OPERATIC NOTES.

_Opening of Opera._ _Monday, May 13._--Crowded house. _Grand Otello

Co._ unlimited. The Orchestra has been sunk four feet, thus giving

Stalls clear view of stage. DRURIOLANUS proposes a puzzler "Orchestra

_lowered_," he says, "yet all performers in it _hired!_" Royal

Highnesses present. DRURIOLANUS, taking happy musical publishers'

points of view, looks towards Royal Box and murmurs "'Royalties' on

music." ALBANI surpasses herself as _Desdemona:_ quite wonder that

_Otello-Tamagno_ has the heart to smother her with pillow after her

song about the willow. Signor PESSINA as _Iago:_ rather a ponderous

villain. Pecuniary operatic prospects exceptionally good: at all

events, possessing JEAN DE RESZKE, TAMAGNO, and BERTRAN, DRURIOLANUS

has "three tenners" in hand to start with.

[Illustration: Vocal and Orchestral. Marguerite and Strauss.]

_Tuesday._--BOÏTO'S _Mefistofele_. "An opera that 'grows on you,'"

says LOUNGER in the Lobby. "If there were a probability of many

such growing on _you_, my dear LOUNGER," quoth Sir DRURIOLANUS, with

satirical affability, "you would be worth cultivating." The advantage

of a long opera, with disconnected acts, is, that you can "pick

'em where you like," as the coster says of the walnuts, and come in

anywhere for something good. MAGGIE MACINTYRE is "getting a big girl

now." Charming as _Margherita_ and _La belle Hélène_. Signor DE LUCIA

a rather timorous and bashful _Faust_, with one eye for MAGGIE and the

other for NELLI (short for MANCINELLI), as if praying the latter to

conduct him safely and keep him from temptation to go wrong. _Faust_

in situation of TOOLE in _The Houseboat_, when he used to exclaim,

"SARAH! I'm slipping!" PLANÇON equally good as _Jupiter_ or

_Mefistofele_; this time it is _Mefisto_.

_Wednesday._--_Le Prophète._ In spite of name, unprofitable opera.

Signor TAMAGNO (or familiarly TAM AGNO), as _Jean of Leyden_, rather

over-laden, but bearing burthen bravely. TAM receives big _encore_

in Star-spangled Banner Hymn. The two CORSIS and CASTELMARY ably

represent Liberator Firm of _Jonas, Zaccaria, Mathisen & Co._, always

ready to draw on their false prophet in order to save their own

credit. Two CORSIS and dessert to follow. Beaming BEVIGNANI conducts

invisible orchestra.

_Thursday._--Sudden change from summer to winter. Comparatively thin

house. Ladies as wrapperees in furs. Everyone welcoming _Pagliacci, or

the Mummers_, as pantomime suitable to season. In spite of this, warm

welcome to _Pagliacci_ and to Madame FANNY MOODY as _Nedda_. She is

quite the character: Moody yet lively. ANCONA and DE LUCIA good and

dramatic as ever as _Tonio_ and _Canio_. _Début_ of Miss MARIE ENGLE,

who, whether German or French, will be a favourite with the

Engle-ish, starting uncommonly well as _Little Bo-Peep-Baucis_. _King

Jove-Plançon_ and _Vulcan-Castelmary_, the limping Olympian, excellent

as usual. Everyone suffering from wintry blasts in stalls envies

_Vulcan_ rubbing his hands and warming himself at _Bonnard-Philémon's_

fire. Such a night in May is enough to knock any piece to shivers. The

conductors of the operatic 'bus were, for the first journey, Soothing

SEPPILLI; and for the second, Beaming BEVIGNANI.

_Friday._--Still wintry. Italian-German opera _Lohengrin_, with

Cosmopolitan Caste, going stronger than ever. House full and fully

satisfied. Hard to please if it had not been so, with ALBANI as

_Elsa_,--(says WAGSTAFF, affecting a drawl, "Nobody else-a can touch

her in this"),--_Jupiter-Plançon_ as a King, not of gods but men, and

BERTRAN, from La Scala, as a _First-Knight Lohengrin_. As to intruder

_Ortruda_ and Terrible _Telramonda_, these heavy weights are lifted

by Mlle. OLITZKA and Signor ANCONA. Monarchical MANCINELLI treats Time

like a dusty carpet, beating it strongly.

_Saturday._--Crowded house to welcome old friend _Trovatore_. PESSINA

as the wicked nobleman; and TAMAGNO--now known as "TAM"--in splendid

voice for the Trovatore himself. "TAM" doubly encored after

"_Di quella pira_." JULIA RAVOGLI not quite the _Azucena_. Mlle.

BAUERMEISTER'S first appearance this season: as heroine's sympathetic

companion BAUERMEISTER combines the "_utile_" with the "_dulce_."

MAGGIE MACINTYRE vocally good, dramatically puzzling. House happy:

DRURIOLANUS delighted. Fine finish to first week.

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Punch, or the London Charivari, Vol. 108, May 25, 1895 · 第 10 / 22 题