TO SENTARŌ NISHIDA

KUMAMOTO, November, 1893.

DEAR NISHIDA,--Both of your letters were as interesting as they

were kind. They revealed to me much more than I had been able to learn

from the newspapers. I am more than sorry for that terrible destruction

and suffering in the _Ken_; but when I think of Okayama, again, I cannot

help thinking that the good fortune, which seems especially to belong

to Matsue, has not yet deserted her. And the Governor seems to be a

first-class man. I like that story of his action with the rice-dealers.

But really, the people are very patient. In some Western countries,

notably in parts of America, it would have been more than dangerous for

men to have acted so selfishly; and they would be in any case afterwards

"boycotted," and obliged perhaps to leave the city. It is a great pity

they were not made to suffer for such atrocious meanness. When I think

of the chrysanthemums in your garden, and read your extraordinary

story about catching fish in it, I can realize what a tremendous loss

there must have been through all the rice-country. Certainly Matsue is

fortunate to have escaped as she did.

Almost at the same time there came to me news from the Gulf of Mexico.

Perhaps you will remember that I wrote a novel about some islands there.

I used to pass my summers in those islands. They were about sixty miles

from the city of New Orleans. Well, on October 4th, a storm burst over

that coast, killing more than 2000 people. The island of Grand Isle was

covered by the sea in the night; and everything--houses, trees, and

people--carried away. Hundreds I used to know are dead. It is a year of

storms and calamities, surely, in all parts of the world.

I will write a better letter later: I am writing now to answer your

questions about those sentences:--

(i) "Choppy"--"chopped" or "chapped" by cold: "chapped hands"--hands of

which the skin is _cracked_ by frost. "His hands are all chapped"--that

is, all _roughened_ by frost. "Choppy" is not so often used as

"chapped:" it is a poetical use of the word.

(ii) "He had torn the cataracts from the hills." You must remember here

Winter is personified as a monstrous giant. "Cataracts" is used in the

sense of "waterfalls." The waterfalls are frozen into solid masses of

ice. Winter, the giant, breaks them off, and hangs them round his waist.

[Illustration]

(iii) "And they clanked at his girdle like _manacles_" (from Latin

_manus_, "hand") (you spelled the word wrong: it is "manacles").

"Manacles," iron fetters for the hands;--handcuffs. They are made

in pairs, fastened together by a chain, and closed by a key. They

_clank_ when they strike together,--(i. e.) make a ringing metallic

noise--because they are of fine steel usually. The sound made by iron

is "clank"--"_to_ clank" (verb), "_a_ clank" (noun). Why does Shelley

use such a simile? Because Winter is like a jailer, like the keeper of a

prison. He fastens up, or imprisons, the rivers, lakes, and ponds with

ice. So he is described as a keeper of prisoners,--with manacles or

handcuffs hanging to his waist, ready for use. Ice striking against ice

makes a ringing noise, very much like iron--sometimes. The comparison is

very strong.

And why does he put his chapped finger to his lip? To put the first

finger on the lips is a sign for "Be silent!" "Do not speak!" In winter

the world becomes silent. The birds are gone; the insects are dead.

The Life and Letters of Lafcadio Hearn, Volume 2 · 第 143 / 436 题