[Summary and Extracts.] _Anglo-phile Eutheo to the Reader_....

P. 99. ‘The first blast in my compt is The Schoole of abuse: a title

not vnfitlie ascribed vnto plaies. For what is there which is not

abused thereby?... that not vnfitlie they are tearmed, as of late The

schoole of abuse, by one; The schoole of Bauderie, by another; The nest

of the Diuel, and sinke of al sinne, by a third’ [_in margin_,

‘M^r Spark in his rehersal sermon at Paules Crosse, 29 of April, Ann.

1579’].... ‘I cal them, A second and third blast ... in respect of

the time present, wherein none, that I knowe, besides these Autors

haue written, though manie, thanked be God, in the principal places of

this land haue, and dailie, yea and openlie do speake against plaies

and Theaters.... Touching the Autor of the latter blast, thou maist

coniecture who he was, but I maie not name him at this time for my

promise sake; yet this do I saie of him, that he hath bine, to vse

his verie wordes, A great affecter of that vaine Art of plaie making,

&c. Yea, which I ad, as excellent an Autor of those vanities, as who

was best.... Praise God, I beseech you, for bringing this Autor, and

Maister Gosson, who made the Schoole of Abuse, out of Babylon.’ _A

second blast of retrait._ This is translated from Salvian, _De

Gubernatione Dei_, lib. vi. _A third blast of retrait._ P. 120.

‘Such doubtles is mine opinion of common plaies, vsual iesting, and

riming extempore that in a Christian-weale they are not sufferable.

My reason is, because they are publike enimies to virtue, & religion:

allurements vnto sinne; corrupters of good manners; the cause of

securitie and carelesnes; meere brothel houses of Bauderie: and bring

both the Gospel into slander; the Sabboth into contempt; mens soules

into danger; and finalie the whole Common-weale into disorder.’

Offers his judgement for what it is worth; describes his experience

of plays and the reasons that led him to turn from them. P. 123. ‘I

confess that ere this I haue bene a great affecter of that vaine art

of Plaie-making, insomuch that I haue thought no time so wel bestowed,

as when my wits were exercised in the inuention of those follies.’ P.

125. ‘What I shal speake of the abuse of plaies by my owne knowledge,

I know maie be affirmed by hundreds, to whom those matters are as wel

knowen as to my selfe. Some citizens wiues, vpon whom the Lord for

ensample to others hath laide his hands, haue euen on their death beds

with teares confessed, that they haue receiued at those spectacles such

filthie infections, as haue turned their minds from chast cogitations,

and made them of honest women light huswiues; by them they haue

dishonored the vessels of holines; and brought their husbandes into

contempt, their children into question, their bodies into sicknes, and

their soules to the state of euerlasting damnation.... When I gaue

my selfe first to note the abuse of common plaies ... the Theater I

found to be an appointed place of Bauderie; mine owne eares haue heard

honest women allured with abhominable speeches. Sometime I haue seen

two knaues at once importunate vpon one light huswife; whereby much

quarel hath growen to the disquieting of manie. There seruants, as it

is manifestlie to be prooued, haue consented to rob their maisters, to

supplie the want of their harlots; there is the practising with married

wiues to traine them from their husbands, and places appointed for

meeting and conference. When I had taken a note of all these abuses,

& sawe that the Theater was become a consultorie house of Satan, I

concluded with my selfe, neuer to imploie my pen to so vile a purpose,

nor to be an instrument of gathering the wicked together.’ Apologizes

for pressing forward in the cause. The abuse of the Sabbath is the

first thing to be put down. P. 128. ‘Let therefore the Magistrate but

repel them from the libertie of plaieng on the Sabboth daie, For that

is the abuse which is generalie found fault withal, & allowed of none

but those who are altogether destitute of the feare of God, and without

conscience. To plaie on the Sabboth is but a priuiledge of sufferance,

and might with ease be repelled, were it throughlie followed. The

warrant which Magistrats have to forbid plaies is great, and passed

vnto them by such a Prince, whose auctoritie is aboue al auctorities

of earthlie gouernors.... Is not the Sabboth of al other daies the

most abused?... Are not our eies (there) carried awaie with the pride

of vanitie? our eares abused with amorous, that is lecherous, filthie

and abhominable speech? Is not our tong, which was giuen vs onelie to

glorifie God withal, is not our tong there imploied to the blaspheming

of Gods holie Name; or the commendation of that is wicked? Are not our

hartes through the pleasure of the flesh; the delight of the eie; and

the fond motions of the mind, withdrawen from the seruice of the Lord,

& meditation of his goodnes? So that albe it is a shame to saie it, yet

doubtles whosoeuer wil mark with what multitudes those idle places are

replenished, & how emptie the Lordes sanctuarie is of his people, may

wel perceaue what deuotion we haue.... Alas, what folie is in you, to

purchase with a penie damnation to your selues?... The Magistrate is

therefore to prouide in time a remedie to redresse the mischiefes that

are like to ensue by this common plague.... The Magistrates hart must

be as the hart of a Lion. He is not to shrinke in the Lordes cause,

or to stand in feare to reforme abuses of the Common-weale, because

of some particular men of auctoritie.... Alas, that priuate affection

should so raigne in the Nobilitie, that to pleasure, as they thinke,

their seruants, and to vphold them in their vanitie, they should

restraine the Magistrates from executing their office! What credite can

returne to the Noble, to countenance his men to exercise that qualitie

which is not sufferable in anie Common-weale? wheras it was an ancient

custome, that no man of Honor should reteine anie man, but such as

was excellent in some one good qualitie or other, whereby if occasion

so serued, he might get his owne liuing? Then was euerie noble mans

house a Common-weale in it selfe: but since the reteining of these

Caterpillers, the credite of noble men hath decaied, they are thought

to be couetous by permitting their seruants, which cannot liue of them

selues, and whome for neerenes they wil not maintaine, to liue at the

deuotion or almes of other men, passing from countrie to countrie,

from one Gentlemans house to another, offering their seruice, which is

a kind of beggerie. Who in deede, to speake more trulie, are become

beggers for their seruants. For commonlie the goodwil men beare to

their lordes, makes them drawe the stringes of their purses to extend

their liberalitie to them; where otherwise they would not.... Such like

men, vnder the title of their maisters or as reteiners, are priuiledged

to roaue abroad, and permitted to publish their mametree in euerie

Temple of God, and that through England, vnto the horrible contempt of

praier. So that now the Sanctuarie is become a plaiers stage, and a

den of theeues and adulterers.... And trust me I am of that opinion,

that the Lord is neuer so il serued as on the holie-daies. For then

hel breakes loase. Then wee permit our youth to haue their swinge;

and when they are out of the sight of their maisters, such gouernment

haue they of themselues, that what by il companie they meete withal, &

il examples they learne at plaies, I feare me, I feare me their harts

are more alienated in two houres from virtue, than againe maie wel be

amended in a whole yeare.’ P. 135. Players break the first commandment

by profanity. P. 137. Appeal against vanities. ‘Those pleasures of the

stage, what are they, but the drifts of Satan?... The foole no sooner

showeth himselfe in his colors to make men merrie, but straight-waie

lightlie there foloweth some vanitie, not onlie superfluous, but

beastlie and wicked. P. 139. Whosoeuer shal visit the chappel of Satan,

I meane the Theater, shal finde there no want of yong ruffins, nor

lacke of harlots, vtterlie past al shame: who presse to the fore-frunt

of the scaffoldes, to the end to showe their impudencie, and to be as

an obiect to al mens eies. Yea, such is their open shameles behauior,

as euerie man maie perceaue by their wanton gestures, wherevnto they

are giuen; yea, they seeme there to be like brothels of the stewes. For

often without respect of the place and company which behold them, they

commit that filthines openlie, which is horrible to be done in secret;

as if whatsoeuer they did, were warranted. For neither reuerence,

iustice, nor anie thing beside can gouerne them.’ The shamelessness

of young men. ‘Seeke to withdrawe these felowes from the Theater vnto

the sermon, they wil saie, By the preacher they maie be edified, but

by the plaier both edified and delighted.’ P. 142. Plays are a snare

to chastity, both through the examples shown on the stage, and the

comments of companions on the scaffolds. ‘The nature of these Comedies

are, for the most part, after one manner of nature, like the tragical

comedie of Calistus; where the bawdresse Scelestina inflamed the

maiden Melibeia with her sorceries.’ P. 144. Examples of the intrigues

‘aptlie taught in the Schoole of abuse.... I am sorie this schoole is

not pluckt downe by the magistrate; and the schoole-maisters banished

this citie.... The reuerend word of God & histories of the Bible, set

forth on the stage by these blasphemous plaiers, are so corrupted with

their gestures of scurrilitie, and so interlaced with vncleane, and

whorish speeches, that it is not possible to drawe anie profite out

of the doctrine of their spiritual moralities.’ P. 145. Attacks the

authors of plays. ‘The notablest lier is become the best Poet.... Our

nature is led awaie with vanitie, which the auctor perceauing frames

himself with nouelties and strange trifles to content the vaine humors

of his rude auditors, faining countries neuer heard of; monsters

and prodigious creatures that are not; as of the Arimaspie, of the

Grips, the Pigmeies, the Cranes, & other such notorious lies. And if

they write of histories that are knowen, as the life of Pompeie; the

martial affaires of Caesar, and other worthies, they giue them a newe

face, and turne them out like counterfeites to showe themselues on

the stage.... What doe they leaue behind them? monumentes of wanton

wicked life, and doting things for men of these latter daies.... But

some perhaps wil saie, The noble man delighteth in such things, whose

humors must be contented, partlie for feare, & partlie for commoditie:

and if they write matters pleasant, they are best preferred in court

among the cunning heads.... Those goodlie persons, if they be voide of

virtue, maie wel be counted like faire clothes ouer a foule wal; big

bladers ful of wind, yet of no waight.’ P. 147. Attacks the actors.

‘When I see by them yong boies, inclining of themselues vnto wickednes,

trained vp in filthie speeches, vnnatural and vnseemlie gestures, to

be brought vp by these Schoole-masters in bawderie, and in idlenes,

I cannot chuse but with teares and griefe of hart lament.... And as

for those stagers themselues, are they not commonlie such kind of

men in their conuersation, as they are in profession? Are they not

as variable in hart, as they are in their partes? Are they not as

good practisers of Bawderie, as inactors? Liue they not in such sort

themselues, as they giue precepts vnto others? doth not their talke

on the stage declare the nature of their disposition?’ Meets divers

objections. P. 148. ‘But they perhaps wil saie, that such abuses as are

handled on the stage, others by their examples, are warned to beware

of such euils, to amendment.... I cannot by anie means beleeue that

the wordes proceeding from a prophane plaier, and vttered in scorning

sort, interlaced with filthie, lewde, & vngodlie speeches, haue greater

force to mooue men vnto virtue, than the wordes of truth vttered

by the godlie Preacher.... If the good life of a man be a better

instruction to repentance than the tong, or words, why do not plaiers,

I beseech you, leaue examples of goodnes to their posteritie?... Are

they not notoriouslie knowen to be those men in their life abroade,

as they are on the stage, roisters, brallers, il-dealers, bosters,

louers, loiterers, ruffins?... To conclude, the principal end of all

their interludes is to feede the world with sights, & fond pastimes;

to iuggle in good earnest the monie out of other mens purses into

their owne handes.’ P. 150. ‘Some haue obiected, that by these

publique places manie forbeare to do euil for feare to be publiquelie

reprehended. And for that cause they wil saie it was tolerated in Rome,

wherein Emperors were touched, though they were present. But to such

it maie be answered, first that in disguised plaiers giuen ouer to al

sortes of dissolutenes, is not found so much as a wil to do good, seing

they care for nothing lesse than for virtue. Secondlie, that is not a

good meanes to correct sinne. For that if it be secret, it ought not

to be reuealed openlie, but by such meanes to be reformed as Christ

himselfe alloweth in his Gospel.’ P. 151. ‘The antiquitie of plaieng

is likewise often vsed for an argument to proue it allowable. But the

custome of euil is not to be maintained, because of antiquitie.’ P.

152. A final appeal. ‘The citie Marsiles ... would receaue into it

no stage-plaiers.... I would to God the Magistrates of our citie of

London would haue the like foresight. The permission of plaies so long

a time hath alreadie corrupted this citie; and brought the name of

the citizens into slander; the examples of Gods iudgement is at this

present an example in this citie.’

xxviii. 1581. ANON.

[Only known to me from the entry in _Catalogue of Chatsworth

Library_, iv. 49.]

A Treatise of Daunses, wherein it is showed, that they are as it were

accessories and dependants (or things annexed) to whoredom: where also

by the way is touched and proved, that Playes are ioyned and knit

together in a ranck or rowe with them.

xxix. 1581. JOHN RAINOLDS.

[From _Praefatio ad Academiam Oxoniensem_, dated ‘Febr. 2.

1580’, to _Sex Theses de Sacra Scriptura et Ecclesia_ (1580),

30. A translation is on p. 678 of _The Summe of the Conference

between John Rainolds and John Hart_ (1584). Rainolds was Fellow

of C.C.C., Oxford, 1566–86, then retired to Queens, became Dean

of Lincoln in 1593 and President of C.C.C. in 1598; for his

share in later stage controversy cf. No. 1.]

Excitate studia, paene dixeram iacentia, sed spero meliora. Extinguite

Sirenes a studiis auocantes, desidiam, dulce malum: delicias, escam

Veneris: conuiuiorum luxum, vanitatem vestium, ludos illiberales,

symposia intempestiua, pestes scenicorum, Theatralia spectacula.

xxx. 1582. STEPHEN GOSSON.

[From _Playes Confuted in fiue Actions, Prouing that they are

not to be suffred in a Christian common weale, by the waye both

the Cauils of Thomas Lodge, and the Play of Playes, written in

their defence, and other obiections of Players frendes, are

truely set downe and directlye aunsweared_ (N.D.; S. R. 6 Apr.

1582), reprinted by Hazlitt, _E. D. S._ 157.]

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