Chapter XX

Pan and the Nymphs

Pan,[63] the god of woods and fields, god of the flocks and herds, and

patron deity of all shepherds, was said to be the son of Mercury. It

is apparently not known who his mother was, but she must have had some

sylvan blood in her veins, for the youthful Pan showed every evidence

of having been born of woodland creatures, as he had the pointed ears

of the fauns, and the horns and goat's legs of the satyrs. The story

goes that his mother--whichever nymph it was of the many reputed to

have borne him--was disgusted with his absurd appearance, and refused

to own him for her child; but Mercury was delighted with his son's

grotesque figure, and took him to Olympus to amuse the gods.

Pan's favorite dwelling place was Arcadia; and here he wandered over

the hills and among the rocks, or roamed through the fertile valleys.

He delighted in hunting, and amused himself with various pastimes--his

especial pleasure being to lead in the dances with the nymphs. He

was devoted to music, and was usually seen playing on the syrinx,--or

shepherd's pipes,--which he himself invented and named from a nymph

whom he unsuccessfully wooed. The maiden Syrinx was a follower of

Diana; and one day, as she was returning from the chase, she met Pan,

who immediately fell in love with her beauty, and begged her to be

his wife. The nymph had always scorned to listen to any lover, and

Pan's appearance did not tend to soften her objections; so while he

was praising her many charms and pleading for her love, she turned and

ran away. The woodland god was not to be put off so lightly, however;

and he promptly gave chase to the fleeing maiden, who, finding that

her pursuer was gaining on her, called wildly on the river-nymphs for

help. She had by this time reached the water's edge; and just as Pan's

arms were about to enfold her, the kindly nymphs changed her into a

cluster of reeds. The god was much chagrined at the failure of his

hopes; but since he could not have the living maiden, he determined to

take whatever remained of the beautiful thing that had charmed him. So

he gathered a bunch of the reeds, and after cutting them into unequal

lengths, bound them together into a sort of shepherd's pipes. When

he put the reeds to his lips, they gave forth the softest and most

plaintive tones, and Pan called them the syrinx in honor of the nymph.

Before inventing this new instrument, Pan had played upon the flute,

and it was his skill in this direction that made King Midas dare to

affront Apollo by declaring Pan to be the better musician. The god of

woods and fields was not, however, a frequenter of palaces, but made

his home in grottoes and piped to the murmuring trees. He loved to

prowl by night in lonesome places, and lurk among the shadows where

some belated traveler, startled by the weird hoot of an owl, would

see his grotesque form and rush away, filled with that unreasoning

terror called a "panic." Pan's partners in the sylvan dance were the

wood-nymphs, who always welcomed him and his followers. When his days

were spent among the mountain solitudes, the Oreads, or mountain

nymphs, danced with him in the moonlight; and when he preferred to

live in the valleys, the Dryads, or nymphs of vegetation, joined in

the revels led by Pan and his company of fauns and satyrs.[64] The

Naides, the beautiful water-nymphs who dwelt in the clear depths of

the fountains, did not come out of their quiet haunts to take part in

the merriment; nor did the shy Hamadryads leave the safe shelter of

their trees to mingle in the joyous dance. Among these latter nymphs

each had her particular tree, and lived and died with the one intrusted

to her care. It was held, therefore, to be an act of wanton cruelty

to destroy or even mar a tree, lest the Hamadryad who inhabited it

should be hurt and possibly killed. It was unwise to break off a flower

recklessly, or to pull it rudely from the earth, for in this humble

form might be lodged the spirit of some woodland creature.

Such a sad mistake did Dryope once make, and suffered for her

carelessness by being changed from a mortal into a Hamadryad. Dryope

was a beautiful young princess, the wife of Andræmon, and the mother of

a golden-haired boy. Every day she carried her child to a small lake

near the palace, and let him gather the gayly-colored flowers that grew

on the water's edge. One day, as she wandered by the lake, Dryope saw

a lotus blossom and pointed it out to her little son, who immediately

tried to pluck it. As it was much beyond his reach, his mother leaned

over the water and broke it off the stem. To her surprise, she saw

drops of blood slowly oozing from the stem; and as the boy eagerly

grasped the lovely flower in his chubby hand, a crimson stream trickled

through his clasped fingers. He dropped the blossom with a frightened

cry, and ran screaming to the palace, while Dryope stood looking down,

bewildered, at the bleeding flower. Just then she heard a voice

telling her that she had killed the nymph Lotis, who, to escape from

the arms of the hateful god Priapus, had taken the form of a lotus.

When Dryope realized the dreadful thing that she had unknowingly done,

she turned pale with fright, and would have hurried away from the

unlucky spot; but when she tried to turn from the sight of the dying

flower, she found that she could not move. Her feet seemed rooted to

the ground; and, as she looked down, she was horrified to see that a

rough bark was beginning to inclose her limbs. With dreadful rapidity

it spread upward, and soon encircled her whole body, while her arms

changed into twisted branches and her hands into green leaves. In vain

she called to her husband and her friends for help. When they arrived,

there was nothing left of the fair Dryope but her tear-stained face,

which was covered all too soon by the cruel bark. Just before she

disappeared completely from their sight, she begged that her little

son might be taught to play beneath her branches; and when, in all

the after days, the boy sat willingly beside the tree and listened to

the soft rustling of its leaves, the passers-by would say: "Dryope is

whispering to her child."[65]

The danger of recklessly destroying any tree is shown by the story of

Erysichthon, who dared to defy the goddess Ceres, and so received a

fitting punishment. There was a certain grove of trees sacred to Ceres,

and among them was a lofty oak on which votive tablets were often hung,

and around which the nymphs and Dryads danced hand in hand. Erysichthon

ordered his servants to cut down this venerable oak; and when they

hesitated, telling him that it was a tree beloved by Ceres and should

not suffer such a sacrilege, he seized the ax himself and made a deep

gash in the trunk. To the great horror of those who stood by, blood

began to flow from the wound; and as Erysichthon was about to deal the

tree another blow, one of his servants caught at his arm, imploring

him not to touch the oak again, for the blood showed that a Hamadryad

was being wounded. Maddened at this interference, and determined to

carry out his brutal will, Erysichthon declared that he would cut

down the tree if by so doing he killed a dozen Dryads. He lifted his

ax for a mighty stroke, and as the servant again sought to stay his

arm, he turned fiercely and killed the man with one swift blow. Then

he proceeded to fell the tree, and soon it was lying, bruised and

bleeding, on the ground.

The nymphs rushed to Ceres, and begged her to punish this wicked

violation of her grove. The goddess promised that Erysichthon's deed

should not go unpunished, and sent an Oread to the remote part of

Scythia, where the ice lies thick on the dreary soil and the land is

always desolate. "Here dwell drowsy Cold and Paleness and Shuddering

and dreadful Famine." When the Oread drew near this barren country,

she saw far off the gaunt form of Famine pulling up with her teeth and

claws the scant bits of vegetation that could be found here and there

in the frozen earth. The nymph did not want to linger near the dreadful

form of Famine, lest the hag should reach out her lean finger and touch

the maiden's robes; so she hurriedly delivered the message of Ceres,

and sped quickly back to her own fair land of Thessaly.

Not daring to disobey the goddess's command, Famine left her dreary

country and sought out the home of Erysichthon. She found him asleep;

and as he slept she enfolded him with her wings, and breathed into his

nostrils her deadly breath. Then she returned to her frantic digging in

the unyielding soil. When Erysichthon awoke, he was at once consumed

with a fierce desire for food; but, however much he ate, the terrible

craving never ceased. All day long he devoured things greedily, but at

night his hunger was still unsatisfied. His servants piled up food in

enormous quantities before him, but the gnawing pangs of hunger never

left him. He spent all his wealth in a vain attempt to buy enough food

to appease the insatiable monster within him; but, though he at last

sold all that he had, even to his house and his clothing, it was not

enough to buy him the food he craved. There was nothing left him now

but his daughter; and frenzied by his hunger, he offered to sell her to

a slave-dealer.

The girl pitied her father's sufferings and would have done anything to

help him; but she resented his baseness in selling her, for she came

of a noble race. While her purchaser was disputing with her father

over the price, the maiden, who was standing on the seashore, a short

distance away from her new master, implored Neptune to save her from

the disgrace of being sold as a slave. The kindly sea-god heard her

cry, and changed her into an old fisherwoman. When the bargain between

Erysichthon and the dealer was settled, the man looked around for

his new purchase, but she was nowhere to be seen. The only person on

the seashore, beside the brutal bargainers, was an old woman who sat

mending her net. The irate owner searched in vain for his slave and

even asked the fisherwoman if she had seen a weeping maiden. Unable

to find the girl, he at last went away, concluding that Erysichthon's

daughter had tried to escape and so had been drowned in the sea. The

maiden was rejoiced at her deliverance; but her cruel father, on seeing

her regain her own form, decided that this was an easy way of making

the money he desperately needed. So he sold his daughter again and

again, and each time she sought the help of Neptune, who obligingly

turned her into many different shapes. At last even this device failed

to bring to Erysichthon enough money to meet the ever increasing

demands of his hunger. In despair over the lack of food he began to eat

his own flesh; and in a short time he had devoured so much of his body

that death came to end his torment. So was Ceres avenged.

The Hamadryads were seldom seen by men, but people knew them to be both

gentle and beautiful. That they could repay a kindness is well shown

by the story of Rhœcus, who gained the love of one of the shyest of

these nymphs. One day the youth happened to see an oak-tree bent so

far down by the wind that some of its branches were already broken. He

propped up the tree, and gently bound up the broken limbs; then as he

turned to go, he heard a soft voice calling him. It was the Hamadryad

who had expected to die with her stricken tree, and was now so grateful

to Rhœcus that she bade him ask of her any reward he wished. The

youth boldly asked for her love, and the nymph reluctantly yielded to

his wish, promising to meet him at the oak-tree each day just before

sunset. To keep him mindful of the hour set for the tryst, she told

him that she would send him a messenger--a bee--which would also guide

him to the spot where she was waiting.

Rhœcus was very happy with the Hamadryad; and never failed to follow

the flight of the bee that came each day at sunset to lead him to the

trysting-place. One morning, however, he began to play at dice with

his friends, and the game continued through the long summer afternoon.

As it drew toward sunset, Rhœcus forgot that it was his hour to meet

the Dryad, and continued his game, even though he noticed vaguely that

a bee was buzzing near him. Soon the bee came close to his face, and

buzzed so persistently that Rhœcus brushed it angrily away. Each time

he tried to shake it off it came buzzing back, and at last he struck

at it so viciously that it fell to the ground. Then in a flash Rhœcus

remembered his promise to the Dryad, and throwing away his dice, he

hurried to the trysting-place. He called to the nymph and begged her

to come to him once more; but no sweet face appeared though a voice

spoke from the heart of the oak-tree bidding him a sad farewell. Rhœcus

had already repented bitterly of his forgetfulness; but nothing could

restore him to favor. He sat all night beside the oak-tree, but the

Dryad never came to him again.[66]

[Illustration: Vestals]

Stories of Old Greece and Rome · 第 20 / 24 章