Chapter IX.

SPOONS, SUGAR TONGS AND TEA SCOOPS.

These exercises are easily carried out after a little experience. No

steps are taken that have not already been described, except in the case

of forming the bowl of the spoon. This is done by taking a piece of lead

and making a depression in it the size and shape of the bowl required. A

piece of hard wood is shaped on the end grain to fit the depression made

in the lead. The metal is placed over the depression and the wood shape

placed on top of the metal; it is then driven into the form by using a

hammer. This will give the general shape of the bowl which may be trued

up later by sawing and filing.

[Illustration]

[Illustration: PLATE 48. SPOONS]

[Illustration: PLATE 49.

SUGAR TONGS

AND

TEA SCOOPS]

RIVETS.

The making of rivets is quite important as it is impossible to find in

the market the variety in size and shape of head that each piece of work

demands. Where rivets with a wire 1/8" or less are needed, they may be

made as follows: Take a piece of iron or steel A, Plate 50, thicker than

the desired length of the rivet and drill a hole through it having its

diameter a little greater than the wire of the rivet. Take a piece of

copper wire of the required diameter and about 1/8" longer than the

thickness of the iron. Place the wire in the hole and the iron on some

smooth metal surface, B. With a hammer make a burr of the wire that

projects above the iron. Then reverse the iron and drive out the rivets.

This gives what is shown at D. The rivet is then cut off the required

length, placed in position and headed up. The head may be made conical,

I, hemispherical, J, pyramidal, K, or square, L, in shape. It may be

headed up simply with the hammer, or with a rivet header, M.

When necessary, the process may be reversed and the head made first; but

when made in this way, a rivet block is needed to rest the head in while

making the burr.

The rivet may be made more of a decorative feature by sawing out of

sheet metal some suitable design as shown at P, Q, R. Drill a hole in

the center the size of the rivet and then use any ordinary rivet head.

Nails may be made by the same process, headed and pointed as at S and

O.

[Illustration: PLATE 50. RIVETS]

TO DRAW WIRE AND SMALL TUBING.

[Illustration: FIGURE 30.]

[Illustration: FIGURE 31.]

Cut a piece of copper the length required, having the width about three

times the diameter of the tube that is to be made. The edges must first

be made parallel by filing. In a block of maple or some hard wood, with

a wood file, make a groove as shown at Figure 30. Place the strip of

metal over the groove and, with a somewhat pointed hammer, drive the

metal into it until it takes the shape of a V. Figure 31 A. Then place

it on the flat part of the block and strike on the edges with the

hammer, turning them in until they meet, as at B and C.

[Illustration: FIGURE 32.]

A draw plate is then placed in the vise, Figure 32. After pointing the

tube a little, the end is placed in one of the larger holes and drawn

through. This will bring it somewhat into shape. Repeat this operation

by drawing the tube through the hole the next smaller in size and so on

till the tube is of the diameter required.

Wire may be drawn in the same way. Rectangular, triangular and square

drawplates may be obtained as well as circular ones.

POLISHING.

To polish work, a cloth or felt buff is placed on a lathe or a polishing

head. With a little cut-quick and rouge objects may be brightened by

holding them against the wheel.

STAMPING WORK.

[Illustration: STAMP

FIGURE 33.]

The marking of work so that it will be known to whom it belongs and

doing it in a neat and workmanlike manner is sometimes a problem. Using

a gummed label with the name written on it has been tried, but the

labels frequently come off. The name has been scratched with a

sharp-pointed tool, but it is not an easy thing to do and certainly does

not look well. The way described below however has proved very

satisfactory. Have each pupil design a little trade mark of his own, and

work it out on the end of a piece of tool steel, 1/8 inch or 3/16 inch

square, round or hexagonal. This can be done by a little filing, perhaps

the use of a drill if the design should call for it, and a little emery

paper to take off all sharp edges. This serves as a stamp with which he

may mark all of his work. The instructor has a book with the names of

the pupils, and after each name he may stamp this mark and thereby

register it so that he may tell at any time to whom work belongs.

Figure 33 shows a stamp and a few suitable designs.

COLORING.

The most satisfactory color that can be given copper is a bronze which

comes naturally if left to come in contact with varying atmospheres. If

the object has a good polished surface in the first place the color

seems to become richer as time goes on.

A color that is satisfactory in many cases is obtained in the following

way:

Place in a porcelain dish and bring to a boiling heat, liver of sulphur,

1 oz., and water, 1 qt. Dip the object to be colored in this solution

while hot and then rinse in clean water. This gives the object a very

dark color. Take a little powdered pumice stone on a piece of cloth and

rub over the surface lightly bringing the copper color to the surface

where desired.

A greenish color is given copper by submitting the object to the fumes

of spirits of ammonia.

Beautiful colors are obtained by heating the object to different

degrees, over a gas plate, but these results are not permanent.

Copper Work: A Text Book for Teachers and Students in the Manual Arts · 第 9 / 10 章