'KNOWING that you was my old master's good friend, I could not forbear

sending you the melancholy news of his death, which has afflicted the

whole country, as well as his poor servants, who loved him, I may say,

better than we did our lives. I am afraid he caught his death the last

country-sessions, where he would go to see justice done to a poor widow

woman and her fatherless children, that had been wronged by a

neighbouring gentleman; for you know, Sir, my good master was always the

poor man's friend. Upon his coming home, the first complaint he made

was, that he had lost his roast-beef stomach, not being able to touch a

sirloin, which was served up according to custom; and you know he used

to take great delight in it. From that time forward he grew worse and

worse, but still kept a good heart to the last. Indeed we were once in

great hope of his recovery, upon a kind message that was sent him from

the Widow Lady whom he had made love to the forty last years of his

life; but this only proved a lightning before death. He has bequeathed

to this Lady, as a token of his love, a great pearl necklace, and a

couple of silver bracelets set with jewels, which belonged to my good

old Lady his mother: He has bequeathed the fine white gelding, that he

used to ride a-hunting upon, to his Chaplain, because he thought he

would be kind to him; and has left you all his books. He has, moreover,

bequeathed to the Chaplain a very pretty tenement with good lands about

it. It being a very cold day when he made his will, he left for

mourning, to every man in the parish, a great frieze coat, and to every

woman a black riding-hood. It was a most moving sight to see him take

leave of his poor servants, commending us all for our fidelity, whilst

we were not able to speak a word for weeping. As we most of us are grown

gray-headed in our dear master's service, he has left us pensions and

legacies, which we may live very comfortably upon the remaining part of

our days. He has bequeathed a great deal more in charity, which is not

yet come to my knowledge, and it is peremptorily said in the parish,

that he has left money to build a steeple to the church; for he was

heard to say some time ago, that if he lived two years longer,

_Coverley_ church should have a steeple to it. The Chaplain tells

every body that he made a very good end, and never speaks of him without

tears. He was buried according to his own directions, among the family

of the COVERLEYS, on the left hand of his father Sir _Arthur_. The

coffin was carried by six of his tenants, and the pall held by six of

the _Quorum_: The whole parish followed the corpse with heavy

hearts, and in their mourning suits, the men in frieze, and the women in

riding-hoods. Captain SENTRY, my master's nephew, has taken possession

of the hall-house, and the whole estate. When my old master saw him, a

little before his death, he shook him by the hand, and wished him joy of

the estate which was falling to him, desiring him only to make a good

use of it, and to pay the several legacies, and the gifts of charity

which he told him he had left as quit-rents upon the estate. The captain

truly seems a courteous man, though he says but little. He makes much of

those whom my master loved, and shews great kindnesses to the old house-

dog, that you know my poor master was so fond of. It would have gone to

your heart to have heard the moans the dumb creature made on the day of

my master's death. He has never joyed himself since; no more has any of

us. It was the melancholiest day for the poor people that ever happened

in _Worcestershire_. This is all from,

'HONOURED SIR,

'Your most sorrowful servant,

'EDWARD BISCUIT.'

'_P. S._ My master desired, some weeks before he died, that a book

which comes up to you by the carrier, should be given to Sir ANDREW

FREEPORT, in his name.'

This letter, notwithstanding the poor butler's manner of writing it,

gave us such an idea of our good old friend, that upon the reading of it

there was not a dry eye in the club. Sir ANDREW opening the book, found

it to be a collection of acts of parliament. There was in particular the

Act of Uniformity, with some passages in it marked by Sir ROGER'S own

hand. Sir ANDREW found that they related to two or three points, which

he had disputed with Sir ROGER the last time he appeared at the club.

Sir ANDREW, who would have been merry at such an incident on another

occasion, at the sight of the old man's hand-writing burst into tears,

and put the book into his pocket. Captain SENTRY informs me, that the

Knight has left rings and mourning for every one in the club.

NOTES

SPECTATOR 1.

Page 1.

9. _black_. Dark. Cf. Shakespeare, Sonnet cxxvii:

In the old days black was not counted fair,

or _Love's Labour's Lost_, iv, iii. 265:

Paints itself black to imitate her brow.

Page 2.

6. _depending_. Undetermined. In law, pending. Cf.

Shakespeare, _Cymbeline_, iv. iii. 23:

We'll slip you for a season; but our jealousy

Does yet depend.

24. _public exercises_. Academic discussions maintained by candidates

for degrees at the older universities. Traces appear in the term

'Wrangler' (Cambridge) and in the supplementary viva voce examination.

Page 3.

5-10. _I made ... satisfaction_. Addison is alluding to John

Greaves, who journeyed to Egypt in 1638 and published a learned work

entitled _Pyramidographia_.

17 et seq. _Will's_, v. Appendix I, On Coffee-houses. Also for

Child's (3. 19), St. James's (22), the Grecian (25), the Cocoa-Tree

(25), and Jonathan's (29).

20. _the Postman_, edited by a Frenchman, M. Fonvive, is mentioned

in a contemporary account by John Dunton as the best of the newspapers.

It was published weekly.

23. _politics_ was frequently used for _politicians_. Perhaps

so used here.

26. _Drury-Lane_ theatre was built in 1674 and burnt down in 1809.

_the Hay-Market_ theatre took its name from the street in which it

was situated, which was the site of a market for hay and straw from the

reign of Elizabeth till the beginning of the nineteenth century. It was

built in 1705.

27. _the Exchange_ is at the east end of the Poultry. It was built

by Sir Thomas Gresham and opened by Queen Elizabeth in 1571. It was

destroyed by the Great Fire of 1666, and has since been twice rebuilt.

Page 4.

5. _blots_. In backgammon to expose a man to capture is called

leaving a _blot_.

23. _so many ... which_. Mixed construction: _the many ... which

or so many ... as_.

32. _spoken to_. Obsolete in ordinary speaking and writing;

survives in oratory.

34. _my lodgings_. The Spectator discourses on this subject in No.

12.

Page 5.

10. _complexion_. Aspect, appearance. Cf. Shakespeare, _Richard

II_., III. ii. 194:

Men judge by the complexion of the sky

The state and inclination of the day.

12. _discoveries_. Revelations, disclosures. Cf. Shakespeare,

_Rape of Lucrece_, 1314:

She dares not thereof make discovery.

14. _having been thus particular upon_. Having related so many

details concerning.

18. For the prevalence of clubs v. _Spectator_ 9.

19. _engaged me_. Made me undertake.

21. _Mr. Buckley's_. The printer of the _Spectator_.

_Little Britain_, formerly the mansion of the Duke of Bretagne,

near Aldersgate Street, was the regular booksellers' quarter.

SPECTATOR 2.

Page 6.

5. _Sir Roger de Coverley_. For a discussion of the identity

of Sir Roger and the other characters v. Appendix II, On the Spectator's

Acquaintance. The name was suggested by Swift (Elwin).

7. _that famous country-dance_. Originated by the minstrels of Sir

Roger of Calverley in the reign of Richard I. (Wills).

8. _parts_. Qualifications, capacities. Cf. Shakespeare, _King

Lear_, i. iv. 285:

My train are men of choice and rarest parts.

17. _Soho-Square_, south of Oxford Street, was a fashionable place

of residence. The name is derived from the cry 'So Hoe' in use when the

Mayor and Corporation hunted the hare over the fields of that district.

In _Spectator_ 329 Sir Roger says that he is staying in Norfolk-

Buildings.

19. _a perverse beautiful widow_. v. Appendix II.

22. _Lord Rochester_, the poet-wit, who died in 1680, was notorious

as a leader of fashionable dissipation. In this connexion he is

mentioned by Evelyn and Pepys.

_Sir George Etherege_, author of _The Man of Mode_ and two

other comedies, was the companion of Rochester in dissipation and

notoriety. He died in 1691.

23. _Bully Dawson_. A notorious ruffian and sharper.

29. _doublet_. A coat reaching just below the waist, introduced

from France in the fourteenth century.

Page 7.

9. _justice of the Quorum_. County justice, magistrate. _Quorum_

was a prominent word in their commission of appointment.

10. _quarter-session_. The quarterly meeting of magistrates, at

which cases sent up from petty sessions are tried. The word is now

always used in the plural form, _sessions_, as in _Spectator_

126.

12. _the game-act_ originated in the Game Laws of William the

Conqueror. The first Game Act was passed in 1496, and the one in force

at the time of Addison's writing in the reign of Anne. By these

enactments a man was qualified to take out a licence to kill game by his

birth or estate. The usual qualification was the possession of land to

the value of 100 pounds per annum.

14. _the Inner-Temple_ was originally the property of the Knights

Templars. It was converted into Inns of Court in 1311, after the

suppression of the military knighthoods.

17. _humoursome_. Whimsical, capricious. Cf. Shakespeare, 2

_Henry IV_., IV. iv. 34, 'As humorous as winter.'

20. _the house_. The fraternity of lawyers.

_Aristotle and Longinus_. Aristotle's _Poetics_ and the essay

'_On the Sublime_' of Longinus are the basis of all classical

criticism. Longinus was a critic of the third century. Addison probably

knew him in Boileau's famous translation of 1674.

21. _Littleton_. Author of a famous book on Tenures. He died in

1481.

_Coke_. The famous seventeenth century jurist and Chief Justice. He

is best known by his commentary on Littleton's _Tenures_.

28. _Demosthenes_. The famous Athenian orator of the fourth century

B.C.

29. _Tully_. Marcus Tullius Cicero, the great Roman orator of the

last century B.C.

31. _wit_. Understanding, perception. 'True wit consists in the

resemblance of ideas' when that resemblance is 'such an one that gives

delight and surprise to the reader.' (Dryden.) Cf. Shakespeare,

_Julius Caesar_, III. ii. 225:

I have neither wit, nor words, nor worth.

32. _turn_. Bent, proclivity.

34. _taste of_. Obsolete. Modern English, taste in.

Page 8.

5. _the time of the play_ varied from about five o'clock to

half-past six. Cf. _Spectator_ 335, where Sir Roger leaves Norfolk

Street at four o'clock for the play.

6. _New-Inn_. A square in Lincoln's Inn. _Russel-Court_. A

turning out of Drury Lane.

7. _turn_. Short time.

8. _periwig_. The long curled dress wig introduced at the

Restoration.

9. _the Rose_ was the actors' tavern in Covent Garden.

18. _the British common_. The sea stands to Britain in the relation

that the village common does to the village community.

Page 9.

5. _Captain Sentry_. v. Appendix II.

19. _left the world_. Retired from public life.

32. _his own vindication_. The claim he makes for himself.

Page 10.

9. _humourists._ Eccentrics. Cf. Ben Jonson, Prologue to _The

Alchemist:_

Many persons more

Whose manners, now call'd humours, feed the stage.

11. _Will Honeycomb_. v. Appendix II.

20. _habits_. Clothes. Cf. Shakespeare, _Hamlet_, I. iii.

70:

Costly thy habit as thy purse can buy.

30. _the Duke of Monmouth_ was the natural son of Charles II.,

and was famous for his personal beauty and fine manners. He was executed

in 1685 for pretending to the crown. Mention is made of him in the

diaries of Evelyn and Pepys.

Page 11.

22. _chamber-counsellor_. A consulting lawyer, who does not conduct

cases in the courts.

26. _gone_. Advanced.

SPECTATOR 106.

Page 12.

13. _humour_. Disposition. Cf. Shakespeare, _2 Henry IV._,

II. iv. 256, 'What humour's the prince of?--A good shallow young fellow.'

31. _pad_. A horse of easy paces. Obsolete.

Page 13.

13. _engages_. Binds in affection.

14. _is pleasant upon_. Jests concerning. Cf. Shakespeare, _Taming

of the Shrew_, III. i. 58:

Take it not unkindly, pray,

That I have been thus pleasant with you both.

30. _conversation_. v. note on p. 23, 1. 16.

34. _in several of my papers_. Once only, p. 6, 1. 10.

Page 14.

22. The meaning of this hint is explained in _Spectator_ 517.

Page 15.

8 et seq. All contemporary or recently dead divines.

SPECTATOR 107.

Page 16.

12. _family_. Household. Obsolete. Cf. Shakespeare, _Othello_,

I. 1. 84:

Signior, is all your family within?

Page 17.

1. _stripped_, of his livery, i.e. discharged. Cf. Shakespeare,

_Othello_, II. i. 173, 'Such tricks as these strip you out of your

lieutenantry.'

17. _cast_. Discarded. Cf. old saw:

Ne'er cast a clout till May be out.

29. _in bestowing_. Elliptical. Sc. _which consist_ before

_in bestowing_.

32. _husband_. Manager. Cf. Shakespeare, _Henry VIII_., III.

ii. 142:

Your earthly audit; sure, in that

I deem you an ill husband.

35. _fine when a tenement falls_. When a tenement became vacant,

the incoming tenant paid dues to the landlord.

Page 18.

18. _manumission_. Release. The word is derived from the process

of freeing a Roman slave--_manumissio_.

28. _that fortune was all the difference between them_. That their

inferior position did not imply an inferiority of nature.

Page 19.

1. _prentice_. Shortened form of apprentice. Cf. Shakespeare,

2 _Henry IV._, II. ii. 194, 'From a prince to a prentice.'

SPECTATOR 108.

Page 20.

2. _Mr. William Wimble_, v. Appendix II.

8. _jack_. Pike.

32. _angle-rods_. Fishing-rods. Cf. Shakespeare, _Antony and

Cleopatra_, II. v. 10:

Give me mine angle,--we'll to the river.

_officious_. Serviceable, ready to do things for other people.

The word is now restricted to its bad sense of meddlesome. Cf.

Shakespeare, _Titus Andronicus_, v. ii. 202:

Come, come, be every one officious

To make this banquet.

35. _correspondence_. Communication.

36. _a tulip-root_. William III. brought to England the passion for

tulip-growing which originated in Holland. At this time it was already

on the wane in England.

Page 21.

5. _setting dog_. Setter.

_made_. Trained.

10. _humours_. Pleasantries.

Page 22.

4. _played with it_. Now _played it_.

9. _quail-pipe_. A pipe with which quails are lured to the nets.

26. _humour_. Whim, notion. Cf. Shakespeare, I _Henry IV_,

III. i. 237, 'You are altogether governed by humours.'

Page 23.

4. _turned_. Adapted.

8. _my twenty-first speculation_ argues that it is better for a

man to go into trade than to enter an over-crowded profession, and

reproves 'parents who will not rather choose to place their sons in a

way of life where an honest industry cannot but thrive, than in stations

where the greatest probity, learning, and good sense may miscarry.'

SPECTATOR 109.

Page 23.

16. _conversation_. Intercourse, behaviour. Cf. Shakespeare,

_Antony and Cleopatra_, II. vi. 131, 'Octavia is of a holy, cold,

and still conversation.'

Page 24.

1. _jetting_. Projecting. Cf. Shakespeare, _Titus Andronicus,_

II. i. 64:

How dangerous

It is to jet upon a prince's right.

_habit_. v. note on p. 10, 1. 20.

2. The bonnet of the Yeomen of the Guard is a round cap of black velvet

with a gold band.

10. _the tilt-yard_. Formerly the yard of St. James's Palace.

11. _Whitehall_ was formerly a royal palace. It was almost entirely

destroyed in the two fires of 1691 and 1697.

14. _target_. Small shield. Cf. Shakespeare, 3 Henry VI., II i. 40:

Bear

Upon my target three fair-shining suns.

16. _pommel_. Rim in front of saddle.

17. _rid_. Obsolete. Now _rode_.

_tournament_. Here used for lists.

24. _the coffee-house_, v. Appendix I.

27. _bass-viol_. A large fiddle-shaped instrument held between the

legs. It was very fashionable in the eighteenth century, and was

generally to be found in the sitting-rooms of the upper classes for the

use of any guests who could perform on it. It is the viol-de-gamboys of

Sir Andrew Aguecheek (_Twelfth Night_, i. iii. 27).

28. _basket-hilt_. Steel hilt shaped like a basket.

Page 25.

1. _go-cart_. A sort of cage on small wheels for teaching children

to walk.

5. _hasty-pudding_. A kind of batter made of flour or meal and

water.

6. _white-pot_. A very rich Devonshire dish.

20. _slashes_. Slits to show the lining of a garment.

Page 26.

18. _knight of this shire_. Member of Parliament for this county.

30. _such_. Such and such, a certain. Cf. Shakespeare, _Merchant

of Venice_, I. iii. 128, 'You spurned me such a day.'

Page 27.

2. _discourse of_. Discourse concerning. Cf. Shakespeare, _Two

Gentlemen of Verona_, II. iv. 140:

Now no discourse, except it be of love.

6. _the battle of Worcester_, 1651, was the final defeat of Charles

II. by Cromwell.

7. _whim_. Whimsical idea.

SPECTATOR 110.

Page 27.

22. Psalm cxlvii. 9, 'He giveth to the beast his food, and to the young

ravens which cry.'

Page 28.

25. _Locke_. The author of the _Essay on the Human Understanding_

died in 1704. The reference is to II. xxxiii. 10.

26. _curious_. Elaborate, minutely detailed. Cf. Shakespeare,

_Cymbeline_, V. v. 361:

A most curious mantle, wrought by the hand

Of his queen mother.

Page 29.

14. _by that means_. On that account. Cf. Shakespeare, 2 _Henry

VI._, II. i. 178:

By this means

Your lady is forthcoming yet at London.

Page 30.

8. _Lucretius_. Poet and philosopher of the last century B.C.

His opinion on this point is expressed in _De Rerum Natura_, IV. 29,

33, et seq.

13. _pressed_. Impressed, constrained.

27. _Antiquities of the Jews_, XVII. xv. 415.

SPECTATOR 112.

Page 33.

27. _do_. Strictly _does_.

Page 34.

3. _incumbent_. Occupant (of the clerk's place).

13. _tithe-stealers_. The tithes being paid in kind, it was easy to

cheat the parson out of some portion of them.

16. _his patron_. The squire, who gave him his living.

SPECTATOR 113.

Page 35.

11. _settled_. Salmon thinks that the walk was not actually settled

upon the widow as her property, but that it was indissolubly connected

with her in Sir Roger's mind.

20. Cf. Orlando in _As You Like It_, III. ii. 10:

Carve on every tree

The fair, the chaste, and unexpressive she.

Page 36.

17. _rid_. v. note on p. 24, 1. 17.

19. _bitted_. Trained to carry their heads well with a bearing

rein.

22. _assizes_. Sessions of the court.

Page 37.

20. _far gone_. Deeply experienced. For this use of _gone_, cf.

Keats, _On a Lock of Milton's Hair_, 25, 'Grey gone in passion.'

21. _confident_. Now _confidant_.

28. _humane_. Human, civilized.

34. _pretended_. Presumed, attempted. Cf. Shakespeare, I Henry VI.,

IV. i. 6:

And none your foes but such as shall pretend

Malicious practices against his state.

Page 38.

7. _go on with_. Continue to charm you with, proceed with.

20. _discovered_, v. note on p. 5, 1, 12.

31. _last_. Most extreme.

Page 39.

9. _the sphinx_. The monster which continued to oppress Thebes until

such time as one of her victims should be able to answer the riddle she

put to him. Oedipus answered her, and she destroyed herself.

21. _a publick table_. When away from home, it was usual for a

traveller to dine, not at his lodgings, but at a _public table_ or

_ordinary_.

22. _tansy_. A very popular dish of the seventeenth century, a kind

of rich, spiced custard.

Page 40.

3. _Martial_. A Latin poet of the first century of our era. i. 69.

SPECTATOR 114.

Page 40.

24. _pretending_. Pretentious.

_in both cases._ In both particulars, i.e. fortune and conversation.

Page 41.

12. _dipped_. Mortgaged.

32. _personate_. Appear the possessor of.

Page 42.

7, 13. _Laertes and Irus_. Laertes was king of Ithaca and father

of Ulysses; Irus, or properly Arnaeus, a beggar who kept watch over

Penelope's suitors. Their names are here introduced as typical of the

rich and the poor man.

10. _four shillings in the pound_. The amount of the land tax.

19. _way_. If the verb is correctly _are_, _way_ should

be written in the plural.

Page 43.

11. _Cowley_, the poet and essayist, who died in 1667.

14. _author who published his works_. Dr. Sprat, Bishop of Rochester,

published Cowley's works in 1688.

18. _face_. Appearance. Cf. Shakespeare, _Tempest_, 1. ii.

104, 'The outward face of royalty.'

_great Vulgar_. Cowley concludes his Sixth Essay, Of Greatness,

with a translation of Horace, Book III, _Ode_ i, commencing:

Hence, ye profane, I hate ye all,

Both the great vulgar, and the small.

25. _lately mentioned_. In Steele's last paper, _Spectator_

109, p. 26, 1. 29.

26. _point_. Appoint. Cf. Shakespeare, Sonnet xiv. 6:

Pointing to each his thunder, rain and wind.

Page 44.

2. _being_. Existence, state of being. Cf. Shakespeare, Sonnet lxxxi.

II:

Tongues to be your being shall rehearse.

7. _relish_. Taste, enjoyment. Cf. Shakespeare, _Troilus and

Cressida_, III. ii. 20:

The imaginary relish is so sweet

10. _mansions_. Abiding-places. Cf. St. John, xiv. 2, 'In my

Father's house are many mansions.'

13. Quoted from an earlier passage in the same essay (v. note on p. 43,

1. 18).

SPECTATOR 115.

Page 45.

26. _the spleen_. Melancholy disposition, not the organ of that name.

Cf. Shakespeare, _As You Like It_, iv. i. 217, 'Begot of thought,

conceived of spleen.'

27. _the vapours_. Moods of depression. Cf. Fielding, _Amelia_,

iii. 7, 'Some call it the fever on the spirits, some a nervous fever, some

the vapours, some the hysterics.'

29 et seq. The argument runs: nature has adapted the body to exercise,

therefore exercise is necessary to our well-being. This is sound only on

the assumptions that everything which nature performs is based on

necessity, and that the body has been made in such a way as to secure

our well-being.

30. _proper_. Fit. Cf. Shakespeare, _Hamlet_, II. i. 114:

It is as proper to our age

To cast beyond ourselves in our opinions.

Page 46.

8. _laboured_. Worked, tilled. The verb is no longer used

transitively.

14. _condition_. State of prosperity, material circumstances. Cf.

Shakespeare, 2 _Henry VI_, v. i. 64, 'One so rude and of so mean

condition.'

22. _chace_. The substantive was distinguished from the verb by its

spelling. Cf. modern _practice_, _practise_.

34. _patched_. Perhaps with reference to the black patches worn on

the face to enhance its beauty; perhaps merely covered here and there,

studded.

Page 47.

1. _distinction sake_. The _'s_ of the possessive is omitted

before the initial _s_ of _sake_.

6. _The perverse widow_, v. _Spectator_ 113.

8. _amours_. Used of a single love-affair.

12. _sits_. Couches in her form or seat.

18. _Doctor Sydenham_, the celebrated physician, who died in 1689.

22. _Medicina Gymnastica_, by Francis Fuller, was printed in 1705.

24. _dumb bell_. An apparatus resembling that used for ringing a

church bell, but wanting the bell itself. The use of the modern form of

dumb-bell was introduced into England in Elizabeth's reign. It is

described in the next paragraph under the name of _skiomachia_.

33. _a Latin treatise_. Artis Gymnastica apud Antiquos, by

Hieronymus Mercurialis, 1569.

Page 48.

2. _loaden_. The verb has now become weak; loaded.

9. _uneasy_. Troublesome.

SPECTATOR 116.

Page 48.

25. _the Bastile_. The State prison in Paris, which was destroyed

by the mob in 1789 (v. Coleridge's poem on this subject, and the stirring

description in Dickens' _Tale of Two Cities_, II. xxi.).

Page 49.

20. Budgell has somewhat defaced the character of Sir Roger by this touch,

and by the inhuman humanity of p. 52, 1. 18.

24. _managed_. Broken in. Cf. Shakespeare, _Richard II_., III.

iii. 179:

Wanting the manage of unruly jades.

25. _stone-horse_. Stallion.

26. _staked himself_. Impaled himself on a stake in jumping.

29. _beagles_. Small hounds formerly employed in hunting the hare.

Cf. White's _Selborne_, Letter VI, 'One solitary grey hen was

sprung by some beagles in beating for a hare.' They are now superseded

by harriers, which are still sometimes called by their name.

30. _Stop-hounds_. So called because when one of them found the

scent he stopped and squatted 'to impart more effect to his deep tones,

and to get wind for a fresh start' (Wills).

32. _mouths_. Voices. Cf. Shakespeare, _Henry V_., II. iv. 70:

For coward dogs

Most spend their mouths when what they seem to threaten

Runs far before them.

33. _cry_. Pack. Cf. Shakespeare, _Coriolanus_, III. iii. 120,

'You common cry of curs.'

34. _nice_. Fastidious. Cf. Shakespeare, _Love's Labour's

Lost_, v. ii. 219, 'We'll not be nice; take hands.'

Page 50.

5. _counter-tenor_. Alto.

8. iv. i. 124. Shakespeare was not in Budgell's day so common a reservoir

of quotations as he has since become. Dryden had appreciated him, but he

was in general very little known, even among men of letters.

15. Hunting in July must have entailed great loss on the farmers before

it was forbidden by the Game Laws of 1831.

17. _pad_. v. note on p. 12, 1. 31.

19. _rid_. v. note on p. 24, 1. 17.

20. _benevolence_. In its literal meaning of _goodwill_.

25. _rid_. Now obsolete: _ridden_.

Page 51.

7. _chace_. v. note on p. 46, 1. 22.

35. _took_. Betook herself to. Cf. Shakespeare, _Comedy of

Errors_, v. i. 36:

Run, master, run; for God's sake, take a house!

Page 52.

2. _chiding_. Barking. Cf. Shakespeare, _Midsummer Night's

Dream_, iv. i. 120:

Never did I hear

Such gallant chiding.

10. _his pole_. The huntsman followed on foot, carrying a long

leaping-pole, which permitted him to keep a straighter course than he

could have done on horseback, owing to the state of the country.

The Coverley Papers, From 'The Spectator' · 第 11 / 13 段