IV

The Pasha was too surprised, at first, to move--and too conscious of the

eyes of servants, too uncertain of what he should do, too fearful of

doing the wrong, the un-European, thing. And afterwards it was too late.

He stood watching until the flicker of the lantern disappeared among the

dark trees. Then his eyes met the eunuch's.

'Why don't you go down too?' suggested Zuembuel Agha. The variable climate

of a great house had made him too perfect an opportunist not to take the

line of being in favor again. 'It might be better. Give me the key and I

will do what there is to do. But you might send up Shaban.'

Why not? the Pasha secretly asked himself. Might it not be the best way

out? At the same time he experienced a certain revulsion of feeling, now

that Helene was gone, in the way she had gone. She really was

prodigious! And with the vanishing of the lantern which had brought him

a measure of reassurance he felt the weight of an uncleared situation,

fantastic but crucial, heavy upon him. And the Negro annoyed him

intensely.

'Thank you, Zuembuel Agha,' he replied, 'but I am not the nurse of madama,

and I will not give you the key.'

If he only might, though, he thought to himself again!

'You believe her, this Frank woman whom you had never seen five years

ago, and you do not believe me who have lived in your house longer than

you can remember!'

The eunuch said it so bitterly that the Pasha was touched in spite of

himself. He had never been one to think very much about minor personal

relations, but even at such a moment he could see--was it partly because

he wanted more time to make up his mind?--that he had never liked Zuembuel

Agha as he liked Shaban, for instance. Yet more honor had been due, in

the old family tradition, to the former. And he had been associated even

longer with the history of the house.

'My poor Zuembuel,' he uttered musingly, 'you have never forgiven me for

marrying her.'

'My Pasha, you are not the first to marry an unbeliever, nor the last.

But such a marriage should be to the glory of Islam, and not to its

discredit. Who can trust her? She is still a Christian. And she is too

young. She has turned the world upside down. What would your father have

said to a daughter-in-law who goes shamelessly into the street without a

veil, alone, and who receives in your house men who are no relation to

you or her? It is not right. Women only understand one thing, to make

fools of men. And they are never content to fool one.'

The Pasha, still waiting to make up his mind, let his fancy linger about

Zuembuel Agha. It was really rather absurd, after all, what a part women

played in the world, and how little it all came to in the end! Did the

black man, he wondered, walk in a clearer, cooler world, free of the

clouds, the iridescences, the languors, the perfumes, the strange

obsessions, that made others walk so often like madmen? Or might some

tatter of preposterous humanity still work obscurely in him? Or a

bitterness of not being like other men? That perhaps was why the Pasha

felt friendlier toward Shaban. They were more alike.

'You are right, Zuembuel Agha,' he said, 'the world is upside down. But

neither the madama nor any of us made it so. All we can do is try and

keep our heads as it turns. Now, will you please tell me how you

happened to be up here? The madama never told you to come. You know

perfectly well that the customs of Europe are different from ours, and

that she does not like to have you follow her about.'

'What woman likes to be followed about?' retorted the eunuch with a sly

smile. 'I know you have told me to leave her alone. But why was I

brought into this house? Am I to stand by and watch dishonor brought

upon it simply because you have eaten the poison of a woman?'

'Zuembuel Agha,' replied the Pasha sharply, 'I am not discussing old and

new or this and that, but I am asking you to tell me what all this

speech is about.'

'Give me that key and I will show you what it is about,' said the

eunuch, stepping forward.

But the Pasha found that he was not ready to go so directly to the

point.

'Can't you answer a simple question?' he demanded irritably, retreating

to the farther side of the fountain.

The reflection of the painted ceiling in the pool made him think of

Helene--and Madame Pomegranate. He stared into the still water as if to

find Helene's face there. Was any other face hidden beside it, mocking

him?

Atlantic Narratives: Modern Short Stories · 第 68 / 152 题