[69] For syllabic _m_ see § 22; for syllabic _n_, § 24; for syllabic

_l_, § 33.

[70] The mark ´ _precedes_ the stressed syllable.

APPENDIX I

Exercises.

1. How is _-ious_ pronounced in _gracious_, _bilious_, _victorious_?

2. How is _-ion_ pronounced in _motion_, _onion_, _criterion_,

_vision_, and _Ionian_?

3. How is _-ial_ pronounced in _labial_, _judicial_, _martial_,

_partiality_?

4. What difference in pronunciation, if any, do you make between _hire_

and _higher_, _lyre_ and _liar_, _cure_ and _(s)kewer_, _alms_ and

_arms_?

5. Consider the value of _oar_ in _roar_ and in _roaring_, and the

value of _air_ in _pair_ and in _pairing_.

6. Determine the vowel sounds corresponding to the italicized letters

in ch_i_ld, ch_i_ldren; wom_a_n, wom_e_n; r_ea_d (infinitive),

r_ea_d (past participle); s_ay_, s_ay_s; dr_ea_m, dr_ea_med; l_ea_p,

l_ea_ped; h_ea_r, h_ea_rd; c_a_n, c_a_n't; d_o_, d_o_n't; gentlem_a_n,

gentlem_e_n.

7. Write in transcript the words italicized:

_a._ I have _learned_ much from this _learned_ man.

_b._ He has _aged_ a good deal. He is _aged_.

_c._ I _used_ to _use_ it; you _used_ it too.

Try to account for the pronunciation of _used_ in the sense of "was

accustomed" (see § 49).

8. Transcribe your pronunciation of _halfpenny, twopence_,

_threepence_. Show the difference between the English and the French

pronunciation of _franc_, and between the English and the German

pronunciation of _mark_.

9. A waiter was heard to remark pathetically that he never _could_ tell

whether a customer wanted "cold lamb" or "cold ham." What caused his

uncertainty?

10. The pronunciation of the children of Walworth attending the Church

schools has given much concern to Canon Horsley, who says that in

their speech "I've been to take her home" becomes "binter tiker rome,"

"Oh, shake hands" becomes "ow shy cans," and "I've been having a game"

becomes "binnavinagime." Consider the pronunciation suggested by this

rough transcription, transcribe it more carefully, and comment on such

features of the Walworth dialect as it illustrates.

11. You are familiar with the term "alliteration," and know that it is

a favourite device of cheap journalism. Criticise the alliteration in

the following scare-lines: CITY CLERK CHASED. THIEF TAKEN. SOLICITOR

SHOT.

12. Mention words in which the following letters are written but not

sounded: _b_, _g_, _gh_, _k_, _l_, _m_, _n_, _t_, _w_.

13. Comment on the following statement: "The letters _l_ and _r_ are

called trills, because there is a vibration in the sounds, or in some

part of the vocal apparatus by which we pronounce them."

14. Consider this statement: "The _ai_ in _fair_, _ea_ in _lead_, _ie_

in _field_, _ei_ in _receive_, are none of them true diphthongs; they

are more or less clumsy ways of showing the length of an elementary

vowel-sound."

15. "English has two _e_ sounds, as in _fed_, _feed_, and four _u_

sounds, as in _but_, _pull_, _fur_, _fool_." Do you agree with this?

16. Why does _crystal_ look nicer than _kristle_, which represents the

same sounds? Account for such spellings as Edythe, Smythe, Whyte.

17. Say quickly but distinctly:

She sells sea-shells in a salt-fish shop.

Is Stephen Smith's son a smith too?

How many houses had Harry Hall?

Long and loudly little Lily laughed.

The skilled dentist extracted the three teeth.

Do you want the thick thread or the thin?

In silence he sat on the sands by the silvery sea.

A boat is floating over the ocean.

With a loud shout he came out of the house.

The first question Charles asked was strange.

Three grey geese in the green grass grazing.

18. Discuss the old-fashioned form of address "mine host." Do you say

"an historical novel"? "a (or an) hotel at Folkestone"? How do you

pronounce "the Grand Hotel"? Transcribe your pronunciation of "I gave

her her hat."

19. What is the derivation of _ventriloquist_? Does the term correctly

indicate the way in which ventriloquists produce their sounds? Which

sounds do you think most likely to give them difficulty?

20. In the French of the 12th century _l_ under certain circumstances

became a vowel; thus _altre_ became _autre_ and _chevals_ became

_chevaus_. How do you explain this change? Point to a similar change in

English.

21. How would you teach a foreigner to pronounce the English _th_

sounds?

22. Little children say _pease_ for _please_, _gamma_ or _granma_ for

_grandma_, _dess_ for _dress_, _tocking_ for _stocking_. Illustrate the

tendency shown in these examples from the speech of grown-up people.

23. Comment on the little child's pronunciation of _tsain_ for _chain_,

_fee_ for _three_, _noder_ for _another_, and _bafyoom_ for _bathroom_.

24. Consider carefully the question, why the pronunciation of a foreign

language presents difficulties; draw on any foreign language you know

for illustrations.

25. The Latin _camera_ is our _chamber_, _numerus_ our _number_, Latin

_humilis_ our _humble_, Latin _similare_ our _(re)semble_. Account for

the _b_ in the English words.

26. Consider the value of _ure_ in _sure_, _pure_, _nature_, _figure_.

27. What light is thrown on the pronunciation of the past by the

following quotations:

(_a_) While he, withdrawn, at their mad labour smiles,

And safe enjoys the Sabbath of his toils. (Dryden.)

(_b_) Dreading even fools, by flatterers besieg'd,

And so obliging that he ne'er oblig'd. (Pope.)

(_c_) _Cóntemplate_ is bad enough, but _bálcony_ makes me sick.

(Rogers.)

(_d_) The dame, of manner various, temper fickle,

Now all for pleasure, now the conventicle. (Colman.)

(_e_) There is little doubt that in the pronunciation of

_successor_ the antepenultimate accent will prevail. (Walker.)

(_f_) To ketch [catch] him at a vantage in his snares.

(Spenser.)

(_g_) Yet he was kind, or, if severe in aught,

The love he bore to learning was in fault. (Goldsmith.)

28. Determine which sounds are represented by _ea_ in the following

words: _bear_, _beard_, _bread_, _bead_, _yea_, _create_, _realm_,

_leap_, _leapt_, _hearken_; and by _eo_ in the following words:

_yeoman_, _people_, _leopard_, _re-open_.

29. Determine which sounds are represented by _oi_ in the following

words: _boil_, _heroic_, _choir_, _tortoise_, _turquoise_, _coincide_;

and by _ou_ in the following words: _south_, _southern_, _mourn_,

_journal_, _though_, _thought_, _uncouth_.

30. Determine which sounds are represented by _g_ in the following

words: _gem_, _goal_, _gaol_, _gill_, _gibberish_, _fatigue_, _gnaw_;

and by _ough_ in the following words: _trough_, _through_, _thorough_,

_sough_, _cough_, _rough_, _plough_, _lough_.

31. A character in one of Miss Braddon's novels says:

"Supernumery--it's no use, I don't think anybody ever did know how

many syllables there are in that word." What is it that leads to the

shortening of this word in uneducated speech? Mention similar cases of

shortening.

APPENDIX II

Lists of Words with Phonetic Transcription.

NOTE.

The accent shows that the _following_ syllable has the chief stress.

As these lists are intended for the use of English students, it has

been thought sufficient to let [e] represent the first vowel sound and

[i] the second vowel sound in _very_.

The variation in length of [ij] and other diphthongs and of [m, n, l],

etc., has not been indicated.

Words which have occurred in the text of the book are not repeated here.

When two pronunciations are given, both may be considered as common;

the first is generally to be preferred. If, however, a pronunciation is

enclosed in brackets, it is to be regarded as faulty.

A. General.

abdomen, æb´doumən (´æbdomən)

ab initio, ´æb i´niʃiou, -jou

abscission, æb´siʒən

acacia, ə´keiʃə

accent (subst.), ´æksənt, ´æksent; (verb) æk´sent

acclimatize, ´æklimətaiz, ə´klaimetaiz

accolade, ´ækɔleid

accoutre, ə´kuwtə

acetic, ə´sijtik, -se-

acoustics, ə´kaustiks (ə´kuwstiks)

acrobat, ´ækrobæt

adage, ´ædidʒ

adept, ´ædept, ə´dept

adieu, ə´djuw

ad infinitum, ´æd infi´naitəm

admirable, ´ædmirəbl

admiration, ædmi´reiʃən

ad nauseam, ´æd ´nɔːsiæm, -jæm

ado, ə´duw

adult, ´ædʌlt, ə´dʌlt

ad valorem, æd və´lɔːrem

advantageous, ædvən´teidʒəs, ædvæn´teidʒəs

advertisement, əd´vəːtizmənt

aegis, ´ijdʒis

aegrotat, i´groutæt

aerated, ´ɛːəreitid

aerial, ɛ´eriəl, ɛ´iːəriəl

aerie, ´ɛːri, ´iːəri

aeronaut, ´ɛːronɔːt

aesthetics, ij´sθetiks (e´sθetiks)

a fortiori, ´ei fɔː´ʃjɔːrai

again, ə´gen, ə´gein

against, ə´genst, ə´geinst

aged (adj.), ´eidʒid

aggrandizement, ə´grændizmənt

aghast, ə´gɑːst

agile, ´ædʒail

ague, ´eigjuw

aisle, ´ail

albeit, ´ɔːlbijit

algebra, ´ældʒibrə

alibi, ´ælibai

alienate, ´eiljəneit

allegiance, ə´lijdʒəns

allegro, ə´legrou, -leig-

allot, ə´lɔt

alloy, ə´lɔi

ally, ə´lai

almanac, ´ɔːlmənæk

also, ´ɔːlsou, ´ɔlsou

always, ´ɔːlwiz, -wəz, -weiz

amateur, ´æmətəː, ´æmətʃuə

amenity, ə´meniti

among, ə´mʌŋ (ə´mɔŋ)

anæmic, ə´nijmik

anarchist, ´ænəkist

anarchy, ´ænəki, ´ænɑːki

anchovy, æn´tʃouvi

anemone, ə´neməni

angina, æn´dʒainə

anglice, ´æŋglisi

ant, ´ænt (´ɑːnt)

antipodes, æn´tipodijz

antique, æn´tijk

antithesis, æn´tiθisis

aorist, ´ɛːərist

aperture, ´æpəˑtʃə

aphasia, ə´feizjə

apophthegm, ´æpoθem

apotheosis, æpoθi´ousis, əpo-

apparatus, æpə´reitəs

apparent, ə´pɛːrənt, -pær-

a priori, ´ei pri´ɔːrai

apropos, ´æpropou

arch-, usually ɑːtʃ

archangel, ´ɑːkeindʒəl

archetype, ´ɑːkitaip

archi-, ´ɑːki-, ´ɑːkj-

archives, ´ɑːkaivz

arid, ´ærid

arras, ´ærəs

artificer, ɑː´tifisə

artiste, ´ɑːtijst, -ist

asafœtida, ´æsə´fetidə

askance, ə´skæns, -ɑːns

aspirant, ə´spairənt

assignee, æsi´nij

atoll, ´ætɔl, ə´tɔl

attorney, ə´təːni

avalanche, ´ævəlɑːnʃ

awkward, ´ɔːkwəd

awry, ə´rai

ayah, ´ajə

aye (always), ´ei

aye (yes), ´ai

baboo, ´bɑːbuw

bacillus, bə´siləs

bagatelle, ´bægətel

bakshish, ´bækʃijʃ

balcony, ´bælkəni

ballet, ´bælei

balsam, ´bɔːlsəm

basalt, ´bæsɔlt, bə´sɔːlt

bass (voice), ´beis

because, bi´kɔːz, bi´kɔz

bedizen, bi´daizən

begone, bi´gɔn

belligerent, be´lidʒərənt

betroth, bi´trouð

bicycle, ´baisikl (´bai´saikl)

bigot, ´bigət

bijou, ´bijʒuw

billet-doux, ´bilei´duw

bison, ´baisən

bitumen, ´bitjumən, bi´tjuwmən

bizarre, bi´zɑː

blancmange, blə´mɔn(d)ʒ

blithe, ´blaið

blouse, ´blauz (´bluwz)

boatswain, ´bousən

bodega, bo´dijgə

bombast, ´bɔmbæst, ´bɔmbəst

bona fide, ´bounə ´faidi

booth, ´buwð

borough, ´bʌrə (´bʌrou)

bouquet, bu´kei

bourn, ´bɔːn, ´buːən

bravado, brə´veidou, brə´vɑːdou

brazier, ´breiʒə, ´breizjə

breeches, ´britʃiz, ´brij-

brougham, ´bruːəm, ´brouəm (´broum)

brusque, ´brusk, ´brʌsk

buffet, ´bufei

bulwark, ´bulwək

bureau, ´bjuːrou, bju´rou

burgher, ´bəːgə

cabal, kə´bæl

cachet, ´kæʃei

cadi, ´keidi

caesura, si´zjuːrə

cambric, ´keimbrik

campanile, kæmpə´nijli

cañon, ´kænjən

cantata, kæn´tɑːtə

cantonment, kæn´tuwnmənt, -tɔn-

caoutchouc, ´kautʃuk

cap-à-pie, ´kæpəpij

capitalist, ´kæpitəlist

caprice, kə´prijs

capuchin, ´kæpjutʃin

carouse, kə´rauz

cashier, kə´ʃiːə

casino, kə´sijnou

cathedra, ´kæθidrə (kə´θijdrə)

cauliflower, ´kɔliflauə

celibate, ´selibət

'cello, ´tʃelou

centenary, ´sentenri, sen´tenəri

cere (-cloths, -ments), ´siːə-

chagrin, ʃə´grijn, ʃə´grin

chalybeate, kæ´libjet

chamois (leather), ´ʃæmi

chaperon, ´ʃæpəroun

charade, ʃə´rɑːd, ʃə´reid

charivari, ´ʃærij´vɑːrij

charlatan, ´ʃɑːlətən, -æn

chastisement, ´tʃæstizmənt

chauffeur, ´ʃoufə

chaunt, ´tʃɑːnt

chauvinist, ´ʃouvinist

chic, ´ʃik

chimera, kai´miərə, ki-

chiro-, ´kairo-

chivalric, ʃi´vælrik } also

chivalrous, ´ʃivəlrəs } with

chivalry, ´ʃivəlri } tʃi-

choir, ´kwaiə

choleric, ´kɔlərik

chough, ´tʃʌf

cicala, si´kɑːlə

cicerone, sisə´rouni

cinque, ´siŋk

circuit, ´səːkit

circumstance, ´səːkəmstəns

clandestine, klæn´destin

clematis, ´klemətis, (kli´meitis)

clique, ´klijk

coalesce, kouə´les

cobalt, ´koubɔlt

cochineal, ´kɔtʃinijl

cognisant, ´kɔgnisənt

coign(e), ´kɔin

coincide, kouin´said

colonel, ´kəːnəl

combat, combatant, combative have ´kʌm- or ´kɔm-

comely, ´kʌmli

commentary, ´kɔməntri

comparable, ´kɔmprəbəl

comrade, ´kʌmrid, ´kɔmrid

conch, ´kɔŋk

condign, kən´dain

condolence, kən´douləns

conger, ´kɔŋgə

congeries, kɔn´dʒeriijz, -´dʒij-

conjure (sleight of hand), ´kʌndʒə

conjure (implore), kən´dʒuːə

connoisseur, kɔni´səː, kɔni´sjuːə

consignee, kɔnsi´nij

Consols, kən´sɔlz

constable, ´kʌnstəbl, ´kɔnstəbl

construe, ´kɔnstruw, kən´struw

contagion, kən´teidʒən

contemplate, ´kɔntempleit (kən´templeit)

contemplative, kɔn´templətiv

contents, ´kɔntents, kən´tents

contumacy, ´kɔntjuməsi

contumely, kən´tjuwmili

conversazione, kɔnvəsætsi´ouni

corollary, kə´rɔləri, kɔrələri

corps, ´kɔː

coterie, ´koutərij

cotillon, ko´tiljən

counterfeit, ´kauntəfit

courteous, ´kɔːtjəs, ´kəːtjəs (´kəːtʃəs)

courtesy, ´kəːtəsi

courtier, ´kɔːtjə

covetous, ´kʌvitəs

covey, ´kʌvi

coxswain, ´kɔksən

cozen, ´kʌzən

crayon, ´krejən

croup, ´kruwp

cui bono, ´kai ´bounou

cuirass, kwi´ræs, kju-

cuisine, kwi´zijn

cuneiform, ´kjuwniifɔːm

cupola, ´kjuwpolə

cynosure, ´sainosjuə, ´sainoʃuə, ´sino-

dais, ´deis

dandelion, ´dændilaiən

debauch, di´bɔːtʃ

debonair, ´debənɛːə

debris, ´debri

decade, ´dekəd, ´dekeid

decadence, ´dekədəns

decease, di´sijs

decorous, ´dekərəs, di´kɔːrəs

dei gratia, dijai ´greiʃiei

demesne, di´mein

demise, di´maiz

demonstrate, ´demənstreit

demy (paper), di´mai

depot, ´depou (´dijpou)

derelict, ´derəlikt

desiderate, di´sidəreit

design, di´zain

designate, ´dezigneit, ´des-

desist, di´zist

desuetude, ´deswitjuwd

diæresis, dai´iːərəsis

diapason, daiə´peizən

didactic, di´dæktik

dilatory, ´dilət(ə)ri

dilettante, dili´tænti

diocese, ´daiosis

dis- (before voiced sounds), diz-; (before voiceless sounds), dis-

dishabille, ´disəbijl

disputant, ´dispjutənt

distich, ´distik

divan, di´væn (´daivən)

divers, ´daivəːs

diverse, di´vəːs

divisible, di´vizibl

docile, ´dousail, ´dɔsail

doctrinal, ´dɔktrinəl, dɔk´trainəl

doge, ´doudʒ

dolorous, ´dɔlərəs

domicile, ´dɔmisail

douche, ´duʃ, ´duwʃ

doughty, ´dauti

dramatis personæ, ´dræmətis pəː´sounij

draught, ´drɑːft

drollery, drouləri

dromedary, ´drʌmidəri

drought, ´draut (drɔːt)

dubiety, djuw´baiəti

ducat, ´dʌkət

ductile, ´dʌktail

duteous, ´djuwtjəs (´djuwtʃəs)

dynasty, ´dinəsti, ´dainəsti

dysentery, ´disəntri

eau de Cologne, ´ou di kə´loun

echelon, ´eʃəlɔn

eclat, ´eklɑː, e´klɑː

e´en, ´ijn

e´er, ´ɛːə

effete, e´fijt

eglantine, ´egləntain

either, ´aiðə, ´ijðə

elicit, i´lisit

elite, e´lijt

elixir, i´liksə

emaciated, i´meiʃieitid

embrasure, em´breiʒə

enervate, ´enəːveit

enunciate, i´nʌnʃieit

envelope, ´ɔnvəloup, ´enveloup

environs, en´vairənz

epaulet, ´epɔlet

epitome, i´pitomi

epoch, ´ijpɔk (´epɔk)

equerry, ´ekwəri, e´kweri

erase, i´reis

erasure, i´reiʒə

ere, ´ɛːə

escheat, es´tʃijt

eschew, es´tʃuw

esoteric, eso´terik

espionage, ´espiɔnidʒ

evasive, i´veisiv

exchequer, eks´tʃekə

excise, ´eksaiz, ek´saiz

excuse (verb), eks´kjuwz, (subst.) eks´kjuws

expert, ´ekspəːt

expletive, ek´splijtiv

exquisite, ´ekskwizit

extant, ek´stænt, ´ekstənt

extempore, ek´stempəri

extirpate, ´ekstəːpeit

extraordinary, ek´strɔːdnəri, ´ekstrə´ɔːdinəri

exude, eg´zjuwd, -ks-

eyot, ´aiət

façade, fə´sɑːd, fə´seid

facile, ´fæsil

facsimile, fæk´simili

fakir, fə´kiːə, ´feikiə

falchion, ´fɔːlʃən

fanatic, fə´nætik

farinaceous, færi´neiʃəs

fealty, ´fiːəlti

fecund, ´fijkʌnd, ´fe-

feod, ´fjuwd

feoff, ´fef

fetish, ´fijtiʃ, ´fe-

finance, fi´næns

financier, fi´nænʃə, -sjə

finesse, fi´nes

fissure, ´fiʃə

flaccid, ´flæksid

flamboyant, flæm´bɔjənt

fluor, ´fluːə

fœtid, ´fetid

forfeit, ´fɔːfit

fragile, ´frædʒail

franchise, ´fræn(t)ʃaiz, -ʃiz

frigate, ´frigət

frontier, ´frɔntiːə, frʌn-

fuchsia, ´fjuwʃə

fugue, ´fjuwg

furlough, ´fəːlou

furore, fju´rɔːri

futile, ´fjuwtail

gala, ´geilə

gallant (polite), gə´lænt

gambol, ´gæmbl

gaol, ´dʒeil

garish, ´gɛːriʃ

gaseous, gæsjəs, geiʒjəs

gauche, ´gouʃ

gauge, ´geidʒ

generic, dʒe´nerik

gesture, dʒestʃə

gewgaw, ´gjuwgɔː

geyser, ´gaisə, ´geisə

ghoul, ´guwl

gibberish, ´gibəriʃ

gibbet, ´dʒibit

gibbous, ´gibəs

gig, ´gig

gigantic, dʒai´gæntik

gill (of fish), ´gil; (of liquid), ´dʒil

gillyflower, ´dʒiliflauə

gimlet, ´gimlit

gimp, ´gimp

gist, ´dʒist

gizzard, ´gizəd

glacial, ´gleiʃəl

glacier, ´gleiʃə, ´glæsjə, -iə

gladiolus, glə´daiələs, glædi´ouləs

glamour, ´glæmə

goitre, ´gɔitə

gondola, ´gɔndələ (gɔn´doulə)

gosling, ´gɔzliŋ

gouge, ´guwdʒ, ´gaudʒ

gourd, ´guːəd, ´gɔːd

gravamen, græ´veimən, grə-

greasy, ´grijzi, ´grijsi

groat, ´grout (´grɔːt)

gross, ´grous

guerdon, ´gəːdən

guillotine, ´gilətijn

gunwale, ´gʌnəl

gutta-percha, ´gʌtə´pəːtʃə

gyves, ´dʒaivz

halberd, ´hælbəd

halcyon, ´hælsjən

hautboy, ´houbɔi

heifer, ´hefə

heigho, ´heihou

heinous, ´heinəs

hemorrhage, ´hemoridʒ

heroine, ´heroin

heroism, ´heroizm̩

heterogeneous, hetero´dʒijnjəs

hiatus, hai´eitəs

hierarch, ´haiərɑːk

hirsute, həː´sjuwt

hosier, ´houʒə, ´houzjə

housewife (case for needles, etc.), ´hʌzif

hussar, hu´zɑː, hʌ´zɑː

hussy, ´hʌzi

hygiene, ´haidʒijn

hygienic, haidʒi´enik, hidʒi´ijnik

hymeneal, haimi´niːəl

hyperbole, hai´pəːbəli

hypochondriacal, haipokɔn´draiəkl, hipo-

hypotenuse, hai´pɔtənjuws

hyssop, ´hisəp

identical, ai´dentikl

idiosyncrasy, idio´siŋkrəsi

idyll, ´aidil

illustrative, ´iləstreitiv, i´lʌstrətiv

imbecile, ´imbisijl, -il

imbroglio, im´brouljou

impious, ´impiəs

indecorous, in´dekərəs

indict, in´dait

indissoluble, indi´sɔljubl

inexorable, in´egzərəbl, -eks-

interesting, ´intrəstiŋ

interlocutor, in´təːlokjuwtə

interstice, in´təːstis, ´intəstis

intestine, in´testin

inundate, ´inʌndeit

inveigh, in´vei

inveigle, in´vijgl

inventory, ´invəntri

investiture, in´vestitʃə

irascible, i´ræsibl

irrefragable, i´refrəgəbl

irrefutable, i´refjutəbl

irreparable, i´repərəbl

irrevocable, i´revəkəbl

isolate, ´aisoleit

italics, i´tæliks (ai´tæliks)

itinerary, i´tinərəri

jejune, dʒe´dʒuwn

jeopardy, ´dʒepədi

jocose, dʒo´kous

jocund, ´dʒɔkʌnd, ´dʒou-

j(o)ust, dʒust, dʒuwst

kopje, ´kɔpi

laboratory, læbrətri, lə´bɔrətri

lamentable, ´læməntəbl

landau, ´lændɔː

lapel, lə´pel

lath, ´lɑːθ

laudanum, lɔdnəm

laurel, ´lɔrəl

legend, ´ledʒənd (´lijdʒənd)

legislature, ´ledʒislətʃə

leisure, ´leʒə (´lijʒə)

leopard, ´lepəd

levée, ´levi

libertine, ´libətain, -tijn, -tin

lichen, ´laikən, ´litʃən

lien, laiən, liːən, lijn

lieu, ´luw

lieutenant, lef´tenənt, lif-

lineament, ´linjəmənt

liqueur, li´kəː, li´kjuːə

liquor, ´likə

liquorice, ´likəris

litre, ´lijtə

livelong, ´laivlɔŋ, ´livlɔŋ

loath, ´louθ

loathe, ´louð

loathsome, ´louθsəm, -ð-

longevity, lɔn´dʒeviti

longitude, ´lɔndʒitjuwd

lough, ´lɔk

lowering (looking sullen), ´lauəriŋ

ludicrous, ´luwdikrəs

lugubrious, lu´guwbriəs

luxurious, lə´gzuːriəs

luxury, ´lʌkʃəri

machination, mæki´neiʃən

magi, ´meidʒai

mahlstick, ´mɔːlstik

malinger, mə´liŋgər

manœuvre, mə´nuwvə

manse, ´mæns

margarine, ´mɑːdʒərijn

marigold, ´mærigould

marquee, mɑː´kij

marquis, ´mɑːkwis

masquerade, mæskə´reid

massage, ´mæsɑːʒ

mausoleum, mɔːso´liːəm

medicament, ´medikəmənt, me´dikəmənt

mediocre, ´mijdioukə

mediocrity, mijdi´əkriti

meerschaum, ´miːəʃəm

melancholy, ´meləŋkəli

memoir, ´memwɑː

menagerie, mi´nædʒəri

menu, ´menju, mə´nuw

Messrs, ´mesəz

metallurgy, ´metələːdʒi, mi´tælədʒi

metamorphosis, metə´mɔːfəsis

metathesis, mi´tæθəsis

metre, ´mijtə

mezzotint, ´metsotint

miasma, mai´æzmə, mi-

millenary, mi´lenəri

minatory, ´mainətəri

miniature, ´miniətʃə,-tjə

minute (adj.), mai´njuwt, mi-

mirage, mi´rɑːʒ

misanthrope, ´misənθroup

miscellany, mi´seləni

mischief, ´mistʃif

morose, mə´rous

myth, ´miθ, ´maiθ

mythology, mi´θɔlədʒi

naive, ´neiv

naiveté, ´neivtei

nauseate, ´nɔːʃjeit

nauseous, ´nɔːʃjes, ´nɔːʃəs

ne'er, ´nɛːə

neither, ´naiðə, ´nijðə

nicety, ´nais(ə)ti

niche, ´nitʃ

nomenclature, no´menklətʃə

noose, ´nuwz, ´nuws

norse, ´nɔːs

nuncio, ´nʌnʃiou

nuptial, ´nʌpʃəl

oasis, ou´eisis

obeisance, o´beisəns

obese, o´bijs

obligatory, ´ɔbligətri, ɔ´bligətri, ɔbli´geitəri

obloquy, ´ɔbləkwi

obsequies, ´ɔbsikwiz

obtuse, ob´tjuws

occult, o´kʌlt

octopus, ´ɔktəpəs, ɔk´toupəs

oligarchy, ´ɔligɑːki

omniscient, ɔm´niʃənt, -si-

onerous, ´ɔnərəs

onomatopeia, ɔnəmətə´piːə

operative, ´ɔpərətiv, ´ɔpəreitiv

orchestral, ɔː´kestrəl, ´ɔːki-

ordeal, ɔː´diːəl

organization, ɔːgəni´zeiʃən, -nai-

orison, ´ɔrizən, -s-

ormolu, ´ɔːməluw

ornate, ɔ´neit

osier, ´ouʒə

oust, ´aust

pageant, ´peidʒənt, ´pædʒənt

palaver, pə´lɑːvə

palfrey, ´pɔːlfri (´pælfri)

panacea, pænə´siːə

panegyric, pæni´dʒirik

pan(n)ier, ´pænjə

papyrus, pə´pairəs

paradigm, ´pærədaim

paraffine, ´pærəfin

pariah, ´pɛːrjə

parochial, pə´roukjəl

parvenu, ´pɑːvənju

pastel, pæ´stel, ´pæstəl

pastille, pæ´stijl, ´pæstil

patent, ´peitənt (´pætənt)

pathos, ´peiθɔs

patois, ´pætwɑː

patrimony, ´pætriməni

patron, ´peitrən

patronage, ´pætrənidʒ, ´peitrənidʒ

patronize, ´pætrənaiz, ´peitrənaiz

peccavi, pe´keivai

pedagogue, ´pedəgɔg

pedagogy, ´pedəgɔdʒi, -gi

perquisite, ´pəːkwizit

petard, pi´tɑːd

phaeton, ´feitən

phalanx, ´feilæŋks, ´fælæŋks

phlegmatic, fleg´mætik

piazza, pi´ætsə

piquant, ´pijkənt

pique, ´pijk

piteous, ´pitjəs (´pitʃəs)

placard, ´plækɑːd

plaid, ´plæd, ´pleid

plait, ´plæt

plebiscite, ´plebisait

plenary, ´plijnəri

plenteous, ´plentjəs (´plentʃəs)

plethora, ´pleθərə

plethoric, ´pleθərik

plover, ´plʌvə

poignant, ´pɔinjənt

poignard, ´pɔnjəd

pomade, po´meid, po´mɑːd

pommel, ´pʌməl

pongee, ´pɔndʒi

porpoise, ´pɔːpəs

posthumous, ´pɔstjuməs

potsherd, ´pɔtʃəːd

precedence, pri´sijdəns

precedent, ´presidənt

predatory, ´predətri

prelate, ´prelət

prelude, ´preljuwd

premature, ´premətjuə, ´prijmətjuə

premier, ´prijmjə (´premjə)

premise (subst.), ´premis

premise (verb), pri´maiz

presage, ´presidʒ

prescience, ´preʃəns, -si-

prestige, pre´stijʒ

primer, ´primə, ´praimə

pristine, ´pristain, ´pristin

privacy, ´praivəsi, ´privəsi

profligacy, ´prɔfligəsi

prophecy, ´prɔfisi

prophesy, ´prɔfisai

puisne, ´pjuwni

puissant, ´pwijsənt

pumice, ´pʌmis

purloin, pəː´lɔin

purport, ´pəːpət

quagmire, ´kwægmaiə

quandary, ´kwɔndəri, -´dɛːri

quarantine, ´kwɔrəntijn

quay, ´kij

queue, ´kjuw

quiescent, kwai´esənt

quinine, kwi´nijn

quoif, ´kɔif

quoit, ´kɔit

quoth, ´kwouθ

ragged, ´rægid

ranch(e), ´rɑːn(t)ʃ

rancour, ´ræŋkə

rapier, ´reipiːə

rapine, ´ræpin, ´ræpain

rase, ´reiz

rations (army), ´ræʃnz

recluse, ri´kluws

recondite, ´rekəndait

reconnaissance, ri´kɔnəsəns

reconnoitre, rekə´nɔitə

redolent, ´redələnt

regicide, ´redʒisaid

regime, re´ʒijm

reindeer, ´reindiə

remonstrate, ri´mɔnstreit

renaissance, ri´neisəns

rendezvous, ´rɔndivuw

repertoire, ´repəːtwɑː

replica, ´replikə

requiem, ´rekwiəm

reredos, riːədɔs

reservoir, ´rezəvwɑː

resin, ´rezən, ´rɔzən

resonance, ´rezənəns

respite, ´respit

restaurant, ´restorɔŋ

reveille, ri´væli

reverie, ´revəri

rhetoric, ´retərik

rheum, ´ruwm

rhythm, ´riðm

rhythmical, ´riθmikəl

ribald, ´ribəld, ´ribɔːld

rouge, ´ruwʒ

routine, ru´tijn

rowlock, ´rʌlək

ruse, ´ruwz

The Sounds of Spoken English: A Manual of Ear Training for English Students (4th edition) · 第 6 / 8 段