CHAPTER V: THE PREPARATION OF THE CLAY

A clay having been selected in accordance with the tests described, it

becomes necessary to prepare it for use. A fairly large supply should be

obtained and stored in a dry place. Most natural clays need some kind of

cleansing for there are almost always foreign substances present. This

cleansing is accomplished by reducing the clay to the fluid known as

slip. The necessary appliances for making slip are as follows:

A large sieve of quarter-inch mesh.

A small wire sieve of about 14 meshes to the inch.

A large barrel.

Two galvanized pails.

The clay is, after drying, powdered and sifted through the large sieve.

One of the pails is half filled with clean water and the clay, handful

by handful, is sprinkled into it. The clay rapidly absorbs the water and

sinks to the bottom. The addition of clay is continued until a small

mound rises through the water, when the whole is left to soak for an

hour. The bared arm is then plunged into the pail and the mass stirred

vigorously. A stick or paddle will serve, of course, but the potter

learns a great deal by the feel of the clay and therefore the hand is

best. It is said that he is a poor sailor who will not dip his hands in

the tar bucket and in like manner, he is a poor potter who fears the

slip tub. This stirring will tell a good deal about the probable working

of the clay. It may be stony or sandy or greasy. The large stones and

roots will have been removed by the sieve but now, after thorough

mixing, the slip is poured through the small sieve into the barrel. Both

pails may be kept going at once, one being filled while the other is

soaking and so on until the barrel is full or, at least, a good quantity

of slip has been prepared.

If the clay prove very sandy it should be washed. The mixture in the

pail having been well stirred is allowed to stand for a definite time,

say one minute. The slip is then poured into the second pail and it will

be found that a quantity of sand has settled. This is thrown away and

the slip in the second pail is examined. If enough sand has been

removed, the slip may be poured into the barrel, using the fine sieve as

already described. If still sandy the process should be repeated, the

settling being for two minutes. Experience is the best guide in this

operation but all the sand should not be removed.

When the barrel is full of slip it is allowed to stand over night when

some inches of clear water will be found at the top. This is removed

with a siphon which may be made of a piece of lead or rubber pipe. The

removal of the water results in the thickening of the slip and the

contents of the barrel should be thoroughly stirred with a long wooden

paddle to insure a uniform consistency. If the slip is found to be still

thin another settling and removal of the water will thicken it.

The slip thus prepared will keep indefinitely, provided that it is not

allowed to become dry by evaporation. It improves greatly with age. This

is the material which is used for casting as will be described later but

for plastic work it must be still further thickened. A shallow box may

be procured and made water-tight and the slip, when poured into it, will

thicken much more rapidly than in the barrel, but it is better to have

some shallow plaster dishes as the plaster itself absorbs the water and

thickens the clay. Instructions for making these dishes appear in the

chapter on plaster.

These directions will suffice for the preparation of a natural clay but

it is sometimes desired to prepare a white body either of earthenware or

porcelain. These bodies do not exist in nature and therefore a mixture

must be made. The ingredients are kaolin or white porcelain clay, ball

clay or plastic potters' clay, ground quartz or flint, and ground

feldspar.[B]

[B] Georgia Kaolin and Tennessee Ball Clay may be procured from the

John H. Sant and Sons Company, East Liverpool, Ohio, and flint and

feldspar from the Golding Sons' Company, Trenton, N. J., or the

Eureka Flint and Spar Company, Trenton, N. J., in quantities of not

less than one barrel or sack.

A suitable mixture for earthenware is--

Georgia Clay[C] 20 parts by weight

Tennessee Ball Clay 30 " " "

Flint 35 " " "

Feldspar 15 " " "

---

100

and for porcelain--

Georgia Clay 45 parts by weight

Flint 35 " " "

Feldspar 20 " " "

---

100

[C] If English china clay can be procured it will make a whiter ware

than Georgia clay.

The earthenware will be creamy in color and porous at an ordinary fire.

The porcelain will need a hard fire and will be white and translucent.

It is, however, non-plastic and hard to work. The preparation of these

mixtures of course necessitates a pair of scales but otherwise the

treatment of the mix is the same as that of natural clay. Washing is not

necessary but the clay must be powdered, mixed with the flint and spar,

and sprinkled into water as already described. In place of the wire

sieve, however, a silk lawn of 120 meshes to the inch should be used.

The lawn is simply a fine sieve and is named because of the material

(also called bolting cloth), with which it is covered. Have a carpenter

make a box without a bottom. Cypress or oak should be used and this

should be a full half inch thick. Four strips of the same thickness are

also to be provided. The box may be of any convenient size; eight inches

square and four inches deep is about right. The sides should be fastened

together with brass screws to avoid rust and a piece of lawn is strained

tightly across the bottom and secured with copper or brass tacks. A

strip of coarse muslin folded and laid along the edges will help to

prevent the lawn from tearing, the tacks being, of course, driven

through both muslin and lawn. Then the four wooden strips are set upon

the muslin and secured with brass screws. The completed lawn is then a

tray of which the bottom is formed of lawn. The strips of wood beneath

serve to protect the lawn when placed on a table as well as to assist in

holding it firmly.[D]

[D] Silk lawn of any desired mesh may be purchased by the yard from A.

Sartorius & Company, 57 Murray Street, New York City; or brass

sieves ready for use from the W. S. Tyler Company, Cleveland, O.

For storing clay in the plastic state there is nothing better than

stoneware jars. These may be had of any size and a tinman should make

close-fitting covers. Earthenware covers do not fit tight and are always

getting broken. A little water is poured into each jar and a support

provided for the clay so that it does not rest in contact with the

water. Under any conditions clay will slowly harden so that not too

large a stock should be kept. Slip, on the other hand, keeps well so

long as some water is always on the top and it is not a long process to

stiffen it into clay.

The Potter's Craft: A Practical Guide for the Studio and Workshop · 第 5 / 15 章