For general notices of the Somerset wedding masks, cf. s.v. Campion,

_Mask of Squires_. On 23 Dec. Chamberlain wrote to Carleton (Birch, i.

282), ‘Sir Francis Bacon prepares a masque to honour this marriage,

which will stand him in above £2000; and though he have been offered

some help by the House, and specially by Mr. Solicitor, Sir Henry

Yelverton, who would have sent him £500, yet he would not accept

it, but offers them the whole charge with the honour. Marry, his

obligations are such, as well to his majesty as to the great lord

and to the whole house of Howards, as he can admit no partner’. On 5

Jan. (Birch, i. 288) he briefly notes, ‘Mr. Attorney’s masque is for

to-morrow, and for a conclusion of Christmas and these shows together’.

The records of Gray’s Inn confirm Chamberlain’s account, by giving no

signs that any expense fell on the Inn. On a letter by Bacon which may

refer to this occasion, cf. s.v. Bacon.

Osborne, _James_, 82, a not very accurate writer, speaks of a Gray’s

Inn mask at court, following an Anglo-Scottish quarrel between Mr.

Hawley of Gray’s Inn and Mr. Maxwell. Probably he has this mask, which

was to honour a Scot, in mind. The quarrel was in fact over in June

1612 (Birch, i. 173). I doubt whether either this mask or the joint

Gray’s Inn and Inner Temple mask of 1612–13 had anything to do with it.

C. RECEPTIONS AND ENTERTAINMENTS

_Coronation Triumph. 1559_

_S. R._ 1558–9. ‘The passage of the quenes maiesties Throwoute the

Cytie of London.’ _Richard Tottle_ (Arber, i. 96).

1558[9], Jan. 23. The Passage of our most drad Soueraigne Lady Quene

Elyzabeth through the citie of London to westminster the daye before

her coronacion. _Richard Tottill. Cum privilegio._

N.D. [1604.] The Royal Passage of her Majesty from the Tower of London

to her Palace of Whitehall, with all the Speaches and Devices, both

of the Pageants and otherwise, together with her Majesties severall

Answers, and most pleasing Speaches to them all. _S. S. for Jone

Millington._

N.D. [1604.] _S. S. for John Busby._ [Another issue.]

_Editions_ in Nichols, _Eliz._ i. 38 (1823), and A. F. Pollard, _Tudor

Tracts_ (_England’s Garner_^2), 365.

There are also accounts in Machyn, 186, and in Holinshed (1808), iv.

158. For a list of the pageants cf. ch. iv.

_Bristol Entertainment. August 1574_

1575. The whole Order howe our Soveraigne Ladye Queene Elizabeth was

receyved into the Citie of Bristowe, in August, and the Speeches

spoken before her presens at her Entry; with the residue of Versis and

Matter that might not be spoken (for distance of the place), but sent

in a Book over the Waetter. _Thomas Marshe._ [In ‘_The Firste Parte

of Churchyardes Chippes, contayning Twelve seueral Labours_. Devised

and published, only by Thomas Churchyard, Gentilman’. Epistle to

Christopher Hatton.]

1578. _Thomas Marsh._

_Editions_ in Nichols, _Eliz._ i. 393 (1788, 1823), and by J. P.

Collier (1867).

Probably Churchyard was the deviser of the entertainment, as he

calls the _Chippes_ ‘a book of all my English verses in meter’. He

says, ‘Some of these Speeches could not be spoken, by means of a

Scholemaister, who envied that any stranger should set forth these

Shows’. _A worthie Dittie, song before the Queens Majestie at Bristow_,

by D. S[and], not in the Entertainment, is in _The Paradise of Daynty

Devises_ (1576). Elizabeth was at Bristol 13–21 Aug. 1574 and lay at

John Young’s. Fame, a boy with a speech in English verse, met her at

the High Cross. At the next gate were Salutation, Gratulation, and

Obedient Good Will, with their verses. On 14 Aug. the Queen attended

divine service at the College. On 15 and 16 Aug. the Forts of Peace

and Feeble Policy were arrayed, and there were sham fights by land and

sea, with speeches by Dissuasion, Persuasion, and John Roberts, who

apparently wrote his own. Was he the envious schoolmaster?

_Kenilworth Entertainment. 1575_

There are two descriptions:

A. By _Gascoigne_

1576. The Princelye pleasures, at the Courte at Kenelwoorth. That is to

saye, The Copies of all such verses Proses, or Poeticall inuentions,

and other Deuices of pleasure, as were there deuised, and presented

by sundry Gentle men, before the Quenes Maiestie: In the yeare 1575.

_Richard Jones_. [The unique copy is believed to have been burnt

in the Shakespeare Library at Birmingham. The printer’s Epistle is

dated March 26, 1576.]

1587. [Part of _Collection_.]

_Editions_ in Nichols, _Eliz._^2 i. 486 (1823), and elsewhere (cf.

Schelling, 121).

B. By _Robert Laneham_

1575. A letter: Whearin part of the entertainment untoo the Queez

Majesty at Killingwoorth Castl, in Warwick Sheer in this Soomerz

Progress, 1575, is signified: from a freend officer attendant in the

Coourt untoo hiz freend a Citizen, and Merchaunt of London. [_No

imprint or colophon._]

_Editions_ in Nichols, _Eliz._^2 i. 420 (1823), by F. J. Furnivall,

_Captain Cox, his Ballads and Books_ (1871, _Ballad Soc._; 1890, _N.

S. S._), in _Sh.-Jahrbuch_, xxvii, 251 (1892), and elsewhere (cf.

Furnivall, ix, clxxvi).

Elizabeth was at Kenilworth 9–27 July 1575. The diary of entertainments

is given in ch. iv. The contributions of specific authors were as

follows:

9 July. Speeches of Sibylla, by William Hunnis; the Porter Hercules, by

John Badger; the Lady of the Lake, by George Ferrers; a Poet, in Latin,

by Richard Mulcaster, or Mercury (?) Paten. It is uncertain which was

used; Gascoigne prints Mulcaster’s, Laneham Paten’s.

11 July. Dialogue of a Savage Man and Echo, ‘devised, penned, and

pronounced’ by Gascoigne.

18 July. Device of the Delivery of the Lady of the Lake, by William

Hunnis, with verses by Hunnis, Ferrers, and Henry Goldingham, who

played Arion.

20 July. Device of Zabeta prepared by Gascoigne, but not shown.

27 July. Device of the Farewell of Silvanus, by Gascoigne.

_Woodstock Entertainment. 1575_

See ch. xxiii, s.v. SIR HENRY LEE.

_Suffolk and Norfolk Entertainments. August 1578_

There are two contemporary descriptions:

A

_S. R._ 1578, Aug. 30. ‘The ioyfull Receavinge of the Quenes maiestie

into Norwyche.’ _Henry Bynneman_ (Arber, ii. 336).

N.D. The Ioyfull Receyuing of the Queenes most excellent Maiestie into

her Highnesse Citie of Norwich: The things done in the time of hir

abode there: and the dolor of the Citie at hir departure. Wherein are

set down diuers Orations in Latine, pronounced to hir Highnesse by

Sir Robert Wood Knight, now Maior of the same Citie, and others: and

certain also deliuered to hir Maiestie in writing: euery of the turned

into English. _Henrie Bynneman._ [Epistle by Ber[nard] Gar[ter] to Sir

Owen Hopton.]

_Edition_ in Nichols, _Eliz._ (1823), ii. 136.

B

_S. R._ 1578, Sept. 20. ‘The enterteignement of the Quenes Maiestie in

Suffolk and Norffolk; gathered by Thomas Churchyard.’ _Henry Bynneman_

(Arber, ii. 338).

N.D. A Discourse of the Queenes Maiesties entertainement in Suffolk

and Norffolk: With a description of many things then presently seene.

Deuised by Thomas Churchyarde, Gent. with diuers shewes of his own

inuention sette out at Norwich: ... _Henrie Bynneman_. [Epistle by

Churchyard to Gilbert Garrard. Adnitt (cf. s.v. Churchyard) says there

were two issues with varying prefatory matter.]

_Extracts_ in Nichols, _Eliz._ (1823), ii. 115, 128, 130, 133, 179.

A ballad and a sonnet, presumably from their titles based on A, were

registered by J. Charlwood and R. Jones respectively on 24 and 31 March

1579 (Arber, ii. 349, 350).

Elizabeth was at Norwich 16–22 Aug. 1578. The diary is as follows:

16 Aug. 1578. Oration by Mayor at Hartford Bridge; Speech, prepared but

prevented by rain, of King Gurgunt in Town Close near Blanch Flower

Castle; Pageant of the Commonwealth, with representations of local

loom industries, and speech by Garter in St. Stephen’s Street; Pageant

of the City of Norwich, Deborah, Judith, Esther, and Queen Martia,

with the City Waits and songs by Garter and Churchyard, at entry to

Market-place; Speech of a Turkish Boy by Churchyard, at Mr. Peck’s door.

18 Aug. Speech of Mercury in an elaborate coach, by Churchyard.

19 Aug. Show of Chastity, with dialogue and song of Chastity, Cupid, a

Philosopher, Wantonness, Riot, Modesty, Temperance, Good Exercise, and

Shamefastness, by Churchyard; Oration by Minister of Dutch Church.

20 Aug. Oration by Stephen Limbert, Master of the Grammar School.

21 Aug. Shows of Water Nymphs, with speeches, and of Manhood and

Desert, a contention of Manhood, Good Favour, Desert, and Good

Fortune, for Lady Beauty, prepared but prevented by rain, both by

Churchyard; Mask by Henry Goldingham in Privy Chamber after supper of

Jupiter, Juno, Mars, Venus, Apollo, Pallas, Neptune, Diana, Mercury as

presenter, Cupid, torchbearers and musicians, who marched about the

chamber and made speeches and characteristic gifts, but apparently did

not dance.

22 Aug. Speech and Song at St. Benet’s Gate by Garter; Show of Fairies

with their Queen and seven speeches, outside the gate, by Churchyard;

written Oration by Mayor at departure over City boundary.

Churchyard also mentions ‘speeches well sette out and a speciall device

much commended’ in the park of the Earl of Surrey at Kenninghall on

12 Aug.; also divers ‘triumphes and devises’ in Suffolk, of which he

only specifies ‘a shew representing the Phayries (as well as might

be) ... in the whiche shew a rich jewell was presented to the Queenes

Highnesse’ at Sir Thomas Kidson’s house, Hengrave Hall, during 28–30

Aug. In _Churchyards Challenge_ (1593) he claims ‘The whole

deuises pastimes and plaies at Norwich, before her Maistie’, and also

‘The Commedy before her Maestie at Norwich in the fielde when she went

to dinner to my Lady Gerninghams’ at Costessy (19 Aug.).

_Fortress of Perfect Beauty. 15–16 May 1581_

_S. R._ 1581, July 1. ‘The Tryumphe Shewed before the Quene and the

Ffrenche Embassadors.’ _Robert Walgrave_ (Arber, ii. 396).

N.D. A brief declaratiō of the shews, deuices, speeches, and

inuentions, done & performed before the Queenes Maiestie, & the French

Ambassadours, at the most valiaunt and worthye Triumph, attempted and

executed on the Munday and Tuesday in Whitson weeke last, Anno 1581.

Collected, gathered, penned & published, by Henry Goldwel, Gen. _Robert

Waldegrave._ [Epistle by Goldwell to Rowland Brasebridge of Great

Wycombe.]

_Edition_ in Nichols, _Eliz._^2 (1823), ii. 310.

This was a tilt, before François of Bourbon, dauphin of Auvergne, Artus

de Cossé, marshal of France, and other commissioners from France, for

the treaty of marriage between Elizabeth and the Duke of Anjou. The

challenge was delivered by a boy in red and white, as the Queen came

from Chapel on 16 April 1581. The tilt, first fixed for 24 April, was

put off to 1 May, 8 May, and finally 15 May. The gallery at the end

of the tilt-yard was named the Castle or Fortress of Perfect Beauty,

and the challengers, the Earl of Arundel, Lord Windsor, Philip Sidney,

and Fulke Greville, called themselves the Four Foster Children of

Desire. They entered from the stable, with trains of followers and a

Rowling Trench of printed canvas, to besiege the fortress. From this

boys spoke and sang, and cannonades of perfumes were shot off, while

flowers and other fancies were flung from scaling ladders. Then came

twenty-one defendants, each with his ‘invention’ and speech. They were

Henry Grey, Sir Thomas Perot, Anthony Cooke, Thomas Ratcliffe, Henry

Knolles, William Knolles, Robert Knolles, Francis Knolles, Rafe Bowes,

Thomas Kelwaie, George Goring, William Tresham, Robert Alexander,

Edward Dennie, Hercules Meautus, Edward Moore, Richard Skipwith,

Richard Ward, Edward Digbie, Henry Nowell, Henry Brunkerd. Perot and

Cooke were ‘both in like armour, beset with apples and fruit, the one

signifying Adam and the other Eve, who had haire hung all down his

helmet’. Their page was an Angel. Ratcliffe was a Desolate Knight, with

a page who presented his shield. The four Knolles brothers were Sons of

Despair, with Mercury for a page. The speeches of the pages are given.

Each defendant ran six courses with the challengers. ‘In the middest

of the running came in Sir Henrie Leigh, as unknowne, and when he had

broken his six staves, went out in like manner againe.’ At the end of

the first day the boy who gave the challenge announced a second on the

morrow.

On the second day the challengers entered in a chariot ‘forewearied

and half overcome’ with a lady representing Desire, and a consort of

music. A herald made a speech for them. The defendants entered, and the

tournay and barriers followed. At the end a boy clad in ash colour and

bearing an olive-branch made submission of the challengers to the Queen.

Foulkes, lxiii. 49, says that a set of blank cheques for this tilt are

in _Ashm. MS._ 845, f. 166.

_Tilbury Visit. 1588_

There are or were three accounts:

A

_S. R._ 1588, Aug. 10. ‘The quenes visitinge the campe at Tilberye and

her enterteynement there the 8 and 9 of August 1588, with condicon yat

yt may be aucthorised hereafter.’ _John Wolf_ (Arber, ii. 495).

N.D. The Queenes visiting of the Campe at Tilsburie with her

Entertainment there. _Iohn Wolfe for Edward White._ [At end, ‘T. D.’,

doubtless the initials of Thomas Deloney.]

_Editions_ in A. F. Pollard, _Tudor Tracts_ (_England’s Garner_^2),

492, and F. O. Mann, _Deloney’s Works_ (1912).

B

_S. R._ 1588, Aug. 10 (Stallard). ‘A ioyfull songe of the Roiall

Receaving of the quenes maiestie into her Campe at Tilbery: the 8 and

9 of August 1588.’ _John Wolf for Richard Jones_ (Arber, ii. 496). [It

does not seem likely that this entry relates to Aske’s book.]

C

1588. Elizabetha Triumphans. By James Aske. _Thomas Orwin for Thomas

Gubbin and Thomas Newman._

_Edition_ in Nichols, _Eliz._ ii. 545 (1823).

The two extant narratives are discussed by M. Christy in _E. H. R._

xxxiv. 43.

_Tilt-yard Entertainment. 17 Nov. 1590_

See ch. xxiii, s.v. Lee.

_Cowdray Entertainment. 1591_

1591. The Speeches and Honorable Entertainment giuen to the Queenes

Maiestie in Progresse, at Cowdrey in Sussex, by the right Honorable the

Lord Montacute. _Thomas Scarlet, sold by William Wright._

1591. The Honorable Entertainment.... _Thomas Scarlet, sold by William

Wright._ [A different text, with a fuller description, but without the

words of the songs, and inaccurately dated.]

_Editions_ by J. Nichols, _Eliz._^2 iii. 90 (1823), and R. W. Bond,

_Lyly_, i. 421 (1902).

The host was Anthony Browne, first Viscount Montague. Gascoigne’s

mask of 1572 was also written for him. Bond assigns the present

entertainment, conjecturally, to Lyly. McKerrow, 20, records that

William Barley, the stationer, was brought before the High Commission

for selling at Cowdray, on some date before 1598, a twopenny book

relating to Her Majesty’s progress.

The diary is as follows:

14 Aug. 1591. Speech by a Porter at the bridge on arrival at night.

15 Aug. Sunday: a day of rest.

16 Aug. Hunting in Park, and delivery of bow with a ditty by a Nymph.

17 Aug. Dinner at the Priory, where Lord Montague lodged, and speeches

in the walks by a Pilgrim and a Wild Man, at an oak hung with Sussex

escutcheons, and a ditty before hunting.

18 Aug. Speeches and ditty by an Angler and offering of fish by a

Netter at a pond in the walks before hunting.

19 Aug. Dance of country people with tabor and pipe.

20 Aug. Knighting, and departure to Chichester for dinner.

_Elvetham Entertainment. 1591_

_S. R._ 1591, Oct. 1. ‘The honorable entertaynement gyven to the quenes

maiestie in progresse at Elvetham in Hampshire by the righte honorable

the Erle of Hertford.’ _John Wolf_ (Arber, ii. 596).

1591. The Honorable Entertainement gieuen to the Queenes Maiestie in

Progresse, at Eluetham in Hampshire, by the right Honorable the Earle

of Hertford. _John Wolfe._ [There appear to be two editions or issues,

(_a_) without and (_b_) with a woodcut of the pond.]

1591.... Newly corrected and amended. [This has a woodcut of the pond,

different from that in (1) (_b_).]

_Editions_ by J. Nichols, _Eliz._ ii. (1788), iii. 101 (1823), and R.

W. Bond, _Lyly_, i. 431.

Elizabeth was at Elvetham 20–23 Sept. 1591. The host was Edward

Seymour, Earl of Hertford. A Three Men’s Song of Phillida and Coridon,

which formed part of the Entertainment, is ascribed in _England’s

Helicon_ (1600) and _MSS._ to Nicholas Breton. Bond ascribes the

Entertainment to Lyly. An account of the amusements is in ch. iv.

_Bisham, Sudeley, and Rycote Entertainments. 1592_

1592. Speeches deliuered to her Maiestie this last progresse, at the

Right Honorable the Lady Russels, at Bissam, the Right Honorable the

Lorde Chandos at Sudley, at the Right Honorable the Lord Norris, at

Ricorte. _Joseph Barnes, Oxford._ [There appear to be two issues,

with slight variants.]

_Editions_ by J. Nichols, _Eliz._^2 iii. 130 (1823), Sir S. E. Brydges

(1815), and R. W. Bond, _Lyly_, i. 471 (1902).

_Bisham_

The hosts were Sir Edward Hoby and his mother, Elizabeth, Dowager Lady

Russell.

21 Aug. 1592. On arrival, at the top of the hill, speech by a Wild Man;

at the middle of the hill, dialogue of Pan and two Virgins, Sybilla

and Isabella; at the foot of the hill, ditty by Ceres and Nymphs in a

harvest-cart, followed by speech and gift of crown of wheat-ears and

jewel.

_Sudeley_

The host was Giles Brydges, third Lord Chandos.

10 Sept. 1592. Speech of old Shepherd at entry to castle.

11 Sept. Show of Apollo and Daphne, with gift of tables of verses.

12 Sept. Contemplated Presentation of High Constable of Cotswold, and

Choosing of King and Queen by Shepherds, with song and dialogue of

Melibœus, Nisa, and Cutter of Cotswold--prevented by weather.

_Rycote_

The host was Henry, Lord Norris.

28 Sept. 1592. On arrival from Oxford, speech by an Old Gentleman [Lord

Norris].

2 Oct. Music in garden, with speech by Old Gentleman, and letters

containing jewels by messengers as from his sons in Ireland, Flanders,

and France.

3 Oct. At departure, letter with jewel as from daughter in Jersey.

Between Sudeley and Rycote, the Queen was entertained at Oxford (cf.

ch. iv) and Woodstock (cf. ch. xxiii, s.v. Sir Henry Lee).

_Tilt-yard Entertainment. 17 Nov. 1595_

See ch. xxiii, s.v. Peele, _Anglorum Feriae_.

_Harefield Entertainment. 1602_

Elizabeth was at Harefield Place, Middlesex, the house of Sir Thomas

Egerton, Lord Keeper, and his wife Alice, Countess Dowager of Derby,

from 31 July to 2 Aug. 1602. At the same house Milton’s _Arcades_

was performed before Lady Derby in 1634. Seven fragments of the

entertainment have been preserved, and are printed by Nichols, _Eliz._

iii. 570, 586, and Bond, _Lyly_, i. 491. Accounts of expenditure

involved, and a list of the gifts in kind contributed by Egerton’s

friends on this occasion are in _Egerton Papers_, 340, but the account

in 342–4 is a forgery (_vide infra_).

(i) Dialogue between a Bailiff and Dairymaid, and presentation of a

rake and fork to the Queen, as she entered the demesne near the dairy

house.

(ii) Dialogue at the steps of the house, and presentation of a heart,

by Place ‘in a partie-colored roobe, like the brick house’ and Time

‘with yeollow haire, and in a green roabe, with an hower glasse,

stopped, not runninge’.

(iii) Verse petition accompanying gift of a robe of rainbows on behalf

of St. Swithin by Lady Walsingham on Monday morning [2 Aug.].

(iv) Farewell of Place, ‘attyred in black mourning aparell’ on the

Queen’s departure, with presentation of an anchor.

(v) Verse ‘Complaint of the Satyres against the Nymphes’.

(vi) Song and speech by a Mariner, who entered the ‘presence’ with a

lottery box, ‘supposed to come from the Carricke’.

(vii) ‘The Severall Lottes’, a list of gifts and blanks, with a

poesy accompanying each, and the names of the ladies who drew them.

These were the Queen, the Dowager Countess of Derby, the Countesses

of Derby, Worcester, and Warwick, Lady Scroope, Mistresses Nevill,

Thynne, Hastinges, and Bridges, Ladies Scudamore, Francis, Knevette,

and Susan Vere, Mrs. Vavissour, Ladies Southwell and Anne Clifford,

Mrs. Hyde, Ladies Kildare, Howard of Effingham and Paget, Mistresses

Kiddermister and Strangwidge, the Mother of the Maids, Ladies

Cumberland, Walsingham, and Newton, Mrs. Wharton, Ladies Digbye and

Dorothy [Hastinges] and Mrs. Anselowe. One name, ending in ‘liffe’

is illegible. It may be Ratcliffe. One MS. adds three lots assigned

to ‘country wenches’. Most of these ladies were maids of honour and

others who came with the court; one or two, e.g. Mrs. Kiddermister,

were country neighbours of the Egerton’s.

These pieces are derived from various sources:

(_a_) A transcript made by R. Churton in 1803 of a contemporary MS.

found at Arbury, the house of Sir Roger Newdigate, to whose family

Harefield passed in 1675, contains (i)-(v) and was printed by Nichols.

(_b_) A _Conway MS._, printed by P. Cunningham in _Sh. Soc. Papers_,

ii. 65, contains (iii), the song from (vi), and (vii), with the heading

‘The Devise to entertayne hir M^{ty} at Harfielde ...’ and the date

1602.

(_c_) The second edition (1608) of Francis Davison’s _Poetical

Rhapsody_ contains the speech from (vi) and (vii), with the incorrect

indication ‘at the Lord Chancellor’s house, 1601’, which misled Nichols

into supposing it to belong to some entertainment at York Place, the

year before that of Harefield. The item comes between two pieces by Sir

John Davies and has the initials J. D.

(_d_) The diary of John Manningham (_Harl. MS._ 5353, f. 95) contains

amongst entries of Feb. 1603 some extracts from (i) and (vii), dating

the latter in ‘the last Sumer at hir M^{ties} being with the L. Keeper’.

(_e_) A contemporary MS., printed as _Poetical Miscellanies_ (_Percy

Soc._ lv), 5, has (vii) dated 1602.

(_f_) _Talbot MS._ K, f. 43, in the College of Arms, contains (iv) as

given at ‘Harville’ with the date ‘Aug. 1602’ and is printed by Lodge,

ii. 560.

(_g_) _B.M. Birch MS._ 4173 contains a similar copy of (iv).

On the strength of the _Poetical Rhapsody_, (vii) is generally assigned

to Sir John Davies, which hardly justified Dr. Grosart in assigning all

the pieces to him (_Works_, ii, clxxii). Bond transferred the whole

to Lyly, primarily as a conjecture, but was confirmed in his view by

finding in _Egerton Papers_, 343, a payment to ‘M^r Lillyes man, which

brought the lotterye boxe to Harefield’. But the document in which this

is found, and which also contains the item ‘x^{li} to Burbidges players

for Othello’, is one of Collier’s forgeries (Ingleby, 261).

John Chamberlain (_Letters_, 164, 169) sent Dudley Carleton ‘the Quenes

entertainment at the Lord Kepers’ on 19 Nov. 1602, and on 23 Dec. wrote

that, as Carleton liked the Lord Keeper’s devices so ill, he had not

cared to get Sir Robert Cecil’s (cf. ch. xxiii, s.v. Cecil).

_Progress from Scotland. 1603_

There were several contemporary prints:

A

_S. R._ 1603, May 9. ‘Kinge James his entrance into England.’ _Burby

and Millington_ (Arber, iii. 234).

1603. The True Narration of the Entertainment of his Royal Majestie.

_Thomas Creede for Thomas Millington._ [Epistle by T. M. to Reader.]

_Editions_ in Nichols, _James_ (1828), i. 53, and C. H. Firth, _Stuart

Tracts_ (_English Garner_^2), 11.

B

_S. R._ 1603, May 14. ‘King James his entertainement at Theobaldes,

with his welcomme to London.’ _Thomas Snodham_ (Arber, iii. 234).

1603. King James his entertainment at Theobalds: With his Welcome to

London. By John Sauile. _Thomas Snodham, sold by T. Este._

_Editions_ in Nichols, _James_ (1828), i. 135, and C. H. Firth, _Stuart

Tracts_, 53.

C

_S. R._ 1604, Mar. 27. ‘The tyme Triumphant.’ _Ralph Blore_ (Arber,

iii. 256).

1604. The Time Triumphant, Declaring in brief the arrival of our

Sovereign liege Lord, King James, into England, His Coronation at

Westminster, ... [&c.]. By Gilbert Dugdale. _By R. B._

_Editions_ in Nichols, _James_ (1828), i. 408, and C. H. Firth, _Stuart

Tracts_, 69.

D

Jonson’s _Althorp Entertainment_ (cf. ch. xxiii).

E

_S. R._ 1603, June 16. A ballad of ‘Englandes sweet Comfort with the

kinges entertaynmente by the Maior of Yorke’. _William White_ (Arber,

iii. 238).

There is also an account in Stowe, _Annales_ (1631), 819. For the

stages of the progress cf. App. A. Besides the device at Althorp,

speeches were prepared by Dekker for the entry to London, but not used

(cf. s.a. 1604).

_Coronation Triumph. 1604_

There are four contemporary prints:

A

_S. R._ 1604, Apr. 2 (Pasfield). ‘The magnificent Entertainement ...

the 15 of marche 1603.’ _Thomas Man junior_ (Arber, iii. 258).

The Elizabethan Stage, Vol. 4 · 第 7 / 50 段