FEMININE DRESS AND ORNAMENTS.
WHEN DRESS IS FIRST WORN -- PAINT AND OIL -- THE FIRST GARMENT,
AND ITS IMPORT -- APRONS OF KAFFIR GIRLS -- VARIOUS MATERIALS OF
WHICH THE APRONS ARE MADE -- BEADS AND LEATHER -- CHANGE OF DRESS
ON BETROTHAL -- DRESS OF A MARRIED WOMAN -- THE RED TOP-KNOT, AND
ESTIMATION IN WHICH IT IS HELD -- JEALOUSY AND ITS RESULTS -- AN
ELABORATE DRESS -- ORDINARY APRON OF A MARRIED WOMAN -- BEAD APRON
OF A CHIEF’S WIFE -- CURIOUS BRACELETS OF METAL -- THEIR APPARENT
INCONVENIENCE -- BRACELETS MADE OF ANTELOPE’S HOOF -- COSTUMES
USED IN DANCES -- QUANTITY OF BEADS USED IN THE DRESS -- A STRANGE
HEAD DRESS -- BELTS AND SEMI-BELTS OF KAFFIR WOMEN -- NECKLACES --
GOOD INTEREST AND BAD SECURITY -- IMITATION OF EUROPEAN FASHION --
SUBSTITUTE FOR HANDKERCHIEFS -- ANECDOTE OF A WEDDING DANCE -- KAFFIR
GALLANTRY -- A SINGULAR DECORATION -- KAFFIR CASTANETS -- EARRINGS OF
VARIOUS KINDS.
As in the last chapter the dress and ornaments of the Kaffir men
were described, the subject of this chapter will be the costume and
decoration of the women.
Both in material and general shape, there is considerable resemblance
between the garments of the two sexes, but those of the females have
a certain character about them which cannot be misunderstood. We will
begin with the dress, and then proceed to the ornaments.
As is the case with the boys, the Kaffir girls do not trouble
themselves about any clothes at all during the first few years of
their life, but run about without any garments except a coat of oil, a
patch of paint, and perhaps a necklace, if the parents be rich enough
to afford such a luxury. Even the paint is beyond the means of many
parents, but the oil is a necessity, and a child of either sex is
considered to be respectably dressed and to do credit to its parents
when its body shines with a polish like that of patent leather.
When a girl is approaching the age when she is expected to be
exchangeable for cows, she indues her first and only garment, which
she retains in its primitive shape and nearly its primitive dimensions
until she has found a suitor who can pay the price required by her
parents. This garment is an apron, and is made of various materials,
according to the means of the wearer.
The simplest and most common type of apron is a fringe of narrow
leathern strips, each strip being about the sixth of an inch wide,
and five or six inches in length. A great number of these strips are
fastened to a leathern thong, so that they form a kind of flexible
apron, some ten or twelve inches in width. Generally, eight or ten of
the strips at each side are double the length of the others. Examples
of these aprons may be seen by referring to the figures of the two
Kaffir girls on page 25, and, as their general make is sufficiently
indicated, nothing more need be said about them. I have, however,
several specimens of aprons which were worn by the daughters of wealthy
men, and others were lent to me by Mr. H. Jackson. From them I have
made a selection, which will illustrate well the modes of forming this
dress which were in fashion some few years ago.
[Illustration: KAFFIR ORNAMENTS. (See pages 53, 54, 55.)]
[Illustration: DRESS AND ORNAMENTS. (See pages 48, 51, 55.)]
The apron represented by fig. 4 in the illustration of “dress and
ornaments,” page 49, is that which is most generally used. It is made
of very delicate thongs twisted together in rope fashion, and having
the ends unravelled so as to make a thick fringe, and, as has already
been observed, the thongs at each end are twice as long as those which
occupy the centre. A broad belt of beads is placed along the upper edge
of the apron, and festoons of beads hang below the belt. The colors
are rather brilliant, being red, yellow, and white, and nearly all the
thongs have one large white bead just above the knob, which prevents
them from unravelling too much. The band by which it is suspended is
also covered with beads, and it is fastened by means of a loop at one
end, and a large brass button at the other. These aprons are fixed in
their position by two strings, one of which passes round the waist, and
the other below the hips.
Another apron is seen at the side of the illustration entitled “Dress
and ornaments,” on page 49, fig. 1. This is a very elaborate affair,
and is made on a totally different principle. It is wholly made of
beads, the threads which hold them together being scarcely visible.
In order to show the ingenious manner in which the beads are strung
together, a portion of the apron is given separately. The colors of
these beads are black and white, in alternate stripes, and the two ends
are a trifle larger than the middle of the dress. The belt by which
it is suspended is made from large round beads, arranged in rows of
white, blue, and red, and the two ends are fastened to the apron by the
inevitable brass button which has been so frequently mentioned.
In the same collection is a still smaller apron, intended for a younger
girl. This is made after the same principle, but the beads are arranged
in a bold zigzag pattern of black, scarlet, and white, relieved by the
glitter of highly polished brass buttons. This apron is illustrated in
fig. 4 of “Kaffir ornaments,” page 49, and a small portion of it is
given on an enlarged scale, so as to show the arrangement of the beads.
When the Kaffir girl is formally betrothed she alters her dress, and,
besides the small apron, indues a piece of soft hide, which reaches
to her knees, or a little below them, and this she wears until she
is married, when she assumes the singularly ungraceful attire of the
matron. Among the Zulu tribes, she shaves nearly the whole of her head
on the crown, leaving only a little tuft of hair. This is gathered
together with grease, red paint, and similar substances, and stands
erect from the crown of her head. The young wife is then quite in the
fashion. It is evidently the feminine substitute for the “issikoko”
worn by the men. So fond are the married women of this rather absurd
decoration, that it formed the subject of a curious trial that took
place some years ago. Noie, the youngest wife of a native named
Nongue, became suddenly disfigured; and among other misfortunes, lost
the little tuft of reddened hair. Poison was immediately suspected,
and one of the elder wives was suspected as the culprit. She was
accordingly brought up before the council, and a fair trial of five
hours’ duration was accorded to her. The investigation clearly proved
that she had in her possession certain poisons, and that she had
administered some deleterious substance to the young wife, of whom
she had become jealous. The force of evidence was so great that she
confessed her crime, and stated that she intended to make Noie’s
hair tuft fall off in order that the husband might be disgusted with
the appearance of his new wife, and return to his old allegiance to
herself. She was condemned to death, that being the punishment for all
poisoners, and was led away to instant execution--a fate for which she
seemed perfectly prepared, and which she met with remarkable unconcern,
bidding farewell to the spectators as she passed them.
The curious respect paid by the natives to this ornament is the more
remarkable, because its size is so very small. Even before shaving the
head, the short, crisp hair forms a very scanty covering; and when it
is all removed except this little tuft, the remainder would hardly
cover the head of a child’s sixpenny doll.
Among the illustrations given on p. 39, is shown a remarkably elaborate
apron belonging to a chief’s wife, drawn from a specimen in Mr.
Jackson’s collection. It is made of leather, dressed and softened in
the usual manner, but is furnished with a pocket and a needle. In order
to show this pocket, I have brought it round to the front of the apron,
though in actual wear it falls behind it. In the pocket were still a
few beads and a brass button. Thread is also kept in it. On the inside
of the apron is suspended one of the skewer-like needles which has been
already described, so that the wearer is furnished with all appliances
needful for a Kaffir seamstress.
But the chief glory of the apron is its ornament of beads, which has a
very bold effect against the dark mahogany hair of the apron itself.
This ornament is made in the form of a triangular flap, quite distinct
from the apron itself, and fastened to it only by the lower edge
and the pointed tip. The beads are arranged in a series of diamond
patterns, the outer edge of each diamond being made of white beads, and
the others of different colors, red predominating.
Figs. 2 and 3 in the “articles of costume,” p. 33, and next to the
men’s “tails,” already described, present two good examples of the
women’s aprons, both drawn from specimens in my collection. Fig. 3 is
the thong apron of the women. It is made of an infinity of leather
thongs, fastened together in a way rather different from that which
has been mentioned. Instead of having the upper ends fixed along the
belt so as to form a fringe, they are woven together into a tolerably
thick bunch, some four inches in width, and wider below than above. In
many cases these thongs are ornamented by little scraps of iron, brass,
tin, or other metal, wrapped round them; and in some instances beads
are threaded on the thongs. This apron would not belong to a woman of
any high rank, for it has no ornament of any kind (except a thorough
saturation with highly perfumed grease), and is made of materials
within the reach of every one. Any odd slips of hide thrown away in the
process of Kaffir tailoring can be cut into the narrow thongs used for
the purpose, and no very great skill is needed in its construction;
for, though strongly made, it is the work of a rather clumsy hand.
Such is not the case with the remarkable apron shown at fig. 2 of the
same illustration. This specimen is made in a rather unusual manner.
The basis of the apron is a piece of the same leather which is usually
employed for such purposes; but, instead of being soft and flexible, it
is quite hard and stiff, and cannot be bent without danger of cracking.
The beads are sewed firmly on the leather, and are arranged in parallel
lines, alternately white and lilac, a few black beads being pressed
into the service by the maker, apparently for want of those of a proper
color. Even the belt by which it is supported is covered profusely with
beads; so that, altogether, this is a remarkably good specimen of the
apron belonging to a Kaffir woman of rank.
The object represented at fig. 4 is a headdress, which will be
described when we come to Kaffir warfare.
A general idea of a Kaffir woman’s dress may be gained by reference to
the illustration “Dolls,” page 33, representing a Kaffir and his wife.
He is shown as wearing the apron and a short kaross; while she wears a
larger mantle, and the thong-apron which has just been described. She
is also carrying the sleeping mat; he, of course, not condescending to
carry anything. Her ankles are bound with the skin ropes which have
been already described; and a chain or two of beads completes her
costume.
Young wives have usually another ornament on which they pride
themselves. This is a piece of skin, generally that of an antelope,
about eighteen inches wide, and a yard or even more in length. This
is tied across the upper part of the chest, so as to allow the end to
fall as low as the knees, and is often very gaily decorated. Down the
centre of this skin a strip about six inches in width is deprived of
hair, and on this denuded portion the wearer fastens all the beads and
buttons that can be spared from other parts of her own costume. In one
costume of a young Zulu wife, the bottom of this strip is covered with
several rows of brass buttons, polished very highly, and glittering in
the sunbeams. This article of dress, however, is disappearing among the
frontier Kaffirs, who substitute European stuffs for the skin garments
which they formerly wore, and which are certainly more becoming to
them. The same may be said of many other articles of clothing, which,
as well as the manners and customs, have undergone so complete a
modification by intercourse with Europeans, that the Kaffir of the
present day is scarcely to be recognized as the same being as the
Kaffir of fifty years ago. As to the Hottentots, of whom we shall soon
treat, they are now a different people from the race described by Le
Vaillant and earlier travellers.
Married women are also fond of wearing bracelets, or rather gauntlets,
of polished metal; sometimes made of a single piece, sometimes of
successive rings, and sometimes of metal wound spirally from the wrist
upward. Some of these ornaments are so heavy and cumbrous, that they
must greatly interfere with the movements of the wrist; but in this
country, as in others, personal inconvenience is little regarded when
decorations are in the case.
In the illustration at the head of 39th p. are shown some bracelets of
a very peculiar fashion, drawn from specimens in my own collection.
They belonged to one of the wives of Goza, and were taken from her
wrists by the purchaser. They are made in a very ingenious manner from
the hoofs of the tiny African antelope, the Bluebok, and are formed in
the following manner:--The leg of the antelope having been cut off,
the skin was cut longitudinally on either side as far as the hoof,
which was then separated from the bone, leaving the sharp, horny hoofs
adhering to the skin. As the skin was cut so as to leave a flat thong
attached to each side of the hoof, it was easy enough to form the
bracelet into the shape which is seen in the illustration.
One remarkable point about these bracelets is their very small size,
which shows the diminutiveness of the Kaffir hand; although the owner
of these bracelets was a married woman, and therefore accustomed to
tasks which would not be very light even for an English laborer. Both
the bracelets are shown, and by the side of them is another made from
ordinary string, such as is used for tying parcels in England. What
could have induced a wife of so powerful a chief as Goza to wear so
paltry an ornament I cannot conceive, except that perhaps she may
have purchased it from one of the witch doctors, who has performed
some ceremony over it, and sold it as a charm. Kaffirs have the most
profound faith in charms, and will wear anything, no matter how
commonplace it may be, if they even fancy that it may possess magic
powers.
If the reader will refer to the “Kaffir ornaments” on page 33, fig.
1, he will see a circular one, made of beads. This is one of the most
cherished decorations of a Kaffir girl, and it is such as cannot be
afforded by any person who is not in affluent circumstances. It is made
in a very ingenious manner, so as to preserve its shape, although it
has to be worn round the waist, and consequently to be forced over the
shoulders. The centre of this handsome belt is made of leather, sewed
firmly together so as to form a cylindrical circle, and plentifully
imbrued with grease to render it elastic. Upon this structure the beads
are fastened, in regular spiral rows, so that the belt may be pulled
about and altered in shape without disturbing the arrangement of the
beads. The projector of this belt has contrived to arrange the beads in
such a manner as to present alternate zigzags of blue and yellow, the
effect of which on the dark chocolate skin would be very telling.
This belt may be seen round the waist of the young girl, whose likeness
is given on page 43. The damsel in question is supposed to be arrayed
for a dance, and, in such a case, she would put on every article of
finery that she possessed. Her woolly hair is ornamented by a quantity
of porcupine quills, the alternate black and white of which have a very
good effect. Porcupine quills are, however, not very easily obtained.
Hunting the porcupine is a task that belongs to the other sex, and is
quite out of the way of the women.
The animal is not a pleasant antagonist; and if his burrow be stopped,
and he be finally driven to bay, he gives his pursuer no small trouble,
having a nasty habit of erecting all his quills, and then suddenly
backing in the direction where he is least expected. A Kaffir’s naked
legs have no chance against the porcupine’s quills, and when several
porcupines are simultaneously attacked by a group of Kaffirs, the scene
is exceedingly ludicrous, the Kaffirs leaping about as if bewitched,
but, in reality, springing into the air to avoid the sudden rushes of
the porcupines. Unless, therefore, the parent or admirer of a young
woman should happen to present her with quills, she is forced to put up
with some other ornament. One rather common decoration is by fastening
into the hair a number of the long, straight thorns of the mimosa,
and so defending her head from imaginary assaults as effectually as
her more fortunate sister. The energy which these girls display in
the dance is extraordinary, and it need be so, when some of them will
wear nearly fifty pounds’ weight of beads, bracelets, anklets, belts,
and other ornaments. However, the knowledge of their magnificence is
sufficient to sustain them, and they will go through the most violent
exertions when displaying their activity in the dance.
As to the belt which has just been mentioned, I was anxious to know
whether it could be worn by our own countrywomen. So, after taking the
precaution of washing it very thoroughly with a hard brush, soap, and
soda, I tried it on a young lady, and was surprised to find that it
passed into its place without much trouble, though its progress was,
of course, impeded by dress, whereas the naked and well-oiled body of
the Kaffir girl allows the belt to slip over the arms and shoulders at
once.
There is another remarkable ornament of the young Kaffir women, which I
call the semi-belt. It is flat, generally made of strings and thongs,
and ornamented at intervals with beads arranged in cross-bands. At each
end is a loop, through which a string is passed, so that the wearer
can fasten it round her body. Now, the belt is only long enough to go
half round the body, and the mode of wearing it is rather remarkable.
Instead of placing the whole of the belt in front, as naturally might
be supposed, the wearer passes it round one side of the body, so that
one end is in front, and the other behind. Strange as is this mode
of wearing it, the custom is universal, and in every group of girls
or young women several are sure to be wearing a semi-belt round the
body. Another of these belts is shown in the illustration of “Kaffir
ornaments” on page 49, fig. 3. This is not so elaborate an article, and
has only a few bands of beads, instead of being nearly covered with
them.
As for the necklaces worn by the Kaffir women, they are generally
nothing more than strings of beads, and require no particular notice.
There is one, however, which is so different from the ordinary
necklaces, that I have had it engraved. It may be seen in the
illustration at page 49, fig. 3, next to the handsome bead apron
which has already been described. As may be seen by reference to the
illustration, it is formed entirely of beads, and is ornamented with
six triangular appendages, also made of beads. The general color of
the beads is white, but the interior of the triangular appendages is
cobalt blue; while the larger beads that are placed singly upon the
necklace are of ruby glass. When this remarkable necklace is placed
round the neck, the triangular flaps fall regularly on the breast and
shoulders, and, when contrasted with the dark skin of the wearer, have
an admirable effect.
Lately, two articles of dress, or rather of ornament, have been
imported from Europe into Africa, and have met with great success
among the chocolate-colored belles of Kaffirland. Enterprising
traders in Southern Africa do not set up permanent shops as we do in
England, but stock a wagon with all sorts of miscellaneous goods,
and undertake journeys into the interior, where they barter their
stock for elephants’ tusks and teeth, horns, skins, ostrich feathers,
and similar commodities. They have a most miscellaneous assortment
of goods, and act very much in the same manner as those wandering
traders among ourselves who are popularly called “cheap Johns,” the
chief distinction being that their stock is by no means cheap, but is
sold at about 1,000 per cent. profit on the original outlay. This
seems rather an excessive percentage; but it must be remembered that
the old adage of high interest and bad security holds good in this
as in other speculations. War may break out, the trader be speared,
his wagon robbed, and his oxen confiscated. The dreaded murrain may
carry off his cattle, or they may be starved for want of food, slowly
killed by thirst, or drowned by a sudden rush of water, which may
almost instantaneously convert a dry gully into a raging torrent that
sweeps everything before it. Fashions may change, and his whole stock
be valueless; or some “prophet” may take it into his head to proclaim
that the sound of his wagon wheels prevents the rain from falling.
Moreover, he is unmercifully fleeced by the different chiefs through
whose territories he passes, and who exact an extortionate toll before
they will allow him to pass to the next chief, who will serve him in
much the same manner. Altogether, if the journey be a successful one,
the trader will make about fifty or sixty per cent. clear profit;
but, as the journey is often an utter failure, this is really no very
exorbitant rate of interest on his outlay.
The trader will, above all things, take plenty of tobacco--this
being the key to the heart of a Kaffir, old or young, man or woman.
He will take guns and ammunition for the men; also spirits of the
roughest and coarsest kind, a better and purer article being quite
wasted on his sable customers. Beads, of course, he carries, as well
as buttons, blankets, and other luxuries; also he will have the great
iron hoe blades with which the women till the ground, that he can sell
for one-sixth of the price and which are twice the quality of the
native-made hoe. One of these bold wagon-owners bethought himself of
buying a few gross of brass curtain rings of the largest size, and was
gratified by finding that they were eagerly bought up wherever he went.
The natives saw at once that the brass rings were better bracelets than
could be made by themselves, and they accordingly lavished their savage
treasures in order to buy them.
One of the oddest examples of the vicissitude of African trade occurred
some few years ago. An English vessel arrived at the port, a large part
of her cargo consisting of stout iron wire, nearly the whole of which
was bought by the natives, and straightway vanished, no one knowing
what had become of it. The mystery was soon solved. Suddenly the Kaffir
belles appeared in new and fashionable costume. Some of them had been
to the towns inhabited by Europeans, and had seen certain “cages” hung
outside the drapers’ shops. They inquired the use of these singular
objects, and were told that they were the fashionable attire of
European ladies. They straightway burned to possess similar costumes,
and when the vessel arrived with its cargo of wire they bought it up,
and took it home for the purpose of imitating the white ladies. Of
course they had not the least idea that any other article of apparel
was necessary, and so they wore none, but walked about the streets
quite proud of their fashionable appearance.
As the dancers are encumbered with such an amount of decoration, and as
they exert themselves most violently, a very natural result follows.
The climate is very hot, and the exercise makes the dancer hotter,
so that the abundant grease trickles over the face and body, and
inconveniences the performer, who is certainly not fastidious in her
notions. As to handkerchiefs, or anything approaching to the idea of
such articles, she is in perfect ignorance, her whole outfit consisting
of the little apron above mentioned, and an unlimited supply of beads.
But she is not unprovided for emergencies, and carries with her an
instrument very like the “strigil” of the ancients, and used for much
the same purpose. Sometimes it is made of bone, sometimes of wood,
sometimes of ivory, and sometimes of metal. It varies much in shape,
but is generally hollowed slightly, like a carpenter’s gouge, and has
its edges made about as sharp as those of an ordinary paper knife. In
fact, it very much resembles a magnified marrow spoon.
A specimen of the commoner sort is given at fig. 6, in “Kaffir
ornaments,” on page 49. The material of this strigil is iron, and it is
attached to a plain leather strap.
Sometimes a rather unexpected article is substituted for the strigil,
as may be seen from the following anecdote related by Mr. G. H. Mason.
He went to see the wedding of a Kaffir chief, who was about to marry
his fourteenth wife, and found the bridegroom seated in the midst of
the village, encircled by a row of armed warriors, and beyond them by a
row of women with children.
“Scarcely had we taken our station near the Umdodie (husband), when
a low shrill chant came floating on the breeze from the bottom of a
lovely vale hard by, where I descried a long train of damsels slowly
wending their way among bright green patches of Indian corn and masses
of flowering shrubs, studded with giant cactus, and the huge flowering
aloe. As the procession neared the huts, they quickened their pace and
raised their voices to the highest pitch, until they arrived at the
said cattle-kraal, where they stood motionless and silent.
“A messenger from the Umdodie then bade them enter the kraal, an order
that they instantly obeyed, by twos, the youngest leading the way,
closely followed by the rest, and terminated by a host of marriageable
young ladies (Intombies), clustering thick around the bride--a fat,
good-natured girl, wrapped round and round with black glazed calico,
and decked from head to foot with flowers, beads, and feathers. Once
within the kraal, the ladies formed two lines, with the bride in the
centre, and struck up a lively air; whereupon the whole body of armed
Kaffirs rushed from all parts of the kraal, beating their shields, and
uttering demon yells as they charged headlong at the smiling girls,
who joined with the stalwart warriors in cutting capers and singing
lustily, until the whole kraal was one confused mass of demons,
roaring out hoarse war-songs and shrill love-ditties. After an hour,
dancing ceased, and joila (Kaffir beer) was served round, while the
lovely bride stood in the midst of the ring alone, stared at by all,
and staring in turn at all, until she brought her eyes to bear on
her admiring lord. Then, advancing leisurely, she danced before him,
amid shouts of the bystanders, singing at the top of her voice, and
brandishing a huge _carving-knife_, with which she scraped big drops of
perspiration from her heated head, produced by the unusually violent
exercise she was performing.”
It appears, from the same observant writer, that whatever the amount
of finery may be which a Kaffir girl wears, it is considered only
consistent with ordinary gallantry that it should be admired. While he
was building a house, assisted by a number of Kaffirs, he found that
his men never allowed the dusky maidens to pass within sight without
saluting them, or standing quite motionless, full in their path, so
that each might mutually inspect the other.
“Thus it frequently happened that troops of girls came in from the
Kaffir kraals with maize, thatch, milk, eggs, wild fruit, sugar-cane,
potatoes, &c., &c., for sale; and no sooner did their shrill song reach
the ears of our servants, than they rushed from their work, just as
they were, some besmeared with mud, others spattered with whitewash,
and the rest armed with spades, pickaxes, buckets, brick-moulds, or
whatever else chanced to be in their hands at the moment.”
There is a curious kind of ornament much in vogue among the Kaffir
women, namely, a series of raised scars upon the wrists, and extending
partially up the arms. These scars are made in childhood, and the
wounds are filled with some substance that causes them to be raised
above the level of the skin. They fancy that these scars are useful as
well as ornamental, and consider them in the light of amulets. Other
portions of the limbs are sometimes decorated with these scars; and
in one or two cases, not only the limbs, but the whole body, has been
nearly covered with them. The material with which the wounds are
filled is supposed to be the ashes of a snake.
During their dances, the Kaffirs of both sexes like to make as
much noise as possible, and aid their voices by certain mechanical
contrivances. One of the most simple is made of a number of dry seeds.
In shape these seeds are angular, and much resemble the common Brazil
nut in form. The shell of the seed is very thin and hard, and the
kernel shrinks within it so as to rattle about with every movement. In
some cases the kernel is removed, and the rattling sound is produced
entirely by the hard shells striking against each other. When a number
of these seeds are strung together, and upon the legs or arms, they
make quite a loud rattling sound, in accordance with the movements of
the dancers, and are, in fact, the Kaffir substitutes for castanets.
In some parts of Central Africa, a curious imitation of these natural
castanets is made. It consists of a thin shell of iron, exactly
resembling in form that of the nut, and having a little iron ball
within, which takes the place of the shrivelled kernel.
Earrings are worn in Kaffirland as well as in other parts of the world,
and are equally fashionable in both sexes. The ears are pierced at a
very early age, and the aperture enlarged by having a graduated series
of bits of wood thrust through them, until they are large enough to
hold a snuff box, an ivory knob, or similar ornament.
One of these earring snuff boxes may be seen in the illustration
“Dress” p. 49, fig. 6. It is made of a piece of reed, three inches in
length, closed at one end; and having a stopper thrust into the other.
The original color of the reed is bright yellow, with a high natural
polish, but the Kaffir is not satisfied with having it in its natural
state, and ornaments it with various patterns in black. These are
produced by charring the wood with a hot iron, and the neatness and
truth of the work is very astonishing, when the rudeness of the tools
is taken into consideration. In the present specimen, the pattern is
alternate diamonds of black and yellow. This mode of decorating their
ornaments and utensils is very common among the Kaffirs, and we shall
see more of it as we proceed. Snuff boxes are not, however, the only
ornaments which a Kaffir will wear in the ears, for there is scarcely
anything which is tolerably showy and which can be fastened to the ear
that will not be worn there.