IX

[Illustration: Drawing of a shore line]

_face p. 365_

_Returning to the Origin, Back to the Source._ From the very beginning,

pure and immaculate, he has never been affected by defilement. He

calmly watches the growth and decay of things with form, while himself

abiding in the immovable serenity of non-assertion. When he does not

identify himself with magic-like transformations, what has he to do

with artificialities of self-discipline? The water flows blue, the

mountain towers green. Sitting alone, he observes things undergoing

changes.

To return to the Origin, to be back at the Source—already a false step

this!

Far better it is to stay home, blind and deaf, straightway and without

much ado,

Sitting within the hut he takes no cognisance of things outside,

Behold the water flowing on—whither nobody knows; and those flowers

red and fresh—for whom are they?

X

[Illustration: Drawing of a monk carrying a sack and basket passing by

a fisherman]

_face p. 366_

_Entering the City with Bliss-bestowing Hands._ His humble cottage

door is closed, and the wisest know him not. No glimpses of his inner

life are to be caught; for he goes on his own way without following

the steps of the ancient sages. Carrying a gourd he goes out into the

market, leaning against a stick he comes home. He is found in company

with wine-bibbers and butchers, he and they are all converted into

Buddhas.

Bare-chested and bare-footed, he comes out into the market-place;

Daubed with mud and ashes, how broadly he smiles!

There is no need for the miraculous power of the gods,

For he touches, and lo! the dead trees come into full bloom.

Essays in Zen Buddhism · 第 77 / 154 题