(_b_). "_She sees a deep hole in the vineyard which she knows was made

by pulling out a tree._" Herewith her remark that "_she misses the

tree_." She means that she did not see the tree in the dream, but the

same phrase serves to express another thought which symbolic

interpretation makes completely certain. The dream deals with another

bit of the infantile sex theory, namely, with the belief that girls

originally had the same genitals as boys and that the later conformation

resulted from castration (pulling out of a tree).

(_c_). "_She is standing in front of the drawer of her writing table,

with which she is so familiar that she knows immediately if anybody has

been through it._" The writing-table drawer, like every drawer, chest,

or box, stands for the female genital. She knows that one can recognize

from the genital the signs of sexual intercourse (and, as she thinks,

even of any contact at all) and she has long been afraid of such a

conviction. I believe that the accent in all these dreams is to be laid

upon the idea of _knowing_. She is reminded of the time of her childish

sexual investigations, the results of which made her quite proud at the

time.

5. Again a little bit of symbolism. But this time I must first describe

the psychic situation in a short preface. A man who spent the night with

a woman describes his partner as one of those motherly natures whose

desire for a child irresistibly breaks through during intercourse. The

circumstances of their meeting, however, necessitated a precaution

whereby the fertilizing discharge of semen is kept away from the womb.

Upon awaking after this night, the woman tells the following dream:

"_An officer with a red cap follows her on the street. She flees from

him, runs up the staircase, and he follows after her. Breathlessly she

reaches her apartment and slams and locks the door behind her. He

remains outside and as she looks through a peephole she sees him sitting

outside on a bench and weeping._"

You undoubtedly recognize in the pursuit by an officer with a red cap,

and the breathless stair climbing, the representation of the sexual act.

The fact that the dreamer locks herself in against the pursuer may serve

as an example of that inversion which is so frequently used in dreams,

for in reality it was the man who withdrew before the completion of the

act. In the same way her grief has been transposed to the partner, it is

he who weeps in the dream, whereby the discharge of the semen is also

indicated.

You must surely have heard that in psychoanalysis it is always

maintained that all dreams have a sexual meaning. Now you yourselves are

in a position to form a judgment as to the incorrectness of this

reproach. You have become acquainted with the wish-fulfillment dreams,

which deal with the satisfying of the plainest needs, of hunger, of

thirst, of longing for freedom, the dreams of convenience and of

impatience and likewise the purely covetous and egoistic dreams. But

that the markedly distorted dreams preponderantly--though again not

exclusively--give expression to sex wishes, is a fact you may certainly

keep in mind as one of the results of psychoanalytical research.

6. I have a special motive for piling up examples of the use of symbols

in dreams. At our first meeting I complained of how hard it is, when

lecturing on psychoanalysis, to demonstrate the facts in order to awaken

conviction; and you very probably have come to agree with me since then.

But the various assertions of psychoanalysis are so closely linked that

one's conviction can easily extend from one point to a larger part of

the whole. We might say of psychoanalysis that if we give it our little

finger it promptly demands the whole hand. Anyone who was convinced by

the explanation of errors can no longer logically disbelieve in all the

rest of psychoanalysis. A second equally accessible point of approach is

furnished by dream symbolism. I shall give you a dream, already

published, of a peasant woman, whose husband is a watchman and who has

certainly never heard anything about dream symbolism and psychoanalysis.

You may then judge for yourselves whether its explanation with the help

of sex symbols can be called arbitrary and forced.

"_Then someone broke into her house and she called in fright for a

watchman. But the latter had gone companionably into a church together

with two 'beauties.' A number of steps led up to the church. Behind the

church was a hill, and on its crest a thick forest. The watchman was

fitted out with a helmet, gorget and a cloak. He had a full brown beard.

The two were going along peacefully with the watchman, had sack-like

aprons bound around their hips. There was a path from the church to the

hill. This was overgrown on both sides with grass and underbrush that

kept getting thicker and that became a regular forest on the crest of

the hill._"

You will recognize the symbols without any difficulty. The male genital

is represented by a trinity of persons, the female by a landscape with a

chapel, hill and forest. Again you encounter steps as the symbol of the

sexual act. That which is called a hill in the dream has the same name

in anatomy, namely, _mons veneris_, the mount of Venus.

7. I have another dream which can be solved by means of inserting

symbols, a dream that is remarkable and convincing because the dreamer

himself translated all the symbols, even though he had had no

preliminary knowledge of dream interpretation. This situation is very

unusual and the conditions essential to its occurrence are not clearly

known.

"_He is going for a walk with his father in some place which must be the

Prater_,[35] _for one can see the rotunda and before it a smaller

building to which is anchored a captive balloon, which, however, seems

fairly slack. His father asks him what all that is for; he wonders at it

himself but explains it to his father. Then they come to a courtyard in

which there lies spread out a big sheet of metal. His father wants to

break off a big piece of it for himself but first looks about him to see

if anyone might see him. He says to him that all he needs to do is to

tell the inspector and then he can take some without more ado. There are

steps leading from this courtyard down into a pit, the walls of which

are upholstered with some soft material rather like a leather arm chair.

At the end of this pit is a longish platform and then a new pit

begins...._"

The dreamer himself interprets as follows: "The rotunda is my genital,

the balloon in front of it is my penis, of whose slackness I have been

complaining." Thus one may translate in more detail, that the rotunda is

the posterior--a part of the body which the child regularly considers as

part of the genital--while the smaller building before it is the

scrotum. In the dream his father asks him what all that is for; that is

to say, he asks the object and function of the genitals. It is easy to

turn this situation around so that the dreamer is the one who does the

asking. Since no such questioning of the father ever took place in real

life, we must think of the thought of this dream as a wish or consider

it in the light of a supposition, "If I had asked father for sexual

enlightenment." We will find the continuation of this idea in another

place shortly.

The courtyard, in which the sheet metal lies spread out, is not to be

considered primarily as symbolical but refers to the father's place of

business. For reasons of discretion I have substituted the "sheet metal"

for another material with which the father deals, without changing

anything in the literal wording of the dream. The dreamer entered his

father's business and took great offense at the rather dubious practices

upon which the profits depended to a large extent. For this reason the

continuation of the above idea of the dream might be expressed as "if I

had asked him, he would only have deceived me as he deceives his

customers." The dreamer himself gives us the second meaning of "breaking

off the metal," which serves to represent the commercial dishonesty. He

says it means masturbation. Not only have we long since become familiar

with this symbol, but the fact also is in agreement. The secrecy of

masturbation is expressed by means of its opposite--"It can be safely

done openly." Again our expectations are fulfilled by the fact that

masturbatory activity is referred to as the father's, just as the

questioning was in the first scene of the dream. Upon being questioned

he immediately gives the interpretation of the pit as the vagina on

account of the soft upholstering of its walls. I will add arbitrarily

that the "going down" like the more usual "going up" is meant to

describe the sexual intercourse in the vagina.

Such details as the fact that the first pit ends in a platform and then

a new one begins, he explains himself as having been taken from his own

history. He practiced intercourse for a while, then gave it up on

account of inhibitions, and now hopes to be able to resume it as a

result of the treatment.

8. The two following dreams are those of a foreigner, of very polygamous

tendencies, and I give them to you as proof for the claim that one's ego

appears in every dream, even in those in which it is disguised in the

manifest content. The trunks in the dream are a symbol for woman.

(_a_). "_He is to take a trip, his luggage is placed on a carriage to

be taken to the station, and there are many trunks piled up, among which

are two big black ones like sample trunks. He says, consolingly, to

someone, 'Well, they are only going as far as the station with us.'_"

In reality he does travel with a great deal of luggage, but he also

brings many tales of women with him when he comes for treatment. The two

black trunks stand for two dark women who play the chief part in his

life at present. One of them wanted to travel to Vienna after him, but

he telegraphed her not to, upon my advice.

(_b_). A scene at the customs house: "_A fellow traveler opens his trunk

and says indifferently while puffing a cigarette, 'There's nothing in

here.' The customs official seems to believe him but delves into the

trunk once more and finds something particularly forbidden. The traveler

then says resignedly, 'Well, there's no help for it.'_"

He himself is the traveler, I the customs official. Though otherwise

very frank in his confessions, he has on this occasion tried to conceal

from me a new relationship which he had struck up with a lady whom he

was justified in believing that I knew. The painful situation of being

convicted of this is transposed into a strange person so that he himself

apparently is not present in the dream.

9. The following is an example of a symbol which I have not yet

mentioned:

"_He meets his sister in company with two friends who are themselves

sisters. He extends his hand to both of them but not to his sister._"

This is no allusion to a real occurrence. His thoughts instead lead him

back to a time when his observations made him wonder why a girl's

breasts develop so late. The two sisters, therefore, are the breasts. He

would have liked to touch them if only it had not been his sister.

10. Let me add an example of a symbol of death in a dream:

"_He is walking with two persons whose name he knows but has forgotten.

By the time he is awake, over a very high, steep iron bridge. Suddenly

the two people are gone and he sees a ghostly man with a cap, and clad

in white. He asks this man whether he is the telegraph messenger.... No.

Or is he a coachman? No. Then he goes on,_" and even in the dream he is

in great fear. After waking he continues the dream by a phantasy in

which the iron bridge suddenly breaks, and he plunges into the abyss.

When the dreamer emphasizes the fact that certain individuals in a dream

are unknown, that he has forgotten their names, they are generally

persons standing in very close relationship to the dreamer. This dreamer

has two sisters; if it be true, as his dream indicates, that he wished

these two dead, then it would only be justice if the fear of death fell

upon him for so doing. In connection with the telegraph messenger he

remarks that such people always bring bad news. Judged by his uniform he

might also have been the lamp-lighter, who, however, also extinguishes

the lamps--in other words, as the spirit of death extinguishes the flame

of life. The coachman reminds him of Uhland's poem of King Karl's ocean

voyage and also of a dangerous lake trip with two companions in which he

played the role of the king in the poem. In connection with the iron

bridge he remembers a recent accident and the stupid saying "Life is a

suspension bridge."

11. The following may serve as another example of the representation of

death in a dream: "_An unknown man leaves a black bordered visiting card

for him._"

12. The following dream will interest you for several reasons, though it

is one arising from a neurotic condition among other things:

"_He is traveling in a train. The train stops in an open field. He

thinks it means that there is going to be an accident, that he must save

himself, and he goes through all the compartments of the train and

strikes dead everyone whom he meets, conductors, engine drivers, etc._"

In connection with this he tells a story that one of his friends told

him. An insane man was being transported in a private compartment in a

certain place in Italy, but through some mistake another traveler was

put in the same compartment. The insane man murdered his fellow

passenger. Thus he identifies himself with this insane person and bases

his right so to do upon a compulsive idea which was then torturing him,

namely, he must "do away with all persons who knew of his failings." But

then he himself finds a better motivation which gave rise to the dream.

The day before, in the theatre, he again saw the girl whom he had

expected to marry but whom he had left because she had given him cause

for jealousy. With a capacity for intense jealousy such as he has, he

would really be insane if he married. In other words, he considers her

so untrustworthy that out of jealousy he would have to strike dead all

the persons who stood in his way. Going through a series of rooms, of

compartments in this case, we have already learned to recognize as the

symbol of marriage (the opposite of monogamy).

In connection with the train stopping in the open country and his fear

of an accident, he tells the following: Once, when he was traveling in a

train and it came to a sudden stop outside of a station, a young lady in

the compartment remarked that perhaps there was going to be a collision,

and that in that case the best precaution would be to pull one's legs

up. But this "legs up" had also played a role in the many walks and

excursions into the open which he had taken with the girl in that happy

period in their first love. Thus it is a new argument for the idea that

he would have to be crazy in order to marry her now. But from my

knowledge of the situation I can assume with certainty that the wish to

be as crazy as that nevertheless exists in him.

THIRTEENTH LECTURE

THE DREAM

_Archaic Remnants and Infantilism in the Dream_

Let us revert to our conclusion that the dream-work, under the influence

of the dream censorship, transforms the latent dream thoughts into some

other form of expression. The latent thoughts are no other than the

conscious thoughts known to us in our waking hours; the new mode of

expression is incomprehensible to us because of its many-sided features.

We have said it extends back to conditions of our intellectual

development which we have long progressed beyond, to the language of

pictures, the symbol-representations, perhaps to those conditions which

were in force before the development of our language of thought. So we

called the mode of expression of the dream-work the archaic or

regressive.

You may conclude that as a result of the deeper study of the dream-work

we gain valuable information about the rather unknown beginnings of our

intellectual development. I trust this will be true, but this work has

not, up to the present time, been undertaken. The antiquity into which

the dream-work carries us back is of a double aspect, firstly, the

individual antiquity, childhood; and, secondly (in so far as every

individual in his childhood lives over again in some more or less

abbreviated manner the entire development of the human race), also this

antiquity, the philogenetic. That we shall be able to differentiate

which part of the latent psychic proceeding has its source in the

individual, and which part in the philogenetic antiquity is not

improbable. In this connection it appears to me, for example, that the

symbolic relations which the individual has never learned are ground for

the belief that they should be regarded as a philogenetic inheritance.

However, this is not the only archaic characteristic of the dream. You

probably all know from your own experiences the peculiar amnesia, that

is, loss of memory, concerning childhood. I mean the fact that the first

years, to the fifth, sixth or eighth, have not left the same traces in

our memory as have later experiences. One meets with individual persons,

to be sure, who can boast of a continuous memory from the very beginning

to the present day, but the other condition, that of a gap in the

memory, is far more frequent. I believe we have not laid enough stress

on this fact. The child is able to speak well at the age of two, it soon

shows that it can become adjusted to the most complicated psychic

situations, and makes remarks which years later are retold to it, but

which it has itself entirely forgotten. Besides, the memory in the early

years is more facile, because it is less burdened than in later years.

Nor is there any reason for considering the memory-function as a

particularly high or difficult psychic performance; in fact, the

contrary is true, and you can find a good memory in persons who stand

very low intellectually.

As a second peculiarity closely related to the first, I must point out

that certain well-preserved memories, for the most part formatively

experienced, stand forth in this memory-void which surrounds the first

years of childhood and do not justify this hypothesis. Our memory deals

selectively with its later materials, with impressions which come to us

in later life. It retains the important and discards the unimportant.

This is not true of the retained childhood memories. They do not bespeak

necessarily important experiences of childhood, not even such as from

the viewpoint of the child need appear of importance. They are often so

banal and intrinsically so meaningless that we ask ourselves in wonder

why just these details have escaped being forgotten. I once endeavored

to approach the riddle of childhood amnesia and the interrupted memory

remnants with the help of analysis, and I arrived at the conclusion that

in the case of the child, too, only the important has remained in the

memory, except that by means of the process of condensation already

known to you, and especially by means of distortion, the important is

represented in the memory by something that appears unimportant. For

this reason I have called these childhood memories "disguise-memories,"

memories used to conceal; by means of careful analysis one is able to

develop out of them everything that is forgotten.

In psychoanalytic treatment we are regularly called upon to fill out the

infantile memory gaps, and in so far as the cure is to any degree

successful, we are able again to bring to light the content of the

childhood years thus clouded in forgetfulness. These impressions have

never really been forgotten, they have only been inaccessible, latent,

have belonged to the unconscious. But sometimes they bob up out of the

unconscious spontaneously, and, as a matter of fact, this is what

happens in dreams. It is apparent that the dream life knows how to find

the entrance to these latent, infantile experiences. Beautiful examples

of this occur in literature, and I myself can present such an example. I

once dreamed in a certain connection of a person who must have performed

some service for me, and whom I clearly saw. He was a one-eyed man,

short in stature, stout, his head deeply sunk into his neck. I concluded

from the content that he was a physician. Luckily I was able to ask my

mother, who was still living, how the physician in my birth-place, which

I left when I was three years old, looked, and I learned from her that

he had one eye, was short and stout, with his head sunk into his neck,

and also learned at what forgotten mishap he had been of service to me.

This control over the forgotten material of childhood years is, then, a

further archaic tendency of the dream.

The same information may be made use of in another of the puzzles that

have presented themselves to us. You will recall how astonished people

were when we came to the conclusion that the stimuli which gave rise to

dreams were extremely bad and licentious sexual desires which have made

dream-censorship and dream-distortion necessary. After we have

interpreted such a dream for the dreamer and he, in the most favorable

circumstances does not attack the interpretation itself, he almost

always asks the question whence such a wish comes, since it seems

foreign to him and he feels conscious of just the opposite sensations.

We need not hesitate to point out this origin. These evil wish-impulses

have their origin in the past, often in a past which is not too far

away. It can be shown that at one time they were known and conscious,

even if they no longer are so. The woman, whose dream is interpreted to

mean that she would like to see her seventeen-year old daughter dead,

discovers under our guidance that she in fact at one time entertained

this wish. The child is the fruit of an unhappy marriage, which early

ended in a separation. Once, while the child was still in the womb, and

after a tense scene with her husband, she beat her body with her fists

in a fit of anger, in order to kill the child. How many mothers who

to-day love their children tenderly, perhaps too tenderly, received them

unwillingly, and at the time wished that the life within them would not

develop further; indeed, translated this wish into various actions,

happily harmless. The later death-wish against some loved one, which

seems so strange, also has its origin in early phases of the

relationship to that person.

The father, the interpretation of whose dream shows that he wishes for

the death of his eldest and favorite child, must be reminded of the fact

that at one time this wish was no stranger to him. While the child was

still a suckling, this man, who was unhappy in his choice of a wife,

often thought that if the little being that meant nothing to him would

die, he would again be free, and would make better use of his freedom. A

like origin may be found for a large number of similar hate impulses;

they are recollections of something that belonged to the past, were once

conscious and played their parts in the psychic life. You will wish to

conclude therefrom that such wishes and such dreams cannot occur if such

changes in the relationship to a person have not taken place; if such

relationship was always of the same character. I am ready to admit this,

only wish to warn you that you are to take into consideration not the

exact terms of the dream, but the meaning thereof according to its

interpretation. It may happen that the manifest dream of the death of

some loved person has only made use of some frightful mask, that it

really means something entirely different, or that the loved person

serves as a concealing substitute for some other.

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