I asked him point-blank, "Do I bore you?"

"What needless torture you give yourself!" was his reply, while he

looked at me with tender, pitying eyes. "Never have I loved you so

deeply."

"If that is true, my beloved, let me sell Fedelta," I answered.

"Sell her, by all means!"

The reply crushed me. Was it not a covert taunt at my wealth and his

own nothingness in the house? This may never have occurred to him, but

I thought it had, and once more I left him. It was night, and I would go

to bed.

Oh! Renee, to be alone with a harrowing thought drives one to thoughts

of death. These charming gardens, the starry night, the cool air, laden

with incense from our wealth of flowers, our valley, our hills--all

seemed to me gloomy, black, and desolate. It was as though I lay at the

foot of a precipice, surrounded by serpents and poisonous plants, and

saw no God in the sky. Such a night ages a woman.

Next morning I said:

"Take Fedelta and be off to Paris! Don't sell her; I love her. Does she

not carry you?"

But he was not deceived; my tone betrayed the storm of feeling which I

strove to conceal.

"Trust me!" he replied; and the gesture with which he held out his hand,

the glance of his eye, were so full of loyalty that I was overcome.

"What petty creatures women are!" I exclaimed.

"No, you love me, that is all," he said, pressing me to his heart.

"Go to Paris without me," I said, and this time I made him understand

that my suspicions were laid aside.

He went; I thought he would have stayed. I won't attempt to tell you

what I suffered. I found a second self within, quite strange to me. A

crisis like this has, for the woman who loves, a tragic solemnity that

baffles words; the whole of life rises before you then, and you search

in vain for any horizon to it; the veriest trifle is big with meaning, a

glance contains a volume, icicles drift on uttered words, and the death

sentence is read in a movement of the lips.

I thought he would have paid me back in kind; had I not been

magnanimous? I climbed to the top of the chalet, and my eyes followed

him on the road. Ah! my dear Renee, he vanished from my sight with an

appalling swiftness.

"How keen he is to go!" was the thought that sprang of itself.

Once more alone, I fell back into the hell of possibilities, the

maelstrom of mistrust. There were moments when I would have welcomed

any certainty, even the worst, as a relief from the torture of suspense.

Suspense is a duel carried on in the heart, and we give no quarter to

ourselves.

I paced up and down the walks. I returned to the house, only to tear

out again, like a mad woman. Gaston, who left at seven o'clock, did not

return till eleven. Now, as it only takes half an hour to reach Paris

through the park of St. Cloud and the Bois de Boulogne, it is plain that

he must have spent three hours in town. He came back radiant, with a

whip in his hand for me, an india-rubber whip with a gold handle.

For a fortnight I had been without a whip, my old one being worn and

broken.

"Was it for this you tortured me?" I said, as I admired the workmanship

of this beautiful ornament, which contains a little scent-box at one

end.

Then it flashed on me that the present was a fresh artifice.

Nevertheless I threw myself at once on his neck, not without reproaching

him gently for having caused me so much pain for the sake of a trifle.

He was greatly pleased with his ingenuity; his eyes and his whole

bearing plainly showed the restrained triumph of the successful plotter;

for there is a radiance of the soul which is reflected in every feature

and turn of the body. While still examining the beauties of this work of

art, I asked him at a moment when we happened to be looking each other

in the face:

"Who is the artist?"

"A friend of mine."

"Ah! I see it has been mounted by Verdier," and I read the name of the

shop printed on the handle.

Gaston is nothing but a child yet. He blushed, and I made much of him

as a reward for the shame he felt in deceiving me. I pretended to notice

nothing, and he may well have thought the incident was over.

May 25th.

The next morning I was in my riding-habit by six o'clock, and by seven

landed at Verdier's, where several whips of the same pattern were shown

to me. One of the men serving recognized mine when I pointed it out to

him.

"We sold that yesterday to a young gentleman," he said. And from the

description I gave him of my traitor Gaston, not a doubt was left of his

identity. I will spare you the palpitations which rent my heart during

that journey to Paris and the little scene there, which marked the

turning-point of my life.

By half-seven I was home again, and Gaston found me, fresh and blooming,

in my morning dress, sauntering about with a make-believe nonchalance. I

felt confident that old Philippe, who had been taken into my confidence,

would not have betrayed my absence.

"Gaston," I said, as we walked by the side of the lake, "you cannot

blind me to the difference between a work of art inspired by friendship

and something which has been cast in a mould."

He turned white, and fixed his eyes on me rather than on the damaging

piece of evidence I thrust before them.

"My dear," I went on, "this is not a whip; it is a screen behind which

you are hiding something from me."

Thereupon I gave myself the gratification of watching his hopeless

entanglement in the coverts and labyrinths of deceit and the desperate

efforts he made to find some wall he might scale and thus escape. In

vain; he had perforce to remain upon the field, face to face with an

adversary, who at last laid down her arms in a feigned complacence. But

it was too late. The fatal mistake, against which my mother had tried to

warm me, was made. My jealousy, exposed in all its nakedness, had led

to war and all its stratagems between Gaston and myself. Jealousy, dear,

has neither sense nor decency.

I made up my mind now to suffer in silence, but to keep my eyes open,

until my doubts were resolved one way or another. Then I would either

break with Gaston or bow to my misfortune: no middle course is possible

for a woman who respects herself.

What can he be concealing? For a secret there is, and the secret has

to do with a woman. Is it some youthful escapade for which he still

blushes? But if so, what? The word _what_ is written in letters of

fire on all I see. I read it in the glassy water of my lake, in the

shrubbery, in the clouds, on the ceilings, at table, in the flowers of

the carpets. A voice cries to me _what?_ in my sleep. Dating from the

morning of my discovery, a cruel interest has sprung into our lives, and

I have become familiar with the bitterest thought that can corrode the

heart--the thought of treachery in him one loves. Oh! my dear, there is

heaven and hell together in such a life. Never had I felt this scorching

flame, I to whom love had appeared only in the form of devoutest

worship.

"So you wished to know the gloomy torture-chamber of pain!" I said to

myself. Good, the spirits of evil have heard your prayer; go on your

road, unhappy wretch!

May 30th.

Since that fatal day Gaston no longer works with the careless ease of

the wealthy artist, whose work is merely pastime; he sets himself tasks

like a professional writer. Four hours a day he devotes to finishing his

two plays.

"He wants money!"

A voice within whispered the thought. But why? He spends next to

nothing; we have absolutely no secrets from each other; there is not a

corner of his study which my eyes and my fingers may not explore. His

yearly expenditure does not amount to two thousand francs, and I know

that he has thirty thousand, I can hardly say laid by, but scattered

loose in a drawer. You can guess what is coming. At midnight, while he

was sleeping, I went to see if the money was still there. An icy shiver

ran through me. The drawer was empty.

That same week I discovered that he went to Sevres to fetch his letters,

and these letters he must tear up immediately; for though I am a very

Figaro in contrivances, I have never yet seen a trace of one. Alas! my

sweet, despite the fine promises and vows by which I bound myself after

the scene of the whip, an impulse, which I can only call madness, drove

me to follow him in one of his rapid rides to the post-office. Gaston

was appalled to be thus discovered on horseback, paying the postage of a

letter which he held in his hand. He looked fixedly at me, and then put

spurs to Fedelta. The pace was so hard that I felt shaken to bits when I

reached the lodge gate, though my mental agony was such at the time that

it might well have dulled all consciousness of bodily pain. Arrived at

the gate, Gaston said nothing; he rang the bell and waited without a

word. I was more dead than alive. I might be mistaken or I might not,

but in neither case was it fitting for Armande-Louise-Marie de Chaulieu

to play the spy. I had sunk to the level of the gutter, by the side of

courtesans, opera-dancers, mere creatures of instinct; even the vulgar

shop-girl or humble seamstress might look down on me.

What a moment! At last the door opened; he handed his horse to the

groom, and I also dismounted, but into his arms, which were stretched

out to receive me. I threw my skirt over my left arm, gave him my right,

and we walked on--still in silence. The few steps we thus took might

be reckoned to me for a hundred years of purgatory. A swarm of thoughts

beset me as I walked, now seeming to take visible form in tongues of

fire before my eyes, now assailing my mind, each with its own poisoned

dart. When the groom and the horses were far away, I stopped Gaston,

and, looking him in the face, said, as I pointed, with a gesture that

you should have seen, to the fatal letter still in his right hand:

"May I read it?"

He gave it to me. I opened it and found a letter from Nathan, the

dramatic author, informing Gaston that a play of his had been accepted,

learned, rehearsed, and would be produced the following Saturday. He

also enclosed a box ticket.

Though for me this was the opening of heaven's gates to the martyr, yet

the fiend would not leave me in peace, but kept crying, "Where are the

thirty thousand francs?" It was a question which self-respect, dignity,

all my old self in fact, prevented me from uttering. If my thought

became speech, I might as well throw myself into the lake at once, and

yet I could hardly keep the words down. Dear friend, was not this a

trial passing the strength of woman?

Letters of Two Brides · 第 70 / 77 题