With a wild rattle and clatter, and an inhuman abandonment of
consideration not easy to be understood in these days, the carriage
dashed through streets and swept round corners, with women screaming
before it, and men clutching each other and clutching children out of
its way. At last, swooping at a street corner by a fountain, one of its
wheels came to a sickening little jolt, and there was a loud cry from a
number of voices, and the horses reared and plunged.
But for the latter inconvenience, the carriage probably would not have
stopped; carriages were often known to drive on, and leave their wounded
behind, and why not? But the frightened valet had got down in a hurry,
and there were twenty hands at the horses' bridles.
"What has gone wrong?" said Monsieur, calmly looking out.
A tall man in a nightcap had caught up a bundle from among the feet of
horses, and had laid it on the basement of the fountain, and was down in
the mud and wet, howling over it like a wild animal.
"Pardon, Monsieur the Marquis!" said a ragged and submissive man, "it is
a child."
"Why does he make that abominable noise? Is it his child?"
"Excuse me, Monsieur the Marquis--it is a pity--yes."
The fountain was a little removed; for the street opened, where it was,
into a space some ten or twelve yards square. As the tall man suddenly
got up from the ground, and came running at the carriage, Monsieur the
Marquis clapped his hand for an instant on his sword hilt.
"Killed!" shrieked the man, in wild desperation, extending both arms at
their length above his head, and staring at him. "Dead!"
The people closed round, and looked at Monsieur the Marquis. There was
nothing revealed by the many eyes that looked at him but watchfulness
and eagerness; there was no visible menacing or anger. Neither did the
people say anything; after the first cry, they had been silent, and they
remained so. The voice of the submissive man who had spoken, was flat
and tame in its extreme submission. Monsieur the Marquis ran his eyes
over them all, as if they had been mere rats come out of their holes.
He took out his purse.
"It is extraordinary to me," said he, "that you people cannot take care
of yourselves and your children. One or the other of you is for ever in
the way. How do I know what injury you have done my horses. See! Give
him that."
He threw out a gold coin for the valet to pick up, and all the heads
craned forward that all the eyes might look down at it as it fell. The
tall man called out again with a most unearthly cry. "Dead!"
He was arrested by the quick arrival of another man, for whom the rest
made way. On seeing him, the miserable creature fell upon his shoulder,
sobbing and crying, and pointing to the fountain, where some women were
stooping over the motionless bundle, and moving gently about it. They
were as silent, however, as the men.
"I know all, I know all," said the last comer. "Be a brave man, my
Gaspard! It is better for the poor little plaything to die so, than to
live. It has died in a moment without pain. Could it have lived an hour
as happily?"
"You are a philosopher, you there," said the Marquis, smiling. "How do
they call you?"
"They call me Defarge."
"Of what trade?"
"Monsieur the Marquis, vendor [Footnote: Vendor: seller.] of wine."
"Pick up that, philosopher and vendor of wine," said the Marquis,
throwing him another gold coin, "and spend it as you will. The horses
there; are they right?"
Without deigning to look at the assemblage a second time, Monsieur the
Marquis leaned back in his seat, and was just being driven away with the
air of a gentleman who had accidentally broke some common thing, and had
paid for it, and could afford to pay for it; when his case was suddenly
disturbed by a coin flying into his carriage, and ringing on its floor.
"Hold!" said Monsieur the Marquis. "Hold the horses! Who threw that?"
He looked to the spot where Defarge the vendor of wine had stood a
moment before; but the wretched father was grovelling on his face on the
pavement in that spot, and the figure that stood beside him was the
figure of a dark stout woman, knitting.
"You dogs!" said the Marquis, but smoothly, and with an unchanged front,
except as to the spots on his nose; "I would ride over any of you very
willingly, and exterminate you from the earth. If I knew which rascal
threw at the carriage, and if that brigand were sufficiently near it, he
should be crushed under the wheels."
So cowed was their condition, and so long and hard their experience of
what such a man could do to them, within the law and beyond it, that not
a voice or a hand, or even an eye was raised. Among the men, not one.
But the woman who stood knitting looked up steadily, and looked the
Marquis in the face. It was not for his dignity to notice it; his
contemptuous eyes passed over her, and over all the other rats; and he
leaned back in his seat again, and gave the word "Go on!"
--CHARLES DICKENS.
[Footnote: What things are contrasted in the story? Does the incident
seem probable from what you know of the period? Can you give any
instances from history or fiction to show the attitude of the French
aristocracy before the Revolution? Do you know what happened to the
Marquis in the "Tale of Two Cities"? Compare the condition of the people
in this episode with those in a "Leaf in the Storm."]