CHAPTER X

THE ELIZABETHAN AGE

The seamanship, the navigation, and the gunnery of the Elizabethan

age will ever be memorable, not merely because they attained such

excellence after centuries of imperfection, but because by a

combination of these three arts the whole future of England was mapped

out, her supremacy assured, and her colonial expansion begun.

A four-masted warship of her reign was not a handy creature to control.

She could fight and she could ride out an Atlantic gale, but she was

clumsy; she was--even the best of her class--much addicted to rolling,

owing to the fact that she possessed such immense weights above the

water-line. She was certainly an improvement on the ships of Henry

VII and VIII, but she was too cumbrous to be considered in any degree

satisfactory. Before we proceed to discuss the way they were handled,

let us briefly survey the principal types of vessels on board which the

men of this reign had to serve.

[Illustration: SIXTEENTH-CENTURY FOUR-MASTED SHIP.

By a Contemporary Artist.]

[Illustration: ELIZABETHANS BOARDING AN ENEMY’S SHIP.]

There was, firstly, the “high-charged” man-of-war with her lofty poop

and forecastle. A contemporary illustration shows such a vessel with

guns protruding from the stern and two tiers of guns running along

either side of the ship. There were light guns in the forecastle as

well. That portion on the main deck between the break of the poop and

forecastle was the waist, where the crew moved about and the ship’s

boats were stowed. In those days, when so much of the fighting was

done at close quarters, and the enemy endeavoured so to manœuvre

his ship as to come alongside and pour his men on the other’s deck,

dealing out slaughter to all who should bar his way, it was the aim of

the attacked ship to catch the invaders between two fires. The poop

and forecastle being so well guarded and, by reason of their height,

so difficult to assault, the enemy might possibly board the ship at

the waist. But inasmuch as the after bulkhead of the forecastle and

the forward bulkhead of the poop were pierced for quick-firing guns,

the boarding party was likely to meet with a warm reception. As an

additional obstacle to boarding, it was customary before a fight to

stretch long red cloths over the waist. These cloths were edged on

each side with calico, says an Elizabethan writer, and were allowed to

hang several feet over the side all round the ship, being sometimes

ornamented with devices or painted in various colours. Wooden barriers,

called “close-fights,” were also built across the ship’s deck for

repelling boarders, and were loopholed like the bulkheads. Furthermore,

nettings were stretched across the ship to prevent any falling spars

from dealing death to the crew.

The tumble-home on these ships was excessive, but since they carried

so many decks it was essential that the topmost should be as light

as possible. But just as on a modern steamship the master can survey

everything forward from the eminence of his bridge, so the Elizabethan

captain, standing on the poop, was able to command the whole ship, to

see ahead and to keep an eye on his men. There was no uniform colour

for painting the Elizabethan hulls, Mr. Oppenheim says. Black and

white, the Tudor colours green and white, red, and timber colour were

all used. Sometimes a dragon or a lion gilded was at the beak-head,

with the royal arms at the stern. On either side of the stern was a

short gallery, on to which the captain could emerge from his cabin

under the poop. The long tiller from the rudder came in under the poop,

and was controlled by a bar or whipstaff attached to this same tiller.

“The roul,” says James Lightbody in his “Mariner’s Jewel,” published

in 1695, “is that through which the whipstaff goeth, which is a piece

of wood the steersman holdeth in his hand to steer withal.” The man

received his orders, as a rule, from the master of the ship, but when

entering port the pilot would instruct him how to steer.

[Illustration: ILLUSTRATION TO SHOW AN ELIZABETHAN HELMSMAN STEERING A

SHIP BY MEANS OF WHIPSTAFF.

(Sketched on board the replica of the _Revenge_ at Earl’s Court.)]

There was not very much room in the fo’k’sle--just enough to sleep a

few of the crew and for stowing coils of rope and the like. The galley

was erected at the bottom of the hold on a brick floor. Below the

upper deck came the main deck. Here were disposed the heavier guns,

and here the crew were berthed. Between this and the hold was a false

orlop, where the bread-room and the cabins of the petty officers were

placed. But what was perhaps especially noticeable about these ships

was the extent to which the poop and the beak projected away from the

hull. Consequently, not only did these craft roll, but they pitched

considerably as well. The interiors of the cabins were painted green,

and there was a certain amount of carving externally both at beak and

stern. So much for the “high-charged” type of ship.

But there was also the pinnesse or flush-decked species, such a craft

as brought home to England the body of Sir Philip Sidney, and such a

craft as often formed a unit in those long, perilous transatlantic

voyages of discovery. These craft had no raised forecastle other than a

small platform, and only a short quarter-deck. There was no such thing

as triangular sails on the full-rigged ships of those days. There was,

indeed, a spritsail, which was a squaresail set on a yard depending

from the long, steeved bowsprit, and this was the only headsail.

The foremast and mainmast each set a course and topsail, while the

mizzen and bonaventure each carried a lateen fore-and-aft sail. The

fore-topmast and main-topmast could be struck if necessary. Elizabethan

prints show, situated just above the lower yard on the bigger ships,

a round top or platform from which quick-firing guns and arrows could

be fired. At the yard-arms were sometimes fitted hooks, which, catching

the enemy’s rigging and sails, would do him considerable damage.

[Illustration: SIXTEENTH-CENTURY SHIP CHASING A GALLEY.

By a Contemporary Artist. The lead of the ropes, the parrals round the

masts, the rigging and other details are here most instructively shown.]

The following represent the different types of “great ordinance”

carried by a ship of war at this period:--

ARMAMENT OF AN ELIZABETHAN SHIP

Weight Shot

Ordnance. in lbs. in lbs.

Cannon 8000 63

Demi-cannon 6000 32

Culverin 5500 18

Demi-culverin 4500 9

Saker 3500 5¼

Minion 1500 4

Falcon 1100 2¼

Falconet 500 1¼

But it was seldom that any ordnance greater than a demi-cannon was used

on board ship.

The guns were made of brass or iron, and were mounted on wooden

carriages which had four wheels. They could be run in and out by means

of tackles. In his interesting little book, “The Arte of Shooting in

Great Ordnance,” by William Bourne, published in 1587, the author

significantly speaks of “this barbarous and rude thing called the

Art of Shooting in great Ordnaunce.” This was the period, you will

remember, when arrows, bills, and pikes had not yet lost their

admirers. He tells you in his preface that he has written this book

because “we English men haue not beene counted but of late daies to

become good Gunners, and the principall point that hath caused English

men to be counted good Gunners hath been for that they are hardie or

without fear about their ordnaunce: but for the knowledg in it other

nations and countries haue tasted better therof, as the Italians,

French, and Spaniardes, for that the English men haue had but little

instruction but that they haue learned of the Doutchmen, or Flemings in

the time of King Henry the eight.”

[Illustration: WAIST, QUARTER-DECK, AND POOP OF THE “REVENGE.”

(Elizabethan period.)]

[Illustration: SIXTEENTH-CENTURY THREE-MASTED SHIP.

By a Contemporary Artist. The date on the stern is 1564. Notice the man

in the maintop dowsing maintopsail.]

He goes into the subject with great thoroughness and points out that

allowance must be made for the wind, and how to secure good aim. The

cannon are to be placed so as to be right in the middle of the ports of

the ship, and care is to be taken that the wheels of the gun-carriage

are not made too high. He advises that when shooting from one ship

at another, if there is any sea on it is essential to have a good

helmsman “that can stirre steadie.” The best time to fire at the other

vessel is when the latter is “alofte on the toppe of the sea,” for then

“you have a bigger marke than when she is in the trough.” If the ship

rolls, “then the best place of the ship for to make a shotte is out of

the head or sterne.” The shorter ordnance is to be placed at the side

of the ship because they are lighter, and if the ship should heave

“wyth the bearyng of a Sayle that you must shutte the portes,” then you

can easily take the guns in.

“In lyke manner,” he proceeds, “the shorter that the peece lyeth oute

of the shyppes syde, the lesse it shall annoy them in the tacklyng of

the Shippes Sayles, for if that the piece doe lye verye farre oute of

the Shyppes syde, then the Sheetes and Tackes, or the Bolynes wyll

alwayes bee foule of the Ordnaunce, whereby it maye muche annoy them in

foule weather.” Therefore the long guns are best placed so that they

are fired from the stern. But a gun so placed must be “verye farre oute

of the porte, or else in the shooting it may blowe up the Counter of

the Shyppes sterne.”

In another equally delightful volume entitled “Inventions or Devises,”

the same author tells his reader how to “arme” (i.e. protect) a “ship

of warre.” You are to keep your men as close as you may, and have

the bonnet off the sail or other canvas stretched along the waist

and decks, as I have shown on an earlier page. The forecastle and

poop, Bourne says, you may “arm” with “manlets or gownes” “to shaddow

your men”; so also the tops, “but now in these daies,” he adds, “the

topfight is unto little effect, since the use of Calivers or Muskets in

Ships,” for the latter could do so much damage. He therefore advises

against having many men in the tops. After alluding to the netting,

which I explained just now, Bourne suggests that the captain must send

the carpenter “into the holde of the Ship” “to stop any leake if any

chance. And also to send downe the Surgion into his Cabin, which ought

and must be in the holde of the ship.”

The supreme head of the ship was the captain, who was not necessarily

a navigator nor even a seaman; but he was the wielder of authority and

discipline. He it was who had to keep under control a crew that was

prone to swearing, blasphemy, violence, mutiny, and other sins. Sir

William Monson has left behind in his most interesting “Naval Tracts”

many an entertaining detail of sea life during the Elizabethan period,

and tells that a captain might punish a man by putting him in the

“billbows during pleasure,” ducking him at the yard-arm, hauling him

from yard-arm to yard-arm under the ship’s keel (otherwise known as

keel-hauling), fastening him to the capstan and flogging him there,

or else fastening him at the capstan or mainmast with weights hanging

about his neck till his poor heart and back were ready to break.

Another brutal punishment was to “gagg or scrape their tongues for

blasphemy or swearing.”

Elizabethan captains, says Monson, “were gentlemen of worth and

means, maintaining their diet at their own charge.” In a fight the

lieutenant had charge of the forecastle. It was not till the latter

part of Elizabeth’s reign that the rank of lieutenant was created for

the training of young gentlemen destined ultimately for command. He

came aboard quite “green” in order to learn what seamanship he could,

and to assist the captain in the discipline of the ship; but he was

not allowed to interfere with the navigation, which was entirely the

work of the master. Not unnaturally there was a good deal of friction

between the lieutenant and the master. Even the common seaman had an

ineradicable contempt for this landlubber, more especially in the

seventeenth century during the Anglo-Dutch wars.

[Illustration: RIDING BITTS ON THE GUN DECK OF THE “REVENGE.”

(Elizabethan period.)]

In his “Accidence, or The Path-way to Experience necessary for all

Young Seamen,” written by Captain John Smith, the first Governor of

Virginia, we have a great deal of information which tells us just what

we should wish to know. Of the captain and master we have already

spoken. The latter and his mates are to “commaund all the Saylors,

for steering, trimming, and sayling the Ship.” The pilot takes the

ship into harbour, the Cape-merchant and purser have charge of the

cargo, the master-gunner was responsible for all the munitions,

while the carpenter and his mate looked after the nails, pintles,

saws, and any caulking of seams as well as the splicing of masts and

yards. The boatswain had charge of the cordage, marlinespikes, and

sails, etc., while his mate had command of the longboat for laying

out kedge anchors and warping or mooring. The surgeon had to have a

certificate from the “Barber-surgeons Hall” “of his sufficiency,” and

his medicine-chest must be properly filled. The marshal was to punish

offenders, and the corporal was to see to the setting and relieving

of the watch. Every Monday the boatswain was to hear the boys box the

compass, after which they were to have a quarter can of beer and a

basket of bread.

The men messed in fours, fives, or sixes, and the steward’s duty was

“to deliuer out the victuall.” The quartermasters had charge of the

stowage, while a cooper was carried to look after the casks for wine

and beer, etc. The large ships had three boats, viz. (1) the boat, (2)

the cock, and (3) the skiff. These were respectively put in charge of

(1) the boatswain, (2) the cockswain, and (3) the skiffswain. Hence

the origin of these designations. A cook was carried, and he had his

store of “quarter cans, small cannes, platters, spoones, lanthornes,”

etc. The swabbers’ duties were to wash and keep clean the ship. But the

first man that was found telling a lie every Monday was indicted of

the offence at the mainmast and placed under the swabber to keep the

beak-head and chains clean. The sailors were the experienced mariners

who hoisted the sails, got the tacks aboard, hauled the bowlines,

and steered the ship; while the younkers were the young men called

“foremast men,” whose duty it was to take in topsails, furl and sling

the mainsail, and take their trick at the helm.

[Illustration: LONGITUDINAL PLAN OF AN EARLY SEVENTEENTH-CENTURY SHIP.

This contemporary design conveys an excellent idea of the interior

of an ocean-going vessel. Notice the pilot’s place at the stern; the

tiller and whip-staff; the capstan; the lower deck; the holds, etc.]

In those days the custom of dividing a ship’s company into watches was

already in vogue. “When you set sayle and put to sea, the Captaine is

to call up the company; and the one halfe is to goe to the Starreboord,

the other to the Larboord, as they are chosen: the Maister chusing

first one, then his Mate another, and so forward till they bee diuided

in two parts.” In those days the reckoning by tonnage was far from

reliable as indicating the true size of a ship. Columbus, after his

second voyage across the Atlantic, writes to Captain Antonio de Torres

of the ship _Marigalante_, and refers to the freighting of ships by the

ton “as the Flemish merchants do,” and this, he suggests, would be a

better and less expensive method than any other mode. But when after

the capture of a prize the division of shares was made, it was to the

advantage of the crew to make the tonnage as big as possible. The

custom was to allot the share in proportions. The ship took a third,

the victualler took another third, and the remaining third was divided

up among the crew. Of this latter third the captain received nine

shares, the master seven, and so on down to the boys who had one share,

and there was a reward given to the man who first descried the sails of

the ship ultimately captured. A reward was also paid to the first man

who rushed on board the enemy.

According to Monson, every man and boy was allowed 1 lb. of bread a day

and a gallon of beer a day, viz. a quart in the morning, a quart at

dinner, a quart in the afternoon, and a quart at supper. On flesh-days

each man could have 1 lb. of beef or else 1 lb. of “pork with pease.”

Flesh-days were Sundays, Mondays, Tuesdays, and Thursdays. The other

days were fish-days, and on these every mess of four men was allowed a

side of salt fish, “either haberdine, ling, or cod,” 7 oz. of butter,

and 14 oz. of cheese. Fridays were excepted, for on these days they

had but half allowance. Monson was naturally prejudiced against the

Spanish ships, which he accused of being badly kept--“like hog-sties

and sheep-coats”--and of giving an allowance of diet far too small.

Every man cooked for himself and there was no discipline, although they

carried more officers than the English ships. In the latter the captain

inspected his ship twice a day to see that she was kept sweet and clean

“for avoiding sickness,” but the holds were so badly ventilated, dark,

and smelly, the beer was so frequently bad, the food so often putrid,

and the crew themselves so lacking in habits of cleanliness, that

scurvy, dysentery, and other diseases frequently broke out and men died

in large numbers. One has only to look through the logs of some of the

Elizabethan voyages of discovery to see this for oneself.

[Illustration: A SIXTEENTH-CENTURY WARSHIP AT ANCHOR.

By a Contemporary Artist. Showing method of embarkation and many

fascinating details.]

In addition to the officers already mentioned must be given two more.

These were first the ship’s chaplain, who celebrated the Holy Communion

on Sundays, read prayers two or three times on week-days, preached, and

visited the sick and wounded. And secondly a trumpeter, who blew on his

silver instrument when the ship went into action, at the changing of

the watches, and at the coming and going of a distinguished guest. His

place was on the poop, and it was customary for “himself and his noise

to have banners of silk of the admiral’s colours.” The watch was set at

eight, and so on through the night and day. When on these occasions the

trumpeter sounded his blast he was to “have a can of beer allowed for

the same.”

And now that we have got some idea in our minds of the details of the

seaman’s life on board an Elizabethan ship, let us be rowed off from

the shore in one of her three boats which is bringing water and wood

and provisions. The good ship is lying to her anchor in the roadstead

about to get underway. Transport yourself, then, in imagination to that

epoch when England’s seamen made such wonderful history, and endeavour

to believe that the cock-boat actually bumps up alongside the English

galleon. You clamber up the ship’s side and find yourself on her deck,

where the crew are standing about ready to hear the commands of the

master. And now let us watch them get under way. I shall quote not from

fiction of to-day, but from an account written by an Elizabethan, this

same Captain John Smith, as he wrote it for the edification of young

seamen.

“Bend your passerado to the mayne-sayle, git the sailes to the yeards,

about your geare on all hands, hoyse your sayles halfe mast high,

make ready to set sayle, crosse your yeards, bring your Cable to the

Capsterne. Boatswaine, heave a head, men into the tops, men upon the

yeards. Come, is the anchor a pike? Heave out your topsayles, hawle

your sheates. What’s the Anchor away? Yea, yea. Let fall your fore

sayle. Who’s at the helme there? Coyle your cable in small slakes.

Hawle the cat, a bitter, belay, loufe (= luff), fast your Anchor with

your shanke painter, stow the boate. Let falle your maine saile, on

with your bonnets and drablers, steare study before the wind.

“The wind veares, git your star-boord tacks aboord, hawle off your ley

sheats ouerhawle the ley bowlin, ease your mayne brases, out with your

spret-saile, flat the fore sheat, pike up the misen or brade (= brail)

it. The ship will not wayer, loure the maine top saile, veare a fadome

of your sheat. A flown sheate, a faire winde and a boune voyage! The

wind shrinks. Get your tacks close aboord, make ready your loufe howks

(= luff hooks) and lay fagnes, to take off your bonnets and drablers,

hawle close your maine bowline.

“It ouervasts. We shall have wind. Sattle your top sailes, take in the

spret sayle. In with your topsayles. Lower your main sayles, tallow

under the parrels, in with your maine sayle, lower the fore sayle.

The sayle is split, brade up close all your sayles, lash sure the

Ordinances, strike your top masts to the cap, make them sure with your

sheepes feete. A storme, hull,[47] lash sure the helme a ley, lye to

try out drift.[48] How capes the ship? Cun the ship, spoune before the

winde. She lusts, she lyes under the Sea. Trie her with a crose jacke,

bowse it up with the outlooker. She will founder in the Sea, runne on

shore, split or billage on a Rocke, a wracke. Put out a goose-winge, or

a hullocke of a sayle.

[Illustration: DRAKE’S “REVENGE” AT SEA.]

“Faire weather! Set your fore sayle. Out with all your sailes. Get your

Larboard tackes aboord, hawle off your Starboord sheats, goe large,

laske, ware yawning. The ship’s at stayes, at backe-stayes. Ouer-set

the ship, flat about, handle your Sayles, or trim your sayles. Let

rise your tacks, hawle of your sheats. Rock-weede, adrift, or flotes!

One to the top to looke out for Land. A ship’s wake, the water way,

the weather bow, weather coyle. Lay the ship by the Ley, and heave the

lead, try the dipsie (= deep-sea) line. Bring the ship to rights,

fetch the log-line to try what way shee makes. Turne up the minute

glasse, observe the hight. Land, to make land, how beares it. Set it by

the Compasse. Cleare your leach-lines, beare in, beare off, or stand

off, or sheare off, beare up.

“Outward bound, homeward bound, shorten your Sailes, take in your

Sailes, come to an Anchor under the Ley of the weather shore, the Ley

shore, nealed too, looke to your stoppers. Your anchor comes home,

the ship’s a drift, vere out more Cable. Let fall your sheat Anchor,

land locked, mo(o)re the ship. A good Voyage, Armes, arme a skiffe, a

frigot, a pinnace, a ship, a squadron, a fleete. When you ride amongst

many ships, pike your yards.

“To the boat or skiffe belongs oares, a mast, a saile, a stay,

a halyard, sheats, a boat-hook, thoughts (= thwarts), thoules

(thole-pins), rudder, irons, bailes, a trar-pawling or yawning,

carlings, carling-knees, for the David (davit), the boates-wayles, a

dridge. To row a spell, hold-water, trim the boate, _vea, vea, vea,

vea, vea_, who saies Amen, one and all, for a dram of the bottle?”

Impressionist-writing you describe all this? Yes, certainly. But it

has the effect, has it not, of conveying just what we are attempting,

a general idea of the life of Elizabethan sailors at sea? “Many

supposeth,” writes this same author, “any thing is good enough to serve

men at sea, and yet nothing sufficient for them a shore, either for

their healthes, for their ease, or estates, or state.” ... “Some it may

bee will say I would have men rather to feast than fight. But I say the

want of those necessaries occasions the losse of more men than in any

English fleet hath bin slaine in any fight since (15)88: for when a man

is ill sicke, or at the poynt of death, I would know whether a dish

of buttered Rice, with a little Cinamon and Sugar, a little minced

meate, or roast beefe, a few stewed Prunes, a race of greene-ginger, a

flap Jacke, a can of fresh water brued with a little Cinamon, Ginger

and Sugar, be not better than a little poore John, or salt fish, with

oyle and mustard, or bisket, butter, cheese or oatemeale pottage on

fish dayes, salt beefe, porke and pease. This is your ordinary ship’s

allowance, and good for them are well, if well-conditioned, which is

not alwayes, as seamen can too well witnesse: and after a storme, when

poore men are all wet, and some not so much a cloth to shift him,

shaking with cold, few of those but will tell you a little Sacke or

Aquvitæ is much better to keepe them in health, then a little small

beere or cold water, although it be sweete.”

The sea literature of the Elizabethan period is rich in illustrations

of the ways employed. Shakespeare, whom some critics verily believe

to have been a sailor--so unfailingly accurate are his numerous sea

terms--here and there, and especially in “The Tempest,” reflects a good

deal of the life on board ship. In such logs as the voyages of the

great Arctic explorer John Davis, there is many a nautical expression

that cannot fail to arrest our attention. And in order to complete the

impressionistic sketch of Captain John Smith, permit me here to bring

to the reader’s notice some of the phrases which I have collected from

other sources of this period.

There were various expressions used to mean heaving-to: thus “strake

suddenly ahull” to signify “suddenly hove-to.” So also “tried under our

maine course, sometimes with a haddock of our sail,” as Davis has it,

or “a hullocke of a sayle,” as Smith expresses it. Perhaps it was thus

that the synonym “try-sail” originated, signifying a small handkerchief

of canvas with which to lie comfortably hove-to. “The third day being

calme, at noone we strooke saile, and let fall a cadge anker.” “Cadge”

is spelt “kedge” nowadays. They used to “let slippe” their cables--made

of hemp--from the “halse” or hawse-pipe. But sometimes “the cable of

our shut (= sheet) anker brake.” “For the straines (= strands) of one

of our cables were broken, we only road by an olde junke!” (Junk is

still sailor’s slang for worn-out rope.) In those days when there was

no such thing as telegraph or post, when ships traversing the ocean

were so few as unlikely to meet except rarely, months and years went by

without news of mariners. But sometimes when an outward-bound English

ship met a fellow-countryman homeward-bound, an effort was made to send

letters back. There was an instance of this during Davis’s third voyage

when two days out from Dartmouth. They met the _Red Lion_ of London

sailing home from Spain. So they hailed the latter and asked her master

to carry letters back to London. “And after we had heaved them a lead

and a line, whereunto wee had made fast our letters, before they could

get them into the ship, they fell into the sea, and so all our labour

and theirs was also lost.”

Happily there still exists the “Traverse-Booke,” which Davis made

during his third voyage, when he set out to discover that north-west

passage which was only found in the present decade by Captain Roald

Amundsen, who also was the first to reach the South Pole. And I

cannot believe that even a brief extract of Davis’s sailing will fail

to be of the greatest interest to modern seamen, whether amateur or

professional. I have therefore thought fit to append the following,

which covers the first nine days beginning from the time when his

little fleet of three, consisting of the “barke” _Elizabeth_, the

“barke” _Sunneshine_, and the “Clincher” _Helene_, weighed their

anchors and set sail from Dartmouth.

A Traverse-Booke made by M. John Davis in his third voyage for the

discoverie of the North-West passage, Anno 1587.

-----------------------------------------------------------------------------

Moneth. | | | |ELEVATION | THE |

|HOURES.|COURSE. |LEAGUES.| OF THE | WINDE. |

DAYES.| | | | POLE. | | THE DISCOURSE.

| | | | | |

MAY. | | | |Deg.|Mins.| |

---------+-------+---------+--------+----+-----+--------+--------------------

19 | | W S W | | 50 | 30 | N E |This day we departed

| |Westerly | | | | | from Dartmouth at

| | | | | | | two of the clocke

| | | | | | | at night.

20 | | | | | | |

21 | 35 | W S W | 50 | 50 | | N E |This day we descried

| |Westerly | | | | | Silly N W by W

| | | | | | | from us.

| | | | | | |

22 | 15 | W N W | 14 | | |N E by E|This day at noone

| | | | | | | we departed

| | | | | | | from Silly.

22 | 6 | W N W | 6 | | |N E by E|

22 | 3 | W N W | 2 | | | |

23 | 15 |N W by W | 18 | | | N E |

| 39 | W N W | 36 | 50 | 40 | |The true course,

| | | | | | | distance and

| | | | | | | latitude.

| 3 | W N W | 2 | | | N N E |

| 6 |N W by W | 5 | | |N E by N|

| 3 | W N W | 3 | | | N N E |

| 12 | W N W | 12 | | | N E |

Noone the| 24 | W N W | 25 | 51 | 16 | |The true course,

24 | |Northerly| | | | | distance, and

| | | | | | | latitude.

| 3 | W N W | 3 | | | N N E |

| 3 | W N W | 2½ | | | N by E |

| 6 | W by N | 5 | | | N |

| 6 | W by N | 5 | | | N |

| 2 | S | ½ | | | N |Now we lay upon the

| | | | | | | lee for the

| | | | | | | Sunshine, which

| | | | | | | had taken a leake

| | | | | | | of 500 strokes in

| | | | | | | a watch.

| | | | | | |

| | | | | | |

-----------------------------------------------------------------------------

The phrase “lay upon the lee” is just another way of saying they

hove-to. “A leake of 500 strokes in a watch” was identical with saying

that they had to work the pumps to that number in such a period.

It should be added, further, that by “elevation of the pole” is, of

course, meant the ship’s latitude.

Some of the vessels of the sixteenth century were terribly slow

creatures. There was a nickname given to those lethargic coasters

which, because they could not do much against the current and had to

proceed from one roadstead to another and there anchor till the tide

turned, were known as “roaders.” No one who has made himself familiar

with their long and trying voyages could ever accuse the Elizabethan

seamen of cowardice in bad weather. Once, Davis relates, when his ship

was fighting her way through a storm, her mainsail blew right out of

her; whereupon the master of the ship crept along the mainyard, which

had now been lowered down to the rails, and gathering the sail as it

was hauled out of the sea, gallantly fought with it and succeeded in

bending it again to the yard, “being in the meane while oft-times

ducked over head and eares into the sea.”

The reader will remember just now in the extract from Smith the

expression “she lusts” for “she lists.” Among hundreds of our English

seamen in this twentieth century “lust” is still used to mean “list.”

Smith, as we saw, also wrote “spoune before the wind.” Davis, too,

related that “we spooned before the sea,” the exact meaning being that

they drove before the gale under bare poles. The latter also uses the

expression “a mighty fret of weather” to mean “a mighty squall.” Those

who are familiar with the language of the fishermen on the north-east

coast of England will call to mind their word “sea-fret” to denote a

fog approaching the land.

[Illustration: SIXTEENTH-CENTURY SEAMEN STUDYING THE ART OF NAVIGATION.

After a Contemporary Artist.

Notice the compass, the hour-glass, globes, cross-staff, charts, etc.]

Few nautical words are so well known to us as “skipper.” Before the

sixteenth century was ended the Dutch seamen had fraternised a good

deal with the sailors of England. The Low Countries were fast

becoming great shipbuilders and navigators, and not unnaturally some

of their phrases began to be used by our men. The Dutch word to this

day which is used to mean captain is still “schipper,” and among the

English seamen at the end of the sixteenth century the equivalent

“shipper” was employed to refer to the same personage. There were

other slang phrases prevalent, such as a “light-horseman” to mean

a fast-pulling gig. So also Davis speaks of a “trade” wind to mean

regular and steady. “The wind blowing a trade,” he remarks. But some

of these phrases employed by seamen of those days are a little less

obvious. “Tressle-trees,” for example, might puzzle many a modern

sailorman. “This night we perished our maine tressle-trees, so that

wee could no more use our maine top-saile.” These trestle-trees were

just a couple of strong pieces of wood, or of iron, and were fitted one

on either side of the lower masthead so as to support the heel of the

topmast. Such expressions as “ground-tackle” are as frequently employed

to-day as then, but over and over again we find that a ship “came

roome,” “bare roome with her,” to mean that the former came to leeward,

put up her helm and bore away.

Anxious as he naturally was concerning a thousand matters, the life

of the captain at sea was many degrees happier than that of his crew.

At least he had a decent cabin and bed in which to sleep and take his

meals and sip his punch, otherwise known as “Rosa Solis,” consisting

of brandy, spices, and hot water. But the seamen’s comforts were

disgracefully neglected, with the result that they died in dozens. Some

more humane captains such as John Smith did their best for the men;

but this was exceptional. And yet it was a thoroughly unsanitary age.

Davis himself admits that many of his crew were “eaten with lice” as

big as beans. Monson includes among the causes of the discouraging of

seamen the inexperienced commanders who were put over them, the bad

victuals which they had to endure, the dishonesty in serving them--the

beef, for instance, given so that five men had to partake of four

men’s allowance--and the delay which was made in paying their wages.

Especially were these abuses noticeable during the early years of

the seventeenth century. Men were impressed into the service even in

those days, though there were volunteers as well. At the time of the

Armada our sailors received as wages fourpence a day, but this was paid

quarterly. In addition, of course, there was sometimes prize money

in the proportions already mentioned. In Monson’s time complaint was

made of the kind of foremast men who were pressed into the service “to

pleasure friends.” Such men as “taylors, porters, and others of that

rank, unworthy of the hatches to lie on,” were brought aboard and given

no less than £1 11s. a month. And yet, when opportunity allowed, the

captain used to send his crew ashore in the ship’s boats “to walk in

the fields ... to take the air.” But among the officers there was too

much “excessive banqueting on board” and a great waste of powder, as,

for instance, when guns were fired at the drinking of a man’s health.

And the same authority has something very interesting to tell us

concerning the ceremonial wearing of the flag on board ship. I have

no intention of confusing our chronological sequence, but I must ask

the reader for a moment to recall that incident which was one of the

indirect if not the real causes of the first Anglo-Dutch wars. It will

be remembered--which English schoolboy does not remember it well?--that

when Captain Young, one May Day in 1652, was bound down Channel

and met a convoy of Dutchmen coming up, he was angered to find the

foreigner declined to salute, and an engagement immediately followed.

Now, writing long before that incident had ever occurred, Monson

definitely states that if a foreign fleet should pass on our seas

and meet our admiral’s ship, the former were expected to acknowledge

our sovereignty by coming under the lee of the admiral, by striking

their topsails and taking in their flag. “And this hath never been

questioned,” he adds, except out of ignorance, as in the case of Philip

II, when he met the Lord Admiral of England when the former was sailing

to England in order to marry Queen Mary. The custom was that if any

foreign ship were to arrive in one of our ports or to pass a fort or

castle, she must, as she entered, and before coming to anchor, take in

her flag three times “and advance it again.” But should the English

admiral be in the harbour, the foreigner was not to display his flag at

all.

Prior to the reign of James I, all admirals wore the St. George’s flag

at the topmast head. But when the Union of Scotland had been effected

there was added the cross of St. Andrew. An admiral at anchor took in

his flag in the evening and fired a gun and set the watch. “The flag

carried under the poop of a ship,” he remarks, “shews a disgrace,” and

is never used except when it is won or taken from an enemy.

Jealousy of Spain and greed of gold had as much to do with the impetus

given to English seamanship and navigation during Elizabethan times as

any inherent love of the sea. To meet this new zeal various writers,

some of whom we have already mentioned, set to work to write treatises

that would turn raw agricultural labourers and tavern-haunters into

fighting sailors and navigators. William Bourne, from whom we have

already quoted, in his “Regiment for the Sea” was the first to give

a book on navigation written by an Englishman. This was in the year

1573, and a rare example of this little work is still preserved in

the British Museum. In it he pointed out the various ways for finding

the variation of the compass, exposed the errors of the plane charts,

and advised mariners in sailing towards high latitudes to keep their

reckoning by the globe, as in those regions the plane chart was most

likely to land them into trouble.

In 1594 John Davis, the Arctic explorer, published his “The Seaman’s

Secrets.” This book became very popular, and took the place of the

Spanish Martin Cortes’ handbook, which had been used in the English

translation. There is a vast amount of matter in Davis’ “Secrets” which

is worth perusing even by the modern navigator. He speaks of “great

Circle navigation,” and gives a whole host of valuable practical hints.

“The Instruments necessarie for a skilfull seaman,” he explains, “are

a Sea Compasse, a Cross staffe, a Quadrant, an Astrolabe, a Chart, an

instrument magneticall[49] for the finding of the variation of the

Compasse, an Horizontall plaine Sphere, a Globe, and a paradoxall

Compasse”[50] ... “but the Sea Compasse, Chart and Crosse staffe

are instruments sufficient for the seaman’s use, the astrolabie and

quadrant being ... very uncertaine.” In this book he gives instruction

as to tides, stars, and how to use the astrolabe. And it is worth

noting that he speaks of the English Channel after the fashion of our

Gallic neighbours, who still refer to “La manche.” “Our Channell,” he

explains, “commonly called the Sleue” (sleeve).

[Illustration: CHART OF A.D. 1589.

Showing the dividing line between the Old World and the New.

It will be recollected that the Pope had drawn an imaginary line North

and South, a hundred leagues west of the Azores, leaving all that lay

east thereof to the Portuguese, and all that lay west to the Spanish.]

Everyone knows that longitude is the distance east or west of a given

meridian. In those days Greenwich did not enter into the matter: the

observatory there had still to be founded. When Davis wrote in the year

1594 there was no variation at St. Michael’s in the Azores, and so the

longitude was reckoned from there. “Longitude,” he defines, “is that

portion of the Equator contained betweene the Meridian of S. Michel’s,

one of the Assores, and the Meridian of the place whose longitude is

desired: the reason why the accompt of longitude doth begin at this Ile

is, because that there the compasse hath no variety.”

Be it remembered, also, that it was Davis who improved the cross-staff

and superseded the clumsy astrolabe for taking meridian altitudes at

sea. It was commonly spoken of as Davis’s quadrant, and was afterwards

improved by Flamstead with the addition of a glass lens. Subsequently

it was further improved by Halley, and as such was used almost

exclusively till the year 1731, when it was in turn superseded by

Halley’s quadrant. When we read again the entrancing narratives given

in Hakluyt and elsewhere of the Elizabethan voyages into the unknown,

let us note that reposing somewhere in the high poop of these ships

there were most probably all the following instruments for navigating

the trackless seas. There was a calendar, an astrolabe, a cross-staff,

a celestial globe, a terrestrial globe, a universal horloge for knowing

the hour of the day in every latitude, a nocturne labe for telling the

hour of the night, one or more compasses, a navigation chart, a general

map, and a printed chart.

[Illustration: SHIP DESIGNER WITH HIS ASSISTANT.

This illustration belongs to the latter half of the sixteenth century,

or the beginning of the seventeenth, and is among the Pepysian MSS. in

Magdalene College, Cambridge. Pepys’ own title for this is “Fragments

of Ancient English Shipwrightry.”]

It was in 1599 that Edward Wright published his “Haven-finding Art.” In

his volume “Certaine Errors in Navigation,” he complains of the errors

in the proportions of the existing charts. These consisted in wrongly

showing the distances of places. He speaks also of sailing “by a

great Circle, which is to bee drawne by those two places,” and asserts

that this is a better method than sailing always at right angles to

the meridian. In practically all the charts of this age the surface

was ruled with rhumb-lines from the thirty-two points of the compass,

as is still the case to-day on certain Dutch charts. The origin of the

word “rhumb” was Portuguese, and doubtless these lines appeared on the

earliest Portuguese charts. In the first of these two books, Wright

also furnished a table of variations of the compass in different parts

of the world.

As to the practical side of navigation, Bourne exhorted his mariners to

remember that the earth is a globe and not a “platforme,” as “generally

the most parte of the seamen make their account.” The meridians, he

reminded them, grow narrower towards the two poles. If one had occasion

to voyage northward it were better to sail by the globe, he suggested.

Therefore you should keep a perfect account of the ship’s course. Then

resort to your globe and consider what place and parallel you are in

(by means of the sun at day and the stars at night). Knowing where you

are, set your globe to the elevation of your pole, and then turn to the

place of your zenith and seek the opposite of it in your parallel, for

then you know that in the same parallel is your east and west line.

Then the just quarter of that circle to the pole must be divided into

the eight points of your compass, doing so likewise on the other side.

From the southern voyages the “plats or cardes for the sea” were

recommended. Bourne strongly advised against painting their compasses

with so many colours on these charts and so many flags on the land, but

bade them use the vacant places left on the paper for better objects,

such as the time of high water at certain states of the moon, and the

elevation of the land, in order that the appearance of the latter

might not be mistaken. The use of sea cardes for navigating during long

voyages he regards as very necessary for three reasons: they show you

(1) how one place bears from another; (2) the distances between the

places; (3) in what latitude any place is. But the master or pilot of

the ship is also to bear in mind the effect of tides, currents, the

surging of the sea or scantiness of the wind, which might put the ship

to leeward of her course. Also in long voyages the wind might shift

ahead, so the mariner must keep a perfect account of his courses and

mark each new course on the chart, and pay regard to the “swiftnesse”

or “slownesse” of the ships. If the weather be clear he was to take the

true altitude of the pole, which will correct the ship’s course and

give “a very neare gesse” how the port of destination bears and how far.

The compass was variously known in the Elizabethan age as the

“sea-directorie,” the “nauticall box,” and the “sea-compasse.”

Lightbody describes the bittacles as “little wooden pins for nailing

the compass-box withal.” The first atlas was published in Dutch at

Leyden in 1585 by Wagenaer. In this are to be found excellent coloured

charts of the Narrow Seas. It is evident from these that there was

a system of buoyage even in those days. There are barrel buoys, for

instance, and basket beacons such as you can still find in use to-day

in different parts of Holland. The sands on the port hand of the Swin

Middle at the entrance to the Thames Estuary are shown marked by

staff-and-triangle marks. This excellent atlas was soon translated into

English, so that the elaborate sailing directions and the admirable

little contours of the coast--crude but useful--could be placed at

the service of English mariners. This English version was known

as Wagenaer’s “Mariner’s Mirrour,” and there was also “The Sea

Mirrour,” translated from the Dutch of William Johnson Blaeu by Richard

Hynmers in 1625, which was another of the numerous nautical books of

this time, containing instruction in practical navigation, sailing

directions, charts, and contours.

[Illustration: A CHART OF THE THAMES ESTUARY.

(Dover to Orfordness.) This is taken from the first Atlas ever

published, viz., in 1585.]

[Illustration: “HOW YOU MAY AT ONE STATION MEASURE UPPON AN HEIGTH WITH

A GEOMETRICALL SQUARE A LONGITUDE UPPON PLAINE.”

This is from Lucar’s sixteenth-century treatise on gunnery, and

illustrates the use of the “geometricall square” for finding the

distance between the galley and the ship, viz. 300 yards. This

instrument was made of metal or cypress, the quadrant being divided

into 90 degrees. It was used for measuring “altitudes, latitudes

and profundities,” and so very valuable for all gunnery work.

]

The hourly or half-hourly glasses used on board were turned by the

sentry, who struck the ship’s bell at every half-hour just as on

shipboard to-day. The only means of keeping correct time in those days

was by observing the heavenly bodies, and this gave time at ship. But

frequently the navigators were many miles out in their longitude, since

the latter is found by comparing the exact time at ship with the time

by a chronometer showing the time at the prime meridian.

Nicholas Tartaglia, in his “Three Bookes of Colloquies concerning

the Arte of Shooting,” published in the year of the Armada, gives

an interesting illustration to indicate how one could know by the

help of a gunner’s circle the number of miles or feet any ship lying

in the roadstead was distant; and also how to measure height with

a geometrical square. And Bourne, in his “Treasure for Traueilers”

(1578), had a method for ascertaining the “waight of any shyp swimmyng

on the water.” The reader will remember that when we were discussing

Columbus we pointed out the lack of that useful instrument, the log and

line, for indicating the distance which a vessel sailed. It was William

Bourne who first published an idea for overcoming this difficulty in

a somewhat ingenious manner. In his “Inventions and Devices” (1578),

he gives a method whereby “to know the way or going of a ship, for

to knowe how fast or softly that any ship goeth.” The idea is too

complicated to be given here in detail, but practically it amounted to

towing astern a tiny boat containing a paddle-wheel which revolved,

and so by a species of clockwork registered the speed. Excepting that

the patent log of to-day is helicular, there is much resemblance

between the old and the new in at least the bare idea. But a little

later--in the year 1637--Richard Norwood published, in his “Seaman’s

Practice,” a whole chapter on the subject “Of dividing the Log-line and

reckoning the Ship’s way.” The log-line was to be used in conjunction

with the glass, and this method was little altered until the

nineteenth-century invention of the patent log had to be brought about

owing to the great speed of steamships.

[Illustration: SIXTEENTH-CENTURY SHIP BEFORE THE WIND.

By a Contemporary Artist. Notice the square lids over the portholes.]

Before we conclude this chapter we must not omit to say something of

the improvement in naval strategy, tactics, and discipline during

the Elizabethan period. You will remember that important campaign of

1587, when Drake took an expedition out to Cadiz, sunk and burnt an

enormous quantity of the enemy’s tonnage, repulsed the attacks of the

Mediterranean galleys--completely beating this type of craft at her

own special game and in her own waters--captured large quantities of

supplies intended for the Armada, and demonstrated himself to be no man

of medieval conceptions, but a modern strategist by waiting at Cape St.

Vincent, where he held the real key to the situation--able to prevent

the fleets from Cartagena and Cadiz from reaching Lisbon. You will

remember, too, that after terrorising the Spaniards and their galleys

he set a course for the Azores, captured the mammoth _San Felipe_,

homeward bound from the East Indies with a cargo that, reckoned in the

money value of to-day, was worth over £1,000,000; and what was more,

discovered from the ship’s papers the long-kept secrets of the East

Indian trade. Finally, during that same historic voyage, when friction

broke out between the modern strategist Drake and his medieval-minded

vice-admiral William Borough, the latter was promptly court-martialled,

tried on board the flagship by Drake, Fenner, and the other captains,

and deposed from his command.

Now, what was the net result of all this? We may sum the matter up

in the following statement. It gave the death-blow to the medieval

methods of fighting and inaugurated the scientific idea of strategy.

It demonstrated the fact that even in those circumstances when the

big sailing ship was at her worst, viz. fighting in sheltered waters

and in a flat calm, when the galley was certainly at her very best,

yet the former could annihilate the latter. Contrariwise, the capture

of the _San Felipe_ showed that even the biggest ship afloat could be

made a prisoner if only the captor went about the matter in the right

way. And, finally, it inaugurated real naval discipline, even for the

highest placed officer, and instituted the Court Martial.

And yet during the time of Elizabeth, though her admirals realised the

value of strategy, yet they failed to understand fleet tactics. There

was no regular order of battle. Howard’s fleet against the Armada in

1588 had been in action twice before it was organised into proper

squadrons. During that nine days’ fighting the old idea of boarding,

that had continued from the Greek and Roman days, through Viking and

medieval times till the sixteenth century, was clearly giving way

to the practice of broadside gunnery. But what is important to note

is the fact that though the Elizabethan admirals were realising the

superiority of the gun to the boarding pike, yet they had not become

sufficiently logical to devise a battle order for enabling their guns

to be used to the best advantage. Nevertheless, there was a partial

appreciation of this important principle. The idea of fighting in

line-ahead was certainly in their minds, and there was a tendency

for the fleet to break up into groups, each group delivering its

broadsides in succession on an exposed part of the enemy’s formation.

A contemporary chart depicting the Armada and the English fleet at the

different stages of fighting in the English Channel unquestionably

shows the Queen’s ships standing out in line-ahead formation from

Plymouth Sound, getting the weather gage of the enemy, and then

firing into them from the windward side. Spanish evidence admits that

the English were “in very fine order.” And it is quite curious

to observe that though Spain and Portugal had led the way towards

scientific seamanship and navigation, and England had followed, yet the

Spaniards still looked upon gunnery as a dishonourable practice, still

retained the medieval idea that gentlemen would fight only with swords;

and therefore these South Europeans, unable to fight at a distance,

used their best endeavours to close with our ships and carry on the

contest after the manner of the tactics which Greek and Roman and

Viking and Crusader had adopted.

[Illustration: EARLY SEVENTEENTH-CENTURY SHIP OF WAR.

By a Contemporary Artist.]

It is true, also, that the Portuguese showed no little courage and

enterprise in their shipbuilding. Some of their fifteenth-century

caracks were four-deckers, of fifteen hundred and two thousand tons,

with forty guns and a thousand sailors, soldiers, and passengers.

And, even if they were not by disposition and natural endowment great

sailors, yet they were splendid navigators. But they were never great

shipbuilders in the scientific sense, since they built by rule of

thumb. The Portuguese had, indeed, done much for cartography, and

yet until the Dutch Gerard Mercator introduced his “Mappemonde” in

1569, containing a new method of projecting a sphere upon a plane,

the problem of how to sail in a straight line over a curved figure

still lacked solution. The Dutch Wagenaer, of whom we spoke just now,

historically certainly owed a great deal to the achievements of the

Portuguese and Spanish, but already by the year 1577 he had written on

navigation. His charts of Dutch harbours and of the Narrow Seas were,

for their limited purpose, of more value than any charts which had come

from the South of Europe.

It has been well said by a careful writer that British seamanship has

been historically the cause of British supremacy, and that most British

sea fights have been decided by bringing single ships to close action,

laying ship against ship. If this statement is true, it is especially

applicable to the Elizabethan period, when seamanship was our strong

point and tactics our weakest. Never before had English sailors reached

such a high degree of proficiency therein; never in so short a time had

it done so much to mould national history, and to lay the foundations

of an Empire.

Ships & Ways of Other Days · 第 10 / 13 章