VIII.

_Unferth the king’s orator is jealous. He baits the young

adventurer, and in a scoffing speech dares him to a night-watch

for Grendel. Beowulf is angered, and thus he is drawn out to boast

of his youthful feats._

Unferth made a speech, Ecglaf’s son; he who sate at the feet of

the Scyldings’ lord, broached a quarrelsome theme--the adventure

of Beowulf the high-souled voyager was great despite to him,

because he grudged that any other man should ever in the world

achieve more exploits under heaven than he himself:-- ‘Art thou

_that_ Beowulf, he who strove with Breca on open sea in

swimming-match, where ye twain out of bravado explored the floods,

and foolhardily in deep water jeoparded your lives? nor could any

man, friend or foe, turn the pair of you from the dismal

adventure! What time ye twain plied in swimming, where ye twain

covered with your arms the awful stream, meted the sea-streets,

buffeted with hands, shot over ocean; the deep boiled with waves,

a wintry surge. Ye twain in the realm of waters toiled a

se’nnight; he at swimming outvied thee, had greater force. Then in

morning hour the swell cast him ashore on the Heathoram people,

whence he made for his own patrimony, dear to his Leeds he made

for the land of the Brondings, a fair stronghold, where he was

lord of folk, of city, and of rings. All his boast to thee-ward,

Beanstan’s son soothly fulfilled. Wherefore I anticipate for thee

worse luck--though thou wert everywhere doughty in battle-shocks,

in grim war-tug--if thou darest bide in Grendel’s way a night-long

space.’

_Criticism of the Translation._

As a whole, the translation may fairly be called faithful. The

emendations from which Professor Earle sometimes renders are always

carefully chosen, and the discussions of obscure lines in the poem are

of real scholarly interest. But this is not always true of the simpler

passages of the poem. These are often strained to make them square with

the translator’s personal notions. Thus, at line 1723, Earle reads for

_Ic þis gid be þē āwraec_

It is about thee ... that I have told this tale,

adding in a note, ‘(In this passage) the living poet steps forward out

of his Hrothgar, and turns his eyes to the prince for whom he made it

up’ (p. 168). Now this is nothing more than an attempt on the part of

the translator to wring from the Old English lines some scrap of proof

for the peculiar theory that he holds of the origin of the poem.

Similarly, he often reads into a single word more than it can possibly

bear. At line 371 he translates--

_Hrothgar, helm Scyldinga,_

Hrothgar, crown of Scyldings.

But ‘crown’ is an impossible rendering of ‘helm,’ which is here used

figuratively to denote the idea of protection[8], rather than the idea

of the crowning glory of kingship. Further, in the same passage, 375-6,

_heard eafora_ (bold son), is wrenched into meaning ‘grown-up son.’

These are but two examples of what is common throughout the translation.

_Diction._

The archaic style used by Professor Earle cannot be regarded as highly

felicitous, since it mixes the diction of various ages. Here are Old

English archaisms like ‘Leeds’ and ‘burnie’; here are expressions like

‘escheat,’ ‘page’ (attendant), ‘emprize,’ ‘bombard’ (drinking-vessel),

‘chivalry.’ Here are such specialized words as ‘harpoon,’ ‘belligerent,’

‘pocket-money,’ and combinations like ‘battailous grip’; while

throughout the entire translation are scattered modern colloquialisms

like ‘boss’ (master), ‘tussle,’ ‘war-tug.’

The reason for these anomalies is evident--the translator wishes to

imitate the remoteness of the original style. The style is certainly

remote--at times almost as remote from the language of to-day as is the

style of _Beowulf_ itself.

[Footnote 1: See supra, p. 79.] [[Lumsden]]

[Footnote 2: See supra, p. 64.] [[Heyne: Relation of...]]

[Footnote 3: Paul und Braune’s _Beiträge_, XI, 328; Ang. XIV, 133.]

[Footnote 4: _Beiträge_, VIII, 568; _Aanteekeningen_, Leiden 1891.]

[Footnote 5: _Beiträge_, IX, 187; VIII, 532.]

[Footnote 6: _Beiträge_, XI, 1; _Studien über das Beowulfsepos_.]

[Footnote 7: _Beiträge_, XI, 1 ff.]

[Footnote 8: See the glossaries of Grein and Wyatt.]

The Translations of Beowulf: A Critical Bibliography · 第 88 / 145 题