CHAPTER XI

A CHANGE OF WIND

The affair of the brass band, with its dramatic and most unlooked-for

ending, left an unpleasant memory in the minds of the members of the

club, especially in Oliver's. His training had been somewhat different

from that of the others present, and his oversensitive nature had been

more shocked than pleased by it all. While most of the other

participants regretted the ill-feeling which had been aroused in Miss

Teetum's mind, they felt sure--in fact, they knew--that this heretofore

kind and gentle hostess could never have fanned her wrath to so white a

heat had not some other hand besides her own worked the bellows.

Suspicion first fell upon a new boarder unaccustomed to the ways of the

house, who, it was reported, had double-locked herself in at the first

crash of the drum, and who had admitted, on being cross-examined by

McFudd, that she had nearly broken her back in trying to barricade her

bedroom door with a Saratoga trunk and a wash-stand. This theory was

abandoned when subsequent inquiries brought to light the fact that Mrs.

Van Tassell, when the echoes of one of McFudd's songs had reached her

ears, had stated a week before that no respectable boarding-house would

tolerate uproars like those which took place almost nightly on the top

floor, and that she would withdraw her protection from Miss Euphemia

and leave the house at once and forever if the noise did not cease.

This dire threat being duly reported to the two Misses Teetum had--it

was afterward learned--so affected them both that Miss Ann had gone to

bed with a chill and Miss Sarah had warded off another with a bowl of

hot camomile tea.

This story, true as it undoubtedly was, did not entirely clear up the

situation. One part of it sorely puzzled McFudd. Why did Miss Euphemia

need Mrs. Van Tassell's protection, and why should the loss of it stir

Miss Ann to so violent an outburst? This question no member of the

Skylarks could answer.

The solution came that very night, and in the most unexpected way,

Waller bearing the glad tidings.

Miss Euphemia, ignoring them all, was to be married at St. Mark's at 6

P.M. on the following Monday, and Mrs. Van Tassell was to take charge

of the wedding reception in the front parlor! The groom was the strange

young man who had sat for some days beside Miss Euphemia, passing as

Miss Ann's nephew, and who really was a well-to-do druggist with a shop

on Astor Place. All of the regular boarders of the house were to be

invited.

The explosion of this matrimonial bomb so cleared the air of all doubt

as to the guilt of Mrs. Van Tassell, that a secret meeting, attended by

every member of the Skylarks, was at once held in Waller's room with

the result that Miss Ann's invitations to the wedding were unanimously

accepted. Not only would the resident members go--so the original

resolution ran--but the non-resident and outside members would also be

on hand to do honor to Miss Euphemia and her distinguished chaperone.

This amendment being accepted, McFudd announced in a sepulchral tone

that, owing to the severity of the calamity and to the peculiarly

painful circumstances which surrounded their esteemed fellow-skylarker,

the Honorable Sylvester Ruffle-shirt Tomlins, his fellow-members would

wear crape on their left arms for thirty days. This also was carried

unanimously, every man except Ruffle-shirt Tomlins breaking out into

the "Dead Man's Chorus"--a song, McFudd explained, admirably fitted to

the occasion.

When the auspicious night arrived, the several dress-suits of the

members were duly laid out on the piano and hung over the chairs, and

each gentleman proceeded to array himself in costume befitting the

occasion. Waller, who weighed 200 pounds, squeezed himself into

McFudd's coat and trousers (McFudd weighed 150), the trousers reaching

a little below the painter's knees. McFudd wrapped Waller's coat about

his thin girth and turned up the bagging legs, of the unmentionables

six inches above his shoes. The assorted costumes of the other members

were equally grotesque. The habiliments themselves were of proper cut

and make, according to the standards of the time--spike-tailed coats,

white ties, patent-leather pumps, and the customary trimmings, but the

effects produced were as ludicrous as they were incongruous, though the

studied bearing of the gentlemen was meant to prove their

unconsciousness of the fact.

The astonishment that rested on Mrs. Van Tassell's face when this

motley group filed into the parlor and with marked and punctilious

deference paid their respects to the bride, and the wrath that flashed

in Miss Euphemia's eyes, became ever after part of the traditions of

the club. Despite Mrs. Van Tassell's protest against the uproar on the

top floor, she had invariably spoken in high terms to her friends and

intimates of these very boarders--their acquaintance was really part of

her social capital--commenting at the same time upon their exalted

social and artistic positions. In fact, many of her own special guests

had attended the wedding solely in the hope of being brought into more

intimate relations with this distinguished group of painters, editors,

and musicians, some of whom were already being talked about.

When, however, McFudd stood in the corner of Miss Teetum's parlor like

a half-scared boy, pulling out the fingers of Waller's kid gloves, an

inch too long for him, and Waller, Fred, and my Lord Cockburn stumbled

over the hearth-rug one after the other, and Oliver, feeling like a

guilty man and a boor, bowed and scraped like a dancing-master; and

Bowdoin the painter, and Simmons and Fog-horn Cranch, talked platitudes

with faces as grave as undertakers, the expectant special guests

invited by Mrs. Van Tassell began to look upon her encomiums as part of

an advertising scheme to fill Miss Teetum's rooms.

The impression made upon the Teetum contingent by the appearance and

manners of the several members--even Oliver's reputation was

ruined--was equally disastrous. It was, perhaps, best voiced by the

druggist groom, when he informed Mrs. Van T. from behind his

lemon-colored glove--that "if that was the gang he had heard so much

of, he didn't want no more of 'em."

But these and other jollifications were not long to continue. Causes

infinitely more serious were at work undermining the foundations of the

Skylarks. The Lodge of Poverty, to which they all belonged, gay as it

had often been, was slowly closing its door; the unexpected, which

always hangs over life, was about to happen; the tie which bound these

men together was slowly loosening. Its members might give the grip of

fellowship to other members in other lodges over the globe, but no

longer in this one on the top floor of the house on Union Square.

One morning McFudd broke the seal of an important-looking letter

bearing a Dublin post-mark on the upper right-hand corner of the

envelope, and the family crest on its flap. For some moments he sat

still, looking straight before him. Then two tears stole out and

glistened on his lashes.

"Boys," he said, slowly, "the governor says I must come home," and he

held up a steamer ticket and a draft that barely equalled his dues for

a month's board and washing.

That night he pawned his new white overcoat with the bone buttons and

velvet collar--the one his father had sent him, and which had been the

envy of every man in the club, and invested every penny of the proceeds

in a supper to be given to the Skylarks. The invitation ran as follows:

Mr. Cornelius McFudd respectively requests the pleasure of your

presence at an informal wake to be held in honor of a double-breasted

overcoat, London cut. The body and tail will be the ducks, and the two

sleeves and velvet collar the Burgundy.

Riley's: 8 p.m. Third floor back.

The following week he packed his two tin boxes, boarded the Scotia, and

sailed for home.

The keystone having dropped out, it was not long before the balance of

the structure came down about the ears of the members. My Lord Cockburn

the following week was ordered South by the bank to look after some

securities locked up in a vault in a Georgia trust company, and which

required a special messenger to recover them--the growing uneasiness in

mercantile circles over the political outlook of the country having

assumed a serious aspect. Cockburn had to swim rivers, he wrote Oliver

in his first letter, and cross mountains on horseback, and sleep in a

negro hut, besides having a variety of other experiences, to say

nothing of several hair-breadth escapes, none of which availed him, as

he returned home after all, without the bonds.

These financial straws, indicating the direction and force of the

coming political winds, began to accumulate. The lull before the

hurricane--the stagnation in commercial circles--became so ominous that

soon the outside members and guests of the club ceased coming, being

diligently occupied in earning their bread, and then Simmons sent the

piano home--it had been loaned to him by reason of his profession and

position--and only Fog-horn Cranch, Waller, Fred, Oliver, and

Ruffle-shirt Tomlins were left. Alter a while, Waller gave up his room

and slept in his studio and got his meals at the St. Clair, or went

without them, so light, by reason of the hard times, was the demand for

sheep pictures of Waller's particular make. And later on Tomlins went

abroad, and Cranch moved West. And so the ruin of the club was

complete; and so, too, this merry band of roysterers, with one or two

exceptions, passes out of those pages.

Dear boys of the long ago, what has become of you all since those old

days in that garret-room on Union Square? Tomlins, I know, turned up in

Australia, where he married a very rich and very lovely woman, because

he distinctly stated both of those facts in an exuberant letter to

Oliver when he invited him to the wedding. "Not a bad journey--only a

step, my dear Ollie, and we shall be so delighted to see you." I know

this, to be true, for Oliver showed me the letter. Bowdoin went to

Paris, where, as we all remember, he had a swell studio opening on to a

garden, somewhere near the Arc de Triomphe, and had carriages stop at

his door, and a butler to open it, and two maids in white caps to help

the ladies off with their wraps. Poor Cranch died in Montana while

hunting for gold, and my Lord Cockburn went back to London.

But does anybody know what has become of McFudd--irresistible,

irresponsible, altogether delightful McFudd? that condensation of all

that was joyous, rollicking, and spontaneous; that devotee of the tub

and pink of neatness, immaculate, clean-shaven and well-groomed; that

soul of good-nature, which no number of flowing bowls could disturb nor

succeeding headaches dull; that most generous of souls, whose first

impulse was to cut squarely in half everything he owned and give you

your choice of the pieces, and who never lost his temper until you

refused them both. If you, my dear boy, are still wandering about this

earth, and your eye should happen to fall on these pages, remember, I

send you my greeting. If you have been sent for, and have gone aloft to

cheer those others who have gone before, and who could spare you no

longer, speak a good word for me, please, and then, perhaps, I may

shake your hand again.

With the dissolution of the happy coterie there came to Oliver many a

lonely night under the cheap lamp, the desolate hall outside looking

all the more desolate and uninviting with the piano gone and the lights

extinguished.

Yet these nights were not altogether distasteful to Oliver. Fred had

noticed for months that his room-mate no longer entered into the

frolics of the club with the zest and vim that characterized the

earlier days of the young Southerner's sojourn among them. Our hero had

said nothing while the men had held together, and to all outward

appearances had done his share not only with his singing, but in any

other way in which he could help on the merriment. He had covered the

space allotted to him on the walls with caricatures of the several

boarders below. He had mixed the salad at Riley's the night of McFudd's

farewell supper, with his sleeves rolled up to the elbows and the

cook's cap on his head. He had lined up with the others at Brown's on

the Bowery; drank his "crystal cocktails"--the mildest of

beverages--and had solemnly marched out again with his comrades in a

lock-step like a gang of convicts. He had indulged in forty-cent opera,

leaning over the iron railing of the top row of the Academy of Music,

and had finished the evening at Pfaff's, drinking beer and munching

hardtack and pickles, and had laughed and sung in a dozen other equally

absurd escapades. And yet it was as plain as daylight to Fred that

Oliver's heart was no longer centred in the life about him.

The fact is, the scribe is compelled to admit, the life indulged in by

these merry bohemians had begun to pall upon this most sensitive of

young gentlemen. It really had not satisfied him at all. This was not

the sort of life that Mr. Crocker meant, he had said to himself after a

night at Riley's when Cranch had sounded his horn so loud that the

proprietor had threatened to turn the whole party into the street. Mr.

Crocker's temperament was too restful to be interested in such

performances. As for himself, he was tired of it.

Nothing of all this did he keep from his mother. The record of his

likes and dislikes which formed the subject-matter of his daily letters

was an absorbing study with her, and she let no variation of the

weather-vane of his tastes escape her. Nor did she keep their contents

from her intimate friends. She had read to Colonel Clayton one of his

earlier ones, in which he had told her of the concerts and of the way

Cockburn had served the brew that McFudd had concocted, and had shown

him an illustration Oliver had drawn on the margin of the sheet--an

outline of the china mug that held the mixture--to which that

Chesterfield of a Clayton had replied:

"What did I tell you, madame--just what I expected of those

Yankees--punch from mugs! Bah!"

She had, too, talked their contents over with Amos Cobb, who, since the

confidence reposed in him by the Horn family, had become a frequent

visitor at the house.

"There's no harm come to him yet, madame, or he wouldn't write you of

what he does. Boys will be boys. Let him have his fling," the Vermonter

had replied with a gleam of pleasure in his eye. "If he has the stuff

in him that I think he has, he will swim out and get to higher ground;

if he hasn't, better let him drown early. It will give everybody less

trouble."

The dear lady had lost no sleep over these escapades. She, too,

realized that as long as Oliver poured out his heart unreservedly to

her there was little to fear. In her efforts to cheer him she had

sought, in her almost daily letters sent him in return, to lead his

thoughts into other channels. She knew how fond he had always been of

the society of women, and how necessary they were to his happiness, and

she begged him to go out more. "Surely there must be some young girls

in so great a city who can help to make your life happier," she wrote.

In accordance with her suggestions, he had at last put on his best

clothes and had accompanied Tomlins and Fred to some very delightful

houses away up in Thirty-third Street, and another on Washington

Square, and still another near St. Mark's Place, where his personality

and his sweet, sympathetic voice had gained him friends and most

pressing invitations to call again. Some he had accepted, and some he

had not--it depended very largely on his mood and upon the people whom

he met. If they reminded him in any way, either in manners or

appointments, of his life at home, he went again--if not, he generally

stayed away.

Among these was the house of his employer, Mr. Slade, who had treated

him with marked kindness, not only inviting him to his own house, but

introducing him to many of his friends--an unusual civility Oliver

discovered afterward--not many of the clerks being given a seat at Mr.

Slade's table. "I like his brusque, hearty manner," Oliver wrote to his

mother after the first visit. "His wife is a charming woman, and so are

the two daughters, quite independent and fearless, and entirely

different from the girls at home, but most interesting and so well

bred."

Another incident, too, had greatly pleased not only Oliver and his

mother, but Richard as well. It happened that a consignment of goods

belonging to Morton, Slade & Co. was stored in a warehouse in

Charleston, and it became necessary to send one of the clerks South to

reship or sell them, the ordinary business methods being unsafe, owing

to the continued rumblings of the now rapidly approaching political

storm--a storm that promised to be infinitely more serious than the

financial stringency. The choice had fallen on Oliver, he being a

Southerner, and knowing the ways of the people. He had advised with his

mother and stood ready to leave at an hour's notice, when Mr. Slade's

heart failed him.

"It's too dangerous, my lad," he said to Oliver. "I could trust you, I

know, and I believe you would return safely and bring the goods or the

money with you, but I should never forgive myself if anything should

happen to you. I will send an older man." And he did.

It was at this time that Oliver had received Cockburn's letter telling

him of his own experiences, and he, therefore, knew something of the

risks a man would run, and could appreciate Mr. Slade's action all the

more. Richard, as soon as he heard of it, had put down his tools, left

his work-bench, and had gone into his library, where he had written the

firm a letter of thanks, couched in terms so quaint and courtly, and so

full of generous appreciation of their interest in Oliver, that Mr.

Slade, equally appreciative, had worn it into ribbons in showing it to

his friends as a model of style and chirography.

Remembering his mother's wishes, and in appreciation of his employer's

courtesy, he had kept up this intimacy with the Slade family until an

unfortunate catastrophe had occurred, which while it did not affect his

welcome at their house, ruined his pleasure while there.

Mr. Slade had invited Oliver to dinner one rainy night, and, being too

poor to pay for a cab, Oliver, in attempting to cross Broadway, had

stepped into a mud-puddle a foot deep. He must either walk back and

change his shoes and be late for dinner--an unpardonable offence--or he

must keep on and run his chances of cleaning them in the dressing-room.

There was no dressing-room available, as it turned out, and the fat

English butler had to bring a wet cloth out into the hall (oh! how he

wished for Malachi!) and get down on his stiff knees and wipe away

vigorously before Oliver could present himself before his hostess, the

dinner in the meantime getting cold and the guests being kept waiting.

Oliver could never look at those shoes after that without shivering.

This incident had kept him at home for a time and had made him chary of

exposing himself to similar mortifications. His stock of clothes at

best was limited--especially his shoes--and as the weather continued

bad and the streets impassable, he preferred waiting for clearer skies

and safer walking. So he spent his nights in his room, crooning over

the coke fire with Fred, or all alone if Fred were at the Academy,

drawing from the cast.

On these nights he would begin to long for Kennedy Square. He had said

nothing yet about returning, even for a day's visit. He knew how his

mother felt about it, and he knew how he had seen her struggle to keep

the interest paid up on the mortgage and to meet the daily necessities

of the house. The motor was still incomplete, she wrote him, and

success was as far off as ever. The mortgage had again been extended

and the note renewed--this time for a longer term, owing to some

friend's interest in the matter whose name she could not learn. She,

therefore, felt no uneasiness on that score, although there were still

no pennies which could be spared for Olivers travelling expenses, even

if he could get leave of absence from his employers.

At these times, as he sat alone in his garret-room, Malachi's chuckle,

without cause or reminder would suddenly ring in his ears, or some low

strain from his father's violin or a soft note from Nathan's flute

would float through his brain. "Dear Uncle Nat," he would break out,

speaking aloud and springing from his chair--"I wish I could hear you

tonight."

His only relief while in these moods was to again seize his pen and

pour out his heart to his mother or to his father, or to Miss

Clendenning or old Mr. Crocker. Occasionally he would write to Sue--not

often--for that volatile young lady had so far forgotten Oliver as to

leave his letters unanswered for weeks at a time. She was singing

"Dixie," she told him in her last billet-doux, now a month old, and

wondering whether Oliver was getting to be a Yankee, and whether he

would be coming home with a high collar and his hair cut short and

parted in the middle.

His father's letters in return did not lessen his gloom. "These

agitators will destroy the country, my son, if they keep on," Richard

had written in his last letter. "It is a sin against civilization to

hold your fellow-men in bondage, and that is why years ago I gave

Malachi and Hannah and the others their freedom, but Virginia has

unquestionably the right to govern her internal affairs without

consulting Massachusetts, and that is what many of these Northern

leaders do not or will not understand. I am greatly disturbed over the

situation, and I sincerely hope your own career will not be affected by

these troubles. As to my own affairs, all I can say is that I work

early and late, and am out of debt." Poor fellow! He thought he was.

Oliver was sitting thus one night, his head in his hands, elbows on his

knees, gazing into the smouldering coals of his grate, his favorite

attitude when his mind was troubled, when Fred, his face aglow, his big

blue eyes dancing, threw wide the door and bounded in, bringing in his

clothes the fresh, cool air of the night. He had been at work in the

School of the Academy of Design, and had a drawing in chalk under his

arm--a head of the young Augustus.

"What's the matter, Ollie, got the blues?"

"No, Freddie, only thinking."

"What's her name? I'll go and see her and make it up. Out with it--do I

know her?"

Oliver smiled faintly, examined the drawing for a moment, and handing

it back to Fred, said, sadly, "It's not a girl, Freddie, but I don't

seem to get anywhere."

Fred threw the drawing on the bed and squeezed himself into the chair

beside his chum, his arm around his neck.

"Where do you want to get, old man? What's the matter--any trouble at

the store?"

"No--none that I know of. But the life is so monotonous, Fred. You do

what you love to do. I mark boxes all day till lunch-time, then I roll

them out on the sidewalk and make out dray tickets till I come home.

I've been doing that all winter; I expect to be doing it for years.

That don't get me anywhere, does it? I hate the life more and more

every day."

(Was our hero's old love of change again asserting itself, or was it

only the pinching of that Chinese shoe which his mother in her anxiety

had slipped on his unresisting foot, and which he was still wearing to

please her? Or was it the upper pressure of some inherent talent--some

gift of his ancestors that would not down at his own bidding or that of

his mother or anybody else's?)

"Somebody's got to do it, Ollie, and you are the last man hired,"

remarked Fred, quietly. "What would you like to do?"

Oliver shifted himself in the crowded chair until he could look into

his room-mate's eyes.

"Fred, old man," he answered, his voice choking, "I haven't said a word

to you about it all the time I've been here, for I don't like to talk

about a thing that hurts me, and so I've kept it to myself. Now I'll

tell you the truth just as it is. I don't want Mr. Slade's work nor

anybody else's work. I don't like business and never will. I want to

paint, and I'll never be happy until I do. That's it, fair and square."

"Well, quit Slade, then, and come with me."

"I would if it wasn't for mother. I promised her I would see this

through, and I will." As he spoke the overdue mortgage and his mother's

efforts to keep the interest paid passed in review before him.

Fred caught his breath. It astonished him, independent young Northerner

as he was, to hear a full-grown man confess that his mother's'

apron-strings still held him up, but he made no comment.

"Why not try both?" he cried. "There's a place in the school alongside

of me--we'll work together nights. It won't interfere with what you do

downtown. You'll get a good start, and when you have a day off in the

summer you can do some out-door work. Waller has told me a dozen times

that you draw better than he did when he commenced. Come along with me."

This conversation, with the other incidents of the day, or rather that

part of it which had reference to the Academy, was duly set forth in

his next letter to his mother--not as an argument to gain her consent

to his studying with Fred, for he knew it was the last thing she would

agree to--but because it was his habit to tell her everything. It would

show her, too, how good a fellow Fred was and what an interest he took

in his welfare. Her answer, three days later, sent him bounding

upstairs and into their room like a whirlwind.

"Read, Fred, read!" he cried. "I can go. Mother says she thinks it

would be the best thing in the world for me. Here, clap your eyes on

that--" and Oliver held the letter out to Fred, his finger pointing to

this passage: "I wish you would join Fred at the Academy. Now that you

have a regular business that occupies your mind, and are earning your

living, I have no objection to your studying drawing or learning any

other accomplishment. You work hard all day, and this will rest you."

The cramped foot was beginning to spread! The Chinese shoe had lost its

top button.

The Fortunes of Oliver Horn · 第 11 / 26 章