CHAPTER XIV

UNDER A BARK SLANT

The weeks that followed were rare ones for Margaret and Oliver.

They painted all day and every day.

The little school-children posed for them, and so did the prim

school-mistress, a girl of eighteen in spectacles with hair cut short

in the neck. And old Jonathan Gordon, the fisherman, posed, too, with a

string of trout in one hand and a long pole cut from a sapling in the

other. And once our two young comrades painted the mill-dam and the

mill--Oliver doing the first and Margaret the last; and Baker, the

miller, caught them at it, and insisted in all sincerity that some of

the money which the pictures brought must come to him, if the report

were true that painters did get money for pictures. "It's my mill,

ain't it?--and I ain't give no permission to take no part of it away.

Hev I?"

They climbed the ravines, Margaret carrying the luncheon and Oliver the

sketch-traps; they built fires of birch-bark and roasted potatoes, or

made tea in the little earthen pot that Mrs. Taft loaned her. Or they

waited for the stage in the early morning, and went half a dozen miles

down the valley to paint some waterfall Oliver had seen the day he

drove up with Marvin, or a particular glimpse of Moose Hillock from the

covered bridge, or various shady nooks and sunlit vistas that remained

fastened in Oliver's mind, and the memory of which made him unhappy

until Margaret could enjoy them, too.

The fact that he and a woman whom he had known but a little while were

roaming the woods together, quite as a brother and sister might have

done, never occurred to him. If it had it would have made no

difference, nor could he have understood why any barrier should have

been put up between them. He had been taking care of girls in that same

way all his life. Every woman was a sister to him so far as his

reverent protection over her went. The traditions of Kennedy Square had

taught him this.

As the joyous weeks flew by, even the slight reserve which had marked

their earlier intercourse began to wear off. It was "Oliver" and

"Margaret" now, and even "Ollie" and "Madge" when they forgot

themselves and each other in their work.

To Margaret this free and happy life together seemed natural enough.

She had decided on the day of their first meeting that Oliver's

interest in her was due wholly to his love of companionship, and not

because of any special liking he might feel for her. Had she not seen

him quite as cordial and as friendly to the men he knew? Satisfied on

this point, Oliver began to take the place of a brother, or cousin, or

some friend of her youth who loved another woman, perhaps, and was,

therefore, safe against all contingencies, while she gave herself up to

the enjoyment of that rare luxury--the rarest that comes to a

woman--daily association with a man who could be big and strong and

sympathetic, and yet ask nothing in return for what she gave him but

her companionship and confidence.

In the joy of this new intercourse, and with his habit of trusting

implicitly everyone whom he loved--man, woman, or child--Oliver, long

before the first month was over, had emptied his heart to Margaret as

completely as he had ever done to Miss Clendenning. He had told her of

Sue and of Miss Lavinia's boudoir, and of Mr. Crocker and his pictures;

and of his poor father's struggles and his dear mother's determination

to send him from home--not about the mortgage, that was his mother's

secret, not his own--and of the great receptions given by his Uncle

Tilghman, and of all the other wonderful doings in Kennedy Square.

She had listened at first in astonishment, and then with impatience.

Many of the things that seemed so important to him were valueless in

her more practical eyes. Instead of a regime which ennobled those who

enjoyed its privileges, she saw only a slavish devotion to worn-out

traditions, and a clannish provincialism which proved to her all the

more clearly the narrow-mindedness of the people who sustained and

defended them. So far as she could judge, the qualities that she deemed

necessary in the make-up of a robust life, instinct with purpose and

accomplishment, seemed to be entirely lacking in Kennedy Square

formulas. She saw, too, with a certain undefined pain, that Oliver's

mind had been greatly warped by these influences. Mrs. Horn's

domination over him, strange to say, greatly disturbed her; why, she

could not tell. "She must be a proud, aristocratic woman," she had said

to herself after one of Oliver's outbursts of enthusiasm over his

mother; "wedded to patrician customs and with no consideration for

anyone outside of her class."

And yet none of these doubts and criticisms made the summer days less

enjoyable.

One bright, beautiful morning when the sky was a turquoise, the air a

breath of heaven, and the brooks could be heard laughing clear out on

the main road, Oliver and Margaret, who had been separated for some

days while she paid a visit to her family at home, started to find a

camp that Hank had built the winter before as a refuge while he was

hunting deer. They had reached a point in the forest where two paths

met, when Margaret's quick ear caught the sound of a human voice, and

she stopped to listen.

"Quick--" she cried--"get behind these spruces, or he will see us and

stop singing. It's old Mr. Burton. He is such a dear! He spends his

summers here. I often meet him and he always bows to me so politely,

although he doesn't know me."

A man of sixty--bare-headed, dressed in a gray suit, with his collar

and coat over his arm and hands filled with wild-flowers, was passing

leisurely along, singing at the top of his voice. Once he stopped, and,

bending over, picked a bunch of mountain-berries which he tucked into a

buttonhole of his flannel shirt, just before disappearing in a turn of

the path.

Oliver looked after him for a moment. He had caught the look of sweet

serenity on the idler's face, and the air of joyousness that seemed to

linger behind him like a perfume, and it filled him with delight.

"There, Margaret! that's what I call a happy man. I'll wager you he has

never done anything all his life but that which he loved to do--just

lives out here and throws his heart wide open for every beautiful thing

that can crowd into it. That's the kind of a man I want to be. Oh! I'm

so glad I saw him."

Margaret was silent. She was walking ahead, her staff in her hand; the

fallen trunks and heavy under-brush making it difficult for them to

walk abreast.

"Do you think that he never had to work, to be able to enjoy himself as

he does?" she asked over her shoulder, with a toss of her head.

"Perhaps--but he loved what he was doing."

"No, he didn't--he hated it--hated it all his life." The tone carried a

touch of defiance that was new to Oliver. He stepped quickly after her,

with a sudden desire to look into her face. Ten minutes, at least, had

passed during which he had seen only the back of her head.

Margaret heard his step behind her and quickened her own. Something was

disturbing the joyousness of our young Diana this lovely summer morning.

"What did the old fellow do for a living, Margaret?" Oliver called,

still trying to keep up with Margaret's springing step.

"Sold lard and provisions, and over the counter, too," she answered,

with a note almost of exultation in her voice (she was thinking of Mrs.

Horn and Kennedy Square). "Mrs. Taft knows him and used to send him her

bacon. He retired rich some years ago, and now he can sing all day if

he wants to."

It was Oliver's turn to be silent. The tones of Margaret's voice had

hurt him. For some minutes he made no reply. Then wheeling suddenly he

sprang over a moss-covered trunk that blocked her path, stepped in

front of her, and laid his hand on her shoulder.

"Not offended, Margaret, are you?" he asked, looking earnestly into her

eyes.

"No--what nonsense! Of course not. Why do you ask?"

"Well, somehow you spoke as if you were."

"No, I didn't; I only said how dear Mr. Burton was, and he IS. How

silly you are! Come--we will be late for the camp."

They both walked on in silence, now, he ahead this time, brushing aside

the thick undergrowth that blocked the path.

The exultant tones in her voice which had hurt her companion, and which

had escaped her unconsciously, still rang in her own ears. She felt

ashamed of the outburst now as she watched him cutting the branches

ahead of her, and thought how gentle and tender he had always been to

her and how watchful over her comfort. She wondered at the cause of her

frequent discontent. Then, like an evil spirit that would not down,

there arose in her mind, as she walked on, the picture she had formed

of Kennedy Square. She thought of his mother's imperious nature

absorbing all the love of his heart and inspiring and guiding his every

action and emotion; of the unpractical father--a dreamer and an

enthusiast, the worst possible example he could have; of the false

standards and class distinctions which had warped his early life and

which were still dominating him. With an abrupt gesture of impatience

she stood still in the path and looked down upon the ground. An angry

flush suffused her face.

"What a stupid fool you are, Margaret Grant," she burst out

impatiently. "What are Kennedy Square and the whole Horn family to you?"

Oliver's halloo brought her to consciousness.

"Here's that slant, Margaret--oh, such a lovely spot! Hurry up."

"The slant" had been built between two great trees and stood on a

little mound of earth surrounded by beds of velvety green moss--huge

green winding sheets, under which lay the bodies of many giant pines

and hemlocks. The shelter was made of bark and bedded down with boughs

of sweet-balsam. Outside, on a birch sapling, supported by two forked

sticks, hung a rusty kettle. Beneath the rude spit, half-hidden by the

growth of the summer, lay the embers of the abandoned camp-fires that

had warmed and comforted Hank and his companions the preceding winter.

Oliver raked the charred embers from under the tangled vines that hid

them, while Margaret peeled the bark from a silver-birch for kindling.

Soon a curl of blue smoke mounted heavenward, hung suspended over the

tree-tops, and then drifted away in scarfs of silver haze dimming the

forms of the giant trunks.

Our young enthusiast watched the Diaz of a wood interior turn slowly

into a Corot, and with a cry of delight was about to unstrap his own

and Margaret's sketching-kits, when the sun was suddenly blotted out by

a heavy cloud, and the quick gloom of a mountain-storm chilling the

sunlit vista to a dull slate gray settled over the forest. Oliver

walked over to the brook for a better view of the sky, and came back

bounding over the moss-covered logs as he ran. There was not a moment

to lose if they would escape being drenched to the skin.

The outlook was really serious. Old Bald Face had not only lost his

smile--a marvelously happy one with the early sun upon his wrinkled

countenance--but he had put on his judgment-cap of gray clouds and had

begun to thunder out his disapproval of everything about him. Moose

Hillock evidently heard the challenge, for he was answering back in the

murky darkness. Soon a cold, raw wind, which had been asleep in the

hills for weeks, awoke with a snarl and started down the gorge. Then

the little leaves began to quiver, the big trees to groan, in their

anxiety not knowing what the will of the wind would be, and the merry

little waves that had chased each other all the morning over the sunny

shallows of the brook, grew ashy pale as they looked up into the angry

face of the Storm-God, and fled shivering to the shore.

Oliver whipped out his knife, stripped the heavy outer bark from a

white birch, and before the dashing rain could catch up with the wind,

had repaired the slant so as to make it water-tight--Hank had taught

him this--then he started another great fire in front of the slant and

threw fresh balsam boughs on the bed that had rested Hank's tired

limbs, and he and Margaret crept in and were secure.

The equanimity of Margaret's temper, temporarily disturbed by her vivid

misconception of Kennedy Square, was restored. The dry shelter, the

warm fire, the sense of escape from the elements, all filled her heart

with gladness. Never since the day she met him on the bridge had she

been so happy. Again, as when Oliver championed her in the old Academy

school-room, there stole over her a vague sense of pleasure in being

protected.

"Isn't it jolly!" she said as she sat hunched up beside him. "I'm as

dry as a bone, not a drop on me."

Oliver was even more buoyant. There was something irresistibly cosey

and comfortable in the shelter which he had provided for her--something

of warmth and companionship and rest. But more intensely enjoyable than

all was the thought that he was taking care of a woman for the first

time in his life, as it seemed to him. And in a house of his own

making, and in a place, too, of his own choosing, surrounded by the big

trees that he loved. He had even outwitted the elements--the wind and

the rain and the chill--in her defence. Old Moose Hillock could bellow

now and White Face roar, and the wind and rain vent their wrath, but

Margaret, close beside him, would still be warm and dry and safe.

By this time she had hung her tam-o'-shanter and jacket on a nail that

she had found in the bark over her head, and was arranging her hair.

"It's just like life, Oliver, isn't it?" she said, as she tightened the

coil in her neck. "All we want, after all, is a place to get into out

of the storm and wet, not a big place, either."

"What kind of a place?" He was on his knees digging a little trench

with his knife, piling up the moist earth in miniature embankments, so

that the dripping from the roof would not spatter this Princess of his

whom he had saved from the tempest outside.

"Oh, any kind of a place if you have people you're fond of. I'd love a

real studio somewhere, and a few things hung about--some old Delft and

one or two bits of stuff--and somebody to take care of me."

Oliver shifted his pipe in his mouth and looked up. Would she, with all

her independence, really like to have someone take care of her? He had

seen no evidence of it.

"Who?" he asked. He had never heard her mention anybody's name--but

then she had not told him everything;

He had dropped his eyes again, finishing the drain and flattening the

boughs under her, to make the seat the easier.

"Oh, some old woman, perhaps, like dear old Mrs. Mulligan." There was

no coquetry in her tone. She was speaking truthfully out of her heart.

"Anything more?" Oliver's voice had lost its buoyancy now. The pipe was

upside down, the ashes falling on his shirt.

"Yes--lots of portraits to paint."

"And a medal at the Salon?" asked Oliver, brushing off the waste of his

pipe from his coat-sleeve.

"Yes, I don't mind, if my pictures deserve it," and she looked at him

quizzically, while a sudden flash of humor lightened up her face. "What

would you want, Mr. Happy-go-lucky, if you had your wish?"

"I, Madge, dear?" he exclaimed, with a sudden outburst of tenderness,

raising his body erect and looking earnestly into her eyes, which were

now within a hand's breadth of his own. She winced a little, but it did

not offend her, nor did she move an inch. "Oh, I don't know what I

want. What I want, I suppose, is what I shall never have, little girl."

She wasn't his little girl, or anybody else's, she thought to

herself--she was firmly convinced of that fact. It was only one of his

terms of endearment. He had them for everybody--even for Hank and for

Mrs. Taft--whom he called "Taffy," and who loved to hear him say it,

and she old enough to be his grandmother! She stole a look into his

face. There was a cloud over it, a slight knitting of the brows, and a

pained expression about the mouth that were new to her.

"I'd like to be a painter," he continued, "but mother would never

consent." As he spoke, he sank back from her slowly, his knees still

bent under him. Then he added, with a sigh, "She wouldn't think it

respectable. Anything but a painter, she says."

Margaret looked out through the forest and watched a woodpecker at work

on the dry side of a hollow trunk, the side protected from the driving

rain.

"And you would give up your career because she wants it? How do you

know she's right about it? And who's to suffer if she's wrong? Be a

painter, Oliver, if you want to! Your mother can't coddle you up

forever! No mother should. Do what you can do best, and to please

yourself, not somebody else," and then she laughed lightly as if to

break the force of her words.

Oliver looked at her in indignation that anyone--even Margaret--should

speak so of his mother. It was the first time in all his life that he

had heard her name mentioned without the profound reverence it

deserved. Then a sense of the injustice of her words took possession of

him, as the solemn compact he had made with his mother not to be a

burden on her while the mortgage was unpaid, rose in his mind. This

thought and Margaret's laugh softened any hurt her words had given him,

although the lesson that they were intended to teach lingered in his

memory for many days thereafter.

"You would not talk that way, Madge, if you knew my dear mother," he

said, quietly. "There is nothing in her life she loves better than me.

She doesn't want me to be a painter because--" He stopped, fearing she

might not understand his answer.

"Go on--why not?" The laugh had faded out of her voice now, and a tone

almost of defiance had taken its place.

"She says it is not the profession of a gentleman," he answered, sadly.

"I do not agree with her, but she thinks so, and nothing can shake her."

"If those are her opinions, I wonder what she would think of ME?" There

was a slight irritation in her voice--somehow she always became

irritable when Oliver spoke of his mother. She was ashamed of it, but

it was true.

All his anger was gone now. Whatever opinion the world might have on

any number of things there could be but one opinion of Madge. "She

would LOVE you, little girl," he burst out as he laid his hand on her

arm--the first time he had ever touched her with any show of affection.

"You'd make her love you. She never saw anybody like you before, and

she never will. That you are an artist wouldn't make any difference.

It's not the same with you. You're a woman."

The girl's eyes again sought the woodpecker. It was stabbing away with

all its might, driving its beak far into the yielding bark. It seemed

in some way to represent her own mood. After a moment's thought she

said thoughtfully as she rested her head on the edge of the slant:

"Ollie, what is a gentleman?" She knew, she thought, but she wanted him

to define it.

"My father is one," he said, positively, "--and so is yours," and he

looked inquiringly into her face.

"That depends on your standard. I don't know your father, but I do

mine, and from what you have told me about yours I think they are about

as different as two men can be. Answer my question--what is a

gentleman?" She was leaning over a little, and tucking a chip under her

toes to keep the water away from her shoes. Her eyes sought his again.

"A gentleman, Madge--why, you know what a gentleman is. He is a man

well born, well educated, and well bred. That's the standard at

home--at least, that's my mother's. Father's standard is the same, only

he puts it in a different way. He says a gentleman is a man who

tolerates other people's mistakes and who sympathizes with other

people's troubles."

"Anything else?" She was searching his face now. There were some things

she wanted to settle in her own mind.

"I don't think of anything else, Madge, dear--do you?" He was really

dismissing the question. His thoughts were on something else--the way

her hair curled from under her worsted cap and the way her pink ears

nestled close to her head, especially the little indents at each corner

of her mouth. He liked their modelling.

"And so according to your mother's and father's ideas, and those of all

your aristocratic people at home, Hank here could not be a gentleman if

he tried?"

The idea was new to Oliver. He had become conscious now. What had

gotten into Margaret to-day!

"Hank?--no, certainly not. How could he?"

"By BEING a gentleman, Mr. Aristocrat. Not in clothes, mind you--nor

money, nor furniture, nor wines, nor carriages, but in HEART. Think a

moment, Ollie," and her eyes snapped. "Hank finds a robin that has

tumbled out of its nest, and spends half a day putting it back. Hank

follows you up the brook and sees you try to throw a fly into a pool,

and he knows just how awkwardly you do it, for he's the best fisherman

in the woods--and yet you never see a smile cross his face, nor does he

ever speak of it behind your back--not even to me. Hank walks across

Moose Hillock to find old Jonathan Gordon to tell him he has some big

trout in Loon Pond, so that the old man can have the fun of catching

them and selling them afterward to the new hotel in the Notch. He has

walked twenty-four miles when he gets back. Do these things make Hank a

gentleman, or not?"

"Then you don't believe in Sir Walter Raleigh, Miss Democrat, simply

because he was a lord?"

"Yes--but I always thought he wore his old cloak that day on purpose,

so he could be made an earl." And a ripple of laughter escaped her lips.

Oliver laughed too, sprang to his feet, and held out his hands so as to

lift her up. None of these fine-drawn distinctions really interested

him--certainly not on this day, when he was so happy. Why, he wondered,

should she want to discuss theories and beliefs and creeds, with the

beautiful forest all about and the sky breaking overhead?

"Well, you've walked over mine many a time, Miss Queen Elizabeth, and

you haven't decorated me yet, nor made me an earl nor anything else for

it, and I'm not going to forgive you either," and he rose to his feet.

"Look! Madge, look!" he cried, and sprang out into the path, pointing

to the sunshine bursting through the trees--the storm had passed as

suddenly as it had come. "Isn't it glorious! Come here quick! Don't

wait a minute. I should try to get that with Naples yellow and a little

chrome--what do you think?" he asked when she stood beside him, half

closing his eyes, to get the effect the better.

Margaret looked at him curiously for a moment. She did not answer. "I

cannot fasten his mind on anything in which I am interested," she said

to herself, with a sigh, "nor shall I ever overcome these prejudices

which seem to be part of his very life."

She paused a moment and an expression of pain passed over her face.

"Pale cadmium would be better," she said, quietly, with a touch of

indifference in her tone, and led the way out of the forest to the main

road.

The Fortunes of Oliver Horn · 第 14 / 26 章