I admit that in the fifties we very often were.

There may perhaps be a few survivals of that period: _old_ nouveaux

riches, who are still modestly jocose on the subject of each other's

millions when they meet, and indulge in pompous little pleasantries

about their pet economics, and drop a pompous little _h_ now and

then, and pretend they only did it for fun. But, dear me, there are

other things to be vulgar about in this world besides money and

uncertain aspirates.

If to be pompous and pretentious and insincere is to be vulgar, I really

think the vulgar of our time are not these old plutocrats--not even

their grandsons, who hunt and shoot and yacht and swagger with the

best--but those solemn little prigs who have done well at school or

college, and become radicals and agnostics before they've even had time

to find out what men and women are made of, or what sex they belong to

themselves (if any), and loathe all fun and sport and athletics, and

rave about pictures and books and music they don't understand, and would

pretend to despise if they did--things that were not even _meant_ to be

understood. It doesn't take three generations to make a prig--worse

luck!

At the Gibsons' there was neither pompousness nor insincerity nor

pretension of any kind, and therefore no real vulgarity. It is true

they were a little bit noisy there sometimes, but only in fun.

When we arrived at that most hospitable house the two pretty

drawing-rooms were already crammed with young people, and the

dancing was in full swing.

I presented Barty to Mrs. Gibson, who received him with her usual

easy cordiality, just as she would have received one of her

husband's clerks, or the Prime Minister; or the Prince Consort

himself, for that matter. But she looked up into his face with such

frank unabashed admiration that I couldn't help laughing--nor could

he!

She presented him to Mr. Gibson, who drew himself back and folded

his arms and frowned; then suddenly, striking a beautiful stage

attitude of surprised emotion, with his hand on his heart, he

exclaimed:

"Oh! Monsewer! Esker-voo ker jer dwaw lah vee?--ah! kel bonnure!"

And this so tickled Barty that he forgot his manners and went into

peals of laughter. And from that moment I ceased to exist as the

bright particular star in Mr. Gibson's firmament of eligible young

men: for in spite of the kink in my nose, and my stolid gravity,

which was really and merely the result of my shyness, he had always

looked upon me as an exceptionally presentable, proper, and goodly

youth, and a most exemplary--that is, if my sister was to be trusted

in the matter; for she was my informant.

I'm afraid Barty was not so immediately popular with the young

cavaliers of the party--but all came right in due time. For after

supper, which was early, Barty played the fool with Mr. Gibson, and

taught him how to do a mechanical wax figure, of which he himself

was the showman; and the laughter, both baritone and soprano, might

have been heard in Russell Square. Then they sang an extempore

Italian duet together which was screamingly droll--and so forth.

Leah distinguished herself as usual by being attentive to the

material wants of the company: comfortable seats, ices, syrups,

footstools for mammas, and wraps; safety from thorough draughts for

grandpapas--the inherited hospitality of the clan of Gibson took

this form with the sole daughter of their house and home; she had no

"parlor tricks."

We remained the latest. It was a full moon, or nearly so--as usual

on a balcony; for I remember standing on the balcony with Leah.

A belated Italian organ-grinder stopped beneath us and played a tune

from _I Lombardi_, called "La mia letizia." Leah's hair was done up

for the first time--in two heavy black bands that hid her little

ears and framed her narrow chinny face--with a yellow bow plastered

on behind. Such was the fashion then, a hideous fashion enough--but

we knew no better. To me she looked so lovely in her long white

frock--long for the first time--that Tavistock Square became a broad

Venetian moonlit lagoon, and the dome of University College an old

Italian church, and "La mia letizia" the song of Adria's gondolier.

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