CHAPTER I

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A COMPANION VOLUME

IN THE SAME SERIES

ROME

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CONTAINING 70 FULL-PAGE ILLUSTRATIONS IN COLOUR

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[Illustration: A TURKISH LADY IN OUT-DOOR DRESS]

CONSTANTINOPLE

PAINTED BY WARWICK

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BY ALEXANDER VAN

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PUBLISHED BY A. & C.

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CONTENTS

CHAPTER I

PAGE

THE MAKING OF CONSTANTINOPLE UNDER CONSTANTINE

THE GREAT 1

CHAPTER II

THE MAKING OF CONSTANTINOPLE, UNDER THE EMPERORS

CONSTANTIUS, JULIAN, VALENS, THEODOSIUS THE GREAT,

AND ARCADIUS 24

CHAPTER III

THE MAKING OF CONSTANTINOPLE UNDER THEODOSIUS II 52

CHAPTER IV

ALONG THE WALLS 80

CHAPTER V

ALONG THE WALLS BESIDE THE GOLDEN HORN 101

CHAPTER VI

ALONG THE LANDWARD WALLS 118

CHAPTER VII

AMONG THE CHURCHES OF THE CITY 132

CHAPTER VIII

AMONG THE CHURCHES 147

CHAPTER IX

AMONG THE CHURCHES 170

CHAPTER X

IMPRESSIONS OF THE CITY TO-DAY 195

CHAPTER XI

RELIGIOUS COLOURING 223

CHAPTER XII

TURKISH WOMEN 242

CHAPTER XIII

EPILOGUE 262

INDEX 277

LIST OF ILLUSTRATIONS

1. A Turkish Lady in Out-Door Dress _Frontispiece_

FACING PAGE

2. The Quay in Galata 2

3. Galata from the Aqueduct of Valens 6

4. Stamboul Beggar 10

5. Gypsy Basket-Maker 12

6. A Step Street in Galata 16

7. A Flower-Market, Scutari 18

8. The Galata Bridge 22

9. A Cemetery by the Bosporus 24

10. "A Kafedji" 28

11. Golden Horn from the British Hospital, Galata 30

12. Street Scene, Clay Works 34

13. Street Scene, Stamboul 36

14. A Village Store at Kavak 40

15. Galata Tower from the Bridge 42

16. Refugee Huts on the Marmora 48

17. Turkish Delight Factory 50

18. Flower-Sellers 52

19. Carpet-Menders 56

20. Fruit-Market, Stamboul 60

21. Carpet Warehouse 64

22. Shoemaker, Stamboul 66

23. Street Scene, Roumeli Hissar 70

24. Grand Bazaar, Stamboul 72

25. A Blacksmith's Shop 76

26. Seraglio Point from "The Stones" 82

27. The Seraglio Lighthouse and Scutari 84

28. Crimean Memorial, British Cemetery, Haidar Pasha 88

29. Interior of the Mosque of Sultan Ahmed I. 94

30. Prinkipo (Princes Islands) 98

31. Golden Horn, early Morning 104

32. The Bridge from Galata 106

33. Golden Horn 108

34. Suleimaniyeh at Sunrise 110

35. Cemetery at Eyoub 112

36. Galata and Stamboul from Eyoub 114

37. Golden Horn after Sunset 116

38. The Walls; the Tower of Isaac Angelus 120

39. Constantinople and Golden Horn from the Cemetery at Eyoub 130

40. View from an old Cemetery 134

41. Market in the Court of the Mosque of Sultan Ahmed I. 138

42. Court of the Suleimaniyeh 142

43. Interior of S. Sophia 158

44. Interior of S. Sophia, the Sultan's Gallery 180

45. Fountain in S. Sophia 184

46. A Wet Day on the Galata Bridge 196

47. In the Grand Bazaar 198

48. A Fortune-Teller 200

49. Street Scene, Top-Khaneh 202

50. A Step Street 206

51. Simit-Seller 208

52. Market at Scutari 212

53. Entrance to a Turkish Khan 214

54. Turkish Well, Stamboul 216

55. A Fountain by the Bosporus 218

56. Open Air Café, Stamboul 222

57. Roumeli Hissar 224

58. A Howling Dervish 228

59. A Whirling Dervish 230

60. Tomb in Scutari 238

61. The Sweet Waters of Europe 254

62. The Yashmak 256

63. The Sweet Waters of Asia 260

CONSTANTINOPLE

CHAPTER I

THE MAKING OF CONSTANTINOPLE UNDER CONSTANTINE THE GREAT

328-337 A.D.

THE foundation of Constantinople was an event of the utmost political

significance. That personal feelings actuated Constantine the Great in

the decision to establish a seat of government far from the walls of

Rome is doubtless true. The insults to which he was exposed, on the

occasion of his visit to the ancient capital of the Empire, in 326, on

account of the execution of his wife and of his son, could not fail to

annoy him, and make him willing to shake the dust of the rude city from

off his feet. To have a placard put on his palace gates comparing him

with Nero was not flattering. Certainly the Roman populace did not make

respectful subjects. Diocletian also, before Constantine, had found

Roman citizens insolent, and fled from the slings and arrows of their

sarcasm without waiting to meet the Senate, or to be invested with the

consular dignity. But after all, personal feelings go only a short way

towards the explanation of an event so serious in the history of the

Roman State as the establishment of another seat of imperial authority.

The volume and force of a mighty river might as well be explained by the

drops of a shower which fall into its current. Constantine was too great

a statesman to be swayed by mere personal impulse. The foundation of

Constantinople was the outward and visible sign of profound changes in

the ideas and policy created and long embodied by the city enthroned

beside the Tiber. It was the expression of the spirit of a new epoch; as

much so as the foundation of Alexandria signified a change in the

political conceptions of the Hellenic world, or the building of St.

Petersburg marked the new aspirations heaving in the heart of Russia, or

the erection, in more recent times, of Washington or Ottawa proclaimed

the birth of new commonwealths, and the application of new principles.

Old ideas and ancient institutions cannot be altered in one day, or at

the caprice of one man. They are not the flimsy things which can be

created or destroyed by the wave of a magician's wand. Constantine

only placed the copestone on an edifice which other hands, before his

reign, had gradually raised from the foundations to the point demanding

completion. He finished what others had begun. The creation of the new

capital was the result of causes, long in action; not a whim or matter

of taste.

[Illustration: THE QUAY IN GALATA]

In the first place, the political relation of the city of Rome to the

Roman world had undergone a fundamental change. The citizens of that

wonderful city were no longer the proprietors and sovereigns of the

realm over which the Roman eagles had spread their wings. The Senate

which assembled in the Curia, the people which gathered in the Forum

Romanum, had ceased to rule subject cities and nations. That glory had

departed. In Gibbon's mordant language, "The Senate was left a venerable

but useless monument of antiquity upon the Capitoline hill." Every

freeman within the Empire's bounds was now the equal of the men whose

forefathers had been the kings of the world. Rome was now only one of

the great cities of the Roman State, differing from her peers only in

the memories and the prestige of a happier and grander past. The

government of the world by the city had broken down, and was vested in

the hands of one supreme man. And that man had gradually become an

absolute lord and monarch; who exercised plenary authority wherever he

chose to reside, who decked himself with jewels and resplendent robes,

who made his throne the lofty peak of a vast hierarchy of nobles and

officials, and introduced new methods of administration; a man, perhaps,

without a drop of the blood which Romans proudly bore, but a rude

provincial, yet to whose will the Eternal City bowed as humbly as the

remotest village beneath his sceptre. If a Cassius still lived he might,

pointing to the Master of the Empire, well exclaim, "He doth bestride

the narrow world like a Colossus, and we petty men walk under his huge

legs, and peep about to find ourselves dishonourable graves.... Rome,

thou hast lost the breed of noble bloods!" That a city which had been

sovereign and self-centred should remain the head and representative of

a cosmopolitan State, and of an autocratic Government, was something

incongruous and unnatural.

Nor was this the only respect in which the old order had changed and

given place to new. Under Constantine the attitude of the Roman

Government towards the Christian Church was the direct opposite of that

maintained by his predecessors. What they had regarded as a hostile

organisation, he welcomed as an ally and friend. What they had

endeavoured to uproot and destroy, he cultivated and supported. That he

entertained a sincere respect for Christianity as a moral and social

force, and believed that there was something Divine associated with it,

cannot be doubted. And in his opinion, it was the part of true

statesmanship to accept the religious and moral revolution that had come

into the world, and to utilise it for the welfare of the Empire. This is

not the place to discuss the question how wisely the alliance between

Church and State was effected, or to decide how much the parties to the

union thereby gained or lost. It is enough for our purpose to recognise

that the union introduced as profound a change of policy as can be

introduced into the affairs of men, that it widened the breach between

the past and the present, and rendered the embodiment of the new system

of things in forms peculiar to itself perfectly natural, if not

inevitable. This was the more certain to occur, seeing Rome continued to

be the centre of opposition to the new faith.

Yet another change in the Roman world which explains the appearance of a

new capital was the increased importance and influence of the Eastern

part of the Empire. Not only "captured Greece" but captured Asia also

"led captive her captor." The centre of gravity was now in the East.

There commerce was more flourishing, and intellectual life more active.

There the population was larger, and grouped in more important cities.

There Christianity had its home. Nor was it only in thought, and art,

and temper that the East exercised an ascendency. It was, moreover, the

post of greatest danger. Its frontiers were exposed to the most

formidable attacks which the Roman arms were now called to repel. The

secular hostility of Persia along the Tigris and Euphrates, the

incursions of Goths and Sarmatians across the lower Danube into the

Balkan lands, demanded constant vigilance, and involved frequent

warfare. The military front of the Empire was turned eastwards. There

"the triumph of barbarism" was meanwhile to be chiefly contested.

But to realise all the circumstances under which Constantinople was

founded, we should remember yet another fact. The rule of the Roman

world by one man had broken down, just as the rule of that world by the

citizens of Rome had failed. A single arm, it was discovered, could not

defend the frontiers of that vast realm against the numerous and

fierce foes who threatened its existence; or repress the insurrections

which ambitious men readily raised in widely scattered provinces, when

the central authority was too distant to strike promptly and with the

necessary vigour. Hence the famous scheme of Diocletian to divide the

burden of defending and administering the Empire between four rulers,

bound to one another by community of interest. As originally devised, it

was a short-lived scheme. But it was superseded only so far as its

details were concerned; its fundamental idea had come to stay. At first

sight, indeed, the restoration of the system of single rule, in the

person of Constantine, seemed to imply the abandonment of the multiple

form of government which Diocletian had established. Possibly

Constantine may have entertained such a purpose for some time. But

eventually he adhered to Diocletian's plan, and thought to improve upon

it by the introduction of the dynastic and hereditary factor, hoping

that by distributing the government among members of the same family,

joint rule would prove more cordial and permanent, because resting upon

a more solid basis. Accordingly, he arranged that after his death the

government should be divided between his three sons and two nephews.

[Illustration: GALATA FROM THE AQUEDUCT OF VALENS

The Galata Tower, which is such a prominent feature from this

standpoint, is used as a station for signalling any outbreak of fire,

and also the quarter of the city in which it occurs.]

This was an excessive partition of power, and proved unsatisfactory. But

the view that the welfare of the State required the attention and

abilities of more than one ruler was consistently upheld, so long as

Western and Eastern Europe formed integral parts of the same dominion.

As a consequence Rome ceased to be the capital of the Empire, even in

the ordinary acceptation of the term. For multiplicity of rule involved,

necessarily, as many seats of imperial administration as the number of

rulers associated in the government of the Empire. Hence, under

Diocletian, four cities boasted of being capitals. Furthermore, the

selection of what cities should enjoy that honour would be determined by

their fitness to become natural parts of the new organisation of the

Roman world. Even Rome's claim to be one of the capitals would be

submitted to that test. And when so submitted, the claim of the Eternal

City was disallowed even in that portion of the Empire which included

Italy, where, for strategic reasons, the choice fell first upon Milan

and subsequently upon Ravenna. When it came to the turn of the East to

provide suitable seats of government, the honours were shared between

Singidunum, near the modern Belgrade, and Nicomedia in Asia Minor. But

for reasons which will immediately appear, Constantine preferred

Byzantium, and, having changed the comparatively insignificant town into

a splendid city, named it New Rome and Constantinople, to become the

sole centre for the administration of the Eastern portion of the Empire,

and the local habitation of the spirit of a New Age.

It would appear that the selection of Byzantium for its great destiny

was made after the claims of other cities to that distinction had been

duly weighed. Naissus (the modern Nisch in Servia) which was the

Emperor's birthplace, Sardica (now Sofia, the capital of Bulgaria),

Thessalonica were thought of for that purpose. They had the

recommendation of giving ready access to the Danube frontier, along

which the barbarians caused anxiety and demanded close attention. Some

consideration was given to Nicomedia, which had already been selected by

Diocletian for his capital. It is also said, though without any serious

grounds for the statement, that Constantine actually began work for a

new city near the site of old Troy, under the spell of the poetic

legends which associated Ilium with the origin of the Roman people. But

the superiority of Byzantium to all rivals was so manifest that there

was hardly room for long suspense as to the proper choice. The old

oracle, "Build opposite the blind," which led to the foundation of

Byzantium could still serve to guide Constantine in his search for the

most suitable position of a new imperial city. There is no place in the

wide world more eminently fitted by natural advantages to be the throne

of a great dominion, than the promontory which guards the southern end

of the Bosporus. There Asia and Europe meet to lay down that antagonism

which has made so much of the world's history, and to blend their

resources for man's welfare. A Power upon that throne, having as much

might as it has right, should control a realm extending from the

Adriatic Sea to the Persian Gulf, and from the Danube to the

Mediterranean. From that point natural highways by sea and land proceed,

like the radii of a circle, in all directions where rule can be enforced

or commerce developed--to Russia, to Asia, to Africa, to the lands of

the West. Its magnificent harbour was fitly named the Golden Horn, for

it could be the richest emporium of the world's wealth. Under no sky can

men find a more enchanting bower of beauty, or have more readily the

charms of nature, the portion and delight of daily life. When Othman,

the founder of the Ottoman power, beheld in his dreams this fair city,

situated at the junction of two seas and two continents, it seemed to

him a diamond set in sapphires and emeralds. Here, moreover, men could

dwell secure. Foes advancing through Asia Minor would find their march

upon the city arrested by the great moat formed by the Bosporus, the Sea

of Marmora, and the Hellespont. The straits just named could be made

impassable to hostile fleets approaching from the Euxine or the

Mediterranean. While armies which had succeeded in breaking through the

barriers of the Danube and the Balkans could be confronted by

impregnable fortifications planted along the short landward side of the

promontory. "Of all the events of Constantine's life this choice," Dean

Stanley declares, "is the most convincing and enduring proof of his real

genius." Dr. Hodgkin pronounces it, "One of the highest inspirations of

statesmanship that the world has witnessed."

[Illustration: STAMBOUL BEGGAR

One of a privileged class who was caught sleeping on duty.]

With these reasons for the choice made by Constantine, personal feelings

may have been associated. Such feelings could well play a part his

attachment to Byzantium as in his detachment from Rome. It was at

Byzantium and on the neighbouring heights of Chrysopolis (Scutari), on

the Asiatic side of the narrow straits between the two towns, that

Constantine had finally defeated his rival Licinius, and brought the

Roman dominion under his own rule. To set up his throne amidst the

scenes of his crowning victories, where his figure would stand out to

view for ever in solitary grandeur, as the inaugurator of a new epoch in

the world's history, was a consideration that would appeal to the

feelings of men far less ambitious than the founder of Constantinople.

The long history of Byzantium, since the day when a band of colonists

from Megara settled there in 658 B.C., to the day in 328 A.D. when

Constantine enlarged the town into New Rome, must not detain us. It was

a prosperous little town, much occupied with fisheries, interested in

the business of corn and wine, and a port of call for ships trading

between the countries bordering the Euxine and the Ægean. It was also

celebrated as a fortress, being surrounded by walls of extraordinary

strength, which were defended on more than one occasion with great

heroism. Situated on one of the principal highways between the East and

the West, "even in the force and road of casualty," many of the chief

movements of ancient times in either direction passed by its ramparts,

and compelled its citizens to take a side in the conflicts of the great

powers of the day, and act a part on the field of general history. When

Darius I. crossed the Bosporus into Europe to chastise the Scythians in

Russia, the town fell under the power of Persia, and remained subject to

the Great King until Pausanias, the victor at Platæa, delivered it from

that yoke. In the struggle for supremacy between Sparta, Athens, and

Thebes, it was controlled now by one of the rivals and then by another

of them. It acquired great fame by its resistance to Philip of Macedon,

when the star and crescent moon, which have from that time been the

device of the city through all changes of fortune, exposed the approach

of the enemy and disconcerted his plans. With the rest of the Greek

world, Byzantium formed part of the dominion of Alexander the Great. In

the war between Rome and Mithridates, it became the ally of the former,

and was eventually merged in the Roman Empire. Septimius Severus

levelled its splendid walls to the ground, because of its loyal

adherence to the cause of his rival, Pescennius Niger. He also deprived

it of its higher rank among the towns of the province, making it

subordinate to Heraclea. But he soon recognised the mistake of

destroying a stronghold that guarded one of the great highways into the

Empire, and ordered the fortifications to be rebuilt, and the town to be

refurnished with temples, theatres, baths, and other public edifices.

The subordination of the town to Heraclea, however, was maintained, with

the result that the Bishop of Heraclea became the superior of his

brother of Byzantium until Constantinople was founded. Then, naturally,

the ecclesiastical chief of the new capital took precedence. But in

virtue of the higher position held previously by Heraclea, the Bishop of

that see acquired the right to preside at the consecration of the

patriarch of Constantinople, and retains that right to the present day.

So long may a comparatively trifling action leave its mark upon the

world's history.

[Illustration: GYPSY BASKET-MAKER

With the knife he is holding he cuts long shavings off the faggots

suitable for plaiting into baskets.]

In the course of the third century, Byzantium suffered from the raids of

the Goths, and in commemoration of the defeat inflicted upon the

barbarians by the Emperor Claudius Gothicus at Nissa in 269 A.D., the

graceful Corinthian column of granite, which still rises some 50 feet

high on the slope above the Seraglio Point, was erected, bearing on its

pedestal the inscription, "Fortunæ Reduci ob devictos Gothos" (To

Returning Fortune, on account of the defeated Goths). Finally, here, as

already stated, the struggle between Constantine and Licinius was

decided by the fall of the town into Constantine's hands, after a

desperate defence. From all this history of the town, one fact was

perfectly clear--the immense strategic value of the place. When

Constantine transformed Byzantium into a new capital and a great bulwark

of his Empire, he only developed the innate capacities of the site to

their natural culmination. Constantinople was Byzantium in flower.

Apart from the advantages offered by its situation, Byzantium had little

to recommend it to Constantine's regard. It presented neither ample

room, nor a large population, nor convenient and splendid buildings to

favour the rapid growth of a metropolis. Of the tongue of land on which

the town stood, only the portion to the east of the line drawn from the

present Stamboul Custom House, on the Golden Horn, across to the

Seraglio Lighthouse, on the Sea of Marmora, was occupied. In the bay

beside that Custom House lay the harbours of the town, where shipping,

traders, and merchants did mostly congregate. The Acropolis stood on the

rocky hill now enclosed within the Seraglio Grounds, and there several

temples were found, that gods and goddesses might unite with men in the

defence of the citadel. Against the steep side of the Acropolis, facing

the blue expanse of the Sea of Marmora and the hills and mountains of

the Asiatic shore, two theatres were built, while a stadium lay on the

level tract beside the Golden Horn. The huge structure of the

Hippodrome, which Severus had begun, was waiting to be completed, and to

the north of it were the Baths of Zeuxippus and the adjoining public

square which bore the same name. All this did not constitute a rich

dowry for the future capital. But perhaps to the founder of

Constantinople that fact was not a serious objection; the greatness and

splendour of the new city were to be his own creation.

When precisely work upon the new capital commenced cannot be determined,

but the year 328 A.D., as already intimated, may be regarded as the most

probable date. The circuit of the fortifications which should guard the

city was marked out by Constantine himself with solemn ceremonial, and

comprised the territory that stretched for nearly two miles to the west

of the old town. The north-western extremity of the enclosed area

reached the Golden Horn somewhere in the neighbourhood of the

Stamboul end of the Inner Bridge, while the south-western extremity

abutted on the Sea of Marmora, at a point between the districts to which

the Byzantine names Vlanga and Psamatia still cling. The most precise

indication of the line followed by the landward wall of Constantine is

found in the Turkish name Isa Kapoussi (the Gate of Jesus), attached to

a locality above the quarter of Psamatia. The name refers to an ancient

gateway which stood in the Constantinian fortifications, and survived

their disappearance until the year 1508, when it was overthrown by an

earthquake. It is mentioned in late Byzantine days as "The Ancient

Gate," and on account of its imposing appearance as "The very Ancient

Beautiful Gate" (Antiquissima Pulchra Porta). It was the original Golden

Gate or Triumphal Entrance of the city, and, like Temple Bar in London,

reminded the passing crowds both of what the city had been, and of what

it had become.

[Illustration: A STEP STREET IN GALATA]

The name of the adjoining church, now known as Isa Kapoussi Mesdjidi,

probably suggested the Turkish appellation of this interesting and

important landmark. The addition made by Constantine to the size of

Byzantium was certainly considerable, and the astonishment of his

courtiers at the scale of his plans had some ground in reason. But the

response of the Emperor brings us into closer touch with the emotion

which animated the occasion. "I must go on," said the founder of New

Rome, "until He stops who goes before me." It was a reply in harmony

with the declaration made at another time, that he founded the city at

the Divine command, _jubente deo_. The principal agent in a transaction

of great moment often feels himself to be the instrument of a higher

will than his own, and is haunted by the thought that he builds more

wisely than he knows.

Of course a city such as Constantine designed could not be built in one

day, but such was the eagerness with which the work was pressed forward,

that by the spring of 330 sufficient progress had been made to permit

the official inauguration of the capital of the East. The 11th of May in

that year was appointed to be the city's birthday. Never is the region

about Constantinople so beautiful as at that season. We can therefore

readily imagine the splendour in which earth and sea and sky arrayed

themselves to greet the advent of the new queen-city, and to match the

state and pomp and joy with which men acclaimed that nativity. In honour

of the event there was a long series of popular festivities for a period

of forty days, besides games in the Hippodrome, free access to the

Baths of Zeuxippus, free meals, and liberal gifts of money. For many

centuries the anniversary of the day was observed as a public holiday,

when the Law Courts were closed and races were held in the Hippodrome.

And that the lofty scene of the natal day might be acted over, a gilt

statue of Constantine, holding a Figure of the Fortune of the city, was

placed in a chariot, and under the escort of soldiers in white uniform

and carrying lighted tapers in their hands, was borne round the course

to receive the homage of the reigning Emperor and the assembled

multitudes. Probably the custom was a reminiscence of a procession in

which Constantine himself had taken part on the day of the inauguration

of the city.

[Illustration: A FLOWER-MARKET, SCUTARI]

What the feelings of the "oldest inhabitant" of Byzantium were on that

day it is not difficult to imagine. Any regret at the disappearance of

ancient and familiar landmarks would be lost in pride for the honour

which the old place had received, and in admiration of the magnificence

with which it was invested. Moreover, many features of the past had only

been transfigured, so that the new was not altogether strange. The

Hippodrome, which had stood for more than 130 years an unfinished pile,

was now completed; its seats were packed with spectators, and around its

spina, chariots whirled like the wind. The Baths of Zeuxippus kept their

place, but enlarged and beautified. The open space to the north of the

Baths was converted into a square, surrounded by porticoes, and named

Augustaion, after the title Augusta bestowed upon the Emperor's mother.

On the eastern side of the place stood the Senate-House, with a

colonnade of six noble columns before the entrance. At the north-western

corner of the square was the Milion, whence distances from New Rome were

to be measured. To the north, the church dedicated to Irene proclaimed

the new faith of the Empire, and told of the peace which had enfolded

the Roman world when Constantine became sole Emperor. The ground now

occupied by the Mosque of Sultan Achmed, to the east of the Hippodrome,

was appropriated for the buildings which were to constitute the imperial

palace. The fortifications along the west of the old town had been

removed, but instead rose ramparts which could render greater service to

mankind, and had a wider outlook upon the world. On the territory within

the principal gateway of Byzantium, a forum had been constructed, named

after Constantine, and there stood a porphyry column, surmounted by his

statue watching over the city. The forum, elliptical in shape, was

enclosed by a double tier of porticoes, with entrances on the east and

the west through fine archways of marble. It was the business centre of

the city. Proceeding westwards to the hill now occupied by the Turkish

War Office, one came to buildings that recalled the Capitol of Rome;

while on the hill now crowned by the Mosque of Sultan Mehemet rose the

church dedicated to the Holy Apostles, in and around which the Emperors

of Constantinople were to be laid to rest when, in the language of the

Byzantine Court ceremonies, the Kings of kings summoned them to appear

before Him. Aqueducts and cisterns provided an abundant supply of water

for numerous public baths and fountains, as well as for private use. The

principal streets were lined with porticoes affording shelter from sun

and rain. The sewers ran deep underground. And the waters of a harbour,

one of the greatest needs of the city, on its southern side gleamed in

the bend of the shore of the Sea of Marmora, where the vegetable gardens

of Vlanga Bostan now flourish. It was known, after the superintendent of

the works, as the Harbour of Eleutherius.

Statues, many of them the work of the finest chisels of antiquity, had

been collected from all parts of the Empire to make the new capital a

museum of art, and to foster the love of the beautiful. Historical

monuments also were there, to suggest the continuity between the past

and the present, and to rouse the men of a new age to emulate the noble

deeds of the old time before them. Of these monuments none was so

inspiring as the Serpent Column brought from Delphi to the Hippodrome,

upon whose lowest thirteen coils are graven the names of the heroic

little States which hurled the Persians out of Greece. No monument stood

more appropriately in a city whose supreme task was to resist the

encroachments of barbarism upon the civilised world. Scattered over the

city were palatial mansions, some erected at the Emperor's order for

personages whom he wished to attract to the new capital, others built by

men of wealth and rank who had come of their own accord to bask in the

sunshine of imperial favour. Persons belonging to other classes of

society had also been attracted in crowds by openings for business,

demand for labourers, exemption from certain taxes, and by the free

distribution of bread, for which the cornfields of Egypt furnished

80,000 modii of wheat. After the pattern of Rome, the good order of

the city was secured by the division of the city into fourteen wards or

regions, of which twelve lay within the walls, and two were suburban.

One of the latter, the 13th ward, was on the site of Galata; the other,

the 14th ward, the famous suburb of Blachernæ, stood on the hill now

occupied by the quarter of Egri Kapou. Both of these extra-mural suburbs

were fortified. Each ward had a curator, who attended to the general

interests of that portion of the city; a crier or messenger to give

public notice to its inhabitants of matters which concerned them; five

night watchmen; and a body of men (colligiati) representing the

trade-guilds, and varying in number according to the size or importance

of the ward, to render assistance in case of fire. After this survey of

the new city, the most loyal son of the old town might come to the

ancient Strategion--the ground devoted to military exercises (on the

level tract beside the present Stamboul Railway Station)--and gladly bow

to the decree inscribed on a column erected there, that Byzantium should

henceforth be named New Rome.

[Illustration: THE GALATA BRIDGE

which spans the Golden Horn at the end near the Bosporus forms the

principal link between Galata and Stamboul. It is presented here as seen

through a window in a small café on one of the adjoining steamboat

quays.]

Constantinople, painted by Warwick Goble, described by Alexander Van Millingen · 第 1 / 13 章