TO MITCHELL McDONALD

TŌKYŌ, November, 1897.

DEAR McDONALD,--I can only very poorly express my real feeling at the

true goodness shown me, not only in coming out to my miserable little

shanty, over that muddy chaos of street,--but in making me feel so

free-and-easy with you, in the charming way you accepted the horrid

attempt at entertainment, and in the hundred ways by which you showed

your interest and sympathy. It was more than nice--that is all I can say.

But you set some mental machinery at work too. I believe almost your

first remark was your desire that I should write fiction,--and I believe

I understand why you wish this. It is because you wish me to make some

profit out of my pen; and, being well informed on all business matters,

you know, just as well as we literary men do, that fiction is about

the only material that really pays. And now I am going, after a little

thinking about the matter, to answer you in kind.

Why do not men like myself write more fiction? For two reasons.

The first is because they have little knowledge of life, little

_savoir-vivre_, to help them in the study of the artificial and complex

growth of modern society. The second is that, unless very exceptionally

situated, they are debarred, by this very want of knowledge and skill,

from mixing with that life which alone can furnish the material. Society

everywhere suspects them; common life repels them. They can _divine_,

but they must have rare chances to do that. Men like the genius Kipling

belong to the great life-struggle, understand it, reflect it, and the

world worships them. But dreamers who talk about preëxistence, and

who think differently from common-sense folk, are quite outside of

social existence. But--I can do this: You know all about the foreign

life of these parts,--the shadows and the lights. You can give me,

perhaps, in the course of three years, _suggestions_ for six little

stories--based upon the relations between foreigners and Japanese in

this era of Meiji: studies of the life of the "open ports." I should

need only real facts--not names or dates--real facts of beauty or

pathos or tragedy. There are hosts of these. All the life of the open

ports is not commonplace: there are heroisms and romances in it; and

there is nothing in this world nearly as wonderful as life itself. All

real life is a marvel--but in Japan a marvel that is hidden as much as

possible--especially hidden from dangerous chatterers like Lafcadio

Hearn.

Of course I could not make a book in a few months,--not in less than two

or three years; but I _could_ make one, with the mere help of hints from

a man who knows. And if that book of short stories (six would be enough

to make a book) should ever be so written, I should certainly make a

dedication of it to M. McD. as prettily as I could.

There is an answer to your wish so far as I can make one for the

present. I shall be down to see you the next month, probably, and we can

chat over matters if you have time. And I shall take care not to come

when you are _too_ busy.

Faithfully, with affectionate regards and thanks,

The Life and Letters of Lafcadio Hearn, Volume 2 · 第 261 / 436 题