The object of her work may be given in her own words:--

‘(The series is) intended as parallel reading to history, and

planned to illustrate history.... Great changes are coming over

the schools, ... changes in the right direction, which may shortly

amount to a revolution, when there will be no reason why these

_Tales of the Heroic Ages_ should not, although addressed to young

people at large, find a place, if not in the school curriculum, at

least in the wide margin of so-called ‘Supplementary Reading.’ May

they prove acceptable, not alone to the young, to whom they are

specially addressed, but also, as has been felicitously said, to

“the old with young tastes.”’ --Pages xx, xxii.

_Method of Paraphrase._

‘(The style) should be simple and epical; faithfully following the

main lines, bringing out also the characteristic details--the

poetical beauties, picturesque traits, and original dialogue,

as much as may be consistent with necessary condensation and,

frequently, elimination. It should be a consecutive, lively

narrative, with the necessary elucidating explanations

incorporated in the text and with the fewest and briefest possible

footnotes, while it should contain no critical or mythological

digressions.... What we want in telling it to the young, is to

take the epic just as it is, condensing and expurgating, but not

changing; rendering the characters, scenes and situations with the

faithfulness and reverence due to the masterpiece of a race; using

as much as possible, especially in the dialogue, the words of the

original.... (The language) should be simple, though not untinged

with quaintness, and even in places a certain degree of archaism.’

--Pages xvi, xix, xxi.

_Indebtedness to Earle._

‘Professor Earle’s[1] version has been fully utilized in the

present volume, even to the extent of frequently making use of its

wording, where it is not too archaic or literal for ordinary

purposes.’ --Page 330, footnote.

Some notion of the extent of this borrowing may be had by examining the

extract printed below and the criticism that follows.

The Translations of Beowulf: A Critical Bibliography · 第 134 / 145 题