulting purée (in a saucepan) with two-fifths of its

volume of the liquor it has been cooked in and one-fifth of cream.

Add a little sugar, the necessary salt, one egg, and two yolks. Pass

through a fine strainer, and poach in well-buttered moulds.

213—VARIOUS ROYALES

Royales may also be made with leeks, celery, &c., the procedure being

as follows:—

Finely mince six or seven oz. of the chosen vegetable; stew the same

gently and thoroughly in butter, and strain through tammy. Add to the

resulting purée three tablespoonfuls of Béchamel, one-fifth pint of

cream, two eggs, and four yolks. Put into large or small moulds, and

poach.

_Remarks._—In order that these royales may have the required delicacy,

I should urge the reader not to exceed the prescribed quantities of

eggs and yolks, these being so calculated as to exactly produce the

density required.

214—THE DIVIDING-UP OF ROYALES

When the poaching is done take the mould or moulds out of water, and

leave the royale to cool in them. Do not turn out the moulds whilst the

preparation is hot, as it would surely scatter. It only assumes the

necessary solidity for being divided up by means of the aggregation and

contraction of its various constituents during the cooling process.

_If the royale has been poached in small moulds_, slightly trim the

cylinders of _royale_, divide them up laterally into discs, and stamp

them uniformly with a plain or indented fancy cutter.

_If the royale has been poached in large moulds_, withdraw it from

these, and place it on a serviette; trim the tops, cut into half-inch

slices, and stamp with small, fancy cutters of different shapes. These

little divisions of _royale_ must always be stamped very neatly and

quite regularly.

215—CHIFFONADE

The name “_Chiffonade_” is given to a mince of sorrel or lettuce,

intended as a complement for such soups as “Potage de santé,” “le

Germiny,” &c., or various clear consommés like “Julienne.”

To prepare _Chiffonade_, first carefully shred the sorrel or lettuce,

and remove therefrom all the leaf-ribs. Carefully wash the leaves, and

squeeze the latter tightly between the fingers of the left hand and the

table. Now cut them into fine strips with a sharp knife.

If the chiffonade be intended for a consommé, add it to the latter

half an hour before dishing up; it is thus actually cooked in the soup

itself. If, as is most often the case, it be intended for a thick soup,

it is better to let it melt well in butter, to moisten it with a little

consommé, and to let it boil for ten minutes before adding it to the

soup.

Whatever the purpose be for which it is made, _chiffonade_ should

always be prepared with very tender sorrel or lettuce.

216—DIRECTIONS FOR SOUP WITH PASTES

Vermicelli and the various Italian pastes should measure about

three oz. per quart of consommé. They should first be thrown into

boiling, salted water, where they are left to poach for three minutes,

whereupon they are drained, cooled, and their cooking is completed in

the consommé.

The parboiling of these pastes is necessary in order to get rid of the

little agglomerations of flour which adhere to them, and which would

otherwise make the consommé cloudy.

Tapioca, sago, salep, &c., should also be apportioned at about

three oz. per quart. But this is only an average, for the quality of

this kind of products varies greatly, and it is best to choose the

goods of an excellent maker, and, in order to avoid surprises, to abide

by that choice.

These products need no parboiling; they are merely sprinkled into the

boiling consommé while stirring the latter, and they are left to cook

until the soup is quite clear. The boiling should be gentle, and the

scum should be removed as often as it forms.

The time allowed for cooking naturally varies in accordance with the

quality of the goods, but the absolute transparency of the consommé is

an infallible sign of its having been completed.

Brazilian, Japanese, and other pearls are used in the same quantities,

but they should poach for thirty minutes if required to be very

transparent.

217—THREADED EGGS

Beat up three eggs in a bowl, season with salt and pepper, and strain

through a sieve. Now pour the eggs into a fine strainer, hold same over

a sautépan containing some boiling consommé, and shift it about in such

wise as to let the egg fall in threads into the boiling liquid beneath,

and thus immediately coagulate. Drain the egg-threads very carefully

lest they break.

218—PROFITEROLLES FOR SOUPS

These consist of little choux about the size of a large hazel-nut,

stuffed with some kinds of purée, such as that of _foie gras_ with

cream, or of chicken, or of vegetables, &c. Four _profiterolles_ should

be allowed for each person.

To make _profiterolles_, put a few tablespoonfuls of “_pâte à choux_”

without sugar (No. 2374) into a piping-bag fitted with a smooth pipe,

whose orifice should be about one-quarter inch in diameter. Squeeze out

portions of the preparation on to a tray, so as to form balls about the

size of a small hazel-nut; _gild_ by means of beaten egg applied with a

fine brush, and cook in a moderate oven.

Do not take the _profiterolles_ from the oven until they are quite dry.

CHAPTER IX

=Garnishing Preparations for Relevés and Entrées=

219—POTATO CROQUETTES

Cook quickly in salted water two lb. of peeled and quartered potatoes.

As soon as they seem soft to the finger, drain them, place them in the

front of the oven for a few minutes in order to dry them, and then tilt

them into a sieve lying on a cloth, and press them through the former

without rubbing.

Place the purée in a sautépan; season with salt, pepper, and nutmeg;

add one oz. of butter, and dry; _i.e._, stir over a brisk fire until

the purée becomes a consistent paste.

Take off the fire, complete with the yolks of three eggs, well mixed

with the rest, and turn the paste out on to a buttered dish, taking

care to spread it in a rather thin layer, so as to precipitate its

cooling. Butter the surface to prevent the preparation’s drying.

To make croquettes, equal portions of this paste, _i.e._, portions

weighing about one and one-half oz. of it, are rolled on a flour-dusted

board into the shape of a cork, a ball, or a quoit. These are now

dipped into an _Anglaise_ (No. 174) and rolled in bread-crumbs or

raspings, the latter being well patted on to the surface of the

_croquettes_, lest they should fall into the frying fat. Let the

patting also avail for finishing off the selected shape of the objects.

These are then plunged into hot fat, where they should remain until

they have acquired a fine, golden colour.

220—DAUPHINE POTATOES

Prepare as above the required quantity of paste, and add thereto

per lb. six oz. of pâte à choux without sugar (No. 2374).

Mix the two constituents thoroughly.

Dauphine potatoes are moulded in the shape of small cylinders, and they

are treated _à l’Anglaise_, like the _croquettes_.

221—DUCHESSE POTATOES

These are the same as the _croquettes_, though they are differently

treated. They are made on a floured board in the shape of diminutive

cottage-loaves, little shuttle-shaped loaves, small quoits, and

lozenges or rectangles. They are _gilded_ with beaten egg, and when

their shape is that of quoits, rectangles, or lozenges, they are

streaked by means of a small knife.

After this operation, which is to prevent the _gilding_ from

blistering, they are baked in the oven for a few minutes previous to

being used in dressing the dishes they accompany.

222—MARQUISE POTATOES

Take one lb. of _croquette_ paste and add thereto six oz. of very

red, reduced tomato-purée. Pour this mixture into a bag fitted with a

large, grooved pipe, and squeeze it out upon a baking-tray in shapes

resembling large meringues.

Slightly _gild_ their surfaces with beaten egg, and put them into the

oven for a few minutes before using them to dress the dish.

223—ORDINARY OR DRY DUXELLE

The uses of Duxelle are legion, and it is prepared thus:—Slightly

fry one teaspoonful of onions in one tablespoonful of butter and oil

mixed. Add to this four tablespoonfuls of mushroom stalks and parings,

chopped and well pressed in a towel with the view of expelling their

vegetable moisture. Stir over a brisk fire until the latter has

completely evaporated; season with salt, pepper, and nutmeg, and one

coffeespoonful of well-chopped parsley, mixing the whole thoroughly.

Transfer to a bowl, cover with a piece of white, buttered paper, and

put aside until wanted.

224—DUXELLE FOR STUFFED VEGETABLES (Tomatoes, Mushrooms, &c.)

Put six tablespoonfuls of dry duxelle into a small stewpan, and add

thereto three tablespoonfuls of half-glaze sauce containing plenty of

tomato, crushed garlic the size of a pea, and two tablespoonfuls of

white wine. Set to simmer until the required degree of consistence is

reached.

N.B.—A tablespoonful of fine, fresh bread-crumbs may be added to the

duxelle in order to thicken it.

225—DUXELLE FOR GARNISHING SMALL PIES, ONIONS, CUCUMBERS, ETC.

To four tablespoonfuls of dry duxelle add four tablespoonfuls of

ordinary pork forcemeat (No. 196).

226—MAINTENON (preparation used in stuffing preparations à la Maintenon)

Put one pint of Béchamel into a vegetable-pan with one-half pint of

Soubise (No. 104), and reduce to half while stirring over a brisk

fire. Thicken, away from the fire, by means of the yolks of five eggs,

and add four tablespoonfuls of minced mushrooms, either cooked in the

ordinary way or stewed in butter.

227—MATIGNON

This preparation serves chiefly for covering certain large joints of

butcher’s meat, or fowl, to which it imparts an appropriate flavour.

It is made as follows:—Finely mince two medium carrots (the red part

only), two onions, and two sticks of celery taken from the heart. Add

one tablespoonful of raw lean ham, cut _paysanne-fashion_, a sprig of

thyme, and half a leaf of bay, crushed.

Stew in butter, and finally swill the saucepan with two tablespoonfuls

of Madeira.

228—MIREPOIX

The purpose of Mirepoix in culinary preparations is the same as that of

Matignon, but its mode of use is different.

Its constituents are the same as those of the Matignon, but instead of

being minced they are cut up into more or less fine dice, in accordance

with the use for which the preparation is intended.

Instead of the ham, fresh and slightly-salted breast of pork may be

used, while both the ham and the bacon may be excluded under certain

circumstances.

229—FINE OR BORDELAISE MIREPOIX

Coarse Mirepoix, which are added to certain preparations in order to

lend these the proper flavour, are generally made immediately before

being used, but this is not so in the case of the finer Mirepoix, which

chiefly serves as an adjunct to crayfish and lobsters. This is made in

advance, and as follows:—

Cut into dice four oz. of the red part only of carrots, the same

quantity of onion, and one oz. of parsley stalks. In order that the

Mirepoix may be still finer, these ingredients may now be chopped, but

in this case it is advisable to thoroughly press them in a corner of a

towel, so as to squeeze out their vegetable moisture, the mere process

of stewing not being sufficient for this purpose.

Should this water be allowed to remain in the Mirepoix, more

particularly if the latter must be kept some time, it would probably

give rise to mustiness or fermentation.

Put the ingredients into a small stewpan with one and one-half oz. of

butter and a little powdered thyme and bay, and stew until all are well

cooked. This done, turn the preparation out into a small bowl, heap

it together with the back of a fork, cover it with a piece of white,

buttered paper, and put aside until wanted.

230—VARIOUS SALPICONS

This term stands for a certain preparatory method applied to a series

of preparations.

Salpicons are _simple_ or _compound_. Simple if they only contain one

product, such as the meat of a fowl, or of game, butcher’s meat, foie

gras, various fish, ham or tongue, mushrooms, truffles, &c. Compound if

they consist of two or more of the above-mentioned ingredients which

may happen to combine suitably.

_The preparatory method_ consists in cutting the various ingredients

into dice.

_The series of preparations_ arises from the many possible combinations

of the products, each particular combination bearing its own name.

Thus Salpicons may be Royal, Financier, Chasseur, Parisien,

Montglas, &c.; of whichever kind, however, Salpicons are always

incorporated with a vehicular sauce which is in accordance with their

constituents.

231—BATTER FOR VARIOUS FRITTERS

Put into a bowl one lb. of sifted flour, one-quarter oz. of salt, one

tablespoonful of oil or melted butter, and the necessary quantity of

barely lukewarm water. If the batter is to be used at once mix the

ingredients by turning them over and over without stirring with the

spoon, for this would give the preparation an elasticity which would

prevent its adhering to immersed solids. Should the batter be prepared

beforehand, however, it may be stirred, since it loses its elasticity

when left to stand any length of time.

Before using it add the whites of two eggs whisked to a froth.

232—BATTER FOR VEGETABLES (Salsify, Celery, &c.)

Put one lb. of sifted flour into a bowl with one-quarter oz. of salt

and two tablespoonfuls of oil or melted butter. Dilute with one egg and

the necessary quantity of cold water. Keep this batter somewhat thin,

do not stir it, and let it rest for a few hours before using.

233—BATTER FOR FRUIT AND FLOWER FRITTERS

Put one lb. of flour into a bowl with one-quarter oz. of salt and

two tablespoonfuls of oil or melted butter. Dilute gradually with

one-quarter pint of beer and a little tepid water.

When about to use the batter mix therewith the whites of two eggs

whisked to a froth.

N.B.—Keep this batter thin, if anything, and above all do not stir

overmuch.

234—BATTER FOR OVEN-GLAZED FRUIT FRITTERS

Mix one lb. of flour with two tablespoonfuls of oil, a grain of salt,

two eggs (added one after the other), the necessary quantity of water,

and one oz. of sugar. Keep this preparation in a lukewarm place to let

it ferment, and stir it with a wooden spoon before using it to immerse

the solids.

_Remarks._—Batter for fruit fritters may contain a few tablespoonfuls

of brandy, in which case an equal quantity of the water must be

suppressed.

235—PROVENÇALE (preparation for stuffing cutlets à la Provençale)

Put one pint of Béchamel into a vegetable-pan and reduce it until it

has become quite dense. Thicken it with the yolks of four eggs, and

finish it away from the fire with a crushed piece of garlic as large as

a pea, and one-quarter lb. of grated cheese.

CHAPTER X

=Leading Culinary Operations=

236—THE PREPARATION OF SOUPS

The nutritious liquids known under the name of Soups are of

comparatively recent origin. Indeed, as they are now served, they

do not date any further back than the early years of the nineteenth

century.

The soups of old cookery were, really, complete dishes, wherein the

meats and vegetables used in their preparation were assembled. They,

moreover, suffered from the effects of the general confusion which

reigned in the menus of those days. These menus seem to have depended

in no wise, for their items, upon the progressive satisfaction of the

consumers’ appetites, and a long procession of dishes was far more

characteristic of the meal than their judicious order and diversity.

In this respect, as in so many others, Carême was the reformer, and,

if he were not, strictly speaking, the actual initiator of the changes

which ushered in our present methods, he certainly had a large share in

the establishment of the new theories.

Nevertheless, it took his followers almost a century to bring soups to

the perfection of to-day, for modern cookery has replaced those stodgy

dishes of yore by comparatively simple and savoury preparations which

are veritable wonders of delicacy and taste. Now, my attention has been

called to the desirability of drawing up some sort of classification

of soups, if only with the view of obviating the absurdity of placing

such preparations as are indiscriminately called Bisque, Purée, Cullis,

or Cream under the same head. Logically, each preparation should have

its own special formula, and it is impossible to admit that one and the

same can apply to all.

It is generally admitted that the terms _Veloutés_ and _Creams_, whose

introduction into the vocabulary of cookery is comparatively recent,

are peculiarly well suited to supplant those of _Bisque_ and _Cullis_,

which are steadily becoming obsolete, as well as that too vulgar

term _Purée_. Considerations of this kind naturally led me to a new

classification of soups, and this I shall disclose later.

I shall not make any lengthy attempt here to refute the arguments of

certain autocrats of the dinner-table who, not so many years ago, urged

the total abolition of soups. I shall only submit to their notice

the following quotation from Grimod de la Reynière, one of our most

illustrious gastronomists: “Soup is to a dinner what the porch or

gateway is to a building,” that is to say, it must not only form the

first portion thereof, but it must be so devised as to convey some idea

of the whole to which it belongs; or, after the manner of an overture

in a light opera, it should divulge what is to be the dominant phrase

of the melody throughout.

I am at one with Grimod in this, and believe that soups have come to

stay. Of all the items on a menu, soup is that which exacts the most

delicate perfection and the strictest attention, for upon the first

impression it gives to the diner the success of the latter part of the

meal largely depends.

Soups should be served as hot as possible in very warm plates,

especially in the case of consommés when these have been preceded by

cold hors-d’œuvres.

Hors-d’œuvres are pointless in a dinner, and even when oysters stand as

such they should only be allowed at meals which include no soup.

Those hors-d’œuvres which consist of various fish, smoked or in oil,

and strongly seasoned salads, leave a disagreeable taste on the

consumer’s palate and make the soup which follows seem flat and insipid

if the latter be not served boiling hot.

=Classification of Soups=

This includes (1) clear soups, (2) thick soups, (3) special soups of

various kinds, (4) classical vegetable soups, including some local

preparations.

237—CLEAR SOUPS

Clear soups, of whatever nature the base thereof may be, whether

butcher’s meat, poultry, game, fish, shell-fish, or turtle, &c., are

made according to one method only. They are always clear consommés to

which has been added a slight garnish in keeping with the nature of the

consommé.

238—THICK SOUPS

These are divided into three leading classes as follows:—(1) The

Purées, Cullises, or Bisques. (2) Various Veloutés. (3) Various Creams.

_Remarks._—Though the three preparations of the first class are

practically the same, and, generally speaking, the Cullises and the

Bisques may be considered as purées of fowl, game, or shell-fish, it is

advisable to distinguish one from another by giving each a special name

of its own.

Thus the word _Purée_ is most suitably applied to any preparation with

a vegetable base. The term _Cullis_ is best fitted to preparations

having either poultry, game, or fish for base, while bisque, in spite

of the fact that in former days it was applied indiscriminately to

purées of shell-fish, poultry, pigeons, &c., distinctly denotes a purée

of shell-fish (either lobster, crayfish, or shrimp, &c.).

In short, it is imperative to avoid all ambiguities and to give

everything its proper name, or, at least, that name which identifies it

most correctly.

239—PURÉES

Farinaceous vegetables, such as haricot-beans and lentils, and the

floury ones, such as the potato, need no additional thickening

ingredient, since the flour or fecula which they contain amply suffices

for the leason of their purées.

On the other hand, aqueous vegetables like carrots, pumpkins, turnips,

celery, and herbs cannot dispense with a thickening ingredient, as

their purées of themselves do not cohere in the least.

_Cohering or Thickening Elements; their Quantities._—In order to effect

the coherence of vegetable purées, either rice, potato, or bread-crumb

cut into dice and fried in butter may be used.

The proportion of these per pound of vegetables should be respectively

three oz., ten oz., and ten oz. Bread-crumb dice, prepared as described

above, were greatly used in old cookery, and they lend a mellowness to

a purée which is quite peculiar to them.

_The Dilution of Purées._—Generally this is done by means of ordinary

white consommé, though in certain cases, as, for instance, if the soup

is a Lenten one, milk is used.

_The Finishing._—When the purées have been strained and brought to the

required consistence they should be boiled and stirred. Then they are

placed on the side of the fire to simmer for twenty-five or thirty

minutes. It is at this stage that they are purified by means of the

careful removal of all the scum that forms on their surface.

When dishing up complete them, away from the fire, with three oz. of

butter per quart of soup, and pass them once more through a strainer.

_Purée Garnishes._—These are usually either small fried crusts, small

dice of potato fried in butter, a _chiffonade_, some kind of little

_brunoise_, or, more generally, chervil _pluches_.

240—CULLISES

Cullises have for their base either poultry, game, or fish.

_The thickening ingredients used are_:—

_For fowl_, two or three oz. of rice, or three-quarters pint of poultry

velouté per lb. of fowl.

_For game_, three or four oz. of lentils, or three-quarters pint of

game Espagnole per lb. of game.

_For fish_, a clear panada made up of French bread soaked in boiling

salted milk. Use five oz. of bread and one good pint of milk per lb.

of fish. Having strained and made up the Cullises, boil them while

stirring (except in the case of fish cullises, which must not boil,

and must be served as soon as they are made), then place them in a

_bain-marie_ and butter their surfaces lest a skin should form.

At the last moment complete them with two or three oz. of butter per

quart.

The garnish of poultry or game cullises consists of either small dice

of game or fowl-fillets, which should be kept aside for the purpose;

a fine _julienne_ of these fillets, or small quenelles made from the

latter, raw.

The garnish of fish cullis is generally fish-fillets poached in butter

and cut up into small dice or in _julienne-fashion_.

241—BISQUES

The invariable base of Bisques is shell-fish cooked in _mirepoix_.

Their thickening ingredients are, or may be, rice, fish velouté, or

crusts of bread fried in butter, the proportion being three oz. of

rice, ten oz. of bread-crusts, or three-quarters pint of fish velouté

per lb. of shell-fish cooked in _mirepoix_ (No. 228).

When the soup is strained, treat it in precisely the same way as the

cullises.

The garnish consists of small dice of the meat from the shell-fish

used. These pieces should have been put aside from the first.

242—THE VELOUTÉS

These differ from the purées, cullises, and bisques in that their

invariable thickening element is a velouté whose preparation is in

harmony with the nature of the ingredients of the soup, these being

either vegetables, poultry, game, fish, or shell-fish.

_The Preparation of the Velouté._—Allow three and one-half oz. of white

roux per quart of the diluent. This diluent should be ordinary consommé

for a velouté of vegetables or herbs, chicken consommé for a poultry

velouté, or very clear fish _fumet_ for a fish or shell-fish velouté.

The procedure is exactly the same as that described under No. 25 of the

leading sauces.

_The Apportionment of the Ingredients._—In general, the quantities of

each constituent are in the following proportion:—Velouté, one-half;

the purée of the substance which characterises the soup, one-quarter;

the consommé used to bring the soup to its proper consistence,

one-quarter. In respect of finishing ingredients, use, for thickening,

the yolks of three eggs and one-fifth pint of cream per quart of soup.

Thus for four quarts of poultry velouté we arrive at the following

quantities:—

Poultry velouté, three pints; purée of fowl obtained from a cleaned and

drawn hen weighing about three lbs., one quart; consommé for regulating

consistence, one quart; leason, twelve yolks and four-fifths pint of

cream.

_Rules Relative to the Preparation._—If the velouté is to be of

lettuce, chicory, celery, or mixed herbs, these ingredients are scalded

for five minutes, drained, gently stewed in butter, and added to the

prepared velouté in which their cooking is completed.

If carrots, turnips, onions, &c., are to be treated, finely mince them,

stew them in butter without allowing them to acquire any colour, and

add them to the velouté.

If fowl be the base, cook it in the velouté. This done, withdraw it,

remove the meat, finely pound same, and add it to the velouté, which is

then rubbed through tammy.

In the case of fish the procedure is the same as for fowl. For game,

roast or _sauté_ the selected piece, bone it, finely pound the meat,

and combine the latter with the velouté, which should then be rubbed

through tammy.

For shell-fish, cook these in a _mirepoix_, finely pound them together

with the latter, add to the velouté, and pass the whole through tammy.

_The Completing of Velouté._—Having passed the soup through tammy,

bring it to its proper degree of consistence with the necessary

quantity of consommé, boil while stirring, and place in a _bain-marie_.

At the last moment finish the soup with the leason and two oz. of

butter per quart of liquid.

_Garnish for Velouté._—In the case of vegetables: _Chiffonade_, fine

_printaniers_, or _brunoise_.

For fowl and game: The fillets of one or the other, poached and cut

into small dice or in _julienne-fashion_; little quenelles made with

the raw fillets, or either fowl or game royales.

For fish: Small dice or fine _julienne_ of fish fillets poached in

butter.

For shell-fish: Small dice of cooked shell-fish meat put aside for the

purpose.

_Remarks._—In certain circumstances these garnishes are increased by

means of three tablespoonfuls of poached rice per quart of the soup.

243—THE CREAMS

Practically speaking, the preparation of the creams is the same as that

of the veloutés, but for the following exceptions:—

1. In all circumstances, _i.e._, whatever be the nature of the soup,

velouté is substituted for clear Béchamel.

2. The correct consistence of the soup is got by means of milk

instead of consommé.

3. Creams do not require egg-yolk leasons.

4. They are not buttered, but they are finished with one-fifth or

two-fifths pint of fresh cream per quart.

Creams allow of the same garnishes as the veloutés.

244—SPECIAL SOUPS AND THICKENED CONSOMMÉS

These are of different kinds, though their preparation remains the

same, and they do not lend themselves to the requirements of veloutés

or creams. I should quote as types of this class the Ambassador, à

l’Américaine, Darblay, Faubonne, &c.

The same holds good with thickened consommés, such as “Germiny,”

“Coquelin,” &c.

245—VEGETABLE SOUPS

These soups, of which the “Paysanne” is the radical type, do not

demand very great precision in the apportionment of the vegetables

of which they are composed; but they need great care and attention,

notwithstanding.

The vegetables, in the majority of cases, must undergo a long stewing

in butter, an operation the object of which is to expel their vegetable

moisture and to saturate them with butter.

In respect of others which have a local character, the vegetables

should be cooked with the diluent, without a preparatory stewing.

246—FOREIGN SOUPS

In the course of Part II. of this work I shall allude to certain soups

which have a foreign origin, and whose use, although it may not be

general, is yet sufficiently common. If only for the sake of novelty

or variety, it is occasionally permissible to poach upon the preserves

of foreign nations; but apart from this there exist among the recipes

of foreigners many which can but enrich their adopter, besides being

generally appreciated.

=2. Braising, Poaching, Sautés, and Poëling.=

Except for the roasts, grills, and fryings, which will be discussed

later, all culinary operations dealing with meat are related to one of

the four following methods: Braising, _poëling_, poaching, and sautés.

These four methods of cooking belong, however, to the sauces, and this

explains how it is that the latter hold such a pre-eminent position in

French cookery.

Before devoting any attention to particular formulæ, which will be

given in the second part of this work, it seemed desirable to me to

recapitulate in a general way the theory of each of these cooking

methods. These theories are of paramount importance, since it is only

with a complete knowledge of them that good results may be obtained by

the culinary operator.

247—ORDINARY BRAISINGS

Of all the various culinary operations, braisings are the most

expensive and the most difficult. Long and assiduous practice alone

can teach the many difficulties that this mode of procedure entails,

for it is one which demands extraordinary care and the most constant

attention. Over and above the question of care and that of the quality

of meat used, which latter consideration is neither more nor less

important here than in any other cooking operation, there are also

these conditions to be fulfilled in order that a good braising may be

obtained, namely, that excellent stock should be used in moistening,

and that the braising base be well prepared.

_Meats that are Braised._—Mutton and beef are braised in the ordinary

way, but veal, lamb, and poultry are braised in a manner which I shall

treat of later.

Meat intended for braising need not, as in the case of roasts, be

that of young beasts. The best for the purpose is that derived from

an animal of three to six years of age in the case of beef, and one

to two years in the case of mutton. Good meat is rarely procured from

animals more advanced than these in years, and, even so, should it be

used, it would not only be necessary to protract the time of cooking

inordinately, but the resulting food would probably be fibrous and dry.

Properly speaking, meat derived from old or ill-nourished beasts only

answers two purposes in cookery, viz., the preparation of consommés and

that of various kinds of stock.

_The Larding of Meats for Braising._—When the meat to be braised is

ribs or fillet of beef, it is always interlarded, and consequently

never dry if of decent quality. But this is not the case with the meat

of the rumps, or with leg of mutton. These meats are not sufficiently

fat of themselves to allow of prolonged cooking without their becoming

dry. For this reason they are larded with square strips of bacon fat,

which should be as long as the meat under treatment, and about half an

inch thick. These strips of fat are first seasoned with pepper, nutmeg,

and spices, besprinkled with chopped parsley, and then _marinaded_ for

two hours in a little brandy. They should be inserted into the meat

equidistantly by means of special larding needles. The proportion of

fat to the meat should be about three oz. per lb.

_To Marinade Braisings._—Larded or not, the meats intended for braising

gain considerably from being _marinaded_ for a few hours in the wines

which are to supply their moistening and the aromatics constituting the

base of their liquor. Before doing this season them with salt, pepper,

and spices, rolling them over and over in these in order that they may

absorb the seasoning thoroughly. Then place them in a receptacle just

large enough to contain them, between two litters of aromatics, which

will be detailed hereafter; cover them with the wine which forms part

of their braising-liquor, and which is generally a white or red “vin

ordinaire,” in the proportion of one-quarter pint per lb. of meat, and

leave them to _marinade_ for about six hours, taking care to turn them

over three or four times during that period.

_The Aromatics or Base of the Braising._—These are thickly sliced and

fried carrots and onions, in the proportion of one oz. per lb. of meat,

one faggot, including one garlic clove and one and one-half oz. of

fresh, blanched bacon-rind.

_To Fry, Prepare, and Cook Braised Meat._—Having sufficiently

_marinaded_ the meat, drain it on a sieve for half an hour, and wipe

it dry with a clean piece of linen. Heat some clarified fat of white

consommé in a thick saucepan of convenient size, or a braising-pan,

and when it is sufficiently hot put the meat in the saucepan and let

it acquire colour on all sides. The object of this operation is to

cause a contraction of the pores of the meat, thereby surrounding the

latter with a species of cuirass, which prevents the inner juices from

escaping too soon and converting the braising into a boiling process.

The frying should, therefore, be a short or lengthy process according

as to whether the amount of meat to be braised be small or large.

Having properly fried the meat, withdraw it from the braising-pan,

cover it with slices of larding-bacon if it be lean, and string it. In

the case of fillets and ribs of beef, this treatment may be dispensed

with, as they are sufficiently well supplied with their own fat.

Now pour the _marinade_ prepared for the meat into the braising-pan,

and place the meat on a litter composed of the vegetables the

_marinade_ contained. Cover the pan and rapidly reduce the wine

therein. When this has assumed the consistency of syrup add sufficient

brown stock to cover the meat (it being understood that the latter only

just conveniently fills the pan), cover the braising-pan, set to boil,

and then put it in a moderate oven. Let the meat cook until it may be

deeply pricked with a braiding needle without any blood being drawn.

At this stage the first phase of braising, whereof the theory shall

be given hereafter, comes to an end, and the meat is transferred to

another clean utensil just large enough to hold it.

With respect to the cooking liquor, either of the two following modes

of procedure may now be adopted:—

1. If the liquor is required to be clear it need only be strained, over

the meat, through muslin, while the braising-pan should be placed in

the oven, where the cooking may go on until completed, interrupting it

only from time to time in order to baste the meat. This done, thicken

the liquor with arrow-root, after the manner of an ordinary thickened

gravy (No. 41).

2. If, on the contrary, a sauce be required, the liquor should

be reduced to half before being put back on the meat, and it is

restored to its former volume by means of two-thirds of its quantity

of Espagnole sauce and one-third of tomato purée, or an equivalent

quantity of fresh tomatoes.

The cooking of the meat is completed in this sauce, and the basting

should be carried on as before. When it is cooked—that is to say, when

the point of a knife may easily be thrust into it without meeting with

any resistance whatsoever—it should be carefully withdrawn from the

sauce; the latter should be again strained through muslin and then

left to rest, with a view to letting the grease settle on the surface.

Carefully remove this grease, and rectify the sauce with a little

excellent stock if it is too thick, or by reduction if it is too thin.

_The Glazing of Braised Meat._—Braised meat is glazed in order to make

it more sightly, but this operation is by no means essential, and it is

quite useless when the meat is cut up previous to being served.

To glaze meat place it as soon as cooked in the front of the oven,

sprinkle it slightly with its cooking liquor (gravy or sauce), and push

it into the oven so that this liquor may dry. Being very gelatinous,

the latter adheres to the meat, while its superfluous water evaporates,

and thus coats the solid with a thin film of meat-glaze. This operation

is renewed eight or ten times, whereupon the meat is withdrawn from the

oven, placed on a dish, and covered until it is served.

_Various Remarks relative to Braising._—When a braised meat is to be

accompanied by vegetables, as in the case of beef à la mode, these

vegetables may either be cooked with the meat during the second

braising phase, after they have been duly coloured in butter with a

little salt and sugar, or they may be cooked separately with a portion

of the braising-liquor. The first procedure is the better, but it

lends itself less to a correct final dressing. It is, therefore, the

operator’s business to decide according to circumstances which is the

more suitable of the two.

I pointed out above that the cooking of braised meat consists of two

phases, and I shall now proceed to discuss each of these, so that the

reader may thoroughly understand their processes.

It has been seen that meat, to be braised, must in the first place be

fried all over, and this more particularly when it is very thick. The

object of this operation is to hold in the meat’s juices, which would

otherwise escape from the cut surfaces. Now, this frying produces a

kind of cuirass around the flesh, which gradually thickens during

the cooking process until it reaches the centre. Under the influence

of the heat of the surrounding liquor the meat fibres contract, and

steadily drive the contained juices towards the centre. Soon the heat

reaches the centre, where, after having effected a decomposition of the

juices therein collected, the latter release the superfluous water they

contain. This water quickly vaporises, and by so doing distends and

separates the tissues surrounding it. Thus, during this first phase, a

concentration of juices takes place in the centre of the meat. It will

now be seen that they undergo an absolutely different process in the

second.

As shown, the disaggregation of the muscular tissue begins in the

centre of the meat as soon as the temperature which reaches there is

sufficiently intense to vaporise the collected juices. The tension

of the vapour given off by the latter perforce increases by dint of

finding no issue; it therefore exerts considerable pressure upon the

tissues, though now its direction is the reverse of what it was in the

first place, _i.e._, from the centre to the periphery.

Gradually the tissues relax under the pressure and the effects of

cooking, and, the work of disaggregation having gradually reached

the fried surface, the latter also relaxes in its turn and allows

the constrained juices to escape and to mix with the sauce. At the

same time, however, the latter begins to filter through the meat, and

this it does in accordance with a well-known physical law, namely,

capillarity. This stage of the braising demands the most attentive

care. The braising-liquor is found to be considerably reduced and no

longer covers the meat, for the operation is nearing its end. The bared

meat would, therefore, dry very quickly, if care were not taken to

baste it constantly and to turn it over and over, so that the whole

of the muscular tissue is moistened and thoroughly saturated with the

sauce. By this means the meat acquires that mellowness which is typical

of braisings and distinguishes them from other preparations.

I should be loth to dismiss this subject before pointing out two

practices in the cooking of braisings which are as common as they are

absolutely wrong. The first of these is the “_pinçage_” of the braising

base. Instead of laying the fried meat on a litter of aromatics,

likewise fried beforehand, many operators place the meat, which they

often omit to fry, on raw aromatics at the bottom of the braising-pan.

The whole is sprinkled with a little melted fat, and the aromatics are

left to fry, on one side only, until they begin to burn on the bottom

of the receptacle.

If this operation were properly conducted it might be tolerated, even

though aromatics which are only fried on one side cannot exude the same

savour as those which are fried all over. But nine times out of ten the

frying is too lengthy a process; from neglect or absent-mindedness the

aromatics are left to burn on the bottom of the pan, and there results

a bitterness which pervades and spoils the whole sauce.

As a matter of fact, this process of “_pinçage_” is an absurd

caricature of a method of preparing braisings which was very common in

old cookery, the custom of which was not to prepare the braising-liquor

in advance, but to cook it and its ingredients simultaneously with the

meat to be braised. This method, though excellent, was very expensive,

the meats forming the base of the braising-liquor consisting of thick

slices of raw ham or veal. The observance of economy, therefore,

long ago compelled cooks to abandon this procedure. But routine has

perpetuated the _form_ of the latter without insisting upon the use of

its constituents, which were undoubtedly its essential part. Routine

has even, in certain cases, aggravated the first error by instituting

a habit consisting of substituting bones for the meats formerly

employed—an obviously ridiculous practice.

In the production of ordinary consommé (No. 1) we saw that bones, even

when taken from veal, as is customary in the case of braising-liquor,

require, at the very least, ten to twelve hours of cooking before

they can yield all their soluble properties. As a proof of this it is

interesting to note that, if bones undergo only five or six hours of

cooking, and are moistened afresh and cooked for a further six hours,

the liquor of the second cooking yields more meat-glaze than that of

the first; though it must be admitted that, while the latter is more

gelatinous, it has less savour. But this gelatinous property of bones

is no less useful to braisings than is their savour, since it is the

former that supplies the mellowness, which nothing can replace and

without which the sauce can have no quality.

Since, therefore, the longest time that a braising can cook is from

four to five hours, it follows that, if bones be added thereto, their

properties will scarcely have begun disaggregating when the meat is

cooked. They will, in fact, have yielded but an infinitesimal portion

of these properties; wherefore their addition to the braising is, to

say the least, quite useless.

It now remains to be proved that the above method is bad from another

point of view.

I suppose I need not fear contradiction when I assert that, in

order that a braising may be good, its sauce should be short and

correspondingly substantial; also that the sauce obtained from a piece

of meat moistened with a quart of liquid cannot be so good as that

resulting from the moistening of a pint only.

It is more particularly on this account that I advise a braising

utensil which can only just hold the meat, for since, in the first

stage, the meat is only moistened with the braising-liquor, the

smaller the receptacle may be the less liquor will it require, and the

latter will in consequence be the tastier. Hence, if bones be added to

the braising, the utensil must necessarily be larger, and a greater

quantity of braising-liquor must be used. But this liquor will not

be nearly so savoury as that obtained from the process I recommend;

in fact, it will be but a rather strong broth, quite unfit for the

impregnation of the meat, and the final result will be a tasteless lump

of fibre instead of a succulent braising.

I must apologise to the reader for my insistence with regard to these

questions, but their importance is such that success is beyond reach in

the matter of brown sauces and braisings unless the above details have

been thoroughly grasped. Moreover, the explanations given will afford

considerable help in the understanding of operations which I shall give

later; therefore it is to be hoped that the examination of the theories

involved, however long this has been, will prove of use and assistance.

248—BRAISING OF WHITE MEATS

_The braising of white meats_ as it is now effected in modern cookery

is, strictly speaking, not braising at all, inasmuch as the cooking is

stopped at the close of the first of the two phases which I mentioned

when discussing brown braisings. True, old cookery did not understand

braising in the way that the modern school does, and under the ancient

régime large pieces, especially of veal, were frequently cooked until

they could almost be scooped with a spoon. This practice has been

generally, though mistakenly, eschewed, but its name survives.

White braisings are made with the neck, the saddle, the loin, the

fillets, the fricandeaus, and the sweet-bread of veal, young turkeys

and fat pullets, and sometimes, though less frequently, relevés of

lamb, hindquarters or saddle. The procedure is the same for all these

meats; the time of cooking alone varies in accordance with their size.

The aromatics are the same as those of the brown braisings, but the

frying of them is optional.

The moistening liquor is brown veal stock (No. 9).

_Mode of Procedure._—Except for the veal sweet-bread, which is always

blanched before being braised, the meats or poultry to be treated may

always be slightly stiffened and browned in butter, on all sides. This

is not essential in all cases, but I think that when they do undergo

something of the kind they dry less quickly. Now place them in a

utensil just large enough to hold them and deep enough to keep the lid

from touching them. Place the aromatics under them and moisten with a

little veal stock; set to boil on a moderate fire, and reduce the veal

stock with the lid on. When this stock has assumed the consistence of

a glaze, add a further similar quantity of fresh stock, and reduce as

before. The third time moisten the veal until it is half covered, and

push the pan into a moderate oven.

The meat needs constant basting while it cooks, in order to avoid its

drying; and, as the stock is very gelatinous, it forms a coating on

the surface which resists the evaporation of the contained juices; for

these, being insufficiently constrained by the slight frying the meat

has undergone, tend to vaporise under the influence of the heat.

It is for this reason that the stock must be reduced to a glaze before

finally moistening. If the moistening were all done at once, the liquor

would not be sufficiently dense to form the coating mentioned above,

and the meat would consequently dry on being set to cook.

Braised white meat is known to be cooked when, after having deeply

pricked it with a braiding needle, it exudes an absolutely colourless

liquid. This liquid denotes that the piece is cooked to the centre, and

as a result thereof the blood has decomposed.

There lies the great difference between brown braisings and white-meat

braisings. The latter are practically roasts, and they should not be

made with any but young poultry or meats, very fat and tender, for

they cannot go beyond their correct time of cooking, which equals that

of roasts, without immediately losing all their quality. A quarter of

an hour too much in the cooking of a kernel of veal weighing about

six lbs. is enough to make the meat dry and unpalatable, and to

thoroughly spoil it, whereas a brown braising cannot be over-cooked,

provided it do not burn.

White braised meats are generally glazed, and this process is

especially recommended for larded pieces, which, though less common

nowadays than formerly, can still claim many votaries.

249—POACHINGS

However nonsensical it may sound, the best possible definition of

a poaching is a boiling that does not boil. The term _poach_ is

extended to all slow processes of cooking which involve the use of a

liquor, however small. Thus the term poach applies to the cooking in

_court-bouillon_ of large pieces of turbot and salmon, as well as to

fillets of sole cooked with a little fish _fumet_, to hot _mousselines_

and _mousses_, cooked in moulds, to quenelles which are cooked in

salted water, to eggs announced as “poached,” to creams, various

royales, &c. It will readily be seen that among so many different

products, the time allowed for the cooking in each case must differ

sometimes widely from the rest. The treatment of them all, however, is

subject to this unalterable principle, namely, that the poaching liquor

must not boil, though it should reach a degree of heat as approximate

as possible to boiling-point. Another principle is that large pieces

of fish or poultry be set to boil in cold liquor, after which the

latter is brought to the required temperature as rapidly as possible.

The case may be the same with fillets of sole, or poultry, which are

poached almost dry; but all other preparations whose mode of cooking

is poaching gain by being immersed in liquor which has reached the

required temperature beforehand.

Having regard to the multitudinous forms and kinds of products that

are poached, it would be somewhat difficult to state here the details

and peculiarities proper to each in the matter of poaching; I think,

therefore, I should do better to leave these details to the respective

recipes of each product, though it will now be necessary to disclose

the way of poaching poultry, if only with a view to thoroughly

acquainting the reader with the theory propounded above.

Properly prepare the piece of poultry to be poached, and truss it with

its legs folded back alongside of the breast.

If it is to be stuffed, this should be done before trussing.

If it is to be larded or studded, either with truffles, ham, or tongue,

rub it when trussed on the fillets and legs with half a lemon, and dip

the same portions of its body (namely, those to be larded or studded)

for a few moments in boiling white stock. The object of this operation

is to slightly stiffen the skin, thus facilitating the larding or

studding.

_The Cooking of the Piece of Poultry._—Having stuffed, larded, or

studded it, if necessary, and having, in any case, trussed it, place

it in a receptacle just large enough to hold it, and moisten with some

excellent white stock previously prepared.

Set to boil, skim, put the lid on, and continue the cooking at a low

simmer. It is useless to work too quickly, as the operation would not

be shortened a second by so doing. The only results would be:—

1. Too violent evaporation, which would reduce the liquor and disturb

its limpidness.

2. The running of a considerable risk of bursting the piece of poultry,

especially when the latter is stuffed.

The fowl, or whatever it may be, is known to be cooked when, after

pricking the thick of the leg close to the “drumstick,” the issuing

liquid is white.

_Remarks._—(_a_) The need of poaching poultry in a receptacle just

large enough to hold the piece is accounted for as follows: (1) The

piece must be wholly immersed in the stock during the cooking process.

(2) As the liquor used is afterwards served as an accompanying sauce

to the dish, the less there is of it the more saturated does it become

with the juices of the meat, and, consequently, the better it is.

(_b_) (1) The white stock used in poaching should be prepared

beforehand, and be very clear.

(2) If the piece of poultry were set to cook with the products

constituting the stock, even if these were more than liberally

apportioned, the result would be bad, for inasmuch as a fowl, for

example, can only take one and one-half hours, at the most, to cook,

and the time required for extracting the nutritious and aromatic

principles from the constituents of the stock would be at least six

hours, it follows that the fowl would be cooking in little more than

hot water, and the resulting sauce would be quite devoid of savour.

250—POËLINGS

Poëlings are, practically speaking, roasts, for the cooking periods

of each are the same, except that the former are cooked entirely or

almost entirely with butter. They represent a simplified process of old

cookery, which consisted in enveloping the object to be treated, after

frying it, in a thick coating of _Matignon_. It was then wrapped with

thin slices of pork fat, covered with buttered paper, placed in the

oven or on a spit, and basted with melted butter while it cooked. This

done, its grease was drained away, and the vegetables of the _matignon_

were inserted in the braising-pan wherein the piece had cooked, or in a

saucepan, and were moistened with excellent Madeira or highly seasoned

stock. Then, when the liquor had thoroughly absorbed the aroma of the

vegetables, it was strained, and its grease was removed just before

dishing up. This excellent method is worthy of continued use in the

case of large pieces of poultry.

_Preparation of Poëled Meats._—Place in the bottom of a deep and thick

receptacle, just large enough to hold the piece to be poëled, a layer

of raw _matignon_ (No. 227). The meat or piece of poultry is placed

on the vegetables after it has been well seasoned, and is copiously

sprinkled with melted butter; cover the utensil, and push it into an

oven whose heat is not too fierce. Set it to cook gently in this way,

after the manner of a stew, and frequently sprinkle with melted butter.

When the meats or the pieces of poultry are cooked, the utensil is

uncovered so that the former may acquire a fine colour; then they

are transferred to a dish which should be kept covered until taken

to the table. Now add to the vegetables (which must not be burned) a

sufficient quantity of brown veal stock (No. 9), transparent and highly

seasoned; set the whole to boil gently for ten minutes, strain through

a serviette, carefully remove all grease from the poëling stock and

send it to the table in a sauceboat at the same time as the meat or

poultry, which, by the bye, is generally garnished.

_Remarks on Poëlings._—It is of paramount importance that these be not

moistened during the process of cooking, for in that case their savour

would be the same as that of braised white meats.

Nevertheless, an exception may be made in the case of such feathered

game as pheasants, partridges, and quails, to which is added, when

nearly cooked, a small quantity of burnt brandy.

It is also very important that the vegetables should not have their

grease removed before their moistening stock is added to them. The

butter used in the cooking absorbs a large proportion of the savour of

both the vegetables and the meat under treatment, and, to make good

this loss, it is essential that the moistening stock remain at least

ten minutes in contact with the butter. At the end of this time it may

be removed without in the least impairing the aroma of the stock.

_Special Poëlings known as “En Casserole,” or “En Cocotte.”_—The

preparations of butcher’s meats, of poultry, or game, known as “en

casserole” or “en cocotte,” are actual poëlings cooked in special

earthenware utensils and served in the same. Generally, preparations

known as “en casserole” are simply cooked in butter, without the

addition of vegetables.

When the cooking is done, the piece under treatment is withdrawn for

a moment, and some excellent brown veal stock (No. 9) is poured into

the utensil. This is left to simmer for a few minutes; the superfluous

butter is then removed; the piece is returned to the earthenware

utensil, and it is kept hot, without being allowed to boil, until it is

dished up.

For preparations termed “en cocotte,” the procedure is the same, except

that the piece is garnished with such vegetables as mushrooms, the

bottoms of artichokes, small onions, carrots, turnips, &c., which are

either turned or regularly pared, and half cooked in butter before

being used.

One should endeavour to use only fresh vegetables, and these should be

added to the piece constituting the dish in such wise as to complete

their cooking with it.

The earthenware utensils used for this purpose improve with use,

provided they be cleaned with clean, fresh water, without any soda or

soap. If new utensils have to be used, these should be filled with

water, which is set to boil, and they should then undergo at least

twelve hours’ soaking. For the prescribed time this water should be

kept gently boiling, and then the utensil should be well wiped and

soaked anew, in fresh water, before being used.

251—THE SAUTÉS

What characterises the process we call “sauté” is that the object

treated is cooked _dry_—that is to say, solely by means of a fatty

substance such as butter, oil, or grease.

Sautés are made with cut-up fowl or game, or with butcher’s meat

suitably divided up for the purpose.

All products treated in this way must be frizzled—that is to say, they

must be put into the fat when it is very hot in order that a hardened

coating may form around them which will keep their juices within. This

is more particularly desirable for red meats such as beef and mutton.

The cooking of _fowl sautés_ must, after the meats have been frizzled,

be completed on the stove or, with lid off, in the oven, where they

should be basted with butter after the manner of a roast.

The pieces are withdrawn from the utensil with a view to swilling the

latter, after which, if they be put back into the sauce or accompanying

garnish, they should only remain therein a few moments or just

sufficiently long to become properly warm.

The procedure is the same for _game sautés_.

_Sautés of butcher’s meats_ (red meats), such as tournedos, kernels,

cutlets, fillets, and noisettes, are always effected on the stove; the

meats are frizzled and cooked with a small quantity of clarified butter.

The thinner and smaller they are, the more rapidly should the frizzling

process be effected.

When blood appears on the surface of their raw side, they should be

turned over; when drops of blood begin to bedew their other side, they

are known to be cooked.

The swilling of the utensil obtains in all sautés. After having

withdrawn the treated product from the saucepan, remove the grease

and pour the condimentary liquid (a wine), that forms part of the

accompanying sauce, into the saucepan.

Set to boil, so that the solidified gravy lying on the bottom may

dissolve, and add the sauce; or simply add the swilling liquid to the

prepared sauce or accompanying garnish of the sauté. The utensil used

must always be just large enough to hold the objects to be treated. If

it be too large, the parts left uncovered by the treated meats burn,

and swilling is then impossible, whence there results a loss of the

solidified gravy which is an important constituent in the sauce.

_Sautés of white, butcher’s meats_, such as veal and lamb, must also be

frizzled in hot fat, but their cooking must be completed gently on the

side of the fire, and in many cases with lid on.

Preparations of a mixed nature, which partly resemble sautés and partly

braisings, are also called sautés. Stews, however, is their most

suitable name.

These dishes are made from beef, veal, lamb, game, &c., and they are to

be found in Part II. under the headings Estouffade; Goulash; Sautés:

Chasseur, Marengo, Bourgeoise; Navarin; Civet; &c.

In the first stage of their preparation, the meats are cut up small and

fried like those of the sautés; in the second, slow cooking with sauce

or garnish makes them akin to braised meats.

=3. Roasts, Grills, Fryings.=

=Roasts.=

Of the two usual methods of roasting, the spit will always be used in

preference to the oven, if only on account of the conditions under

which the operation is effected, and whatever be the kind of fuel

used—wood, coal, or gas.

The reason of this preference is clear if it be remembered that, in

spite of every possible precaution during the progress of an oven

roast, it is impossible to avoid an accumulation of vapour around the

cooking object in a closed oven. And this steam is more particularly

objectionable inasmuch as it is excessive in the case of delicately

flavoured meats, which latter are almost if not entirely impaired

thereby.

The spitted roast, on the contrary, cooks in the open in a dry

atmosphere, and by this means retains its own peculiar flavour. Hence

the unquestionable superiority of spitted roasts over the oven kind,

especially in respect of small feathered game.

In certain circumstances and places there is no choice of means, and,

_nolens volens_, the oven has to be used; but, in this case at least,

all possible precautions should be observed in order to counteract the

effects of the steam above mentioned.

252—LARDING BACON FOR ROASTS

Poultry and game to be roasted ought generally to be partly covered

with a large thin slice of larding bacon, except those pieces of game

which in special cases are larded.

The object and use of these slices are not only to shield the fillets

of fowl and game from the severe heat of the fires but also to prevent

these from drying while the legs, which the heat takes much longer to

penetrate than the other parts, are cooking. The slices of bacon should

therefore completely cover the breasts of fowl and game, and they

should be tied on to the latter by means of string.

In some cases roasts of butcher’s meat are covered with layers of

veal- or beef-fat, the object of which is similar to that of the bacon

prescribed above.

253—SPITTED ROASTS

The whole theory of roasts on the spit might be condensed as follows:—

In the case of butcher’s meat, calculate the intensity of the heat used

according to the piece to be roasted, the latter’s size and quality,

and the time it has hung. Experience, however, is the best guide,

for any theory, whatever be its exactness, can only give the leading

principles and general rules, and cannot pretend to supply the place of

the practised eye and the accuracy which are the result of experience

alone.

Nevertheless, I do not say with Brillat Savarin that a roaster is born

and not made; I merely state that one may become a good roaster with

application, observation, care, and a little aptitude.

The three following rules will be found to cover all the necessary

directions for spitted roasts:—

1. All red meats containing a large quantity of juice should be

properly set, and then, according to their size, made to undergo the

action of a fire capable of radiating a very penetrating heat with

little or no flame.

2. In the case of white meats, whose cooking should be thorough, the

fire ought to be so regulated as to allow the roast to cook and colour

simultaneously.

3. With small game the fuel should be wood, but whatever fuel be used

the fire ought to be made up in suchwise as to produce more flame than

glowing embers.

254—OVEN ROASTS

The degree of heat used for each roast must be regulated according to

the nature and size of the latter after the manner of spitted roasts.

An oven roast, in the first place, should always be placed on a

meatstand, and this should be of such a height that at no given moment

during the cooking process the meat may come in contact with the juices

and fat which have drained from it into the utensil beneath. Failing a

proper stand, a spit resting upon the edges of the utensil may be used.

No liquid of any kind, gravy or water, need be put in the baking-pan.

The addition of any liquid is rather prejudicial than otherwise, since

by producing vapour which hangs over the roast it transforms the latter

into a stew.

_Remarks._—Whether spitted or in the oven, a roast must always be

frequently basted with a fatty substance, but never with any other

liquid.

255—THE GRAVY OF ROASTS

The real and most natural gravy for roasts is made from the swilling

of the baking- or dripping-pan, even if water be used as the diluent,

since the contents of these utensils represent a portion of the

essential principles of the roast fallen from it in the process of

cooking. But to obtain this result neither the utensils nor the gravy

ought to have burned; the latter should merely have solidified, and for

this reason a roast cooked in a very fierce oven ought to be laid on a

pan only just large enough to hold it, so that the fat may not burn.

The swilling can in any case only produce a very small quantity of

gravy, consequently, when it happens that a greater quantity is

required, the need is met beforehand by preparing a stock made from

bones and trimmings of a similar nature to the roast for which the

gravy is required. The procedure for this is as follows:—

Place the bones and trimmings in a pan with a little fat and literally

roast them. Then transfer them to a saucepan, moisten so as to cover

with tepid, slightly-salted water, and add thereto the swillings of the

pan wherein they were roasted. Boil, skim, and set to cook gently for

three or four hours, according to the nature of the products used. This

done, almost entirely remove the grease, strain through muslin, and put

aside for the purpose of swilling the dripping- or baking-pan of the

roast.

_Swilling._—Having removed the roast from the spit or oven, take off a

portion of the grease from the baking- or dripping-pan, and pour into

it the required quantity of prepared gravy. Reduce the whole by half,

strain through muslin, and almost entirely remove grease.

It is a mistake to remove all the grease from, and to clarify, the

gravy of roasts. Treated thus they are certainly clearer and more

sightly, but a large proportion of their savour is lost, and it should

be borne in mind that the gravy of a roast is not a consommé.

In the matter of roast feathered game, the accompanying gravy is

supplied by the swilling of the utensil, either with water or a small

quantity of brandy. This is a certain means of obtaining a gravy whose

savour is precisely that of the game; but occasionally veal gravy is

used, as its flavour is neutral, and it therefore cannot impair the

particular flavour of the reduced game gravy lying on the bottom of the

utensil. The use of stock prepared from the bones and trimmings of game

similar to that constituting the dish is also common.

256—THE DRESSING AND ACCOMPANIMENTS OF ROASTS

As a rule, a roast ought not to wait. It ought only to leave the spit

or oven in order to be served. All roasts should be placed on very

hot dishes, slightly besprinkled with fresh butter, and surrounded

by bunches of watercress (this is optional). The gravy is invariably

served separately.

Roasts of butcher’s meat and poultry are dished up as simply as

possible.

Small roasted game may be dished up on fried slices of bread-crumb

masked with _gratin_ stuffing (No. 202).

When lemons accompany a roast, they should be served separately. Pieces

of lemon that have once served to garnish a dish must not be used, for

they have mostly been tainted by grease.

The mediæval custom of dishing game with the plumage has been abandoned.

Roast feathered game à l’anglaise is dished up with or without potato

chips, and the three adjuncts are gravy, bread-crumbs, and bread-sauce.

In northern countries game roasts are always accompanied either by

slightly sugared stewed apples, or by cherry or apricot jam.

257—GRILLS

Those culinary preparations effected by means of grilling belong to

the order called cooking by concentration. And, indeed, in almost

all cases, the great object of these operations, I might even say the

greatest object, is the concentration, in the centre, of the juices and

essences which represent, most essentially, the nutritive principles of

the products cooked.

A grill, which is, in short, but a roast on an open fire, stands, in my

opinion, as the remote starting-point, the very genesis of our art.

It was the primæval notion of our forefathers’ infantile brains; it was

progress born of an instinctive desire to eat with greater pleasure;

and it was the first culinary method ever employed.

A little later, and following naturally, as it were, upon this first

attempt, the spit was born of the grill; gradually, intelligence

supplanted rude instinct; reason began to deduce effects from supposed

causes; and thus cooking was launched forth upon that highroad along

which it has not yet ceased steadily to advance.

_Fuel for Grills._—That mostly used, and certainly the best for the

purpose, is live coal or small pieces of charcoal. Whatever fuel be

used, however, it is essential that it produce no smoke, even though

the grill fire be ventilated by powerful blowers which draw the smoke

off. More especially is this necessary, though I admit the contingency

is rare, when artificial ventilation has to be effected owing to

the fire’s burning in the open without the usual help of systematic

draughts; for if smoke occasioned by foreign substances or by the

falling of the fat itself on to the glowing embers were not immediately

carried away, either artificially or by a convenient draught, the

grills would most surely acquire a very disagreeable taste therefrom.

_The Bed of Charcoal._—The arrangement of the bed of charcoal under

the grill is of some importance, and it must not only be regulated

according to the size and kind of the products to be grilled, but also

in such wise as to allow of the production of more or less heat under

given circumstances.

The bed should therefore be set in equal layers in the centre, but

varying in thickness according as to whether the fire has to be more or

less fierce; it should also be slightly raised on those sides which are

in contact with the air, in order that the whole burning surface may

radiate equal degrees of heat.

The grill must always be placed over the glowing fuel in advance, and

it should be very hot when the objects to be grilled are placed upon

it, otherwise they would stick to the bars, and would probably be

spoiled when turned.

=Grills Classified.=

Grills may be divided into four classes, of which each demands

particular care. They are: (1) Red-meat grills (beef and mutton);

(2) White-meat grills (veal, lamb, poultry); (3) Fish; (4) Grills

coated with butter and bread-crumbs.

258—RED MEAT GRILLS

I submit as a principle that the golden rule in grills is to strictly

observe the correct degree of heat which is proper to each treated

object, never forgetting that the larger and richer in nutrition the

piece of meat, the quicker and more thorough must be its initial

setting.

I have already explained, under braisings, the part played by, and the

use of, rissoling or setting; but it is necessary to revert to this

question and its bearing upon grills.

If large pieces of meat (beef or mutton) are in question, the better

their quality and the richer they are in juices, the more resisting

must be the rissoled coating they receive. The pressure of the

contained juices upon the rissoled coating of this meat will be

proportionately great or small according to whether the latter be rich

or poor, and this pressure will gradually increase with the waxing heat.

If the grill fire be so regulated as to ensure the progressive

penetration of heat into the cooking object, this is what happens:—

The heat, striking that surface of the meat which is in direct

communication with the fire, penetrates the tissues, and spreads

stratiformly through the body, driving the latter’s juices in front of

it. When these reach the opposite, rissoled, or set side of the meat,

they are checked, and thereupon, absorbing the incoming heat, effect

the cooking of the inner parts.

Of course, if the piece of meat under treatment is very thick, the

fierceness of the fire should be proportionately abated the moment the

initial process of rissoling or setting of the meat’s surface has been

effected, the object being to allow the heat to penetrate the cooking

body more regularly. If the fierceness of the fire were maintained, the

rissoled coating on the meat would probably char, and the resulting

thickness of carbon would so successfully resist the passage of any

heat into the interior that, in the end, while the meat would probably

be found to be completely burnt on the outside, the inside would be

quite raw.

If somewhat thinner pieces are in question, a quick rissoling of their

surfaces over a fierce fire, and a few minutes of subsequent cooking,

will be all they need. No alteration in the intensity of the fire need

be sought in this case.

_Examples._—A rumpsteak or Châteaubriand, in order to be properly

cooked, should first have its outsides rissoled on a very fierce fire

with a view to preserving its juices, after which cooking may proceed

over a moderate fire so as to allow of the gradual penetration of the

heat into the centre of the body.

Small pieces such as tournedos, small fillets, noisettes, chops, may,

after the preliminary process of outside rissoling, be cooked over the

same degree of heat as effected the latter, because the thickness of

meat to be penetrated is less.

_The Care of Grills while Cooking._—Before placing the meats on the

grill, baste them slightly with clarified butter, and repeat this

operation frequently during the cooking process, so as to avoid the

possible drying of the rissoled surfaces.

Grilled red meat should always be turned by means of special tongs, and

great care should be observed that its surface be not torn or pierced,

lest the object of the preliminary precautions be defeated, and the

contained juices escape.

_Time of Cooking._—This, in the case of red meats, is arrived at by the

following test: if, on touching the meat with one’s finger, the former

resist any pressure, it is sufficiently cooked: if it give, it is clear

that in the centre, at least, the reverse is the case. The most certain

sign, however, that cooking has been completed is the appearance of

little beads of blood upon the rissoled surface of the meat.

259—WHITE-MEAT GRILLS

That superficial rissoling which is so necessary in the case of red

meats is not at all so in the case of white, for in the latter there

can be no question of the concentration of juices, since these are only

present in the form of albumen—that is to say, in the form of juices

“in the making,” so to speak, which is peculiar to veal and lamb.

For this kind of grills keep a moderate fire, so that the cooking and

colouring of the meat may take place simultaneously.

White-meat grills should be fairly often basted by means of a brush,

with clarified butter, while cooking, lest their outsides dry.

They are known to be cooked when the juice issuing from them is quite

white.

260—FISH GRILLS

Use a moderate fire with these, and only grill after having copiously

sprinkled them with clarified butter or oil. Sprinkle them similarly

while cooking.

A grilled fish is cooked when the bones are easily separated from the

meat. Except for the fatty kind, such as mackerel, red mullet, or

herrings, always roll fish to be grilled in flour before sprinkling

them with melted butter. The object of so doing is to give them a

golden external crust, which, besides making them more sightly, keeps

them from drying.

261—THE GRILLING OF PRODUCTS COATED WITH BUTTER AND BREAD-CRUMBS

These grills generally consist of only small objects; they must be

effected on a very moderate fire, with the view of enabling them to

cook and acquire colour simultaneously. They should also be frequently

besprinkled with clarified butter, and turned with care, so as not to

break their coating, the object of which is to withhold their contained

juices.

262—FRYINGS

Frying is one of the principal cooking processes, for the number of

preparations that are accomplished by its means is very considerable.

Its procedure is governed by stringent laws and rules which it is best

not to break, lest the double danger of failure and impairment of

material be incurred.

The former is easily averted if one is familiar with the process,

and pays proper attention to it, while the latter is obviated by

precautions which have every _raison d’être_, and the neglect of which

only leads to trouble.

The question of the kind of utensil to employ is not so immaterial

as some would think, for very often accidents result from the mere

disregard of the importance of this matter.

Very often imprudence and bluster on the part of the operator may be

the cause of imperfections, the greatest care being needed in the

handling of utensils containing overheated fat.

Utensils used in frying should be made of copper, or other resisting

metal; they should be in one piece, oval or round in shape, and

sufficiently large and deep to allow, while only half-filled with fat,

of the objects being properly affected by the latter. The necessity of

this condition is obvious, seeing that if the utensil contain too much

fat the slightest jerking of it on the stove would spill some of the

liquid, and the operator would probably be badly burnt.

Finally, utensils with vertical sides are preferable to those with the

slanting kind; more especially is this so in large kitchens where, the

work involving much frying, capacious receptacles are required.

263—FRYING FAT—ITS PREPARATION

Any animal or vegetable grease is suitable for frying, provided it be

quite pure and possess a resisting force allowing it to reach a very

high temperature without burning. But for frying on a large scale, the

use of cooked and clarified fats, such as the fat of “pot-au-feu” and

roasts, should be avoided.

A frying medium is only perfect when it is able to meet the demands of

a protracted operation, and consists of fresh or raw fats, chosen with

care and thoroughly purified by cooking.

Under no circumstances may butter be used for frying on a large

scale, seeing that, even when thoroughly purified, it can only reach

a comparatively low degree of heat. It may be used only for _small,

occasional fryings_.

The fat of kidney of beef generally forms the base of the grease

intended for frying on a large scale. It is preferable to all others on

account of its cheapness and the great length of time it can be worked,

provided it receives the proper care.

Veal-fat yields a finer frying medium, but its resistance is small, and

it must, moreover, always be strengthened with the fat of beef.

Mutton-fat should be deliberately discarded, for, if it happen to be

that of an old beast, it smells of tallow, and, if it be that of a

young one, it causes the hot grease to foam and to overflow down the

sides of the utensil, this leading to serious accidents.

Pork-fat is also used for frying, either alone, or combined with some

other kind.

In brief, the fat of kidney of beef is that which is best suited

to fryings on a large scale. Ordinary household frying, which does

not demand a very resisting grease, may well be effected by means

of the above, combined with an equal quantity of veal-fat, or a

mixture composed of the fat of kidney of beef, veal, and pork in the

proportions of one-half, one-quarter, and one-quarter respectively.

The grease used for frying ought not only to be melted down, but also

thoroughly cooked, so that it may be quite pure. If insufficiently

cooked, it foams on first being used, and so demands all kinds of extra

precautions, which only cease to be necessary when constant heating

at last rectifies it. Moreover, if it be not quite pure, it easily

penetrates immersed solids and makes them indigestible.

All grease used in frying should first be cut into pieces and then put

into the saucepan with one pint of water per every ten lbs.

The object of the water is to assist in the melting, and this it does

by filtering into the grease, vaporising, and thereby causing the

latter to swell. So long as the water has not completely evaporated,

the grease only undergoes the action of liquefaction, _i.e._, the

dissolution of its molecules; but its thorough cooking process, ending

with its purification, only begins when all the water is gone.

The grease is cooked when (1) the membranes which enveloped it alone

remain intact and are converted into greaves; (2) it gives off smoke

which has a distinct smell.

At this stage it has reached such a high temperature that it is best

to remove it from the fire for about ten minutes, so that it may cool;

then it must be strained through a sieve, or a coarse towel, which must

be tightly twisted.

264—THE VARIOUS DEGREES OF HEAT REACHED BY THE FRYING MEDIUM, AND THEIR

APPLICATION

The temperature reached by a frying medium depends upon the latter’s

constituents and its purity. The various degrees may be classified as

moderately hot, hot, very hot.

The expression “boiling hot” is unsuitable, seeing that fat never

boils. Butter (an occasional frying medium) cannot overreach 248° F.

without burning, whereas if it be thoroughly purified it can attain

from 269° to 275° F.—a temperature which is clearly below what would be

needed for work on a large scale.

Animal greases used in ordinary frying reach from 275° to 284° F. when

moderately hot, 320° F. when hot, and 356° F. when very hot; in the

last case they smoke slightly.

Pork-fat (lard), when used alone, reaches 392° F. without burning. Very

pure goose dripping withstands 428° F.; and, finally, vegetable fats

may reach, without burning, 482° F. in the case of cocoa-nut butter,

518° F. with ordinary oils, and 554° in the case of olive oil.

The temperature of ordinary frying fat may be tested thus: it is

moderately hot when, after throwing a sprig of parsley or a crust

of bread into it, it begins to bubble immediately; it is hot if it

crackles when a slightly moist object is thrust into it; it is very hot

when it gives off a thin white smoke perceptible to the smell.

The first temperature, “moderately hot,” is used (1) for all products

containing vegetable water the complete evaporation of which is

necessary; (2) for fish whose volume exacts a cooking process by means

of penetration, previous to that with concentration.

In the first degree of heat with which it is used the frying fat

therefore only effects a kind of preparatory operation.

The second temperature, “hot,” is used for all products which

have previously undergone an initial cooking process in the first

temperature, either for evaporation or penetration, and its object is

either to finish them or to cover them with a crimped coating.

It is also applicable to those products upon which the frying fat

must act immediately by concentration—that is to say, by forming a

set coating around them which prevents the escape of the contained

substances.

Objects treated with this temperature are: all those _panés à

l’anglaise_ or covered with batter, such as various _croquettes_,

_cromesquis_, cutlets, and collops à la Villeroy, fritters of all

kinds, fried creams, &c.

In this case the frying medium acts by setting, which in certain cases

is exceedingly necessary.

1. If the objects in question are _panés à l’anglaise_, _i.e._, dipped

in beaten eggs and rolled in bread-crumbs, the sudden contact of

the hot grease converts this coating of egg and bread-crumbs into a

resisting crust, which prevents the escape of the substances and the

liquefied sauce contained within.

If these objects were plunged in a fat that was not sufficiently hot,

the coating of egg and bread-crumbs would not only imbibe the frying

medium, but it would run the risk of breaking, thereby allowing the

escape of the very substances it was intended to withhold.

2. The same holds with objects treated with batter. Hence the absolute

necessity of ensuring that setting which means that the covering of

batter solidifies immediately. As the substances constituting these

various dishes are cooked in advance, it follows that their second

heating and the colouring of the coating (egg and bread-crumbs or

batter) take place at the same time and in a few minutes.

The third temperature, “very hot,” is used (1) for all objects that

need a sharp and firm setting; (2) for all small objects the setting of

which is of supreme importance, and whose cooking is effected in a few

minutes, as in the case of whitebait.

265—FRYING MEDIUM FOR FISH

Every frying medium, used for work on a large scale, which has acquired

a too decided colouring through repeated use, may serve in the

preparation of fish even until its whole strength is exhausted.

Oil is best suited to the frying of fish, especially the very small

kind, owing to the tremendous heat it can withstand without burning,

for this heat guarantees that setting which is so indispensable.

Except in this case, however, the temperature of the frying medium

should be regulated strictly in accordance with the size of the fish

to be fried, in order that its cooking and colouring may be effected

simultaneously.

Except _Nonats_ and whitebait, which are simply rolled in flour, fish

to be fried are previously steeped in slightly salted milk and then

rolled in flour. From this combination of milk and flour there results

a crisp coating which withholds those particular principles that the

fish exude while cooking.

When finished, fried fish are drained, dried, slightly salted,

and dished on a serviette or on paper, with a garnish of fried

parsley-sprays and sections of channelled lemon.

266—THE QUANTITY OF THE FRYING MEDIUM

This should always be in proportion to the quantity or size of the

objects to be fried, bearing in mind that these must always be entirely

submerged.

Without necessarily exaggerating, the quantity should invariably be

rather in excess of the requirements, and for this reason, viz., the

greater the amount of fat, the higher will be the temperature reached,

and the less need one fear a sudden cooling of the fat when the objects

to be treated are immersed. This sudden cooling is often the cause of

great trouble, unless one be working over a fire of such fierceness

that the fat can return in a few seconds to the temperature it was at

before the objects were immersed.

267—THE CARE OF THE FRYING MEDIUM

Every time a frying fat is used it should, after having been melted,

be strained through a towel, for the majority of objects which it has

served to cook must have left some particles behind them which might

prove prejudicial to the objects that are to follow.

Objects that are “_panés_” always leave some raspings, for instance,

which in time assume the form of black powder, while those that have

been treated with flour likewise drop some of their coating, which, in

accumulating, produces a muddy precipitate on the bottom of the utensil.

Not only do these foreign substances disturb the clearness of the fat

and render it liable to burn, but they are exceedingly detrimental to

the objects that are treated later.

Therefore, always strain the fat whenever it is used—in the first place

because the proper treatment of the objects demands it, and, secondly,

because its very existence as a serviceable medium depends upon this

measure.

268—GRATINS

This culinary operation plays a sufficiently important part in the work

to warrant my detailing at least its leading points.

The various kinds of the order “Gratins” are (1) the Complete Gratin;

(2) the Rapid Gratin; (3) the Light Gratin; (4) Glazing, which is a

form of Rapid Gratin.

269—COMPLETE GRATIN

This is the first example of the series; it is that whose preparation

is longest and most tiresome; for its principal constituent, whatever

this is, must be completely cooked. Its cooking must moreover be

coincident with the reduction of the sauce, which is the base of the

gratin, and with the formation of the gratin proper, _i.e._, the

crimped crust which forms on the surface and is the result of the

combination of the sauce with the raspings and the butter, under the

direct influence of the heat.

In the preparation of complete gratin, two things must be taken into

account:—(1) The nature and size of the object to be treated, and

(2) the degree of heat which must be used in order that the cooking of

the object, the reduction of the sauce, and the formation of the gratin

may be effected simultaneously.

The base of complete gratin is almost invariably ordinary or Lenten

duxelle sauce (No. 223), in accordance with the requirements.

The object to be treated with the gratin is laid on a buttered

dish, surrounded with slices of raw mushrooms and chopped shallots,

and covered with duxelle sauce. The surface is then sprinkled with

raspings, and copiously moistened with melted butter. Should the piece

be large, the amount of sauce used will be proportionately greater, and

the reverse, of course, applies to medium or smaller sizes.

Take note of the following remarks in the making of complete gratins:—

1. If too much sauce were used in proportion to the size of the object,

the latter would cook and the gratin form before the sauce could reach

the correct degree of consistence by means of reduction. Hence it

would be necessary to reduce the sauce still further on the stove, and

thereby give rise to steam which would soften the coating of the gratin.

2. If the sauce used were insufficient, it would be reduced before the

cooking of the object had been effected, and, more sauce having to be

added, the resulting gratin would be uneven.

3. The larger the piece, and consequently the longer it takes to cook,

the more moderate should be the heat used. Conversely, the smaller it

is, the fiercer should the fire be.

When withdrawing the gratin from the oven squeeze a few drops of

lemon-juice over it, and besprinkle it with chopped parsley.

270—RAPID GRATIN

Proceed as above, with duxelle sauce, but the products treated with

it, viz., meats, fish, or vegetables, are always cooked and warmed in

advance. All that is required, therefore, is to effect the formation of

the gratin as quickly as possible.

To do this, cover the object under treatment with the necessary

quantity of salt, besprinkle with raspings and butter, and set the

gratin to form in a fierce oven.

271—LIGHT GRATIN

This is proper to farinaceous products, such as macaroni, lazagnes,

noodles, gnocchi, &c., and consists of a combination of grated cheese,

raspings, and butter. In this case, again, the only end in view is the

formation of the _gratin_ coating, which must be evenly coloured, and

is the result of the cheese melting. A moderate heat is all that is

wanted for this kind of _gratin_.

Also considered as light _gratins_ are those which serve as the

complement of stuffed vegetables such as tomatoes, mushrooms,

egg-plant, and cucumber. With these the _gratin_ is composed of

raspings sprinkled with butter or oil, and it is placed in a more or

less fierce heat according to whether the vegetables have already been

cooked or partially cooked, or are quite raw.

272—GLAZINGS

These are of two kinds—they either consist of a heavily buttered sauce,

or they form from a sprinkling of cheese upon the sauce with which the

object to be glazed is covered.

In the first case, after having poured sauce over the object to be

treated, place the dish on another dish containing a little water.

This is to prevent the sauce decomposing and boiling. The greater the

quantity of butter used, the more intense will be the heat required, in

order that a slight golden film may form almost instantaneously.

In the second case, the sauce used is always a Mornay (No. 91). Cover

the object under treatment with the sauce, besprinkle with grated

cheese and melted butter, and place in fairly intense heat, so that a

slight golden crust may form almost immediately, this crust being the

result of the combined cheese and butter.

273—BLANCHINGS

The essentially unsuitable term blanchings is applied in the culinary

technology of France to three classes of operations which entirely

differ one from the other in the end they have in view.

1. The blanching of meats.

2. The blanching, or, better, the parboiling of certain vegetables.

3. The blanching of certain other vegetables, which in reality

amounts to a process of cooking.

_The blanching of meats_ obtains mostly in the case of calf’s head and

foot and the sweet-bread of veal, sheep’s and lambs’ trotters, and

lamb’s sweet-bread. These meats are first set to soak in cold, running

water until they have quite got rid of the blood with which they are

naturally saturated. They are then placed on the fire in a saucepan

containing enough cold water to abundantly cover them, and the water is

gradually brought to the boil.

For calf’s head or feet, boiling may last for fifteen or twenty

minutes; veal sweet-bread must not boil for more than ten or twelve

minutes; while lamb sweet-bread is withdrawn the moment the boil is

reached.

As soon as blanched, the meats are cooled in plenty of fresh water

before undergoing their final treatment.

_The blanching of cocks’ combs_ is exceptional in this, namely, that

after the combs have been cleansed of blood—that is to say, soaked in

cold water, they are placed on the fire in cold water, the temperature

of which must be carefully kept below 113° F. When this degree is

approached, take the saucepan off the fire and rub each comb with a

cloth, dusted with table-salt, in order to remove the skins; then cool

the combs with fresh water before cooking them.

Many people use the blanching process with meats intended for

“blanquette” or “fricassée.” I regard this procedure as quite

erroneous, as also the preliminary soaking in cold water.

If the meats or pieces of poultry intended for the above-mentioned

preparations be of a good quality (and no others should be used), they

need only be set to cook in cold water, or cold stock, and gradually

brought to the boil, being stirred repeatedly the while. The scum

formed should be carefully removed, and, in this way, perfectly white

meats and stock, with all their savour, are obtained.

As to meats or pieces of poultry of an inferior quality, no soaking

and no blanching can make good their defects. Whichever way they are

treated they remain dry, gray, and savourless. It is therefore simpler

and better to use only the finest quality goods.

An excellent proof of the futility of soaking and blanching meats

intended for “fricassées” and “blanquettes” lies in the fact that

these very meats, if of good quality, are always perfectly white when

they are braised, poëled, or roasted, notwithstanding the fact that

these three operations are less calculated to preserve their whiteness

than the kind of treatment they are subjected to in the case of

“blanquettes” and “fricassées.”

Mere routine alone can account for this practice of soaking and

blanching meats—a practice that is absolutely condemned by common sense.

The term “blanching” is wrongly applied to the cooking of green

vegetables, such as French beans, green peas, Brussels sprouts,

spinach, &c. The cooking of these, which is effected by means of

boiling salted water, ought really to be termed “à l’anglaise.” All the

details of the procedure, however, will be given when I deal with the

vegetables to which the latter apply.

Lastly, under the name of “blanching,” there exists another operation

which consists in partly cooking certain vegetables in plenty of water,

in order to rid them of any bitter or pungent flavour they may possess.

The time allowed for this blanching varies according to the age of the

vegetables, but when the latter are young and in season, it amounts to

little more than a mere scalding.

Blanching is chiefly resorted to for lettuce, chicory, endives,

celery, artichokes, cabbages, and the green vegetables; carrots,

turnips, and small onions when they are out of season. In respect of

vegetable-marrows, cucumbers, and chow-chow, blanching is often left to

the definite cooking process, which should then come under the head of

the “à l’anglaise” cooking.

After the process of blanching, the vegetables I have just enumerated

are always cooled—that is to say, steeped in cold water until they are

barely lukewarm. They are then left to drain on a sieve, previous to

undergoing the final cooking process to which they are best suited,

this generally being braising.

=6. Vegetables and Garnishes=

_Various Preparations._

274—THE TREATMENT OF DRY VEGETABLES

It is wrong to soak dry vegetables. If they are of good quality, and

the produce of the year, they need only be put into a saucepan with

enough cold water to completely cover them, and with one oz. of salt

per five quarts of water.

Set to boil gently, skim, add the aromatic garnish, quartered carrots,

onions, with or without garlic cloves, and a faggot, and set to cook

gently with lid on.

_Remarks._—If the vegetables used are old or inferior in quality, they

might be put to soak in soft water; but this only long enough to swell

them slightly, _i.e._, about one and one-half hours.

A prolonged soaking of dry vegetables may give rise to incipient

germination, and this, by impairing the principles of the vegetables,

depreciates the value of the food, and may even cause some harm to the

consumer.

275—BRAISED VEGETABLES

Vegetables to be braised must be first blanched, cooled, pared, and

strung.

Garnish the bottom of a saucepan with blanched pork-rind, sliced

carrots and onions, and a faggot, and cover the sides of the utensil

with thin slices of bacon. Lay the vegetables upon the prepared litter,

and leave them to sweat in the oven for about ten minutes with lid on.

The object of this oven-sweating is to expel the water. Now moisten

enough to cover with white stock, and set to cook gently.

This done, drain, remove string, and cut to the shape required. Lay

them in a sautépan, and, if they are to be served soon, cover them with

their reduced stock from which the grease has been removed.

If they are prepared in advance, simply put them aside in suitable

basins, cover them with their cooking-liquor, which should be strained

over them, boiling, and without its grease removed, and cover with

buttered paper.

=Adjuncts to Braised Vegetables=

According to the case, the adjunct is either the braising-liquor,

reduced and with all grease removed, or the same completed by means of

an addition of meat-glaze.

Occasionally, it may be the braising-liquor slightly thickened with

half-glaze and finished with butter and the juice of a lemon.

276—LEASON OF GREEN VEGETABLES WITH BUTTER

First thoroughly drain the vegetables and toss them over the fire for a

few minutes, in order to completely rid them of their moisture. Season

according to the kind of vegetable; add the butter away from the fire,

and slightly toss, rolling the saucepan meanwhile on the stove with the

view of effecting the leason by means of the mixing of the butter with

the treated vegetables.

277—LEASON OF VEGETABLES WITH CREAM

Vegetables to be treated in this way must be kept somewhat firm. After

having thoroughly drained them, put them into a saucepan with enough

boiling fresh cream to well moisten without covering them.

Finish their cooking process in the cream, stirring occasionally the

while.

When the cream is almost entirely reduced, finish, away from the fire,

with a little butter.

The leason may be slightly stiffened, if necessary, by means of a few

tablespoonfuls of cream sauce.

278—VEGETABLE CREAMS AND PURÉES

Purées of dry and farinaceous vegetables may be obtained by rubbing the

latter through a sieve.

Put the purée into a sautépan, and dry it over a brisk fire, adding one

and one-half oz. of butter per pint of purée; then add milk or cream in

small quantities at a time, until the purée has reached the required

degree of consistence.

For purées of aqueous vegetables, such as French beans, cauliflowers,

celery, &c., a quarter of their volume of mashed potatoes should be

added to them in order to effect their leason.

In the case of vegetable creams, substitute for the thickening of

mashed potatoes an equivalent quantity of succulent and stiff Béchamel

sauce.

279—GARNISHES

In cookery, although garnishes only play a minor part, they are,

nevertheless, very important, for, besides being the principal

accompaniments to dishes, they are very often the adornment thereof,

while it frequently happens that their harmonious arrangement

considerably helps to throw the beauty of a fine joint or bird into

relief.

A garnish may consist of one or more products. Be this as it may, its

name, as a rule, distinctly denotes, in a word, what it is and how it

is made.

In any case, it should always bear some relation to the piece it

accompanies, either in the constituents of its preparation or with

regard to the size of the piece constituting the dish.

I merely add that, since the constituents of garnishes are strictly

denoted by the name the latter bear, any addition of products foreign

to their nature would be a grave mistake. Likewise, the omission of any

constituent is to be avoided, as the garnish would thereby be out of

keeping with its specified character.

Only in very exceptional circumstances should any change of this kind

be allowed to take place.

The constituents of garnishes are supplied by vegetables, farinaceous

products, quenelles of all kinds, cocks’ combs and kidneys, truffles

and mushrooms, plain or stuffed olives, molluscs (mussels or oysters),

shell-fish (crayfish, shrimps, lobster, &c.), butcher’s supplies, such

as lamb’s sweet-bread, calf’s brains, and calf’s spine-marrow.

As a rule, garnishes are independent of the dish itself—that is to say,

they are prepared entirely apart. At other times they are mixed with

it, playing the double part of garnish and condimentary principle, as

in the case of Matelotes, Compotes, Civets, &c.

Vegetables for garnishing are fashioned and treated in accordance with

the use and shape implied by the name of the dish, which should always

be the operator’s guide in this respect.

The farinaceous ones, the molluscs and shell-fish, undergo the

customary preparation.

I have already described (Chapter X.) the preparation of quenelles and

forcemeats for garnishing. Other recipes which have the same purpose

will be treated in their respective order.

PART II

RECIPES AND MODES OF PROCEDURE

In Part I. of this work I treated of the general principles on

which the science of cookery is founded, and the leading operations

constituting the basis of the work.

In Part II. I shall proceed from the general to the particular—in other

words, I shall set forth the recipes of every dish I touch upon, its

method of preparation, and its constituent parts.

With the view of making reference as easy as possible, without

departing from a certain logical order, I have adopted the method of

classifying these recipes in accordance with the position the dishes

they represent hold in the ordinary menu, and thus, starting with

the hors-d’œuvres, I go straight on to the dessert. I was compelled,

however, to alter my plan in the case of eggs, which never appear on

the menu of a dinner save in Lent.

These I have therefore placed immediately after the hors-d’œuvres,

which, like eggs, should only be served at luncheons, for reasons I

shall explain later.

It will be seen that I have placed the Savouries before the Entremets,

instead of after the Ices, as is customary in England. My reason for

this apparent anomaly is that I consider it a positive gastronomical

heresy to eat fish, meats, fowl-remains, &c., after delicate Entremets

and Ices, the subtle flavour of the latter, which form such an

agreeable item in a dinner, being quite destroyed by the violent

seasoning of the former.

Moreover, the very pretext brought forward in support of this practice,

so erroneous from the gastronomical standpoint, namely, “that after

a good dinner it is necessary to serve something strange and highly

seasoned, in order to whet the diner’s thirst,” is its own condemnation.

For, if appetite is satiated and thirst is quenched, it follows that

the consumer has taken all that is necessary. Therefore, anything more

that he may be stimulated to take will only amount to excess, and

excess in gastronomy, as in everything else, is a fault that can find

no excuse.

At all events, I could agree to no more than the placing of the

Savouries before mild Entremets, and, even so, the former would have

to consist of light, dry preparations, very moderately seasoned, such

as Paillettes with Parmesan, various kinds of dry biscuits, and small

tartlets garnished with cheese _soufflé_.

In short, if I expressed my plain opinion on the matter, I should

advise the total suppression of Savouries in a dinner.

A guide to modern cookery · 第 1 / 22 章