A DESCENT INTO EGYPT

I

He was an accomplished, versatile man whom some called brilliant.

Behind his talents lay a wealth of material that right selection could

have lifted into genuine distinction. He did too many things, however,

to excel in one, for a restless curiosity kept him ever on the move.

George Isley was an able man. His short career in diplomacy proved it;

yet, when he abandoned this for travel and exploration, no one thought

it a pity. He would do big things in any line. He was merely finding

himself.

Among the rolling stones of humanity a few acquire moss of considerable

value. They are not necessarily shiftless; they travel light; the

comfortable pockets in the game of life that attract the majority are

too small to retain them; they are in and out again in a moment. The

world says, ‘What a pity! They stick to nothing!’ but the fact is

that, like questing wild birds, they seek the nest they need. It is a

question of values. They judge swiftly, change their line of flight,

are gone, not even hearing the comment that they might have ‘retired

with a pension.’

And to this homeless, questing type George Isley certainly belonged. He

was by no means shiftless. He merely sought with insatiable yearning

that soft particular nest where he could settle down in permanently.

And to an accompaniment of sighs and regrets from his friends he found

it; he found it, however, not in the present, but by retiring from the

world ‘without a pension,’ unclothed with honours and distinctions.

He withdrew from the present and slipped softly back into a mighty

Past where he belonged. Why; how; obeying what strange instincts--this

remains unknown, deep secret of an inner life that found no

resting-place in modern things. Such instincts are not disclosable

in twentieth-century language, nor are the details of such a journey

properly describable at all. Except by the few--poets, prophets,

psychiatrists and the like--such experiences are dismissed with the

neat museum label--‘queer.’

So, equally, must the recorder of this experience share the honour of

that little label--he who by chance witnessed certain external and

visible signs of this inner and spiritual journey. There remains,

nevertheless, the amazing reality of the experience; and to the

recorder alone was some clue of interpretation possible, perhaps,

because in himself also lay the lure, though less imperative, of a

similar journey. At any rate the interpretation may be offered to the

handful who realise that trains and motors are not the only means of

travel left to our progressive race.

In his younger days I knew George Isley intimately. I know him now.

But the George Isley I knew of old, the arresting personality with

whom I travelled, climbed, explored, is no longer with us. He is not

here. He disappeared--gradually--into the past. There is no George

Isley. And that such an individuality could vanish, while still his

outer semblance walks the familiar streets, normal apparently, and not

yet fifty in the number of his years, seems a tale, though difficult,

well worth the telling. For I witnessed the slow submergence. It was

very gradual. I cannot pretend to understand the entire significance

of it. There was something questionable and sinister in the business

that offered hints of astonishing possibilities. Were there a corps

of spiritual police, the matter might be partially cleared up, but

since none of the churches have yet organised anything effective

of this sort, one can only fall back upon variants of the blessed

‘Mesopotamia,’ and whisper of derangement, and the like. Such labels,

of course, explain as little as most other _clichés_ in life. That

well-groomed, soldierly figure strolling down Piccadilly, watching

the Races, dining out--there is no derangement there. The face is not

melancholy, the eye not wild; the gestures are quiet and the speech

controlled. Yet the eye is empty, the face expressionless. Vacancy

reigns there, provocative and significant. If not unduly noticeable, it

is because the majority in life neither expect, nor offer, more.

At closer quarters you may think questioning things, or you may

think--nothing; probably the latter. You may wonder why something

continually expected does not make its appearance; and you may watch

for the evidence of ‘personality’ the general presentment of the man

has led you to expect. Disappointed, therefore, you may certainly be;

but I defy you to discover the smallest hint of mental disorder, and

of derangement or nervous affliction, absolutely nothing. Before long,

perhaps, you may feel you are talking with a dummy, some well-trained

automaton, a nonentity devoid of spontaneous life; and afterwards

you may find that memory fades rapidly away, as though no impression

of any kind has really been made at all. All this, yes; but nothing

pathological. A few may be stimulated by this startling discrepancy

between promise and performance, but most, accustomed to accept face

values, would say, ‘a pleasant fellow, but nothing in him much ...’ and

an hour later forget him altogether.

For the truth is as you, perhaps, divined. You have been sitting beside

no one, you have been talking to, looking at, listening to--no one.

The intercourse has conveyed nothing that can waken human response

in you, good, bad or indifferent. There is no George Isley. And the

discovery, if you make it, will not even cause you to creep with the

uncanniness of the experience, because the exterior is so wholly

pleasing. George Isley to-day is a picture with no meaning in it that

charms merely by the harmonious colouring of an inoffensive subject. He

moves undiscovered in the little world of society to which he was born,

secure in the groove first habit has made comfortably automatic for

him. No one guesses; none, that is, but the few who knew him intimately

in early life. And his wandering existence has scattered these; they

have forgotten what he was. So perfect, indeed, is he in the manners

of the commonplace fashionable man, that no woman in his ‘set’ is

aware that he differs from the type she is accustomed to. He turns a

compliment with the accepted language of her text-book, motors, golfs

and gambles in the regulation manner of his particular world. He is an

admirable, perfect automaton. He is nothing. He is a human shell.

Incredible Adventures · 第 34 / 93 题