Part Ninth

"Cara deum soboles, magnum Jovis incrementum."

--Virgil.

The immense fame and success that Barty Josselin achieved were to

him a source of constant disquiet. He could take neither pride nor

pleasure in what seemed to him not his; he thought himself a fraud.

Yet only the mere skeleton of his work was built up for him by his

demon; all the beauty of form and color, all the grace of movement

and outer garb, are absolutely his own.

It has been noticed how few eminent men of letters were intimate

with the Josselins, though the best among them--except, of course,

Thomas Carlyle--have been so enthusiastic and outspoken in their

love and admiration of his work.

He was never at his ease in their society, and felt himself a kind

of charlatan.

The fact is, the general talk of such men was often apt to be over

his head, as it would have been over mine, and often made him

painfully diffident and shy. He needn't have been; he little knew

the kind of feeling he inspired among the highest and best.

Why, one day at the Marathonaeum, the first and foremost of them

all, the champion smiter of the Philistines, the apostle of culture

and sweetness and light, told me that, putting Barty's books out of

the question, he always got more profit and pleasure out of Barty's

society than that of any man he knew.

"It does me good to be in the same room with him; the freshness of

the man, his voice, his aspect, his splendid vitality and

mother-wit, his boyish spirit, and the towering genius behind it

all. I only wish to goodness I was an intimate friend of his as you

are; it would be a liberal education to me!"

But Barty's reverence and admiration for true scholarship and great

literary culture in others amounted to absolute awe, and filled him

with self-distrust.

There is no doubt that until he was universally accepted, the

crudeness of his literary method was duly criticised with great

severity by those professional literary critics who sometimes carp

with such a big mouth at their betters, and occasionally kill the

Keatses of this world!

In writing, as in everything else, he was an amateur, and more or

less remained one for life; but the greatest of his time accepted

him at once, and laughed and wept, and loved him for his obvious

faults as well as for his qualities. Tous les genres sont bons,

hormis le genre ennuyeux! And Barty was so delightfully the reverse

of a bore!

Dear me! what matters it how faultlessly we paint or write or sing

if no one will care to look or read or listen? He is all fault that

hath no fault at all, and we poor outsiders all but yawn in his face

for his pains.

They should only paint and write and sing for each other, these

impeccables, who so despise success and revile the successful. How

do they live, I wonder? Do they take in each other's washing, or

review each other's books?

It edifies one to see what a lot of trouble these deriders of other

people's popularity will often take to advertise themselves, and how

they yearn for that popular acclaim they so scornfully denounce.

Barty was not a well-read man by any means; his scholarship was that

of an idle French boy who leaves school at seventeen, after having

been plucked for a cheap French degree, and goes straightway into

her Majesty's Household Brigade.

At the beginning of his literary career it would cut him to the

quick to find himself alluded to as that inspired Anglo-Gallic

buffoon, the ex-Guardsman, whose real vocation, when he wasn't

twaddling about the music of the spheres, or writing moral French

books, was to be Mr. Toole's understudy.

He was even impressed by the smartness of those second-rate

decadents, French and English, who so gloried in their own

degeneracy--as though one were to glory in scrofula or rickets;

those unpleasant little anthropoids with the sexless little muse and

the dirty little Eros, who would ride their angry, jealous little

tilt at him in the vain hope of provoking some retort which would

have lifted them up to glory! Where are they now? He has improved

them all away! Who ever hears of decadents nowadays?

Then there were the grubs of Grub Street, who sometimes manage to

squirt a drop from their slime-bags on to the swiftly passing boot

that scorns to squash them. He had no notion of what manner of

creatures they really were, these gentles! He did not meet them at

any club he belonged to--it was not likely. Clubs have a way of

blackballing grubs--especially grubs that are out of the common

grubby; nor did he sit down to dinner with them at any dinner-table,

or come across them at any house he was by way of frequenting; but

he imagined they were quite important persons because they did not

sign their articles! and he quite mistook their place in the economy

of creation. C'etait un naif, le beau Josselin!

Big fleas have little fleas, and they've got to put up with them!

There is no "poudre insecticide" for literary vermin--and more's the

pity! (Good heavens! what would the generous and delicate-minded

Barty say, if he were alive, at my delivering myself in this

unworthy fashion about these long-forgotten assailants of his, and

at my age too--he who never penned a line in retaliation! He would

say I was the most unseemly grub of them all, and he would be quite

right; so I am just now, and ought to know better--but it amuses

me.)

Then there were the melodious bardlets who imitate those who imitate

those who imitate the forgotten minor poets of the olden time and

log-roll each other in quaint old English. They did not log-roll

Barty, whom they thought coarse and vulgar, and wrote to that effect

in very plain English that was not old, but quite up to date.

"How splendidly they write verse!" he would say, and actually once

or twice he would pick up one or two of their cheap little archaic

mannerisms and proudly use them as his own, and be quite angry to

find that Leah had carefully expunged them in her copy.

"A _fair_ and _gracious_ garden indeed!" says Leah. "I _won't_ have

you use such ridiculous words, Barty--you mean a _pretty_ garden,

and you shall say so; or even a _beautiful_ garden if you like!--and

no more '_manifolds_,' and '_there-anents_,' and '_in veriest

sooths_,' and '_waters wan_,' and '_wan waters_,' and all that. I

won't stand it; they don't suit your style at all!"

She and Scatcherd and I between us soon laughed him out of these

innocent little literary vagaries, and he remained content with the

homely words he had inherited from his barbarian ancestors in

England (they speak good English, our barbarians), and the simple

phrasing he had learnt from M. Durosier's classe de litterature at

the Institution Brossard.

One language helps another; even the smattering of a dead language is

better than no extra language at all, and that's why, at such cost of

time and labor and paternal cash, we learn to smatter Greek and Latin, I

suppose. "Arma virumque cano"--"Tityre tu patulae?"--"Maecenas

atavis"--"[Greek: Menin aeide]"--and there you are! It sticks in the

memory, and it's as simple as "How d'ye do?"

Anyhow, it is pretty generally admitted, both here and in France,

that for grace and ease and elegance and absolute clearness

combined, Barty Josselin's literary style has never been surpassed

and very seldom equalled; and whatever his other faults, when he was

at his ease he had the same graceful gift in his talk, both French

and English.

It might be worth while my translating here the record of an

impression made by Barty and his surroundings on a very accomplished

Frenchman, M. Paroly, of the _Debats_, who paid him a visit in the

summer of 1869, at Campden Hill.

I may mention that Barty hated to be interviewed and questioned

about his literary work--he declared he was afraid of being found

out.

But if once the interviewer managed to evade the lynx-eyed Leah, who

had a horror of him, and get inside the studio, and make good his

footing there, and were a decently pleasant fellow to boot, Barty

would soon get over his aversion--utterly forget he was being

interviewed--and talk as to an old friend; especially if the

reviewer were a Frenchman or an American.

The interviewer is an insidious and wily person, and often presents

himself to the soft-hearted celebrity in such humble and pathetic

guise that one really hasn't the courage to snub him. He has come

such a long way for such a little thing! it is such a lowly function

he plies at the foot of that tall tree whose top you reached at a

single bound! And he is supposed to be a "gentleman," and has no

other means of keeping body and soul together! Then he is so

prostrate in admiration before your Immensity....

So you give way, and out comes the little note-book, and out comes

the little cross-examination.

As a rule, you are none the worse and the world is none the better;

we know all about you already--all, at least, that we want to know;

we have heard it all before, over and over again. But a poor

fellow-creature has earned his crust, and goes home the happier for

having talked to you about yourself and been treated like a man and

a brother.

But sometimes the reviewer is very terrible indeed in his jaunty

vulgarization of your distinguished personality, and you have to

wince and redden, and rue the day you let him inside your house, and

live down those light familiar paragraphs in which he describes you

and the way you dress and how you look and what jolly things you

say; and on what free and easy terms _he_ is with you, of all people

in the world!

But the most terrible of all is the pleasant gentleman from America,

who has yearned to know you for _so_ many years, and comes perhaps

with a letter of introduction--or even without!--not to interview

you or write about you (good heavens! he hates and scorns that

modern pest, the interviewer), but to sit at your feet and worship

at your shrine, and tell you of all the good you have done him and

his, all the happiness you have given them all--"the debt of a

lifetime!"

And you let yourself go before him, and so do your family, and so do

your old friends; is _he_ not also a friend, though not an old one?

You part with him almost in sorrow, he's so nice! And in three weeks

some kind person sends you from the other side such a printed

account of you and yours--so abominably true, so abominably

false--that the remembrance of it makes you wake up in the dead of

night, and most unjustly loathe an entire continent for breeding and

harboring such a shameless type of press reptile!

I feel hard-hearted towards the interviewer, I own. I wish him, and

those who employ him, a better trade; and a better taste to whoever

reads what he writes. But Barty could be hard-hearted to nobody, and

always regretted having granted the interview when he saw the

published outcome of it.

Fortunately, M. Paroly was decently discreet.

"I've got a Frenchman coming this afternoon--a tremendous swell,"

said Barty, at lunch.

* * * * *

_Leah._ "Who is he?"

_Barty._ "M. Paroly, of the _Debats_."

_Leah._ "What is he when he's at home?"

_Barty._ "A famous journalist; as you'd know if you'd read the

French newspapers sometimes, which you never do."

_Leah._ "Haven't got the time. He's coming to interview you, I

suppose, and make French newspaper copy out of you."

_Barty._ "Why shouldn't he come just for the pleasure of making my

acquaintance?"

_Leah._ "And mine--I'll be there and talk to him, too!"

_Barty._ "My dear, he probably doesn't speak a word of English; and

your French, you know! You never _would_ learn French properly,

although you've had me to practise on for so many years--not to

mention Bob and Ida."

_Leah._ "How unkind of you, Barty! When have I had time to trouble

about French? Besides, you always laugh at my French accent and

mimic it--and _that's_ not encouraging!"

_Barty._ "My dear, I _adore_ your French accent; it's so unaffected!

I only wish I heard it a little oftener."

_Leah._ "You shall hear it this afternoon. At what o'clock is he

coming, your Monsieur Paroly?"

_Barty._ "At four-thirty."

_Leah._ "Oh, Barty, _don't_ give yourself away--don't talk to him about

your writings, or about yourself, or about your family. He'll vulgarize

you all over France. Surely you've not forgotten that nice 'gentleman'

from America who came to see you, and who told you that _he_ was no

interviewer, not _he_! but came merely as a friend and admirer--a

distant but constant worshipper for many years! and how you talked to

him like a long-lost brother, in consequence! 'There's nobody in the

world like the best Americans,' you said. You adored them _all_, and

wanted to be an American yourself--till a month after, when he published

every word you said, and more, and what sort of cravat you had on, and

how silent and cold and uncommunicative your good, motherly English wife

was--you, the brilliant and talkative Barty Josselin, who should have

mated with a countrywoman of his own! and how your bosom friend was a

huge, overgrown everyday Briton with a broken nose! _I_ saw what he was

at, from the low cunning in his face as he listened; and felt that every

single unguarded word you dropped was a dollar in his pocket! How we've

all had to live down that dreadfully facetious and grotesque and

familiar article he printed about us all in those twenty American

newspapers that have got the largest circulation in the world! and how

you stamped and raved, Barty, and swore that never another American

'gentleman' should enter your house! What names you called him: 'cad!'

'sweep!' 'low-bred, little Yankee penny-a-liner!' Don't you remember?

Why, he described you as a quite nice-looking man somewhat over the

middle height!"

"Oh yes; damn him, _I_ remember!" said Barty, who was three or four

inches over six feet, and quite openly vain of his good looks.

_Leah._ "Well, then, pray be cautious with this Monsieur Paroly you

think so much of because he's French. Let _him_ talk--interview

_him_--ask him all about his family, if he's got one--his children,

and all that; play a game of billiards with him--talk French

politics--dance 'La Paladine'--make him laugh--make him smoke one of

those strong Trichinopoli cigars Bob gave you for the tops of

omnibuses--make him feel your biceps--teach him how to play cup and

ball--give him a sketch--then bring him in to tea. Madame Cornelys

will be there, and Julia Ironsides, and Ida, who'll talk French by

the yard. Then we'll show him the St. Bernards and Minerva, and I'll

give him an armful of Gloire de Dijon roses, and shake him warmly by

the hand, so that he won't feel ill-natured towards us; and we'll

get him out of the house as quick as possible."

* * * * *

Thus prepared, Barty awaited M. Paroly, and this is a free rendering

of what M. Paroly afterwards wrote about him:

"With a mixture of feelings difficult to analyze and define, I bade

adieu to the sage and philosopher of Cheyne Row, and had myself

transported in my hansom to the abode of the other great _sommite

litteraire_ in London, the light one--M. Josselin, to whom we in

France also are so deeply in debt.

"After a longish drive through sordid streets we reached a bright

historic vicinity and a charming hill, and my invisible Jehu guided

me at the great trot by verdant country lanes. We turned through

lodge gates into a narrow drive in a well-kept garden where there

was a lawn of English greenness, on which were children and nurses

and many dogs, and young people who played at the lawn-tennis.

"The door of the house was opened by a charming young woman in black

with a white apron and cap, like a waitress at the Bouillon Duval,

who guided me through a bright corridor full of pictures and

panoplies, and then through a handsome studio to a billiard-room,

where M. Josselin was playing at _the_ billiard to himself all

alone.

"M. Josselin receives me with jovial cordiality; he is enormously

tall, enormously handsome, like a drum-major of the Imperial Guard,

except that his lip and chin are shaved and he has slight whiskers;

very well dressed, with thick curly hair, and regular features, and

a singularly sympathetic voice: he is about thirty-five.

"I have to decline a game of billiards, and refuse a cigar, a very

formidable cigar, very black and very thick and very long. I don't

smoke, and am no hand at a cue. Besides, I want to talk about

_Etoiles Mortes_, about _Les Trepassees de Francois Villon_, about

_Dejanire et Dalila_!

[Illustration: "'HE PRESENTS ME FIRST TO MADAME JOSSELIN'"]

"M. Josselin speaks French as he writes it, in absolute perfection;

his mother, he tells me, was from Normandy--the daughter of

fisherfolk in Dieppe; he was at school in Paris, and has lived there

as an art student.

"He does not care to talk about _Les Trepassees_ or _Les Etoiles_,

or any of his immortal works.

"He asks me if I'm a good swimmer, and can do _la coupe_ properly;

and leaning over his billiard-table he shows me how it ought to be

done, and dilates on the merits of that mode of getting through the

water. He confides to me that he suffers from a terrible

nostalgia--a consuming desire to do _la coupe_ in the swimming-baths

of Passy against the current; to take a header _a la hussarde_ with

his eyes open and explore the bed of the Seine between Grenelle and

the Ile des Cygnes--as he used to do when he was a school-boy--and

pick up mussels with his teeth.

"Then he explains to me the peculiar virtues of his stove, which is

almost entirely an invention of his own, and shows me how he can

regulate the heat of the room to the fraction of a degree

centigrade, which he prefers to Fahrenheit--just as he prefers

metres and centimetres to inches and feet--and ten to twelve!

"After this he performs some very clever tricks with billiard-balls;

juggles three of them in each hand simultaneously, and explains to

me that this is an exceptional achievement, as he only sees out of

one eye, and that no acrobat living could do the same with one eye

shut.

"I quite believe him, and wonder and admire, and his face beams with

honest satisfaction--and this is the man who wrote _La quatrieme

Dimension_!

"Then he tells me some very funny French school-boy stories; he

delights in my hearty laughter; they are capital stories, but I had

heard them all before--when I was at school.

"'And now, M. Josselin,' I say, 'a propos of that last story you've

just told me; in the _Trepassees de Francois Villon_ you have

omitted "la tres-sage Heloise" altogether.'

"'Oh, have I? How stupid of me!--Abelard and all that! Ah

well--there's plenty of time--nous allons arranger tout ca! All that

sort of thing comes to me in the night, you know, when I'm half

asleep in bed--a--a--I mean after lunch in the afternoon, when I

take my siesta.'

"Then he leads me into his studio and shows me pencil studies from

the life, things of ineffable beauty of form and expression--things

that haunt the memory.

"'Show me a study for Dejanire,' I say.

"'Oh! I'll draw Dejanire for you,' and he takes a soft pencil and a

piece of smooth card-board, and in five minutes draws me an outline

of a naked woman on a centaur's back, a creature of touching beauty

no other hand in the world could produce--so aristocratically

delicately English and of to-day--so severely, so nobly and

classically Greek. C'est la chastete meme--mais ce n'est pas

Dejanire!

"He gives me this sketch, which I rechristen Godiva, and value as I

value few things I possess.

"Then he shows me pencil studies of children's heads, from nature,

and I exclaim:

"'O Heaven, what a dream of childhood! Childhood is never so

beautiful as that.'

"'Oh yes it is, in England, I assure you,' says he. 'I'll show you

_my_ children presently; and you, have you any children?'

"'Alas! no,' I reply; 'I am a bachelor.'

"I remark that from time to time, just as the moon veils itself

behind a passing cloud, the radiance of his brilliant and jovial

physiognomy is eclipsed by the expression of a sadness immense,

mysterious, infinite; this is followed by a look of angelic candor

and sweetness and gentle heroism, that moves you strangely, even to

the heart, and makes appeal to all your warmest and deepest

sympathies--the look of a very masculine Joan of Arc! You don't know

why, but you feel you would make any sacrifice for a man who looks

at you like that, follow him to the death--lead a forlorn hope at

his bidding.

"He does not exact from me anything so arduous as this, but passing

round my neck his powerful arm, he says:

"'Come and drink some tea; I should like to present you to my wife.'

"And he leads me through another corridor to a charming drawing-room

that gives on to the green lawn of the garden.

"There are several people there taking the tea.

"He presents me first to Madame Josselin. If the husband is

enormously handsome, the wife is a beauty absolutely divine; she,

also, is very tall--tres elegante; she has soft wavy black hair, and

eyes and eyebrows d'un noir de jais, and a complexion d'une

blancheur de lis, with just a point of carmine in the cheeks. She

does not say much--she speaks French with difficulty; but she

expresses with her smiling eyes so cordial and sincere a welcome

that one feels glad to be in the same room with her, one feels it is

a happy privilege, it does one good--one ceases to feel one may

possibly be an intruder--one almost feels one is wanted there.

"I am then presented to three or four other ladies; and it would

seem that the greatest beauties of London have given each other

rendezvous in Madame Josselin's salon--this London, where are to be

found the most beautiful women in the world and the ugliest.

"First, I salute the Countess of Ironsides--ah, mon Dieu, la Diane

chasseresse--la Sapho de Pradier! Then Madame Cornelys, the wife of

the great sculptor, who lives next door--a daughter of the ancient

gods of Greece! Then a magnificent blonde, an old friend of theirs,

who speaks French absolutely like a Frenchwoman, and says thee and

thou to M. Josselin, and introduces me to her brother, un vrai type

de colosse bon enfant, d'une tenue irreprochable [thank you, M.

Paroly], who also speaks the French of France, for he was at school

there--a school-fellow of our host.

"There are two or three children, girls, more beautiful than

anything or anybody else in the house--in the world, I think! They

give me tea and cakes, and bread and butter; most delicious

tartines, as thin as wafers, and speak French well, and relate to me

the biographies of their animals, une vraie menagerie which I

afterwards have to visit--immense dogs, rabbits, hedgehogs,

squirrels, white mice, and a gigantic owl, who answers to the name

of Minerva.

"I find myself, ma foi, very happy among these wonderful people, and

preserve an impression of beauty, of bonhomie, of naturalness and

domestic felicity quite unlike anything I have ever been privileged

to see--an impression never to be forgotten.

"But as for _Etoiles Mortes_ and _Les Trepassees de Francois

Villon_, I really have to give them up; the beautiful big dogs are

more important than all the books in the world, even the

master's--even the master himself!

"However, I want no explanation to see and understand how M.

Josselin has written most of his chefs-d'oeuvre from the depths of a

happy consciousness habituated to all that is most graceful and

charming and seductive in real life--and a deeply sympathetic,

poignant, and compassionate sense of the contrast to all this.

"Happy mortal, happy family, happy country where grow (poussent)

such people, and where such children flourish! The souvenir of that

so brief hour spent at Gretna Lodge is one of the most beautiful

souvenirs of my life--and, above all, the souvenir of the belle

chatelaine who filled my hansom with beautiful roses culled by her

own fair hand, which gave me at parting that cordial English

pressure so much more suggestive of _Au revoir_ than _Adieu_!

"It is with sincere regret one leaves people who part with one so

regretfully.

"Alphonse Paroly."

* * * * *

Except that good and happy women have no history, I should almost

like to write the history of Barty's wife, and call it the history

of the busiest and most hard-working woman in Great Britain.

Barty left everything to her--to the very signing of cheques. He

would have nothing to do with any business of any kind.

He wouldn't even carve at lunch or dinner. Leah did, unless _I_ was

there.

It is but fair to say he worked as hard as any man I know. When he

was not writing or drawing, he was thinking about drawing or

writing; when they got to Marsfield, he hardly ever stirred outside

the grounds.

There he would garden with gardeners or cut down trees, or do

carpenter's work at his short intervals of rest, or groom a horse.

How often have I seen him suddenly drop a spade or axe or saw or

curry-comb, and go straight off to a thatched gazebo he had built

himself, where writing materials were left, and write down the happy

thought that had occurred; and then, pipe in mouth, back to his

gardening or the rest!

I also had a gazebo close to his, where I read blue-books and wrote

my endless correspondence with the help of a secretary--only too

glad, both of us, to be disturbed by festive and frolicsome young

Bartys of either sex--by their dogs--by their mother!

Leah's province it was to attend to all the machinery by which life

was carried on in this big house, and social intercourse, and the

education of the young, and endless hospitalities.

She would even try to coach her boys in Latin and Euclid during

their preparation times for the school where they spent the day, two

miles off. Such Latin! such geometry! She could never master the

ablative absolute, nor what used to be called at Brossard's _le que

retranche_, nor see the necessity of demonstrating by A + B what was

sufficiently obvious to her without.

"Who helps you in your Latin, my boy?" says the master, with a grin.

"My father," says Geoffrey, too loyal to admit it was his mother who

had coached him wrong.

"Ah, I suppose he helps you with your Euclid also?" says the master,

with a broader grin still.

"Yes, sir," says Geoffrey.

"Your father's French, I suppose?"

"I dare say, sir," says Geoffrey.

"Ah, I thought so!"

All of which was very unfair to Barty, whose Latin, like that of

most boys who have been brought up at a French school, was probably

quite as good as the English school-master's own, except for its

innocence of quantities; and Blanchet and Legendre are easier to

learn than Euclid, and stick longer in the memory; and Barty

remembered well.

Then, besides the many friends who came to the pleasant house to

stay, or else for lunch or tea or dinner, there were pious pilgrims

from all parts of the world, as to a shrine--from Paris, from

Germany, Italy, Norway, and Sweden; from America especially. Leah

had to play the hostess almost every day of her life, and show off

her lion and make him roar and wag his tail and stand on his hind

legs--a lion that was not always in the mood to tumble and be shown

off, unless the pilgrims were pretty and of the female sex.

Barty was a man's man par excellence, and loved to forgather with

men. The only men he couldn't stand were those we have agreed to

call in modern English the Philistines and the prigs--or both

combined, as they can sometimes be; and this objection of his would

have considerably narrowed his circle of male acquaintances but that

the Philistines and the prigs, who so detest each other, were so

dotingly fond of Barty, and ran him to earth in Marsfield.

The Philistines loved him for his world-wide popularity; the prigs

in spite of it! They loved him for himself alone--because they

couldn't help it, I suppose--and lamented over him as over a fallen

angel.

He was happiest of all with the good denizens of Bohemia, who have

known want and temptation and come unscathed out of the fire, but

with their affectations and insincerities and conventionalities all

burnt away.

Good old Bohemia--alma mater dolorosa; stern old gray she-wolf with

the dry teats--maratre au coeur de pierre! It is not a bad school

in which to graduate, if you can do so without loss of principle or

sacrifice of the delicate bloom of honor and self-respect.

Next to these I think he loved the barbarians he belonged to on his

father's side, who, whatever their faults, are seldom prigs or

Philistines; and then he loved the proletarians, who had good,

straightforward manners and no pretension--the laborer, the skilled

artisan, especially the toilers of the sea.

In spite of his love of his own sex, he was of the kind that can go

to the devil for a pretty woman.

He did not do this; he married one instead, fortunately for himself

and for his children and for her, and stuck to her and preferred her

society to any society in the world. Her mere presence seemed to

have an extraordinarily soothing influence on him; it was as though

life were short, and he could never see enough of her in the

allotted time and space; the chronic necessity of her nearness to

him became a habit and a second nature--like his pipe, as he would

say.

Still, he was such a slave to his own aesthetic eye and ever-youthful

heart that the sight of lovely woman pleased him more than the sight

of anything else on earth; he delighted in her proximity, in the

rustle of her garments, in the sound of her voice; and lovely

woman's instinct told her this, so that she was very fond of Barty

in return.

He was especially popular with sweet, pretty young girls, to whom

his genial, happy, paternal manner always endeared him. They felt as

safe with Barty as with any father or uncle, for all his facetious

love-making; he made them laugh, and they loved him for it, and they

forgot his Apolloship, and his Lionhood, and his general Immensity,

which he never remembered himself.

It is to be feared that women who lacked the heavenly gift of good

looks did not interest him quite so much, whatever other gifts they

might possess, unless it were the gift of making lovely music. The

little brown nightingale outshone the brilliant bird of paradise if

she were a true nightingale; if she were very brown indeed, he would

shut his eyes and listen with all his ears, rapt, as in a heavenly

dream. And the closed lids would moisten, especially the lid that

hid the eye that couldn't see--the emotional one!--although he was

the least lachrymose of men, since it was with such a dry eye he

wrote what I could scarcely read for my tears.

But his natural kindliness and geniality made him always try and

please those who tried to please him, beautiful or the reverse,

whether they succeeded or not; and he was just as popular with the

ducks and geese as with the swans and peacocks and nightingales and

birds of paradise. The dull, commonplace dames who prosed and buzzed

and bored, the elderly intellectual virgins who knew nothing of life

but what they had read--or written--in "Tendenz" novels, yet sadly

rebuked him, more in sorrow than in anger, for this passage or that

in his books, about things out of their ken altogether, etc.

His playful amenity disarmed the most aggressive bluestocking, orthodox

or Unitarian, Catholic or Hebrew--radicals, agnostics, vegetarians,

teetotalers, anti-vaccinationists, anti-vivisectionists--even

anti-things that don't concern decent women at all, whether married or

single.

It was only when his privacy was invaded by some patronizing,

loud-voiced nouvelle-riche with a low-bred physiognomy that no

millions on earth could gild or refine, and manners to match; some

foolish, fashionable, would-be worldling, who combined the arch

little coquetries and impertinent affectations of a spoilt beauty

with the ugliness of an Aztec or an Esquimau; some silly, titled old

frump who frankly ignored his tea-making wife and daughters and

talked to _him_ only--and only about her grotesque and ugly

self--and told him of all the famous painters who had wanted to

paint her for the last hundred years--it was only then he grew glum

and reserved and depressed and made an unfavorable impression on the

other sex.

What it must have cost him not to express his disgust more frankly!

for reticence on any matter was almost a torture to him.

Most of us have a mental sanctum to which we retire at times,

locking the door behind us; and there we think of high and beautiful

things, and hold commune with our Maker; or count our money, or

improvise that repartee the gods withheld last night, and shake

hands with ourselves for our wit; or caress the thought of some

darling, secret wickedness or vice; or revel in dreams of some

hidden hate, or some love we mustn't own; and curse those we have to

be civil to whether we like them or not, and nurse our little envies

till we almost get to like them.

There we remember all the stupid and unkind things we've ever said

or thought or done, and all the slights that have ever been put on

us, and secretly plan the revenge that never comes off--because time

has softened our hearts, let us hope, when opportunity serves at

last!

That Barty had no such holy of holies to creep into I feel pretty

sure--unless it was the wifely heart of Leah; whatever came into his

head came straight out of his mouth; he had nothing to conceal, and

thought aloud, for all the world to hear; and it does credit, I

think, to the singular goodness and guilelessness of his nature that

he could afford to be so outspoken through life and yet give so

little offence to others as he did. His indiscretion did very little

harm, and his naive self-revelation only made him the more lovable

to those who knew him well.

They were poor creatures, the daws who pecked at that manly heart,

so stanch and warm and constant.

As for Leah, it was easy to see that she looked upon her husband as

a fixed star, and was well pleased to tend and minister and revolve,

and shine with no other light than his; it was in reality an

absolute adoration on her part. But she very cleverly managed to

hide it from him; she was not the kind of woman that makes a doormat

of herself for the man she loves. She kept him in very good order

indeed.

It was her theory that female adoration is not good for masculine

vanity, and that he got quite enough of it outside his own home; and

she would make such fun of him and his female adorers all over the

world that he grew to laugh at them himself, and to value a pat on

the back and a hearty "Well done, Barty!" from his wife more than

"The blandishments of all the womankind

In Europe and America combined."

Gentle and kind and polite as she was, however, she could do battle

in defence of her great man, who was so backward at defending

himself; and very effective battle too.

As an instance among many, illustrating her method of warfare: Once

at an important house a very immense personage (who had an eye for a

pretty woman) had asked to be introduced to her and had taken her

down to supper; a very immense personage indeed, whose fame had

penetrated to the uttermost ends of the earth and deservedly made

his name a beloved household word wherever our tongue is spoken, so

that it was in every Englishman's mouth all over the world--as

Barty's is now.

Leah was immensely impressed, and treated his elderly Immensity to a

very full measure of the deference that was his due; and such open

homage is not always good for even the Immensest Immensities--it

sometimes makes them give themselves immense airs. So that this

particular Immensity began mildly but firmly to patronize Leah. This

she didn't mind on her own account, but when he said, quite

casually:

"By-the-way, I forget if I _know_ your good husband; _do_ I?"

--she was not pleased, and immediately answered:

"I really can't say; I don't think I ever heard him mention your

name!"

This was not absolutely veracious on Leah's part; for to Barty in

those days this particular great man was a god, and he was always

full of him. But it brought the immense one back to his bearings at

once, and he left off patronizing and was almost humble.

Anyhow, it was a lie so white that the recording angel will probably

delete what there is of it with a genial smile, and leave a little

blank in its place.

* * * * *

In an old diary of Leah's I find the following entry:

"March 6th, 1874.--Mamma and Ida Scatcherd came to stay. In the

evening our sixth daughter and eighth child was born."

Julia (Mrs. Mainwaring) was this favored person--and is still. Julia

and her predecessors have all lived and flourished up to now.

The Josselins had been exceptionally fortunate in their children;

each new specimen seemed an even finer specimen than the last. The

health of this remarkable family had been exemplary--measles, and

mumps, and whooping-cough their only ailments.

During the month of Leah's confinement Barty's nocturnal literary

activity was unusually great. Night after night he wrote in his

sleep, and accumulated enough raw material to last him a lifetime;

for the older he grew and the more practised his hand the longer it

took him to give his work the shape he wished; he became more

fastidious year by year as he became less of an amateur.

One morning, a day or two before his wife's complete recovery, he

found a long personal letter from Martia by his bedside--a letter

that moved him very deeply, and gave him food for thought during

many weeks and months and years:

* * * * *

"My Beloved Barty,--The time has come at last when I must bid you

farewell.

"I have outstayed my proper welcome on earth as a disembodied

conscience by just a hundred years, and my desire for reincarnation

has become an imperious passion not to be resisted.

"It is more than a desire--it is a duty as well, a duty far too long

deferred.

"Barty, I am going to be your next child. I can conceive no greater

earthly felicity than to be a child of yours and Leah's. I should

have been one long before, but that you and I have had so much to do

together for this beautiful earth--a great debt to pay: you, for

being as you are; I, for having known you.

"Barty, you have no conception what you are to me and always have

been.

[Illustration: "'I DON'T THINK I EVER HEARD HIM MENTION YOUR NAME'"]

"I am to you but a name, a vague idea, a mysterious inspiration;

sometimes a questionable guide, I fear. You don't even believe all I

have told you about myself--you think it all a somnambulistic

invention of your own; and so does your wife, and so does your

friend.

"O that I could connect myself in your mind with the shape I wore

when I was last a living thing! No shape on earth, not either yours

or Leah's or that of any child yet born to you both, is more

beautiful to the eye that has learned how to see than the fashion of

that lost face and body of mine.

"_You_ wore the shape once, and so did your father and mother, for

you were Martians. Leah was a Martian, and wore it too; there are

many of them here--they are the best on earth, the very salt

thereof. I mean to be the best of them all, and one of the happiest.

Oh, help me to that!

"Barty, when I am a splendid son of yours or a sweet and lovely

daughter, all remembrance of what I was before will have been wiped

out of me until I die. But _you_ will remember, and so will Leah,

and both will love me with such a love as no earthly parents have

ever felt for any child of theirs yet.

"Think of the poor loving soul, lone, wandering, but not lost, that

will so trustfully look up at you out of those gleeful innocent

eyes!

"How that soul has suffered both here and elsewhere you don't know,

and never will, till the secrets of all hearts shall be disclosed;

and I am going to forget it myself for a few decades--sixty,

seventy, eighty years perhaps; such happy years, I hope--with you

for my father and Leah for my mother during some of them at

least--and sweet grandchildren of yours, I hope, for my sons and

daughters! Why, life to me now will be almost a holiday.

"Oh, train me up the way I should go! Bring me up to be healthy and

chaste and strong and brave--never to know a mean ambition or think

an ungenerous thought--never to yield to a base or unworthy

temptation.

"If I'm a boy--and I want to be a boy very much (although, perhaps,

a girl would be dearer to your heart)--don't let me be either a

soldier or a sailor, however much I may wish it as a Josselin or a

Rohan; don't bring me up to buy or sell like a Gibson, or deal in

law like a Bletchley.

"Bring me up to invent, or make something useful, if it's only

pickles or soap, but not to buy and sell them; bring me up to build

or heal or paint or write or make music--to help or teach or please.

"If I'm a girl, bring me up to be as much like Leah as you can, and

marry me to just such another as yourself, if you can find him.

Whether I'm a girl or a boy, call me Marty, that my name may rhyme

with yours.

"When my conscience re-embodies itself, I want it never to know

another pang of self-reproach. And when I'm grown up, if you think

it right to do so, tell me who and what I once was, that I may love

you both the more; tell me how fondly I loved you when I was a

bland and fleeting little animalcule, without a body, but making my

home in yours--so that when you die I may know how irrevocably bound

up together we must forever be, we three; and rejoice the more in

your death and Leah's and my own. Teach me over again all I've ever

taught you, Barty--over and over again!

"Alas! perhaps you don't believe all this! How can I give you a

sign.

"There are many ways; but a law, of necessity inexorable, forbids

it. Such little entity as I possess would cease to be; it was all

but lost when I saved your life--and again when I told you that you

were the beloved of Julia Royce. It would not do for us Martians to

meddle with earthly things; the fat would soon be in the fire, I can

tell you!

"Try and trust me, Barty, and give me the benefit of any doubt.

"You have work planned out for many years to come, and are now

yourself so trained that you can do without me. You know what you

have still to say to mankind; never write a line about which you are

not sure.

"For another night or two you will be my host, and this splendid

frame of yours my hostelry; on y est tres bien. Be hospitable still

for a little while--make the most of me; hug me tight, squeeze me

warm!

"As soon as Leah is up and about and herself again you will know me

no more, and no more feel the north.

"Ah! you will never realize what it is for me to bid you good-bye,

my Barty, my Barty! All that is in your big heart and powerful brain

to feel of grief belongs to me, now that you are fast asleep. And

your genius for sorrow, which you have never really tested yet, is

as great as any gift you possess.

"Happy Barty, who have got to forty years without sounding the great

depths, and all through me! what will you do without your poor

devoted unknown Martia to keep watch over you and ward--to fight for

you like a wild-cat, if necessary?

"Leah must be your wild-cat now. She has it in her to be a tigress

when you are concerned, or any of her children! Next to you, Leah is

the darling of my heart; for it's your heart I make use of to love

her with.

"I want you to tell the world all about your Martia some day. They

may disbelieve, as you do; but good fruit will come of it in the

future. Martians will have a freer hand with you all, and that will

be a good thing for the earth; they were trained in a good hard

school--they are the Spartans of our universe.

"Such things will come to pass, before many years are over, as are

little dreamt of now, and all through your wanting to swallow that

dose of cyanide at No. 36 Rue des Ursulines Blanches, and my having

the gumption to prevent you!

"It's a good seed that we have sown, you and I. It was not right

that this beautiful planet should go much longer drifting through

space without a single hope that is not an illusion, without a

single hint of what life should really be, without a goal.

"Why such darkness under so bright a sun! such blindness to what is

so patent! such a deaf ear to the roaring of that thunderous harmony

which you call the eternal silence!--you of the earth, earthy, who

can hear the little trumpet of the mosquito so well that it makes

you fidget and fret and fume all night, and robs you of your rest.

Then the sun rises and frightens the mosquitoes away, and you think

that's what the sun is for and are thankful; but why the deuce a

mosquito should sting you, you can't make out!--mystery of

mysteries!

"At the back of your brain is a little speck of perishable matter,

Barty; it is no bigger than a needle's point, but it is bigger in

you than in anybody else I know, except in Leah; and in your

children it is bigger still--almost as big as the point of a pin!

"If they pair well, and it is in them to do so if they follow their

inherited instinct, their children and their children's children

will have that speck still bigger. When that speck becomes as big as

a millet-seed in your remote posterity, then it will be as big as in

a Martian, and the earth will be a very different place, and man of

earth greater and even better than the Martian by all the greatness

of his ampler, subtler, and more complex brain; his sense of the

Deity will be as an eagle's sense of the sun at noon in a cloudless

tropical sky; and he will know how to bear that effulgence without a

blink, as he stands on his lonely summit, ringed by the azure world.

"Indeed, there will be no more Martians in Mars by that time; they

are near the end of their lease; all good Martians will have gone to

Venus, let us hope; if not, to the Sun itself!

"Man has many thousands of years before him yet ere his little ball

of earth gets too cold for him; the little speck in his brain may

grow to the size of a pea, a cherry, a walnut, an egg, an orange!

He will have in him the magnetic consciousness of the entire solar

system, and hold the keys of time and space as long and as far as

the sun shines for us all--and then there will be the beginning of

everything. And all through that little episode in the street of

those White Ursulines! And the seed of Barty and Leah will overflow

to the uttermost ends of the earth, and finally blossom and bear

fruit for ever and ever beyond the stars.

"What a beginning for a new order of things! what a getting

up-stairs! what an awakening! what an annunciation!

"Do you remember that knock at the door?

"'Il est dix heures, savez-vous? Voulez-vous votre cafe dans votre

chambre?'

"She little knew, poor little Frau! humble little Finche Torfs,

lowly Flemish virgin, who loved you as the moth loves the star;

vilain mangeur de coeurs que vous etes!

"Barty, I wish your wife to hear nothing of this till the child who

once was your Martia shall have seen the light of day with eyes of

its own; tell her that I have left you at last, but don't tell her

why or how; tell her some day, years hence, if you think she will

love me the better for it; not otherwise.

"When you wake, Barty, I shall still be inside you; say to me in

your mezza voce all the kind things you can think of--such things as

you would have said to your mother had she lived till now, and you

were speeding her on a long and uncertain journey.

"How you would have loved your mother! She was most beautiful, and

of the type so dear to you. Her skin was almost as white as Leah's,

her eyes almost as black, her hair even blacker; like Leah, she was

tall and slim and lithe and graceful. She might have been Leah's

mother, too, for the likeness between them. How often you remind me

of her when you laugh or sing, and when you're funny in French;

those droll, quick gestures and quaint intonations, that ease and

freedom and deftness as you move! And then you become English in a

moment, and your big, burly, fair-haired father has come back with

his high voice, and his high spirits, and his frank blue eyes, like

yours, so kind and brave and genial.

"And _you_, dear, what a baby you were--a very prince among babies;

ah! if I can only be like that when I begin again!

"The people in the Tuileries garden used to turn round and stare and

smile at you when Rosalie with the long blue streamers bore you

along as proudly as if Louis Philippe were your grandfather and she

the royal wet-nurse; and later, after that hideous quarrel about

nothing, and the fatal fight by the 'mare aux biches,' how the good

fisher people of Le Pollet adored you! 'Un vrai petit St. Jean! il

nous portera bonheur, bien sur!'

"You have been thoroughly well loved all your life, my Barty, but

most of all by me--never forget that!

"I have been your father and your mother when they sat and watched

your baby-sleep; I have been Rosalie when she gave you the breast; I

have been your French grandfather and grandmother quarrelling as to

which of the two should nurse you as they sat and sunned themselves

on their humble doorstep in the Rue des Guignes!

"I have been your doting wife when you sang to her, your children

when you made them laugh till they cried. I've been Lady Archibald

when you danced the Dieppoise after tea, in Dover, with your little

bare legs; and Aunt Caroline, too, as she nursed you in Malines

after that silly duel where you behaved so well; and I've been by

turns Merovee Brossard, Bonzig, old Laferte, Mlle. Marceline, Finche

Torfs, poor little Marianina, Julia Royce, Father Louis, the old

Abbe, Bob Maurice--all the people you've ever charmed, or amused, or

been kind to--a legion; good heavens! I have been them all! What a

snowball made up of all these loves I've been rolling after you all

these years! and now it has all got to melt away in a single night,

and with it the remembrance of all I've ever been during ages

untold.

"And I've no voice to bid you good-bye, my beloved; no arms to hug

you with, no eyes to weep--I, a daughter of the most affectionate,

and clinging, and caressing race of little people in existence! Such

eyes as I once had, too; such warm, soft, furry arms, and such a

voice--it would have wanted no words to express all that I feel now;

that voice--nous savons notre orthographie en musique la bas!

"How it will please, perhaps, to remember even this farewell some

day, when we're all together again, with nothing to come between!

"And now, my beloved, there is no such thing as good-bye; it is a

word that has no real meaning; but it is so English and pretty and

sweet and child-like and nonsensical that I could write it over and

over again--just for fun!

"So good-bye! good-bye! good-bye! till I wake up once more after a

long living sleep of many years, I hope; a sleep filled with happy

dreams of you, dear, delightful people, whom I've got to live with

and love, and learn to lose once more; and then--no more good-byes!

"Martia."

* * * * *

So much for Martia--whoever or whatever it was that went by that

name in Barty's consciousness.

After such close companionship for so many years, the loss of

her--or it--was like the loss of a sixth and most valuable sense,

worse almost than the loss of his sight would have been; and with

this he was constantly threatened, for he most unmercifully taxed

his remaining eye, and the field of his vision had narrowed year by

year.

But this impending calamity did not frighten him as in the old days.

His wife was with him now, and as long as she was by his side he

could have borne anything--blindness, poverty, dishonor--anything in

the world. If he lost her, he would survive her loss just long

enough to put his affairs in order, and no more.

But most distressfully he missed the physical feeling of the

north--even in his sleep. This strange bereavement drew him and Leah

even more closely together, if that were possible; and she was well

content to reign alone in the heart of her fractious, unreasonable

but most affectionate, humorous, and irresistible great man.

Although her rival had been but a name and an idea, a mere

abstraction in which she had never really believed, she did not find

it altogether displeasing to herself that the lively Martia was no

more; she has almost told me as much.

And thus began for them both the happiest and most beautiful period

of their joint lives, in spite of sorrows yet to come. She took such

care of him that he might have been as blind as Belisarius himself,

and he seemed almost to depend upon her as much--so wrapt up was he

in the work of his life, so indifferent to all mundane and practical

affairs. What eyesight was not wanted for his pen and pencil he

reserved to look at her with--at his beloved children, and the

things of beauty in and outside Marsfield: pictures, old china,

skies, hills, trees, and river; and what wits remained he kept to

amuse his family and his friends--there was enough and to spare.

The older he grew the more he teemed and seethed and bubbled and

shone--and set others shining round him--even myself. It is no

wonder Marsfield became such a singularly agreeable abode for all

who dwelt there, even for the men-servants and the maid-servants,

and the birds and the beasts, and the stranger within its gates--and

for me a kind of earthly paradise.

* * * * *

And now, gentle reader, I want very badly to talk about myself a

little, if you don't mind--just for half a dozen pages or so, which

you can skip if you like. Whether you do so or not, it will not hurt

you--and it will do me a great deal of good.

I feel uncommonly sad, and very lonely indeed, now that Barty is

gone; and with him my beloved comrade Leah.

[Illustration: "'I'M A PHILISTINE, AND AM NOT ASHAMED'"]

The only people left to me that I'm really fond of--except my dear

widowed sister, Ida Scatcherd--are all so young. They're Josselins, of

course--one and all--and they're all that's kind and droll and

charming, and I adore them. But they can't quite realize what this sort

of bereavement means to a man of just my age, who has still got some

years of life before him, probably--and is yet an old man.

The Right Honorable Sir Robert Maurice, Bart., M. P., etc., etc.,

etc. That's me. I take up a whole line of manuscript. I might be a

noble lord if I chose, and take up two!

I'm a liberal conservative, an opportunist, a pessi-optimist, an

in-medio-tutissimist, and attend divine service at the Temple

Church.

I'm a Philistine, and not ashamed; so was Moliere--so was Cervantes.

So, if you like, was the late Martin Farquhar Tupper--and those who

read him; we're of all sorts in Philistia, the great and the small,

the good and the bad.

I'm in the sixties--sound of wind and limb--only two false

teeth--one at each side, bicuspids, merely for show. I'm rather

bald, but it suits my style; a little fat, perhaps--a pound and a

half over sixteen stone! but I'm an inch and a half over six feet,

and very big-boned. Altogether, diablement bien conserve! I sleep

well, the sleep of the just; I have a good appetite and a good

digestion, and a good conceit of myself still, thank Heaven--though

nothing like what it used to be! One can survive the loss of one's

self-respect; but of one's vanity, never.

What a prosperous and happy life mine has been, to be sure, up to a

few short months ago--hardly ever an ache or a pain!--my only real

griefs, my dear mother's death ten years back, and my father's in

1870. Yes, I have warmed both hands at the fire of life, and even

burnt my fingers now and then, but not severely.

One love disappointment. The sting of it lasted a couple of years,

the compensation more than thirty! I loved her all the better,

perhaps, that I did not marry her. I'm afraid it is not in me to

love a very good wife of my own as much as I really ought!

And I love her children as well as if they'd been mine, and her

grandchildren even better. They are irresistible, these

grandchildren of Barty's and Leah's--mine wouldn't have been a patch

on them; besides, I get all the fun and none of the bother and

anxiety. Evidently it was my true vocation to remain single--and be

a tame cat in a large, warm house, where there are lots of nice

children.

O happy Bob Maurice! O happy sexagenarian!

"O me fortunatum, mea si bona norim!" (What would Pere Brossard say

at this? he would give me a twisted pinch on the arm--and serve me

right!)

I'm very glad I've been successful, though it's not a very high

achievement to make a very large fortune by buying and selling that

which put into a man's mouth is said to steal away his brains!

But it does better things than this. It reconciles and solves and

resolves mental discords, like music. It makes music for people who

have no ear--and there are so many of these in the world that I'm a

millionaire, and Franz Schubert died a pauper. So I prefer to drink

beer--as _he_ did; and I never miss a Monday Pop if I can help it.

_I_ have done better things, too. I have helped to govern my country

and make its laws; but it all came out of wine to begin with--all

from learning how to buy and sell. We're a nation of shopkeepers,

although the French keep better shops than ours, and more of them.

I'm glad I'm successful because of Barty, although success, which

brings the world to our feet, does not always endear us to the

friend of our bosom. If I had been a failure Barty would have stuck

to me like a brick, I feel sure, instead of my sticking to him like

a leech! And the sight of his success might have soured me--that

eternal chorus of praise, that perpetual feast of pudding in which I

should have had no part but to take my share as a mere guest, and

listen and look on and applaud, and wish I'd never been born!

As it is, I listened and looked on and clapped my hands with as much

pride and pleasure as if Barty had been my son--and my share of the

pudding never stuck in my throat!

I should have been always on the watch to take him down a peg when

he was pleased with himself--to hold him cheap and overpraise some

duffer in his hearing--so that I might save my own self-esteem; to

pay him bad little left-handed compliments, him and his, whenever I

was out of humor; and I should have been always out of humor, having

failed in life.

And then I should have gone home wretched--for I have a

conscience--and woke up in the middle of the night and thought of

Barty; and what a kind, genial, jolly, large-minded, and

generous-hearted old chap he was and always had been--and buried my

face in my pillow, and muttered:

"Ach! what a poor, mean, jealous beast I am--un fruit sec! un

malheureux rate!"

With all my success, this life-long exclusive cultivation of Barty's

society, and that of his artistic friends, which has somehow

unfitted me for the society of my brother-merchants of wine--and

most merchants of everything else--has not, I regret to say, quite

fitted me to hold my own among the "leaders of intellectual modern

thought," whose company I would fain seek and keep in preference to

any other.

My very wealth seems to depress and disgust them, as it does me--and

I'm no genius, I admit, and a poor conversationalist.

To amass wealth is an engrossing pursuit--and now that I have

amassed a good deal more than I quite know what to do with, it seems

to me a very ignoble one. It chokes up everything that makes life

worth living; it leaves so little time for the constant and regular

practice of those ingenuous arts which faithfully to have learned is

said to soften the manners, and make one an agreeable person all

round.

It is even more _abrutissant_ than the mere pursuit of sport or

pleasure.

How many a noble lord I know who's almost as beastly rich as myself,

and twice as big a fool by nature, and perhaps not a better fellow

at bottom--yet who can command the society of all there is of the

best in science, literature, and art!

Not but what they will come and dine with me fast enough, these

shining lights of culture and intellect--my food is very good,

although I say it, and I get noble lords to meet them.

But they talk their real talk to each other--not to me--and to the

noble lords who sit by them at my table, and who try to understand

what they say. With me they fall back on politics and bimetallism,

for all the pains I've taken to get up the subjects that interest

them, and keep myself posted in all they've written and done.

Precious little they know about bimetallism or politics!

Is it only on account of their pretty manners that my titled friends

are such favorites with these highly intellectual guests of

mine--and with me? If so, then pretty manners should come before

everything else in the world, and be taught instead of Latin and

Greek.

But if it's only because they're noble lords, then I'm beginning to

think with Mr. Labouchere that it's high time the Upper House were

abolished, and its denizens wafted into space, since they make such

snobs of us all--including your humble servant, of course, who at

least is not quite so snobbish as to know himself for a damned snob

and pretend he isn't one.

Anyhow, I'm glad my life has been such a success. But would I live

it all over again? Even the best of it? The "forty year"?

Taking one consideration with another, most decidedly not.

I have only met two men of my own age who would live their lives

over again. They both cared more for their meals than for anything

else in the world--and they have always had four of these every day;

sometimes even five! plenty of variety, and never a meal to disagree

with them! affaire d'estomac! They simply want to eat all those

meals once more. They lived to feed, and to refeed would re-live!

My meals have never disagreed with me either--but I have always

found them monotonous; they have always been so simple and so

regular when I've had the ordering of them! Fried soles, chops or

steaks, and that sort of thing, and a pint of lager-beer--no wine

for me, thank you; I sell it--and all this just to serve as a mere

foundation for a smoke--and a chat with Barty, if possible!

Hardly ever an ache or a pain, and I wouldn't live it all over

again! yet I hope to live another twenty years, if only to take

Leah's unborn great-grandchildren to the dentist's, and tip them at

school, and treat them to the pantomime and Madame Tussaud's, as I

did their mothers and grandmothers before them--or their fathers and

grandfathers.

This seems rather inconsistent! For would I care, twenty years

hence, to re-live these coming twenty years? Evidently not--it's out

of the question.

So why don't I give up at once? I know how to do it, without pain,

without scandal, without even invalidating my life-insurance, about

which I don't care a rap!

Why don't I? why don't _you_, O middle-aged reader--with all the

infirmities of age before you and all the pleasures of youth behind?

Anyhow, we don't, either you or I--and so there's an end on't.

O Pandora! I have promised myself that I would take a

great-grandchild of Barty's on a flying-machine from Marsfield to

London and back in half an hour--and that great-grandchild can't

well be born for several years--perhaps not for another twenty!

And now, gentle reader, I've had my little say, and I'm a good deal

better, thanks, and I'll try not to talk about myself any more.

Except just to mention that in the summer of 1876 I contested East

Rosherville in the Conservative interest and was successful--and

owed my success to the canvassing of Barty and Leah, who had no

politics of their own whatever, and would have canvassed for me just

as conscientiously if I'd been a Radical, probably more so! For if

Barty had permitted himself any politics at all, he would have been

a red-hot Radical, I fear--and his wife would have followed suit.

And so, perhaps, would I!

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