INTRODUCTION.

There are many expressions which, though simple in themselves, must

forever remain beyond the grasp of human comprehension. Eternity, that

which has neither end nor beginning, baffles the most profound human

thought. It is impossible to think of a point beyond which there is

absolutely nothing, or to imagine the passing of a million years

without bringing us one day or one minute nearer to their close.

Suppose that one could fix upon the terminal point, we would still

fancy something beyond that, and then some period still more remote

would present itself, and so on _ad infinitum_.

The same insurmountable difficulty confronts us when we seek to

imagine a First Cause. God was the beginning, and yet it seems to our

finite minds, that something must have brought Him into existence,

and we conclude that back again of that creating Power must have been

another originating cause, and perhaps still another, and so on

without limitation.

And yet we know that there must have been a period when everything was

void, or, in other words, when there was nothing. In the awful

grandeur of that loneliness, desolation, and chaos, God we know,

however, existed and called the universe into being. All that we, in

our present finite condition, can ever comprehend of that stupendous

birth is contained in the opening of the first chapter of Genesis.

That is the story of the creation as told by God Himself to His chosen

people, the Hebrews, they alone being selected from the nations then

existing upon the earth to receive the wonderful revelation.

Every people, no matter how degraded and sunken in barbarism, has some

perception, some explanation of, and a more or less well-grounded

belief in, a First Cause. Far back among the mists of antiquity, at

the remotest beginnings of the shadowy centuries, sits enthroned a

Being, who in His infinite might and power brought mankind, the

universe, and all animate and inanimate things into existence, and who

rewards those of His children who do His will, and punishes those who

disobey His commands. That will, as interpreted by believers, is as

various in its application to the conduct of man as are the standards

of right and wrong among the civilized and even among the barbarous

nations of to-day. What is virtue with one is vice with the other, as

beauty and ugliness of form or feature, being relative terms, are

opposites with many different peoples.

Since the Greeks and Romans were not among those who received the

divine story of creation, they were forced to devise a theory to

explain their own existence and account for the origin of all things.

The foundation of this theory lay in the marvelous phenomena of nature

around them. The growth of the mighty tree from the tiny seed, the

bursting bud and blossom, the changing hues and the fragrance of

flowers, the alternation of day and night, the flash of the

rock-rending lightning, the rage of the tempest, the flow of the

rivers; the towering mountains, the lovely valleys; dew, rain, the

clouds, and the ever-shifting panorama on every hand; the majestic

sweep of the blazing worlds through space--all these pointed

unerringly to a First Cause, which originally launched them into

being, and maintains the constant order of things and the miraculous

procession of the planets and the orderly succession of the seasons in

obedience to laws that know no change.

To the Greeks and Romans, there was a time more remote than history

gives us any account of, when there was neither land nor water, and

when the earth and all things within and upon it were "without form

and void." Over that misty, nebulous mixing and mingling brooded the

god Chaos, who shared his throne with Nox, the goddess of night. From

this union the innumerable myths gradually sprang up and developed,

which in their own imaginative though often grotesque way explained

the various phases of creation. These finally became crystallized into

a literature, or mythology, which has since been the inspiration alike

of romancers and poets.

The most learned of mythologists differ in their analysis of the

multitude of myths that have descended to us. Their varying analyses,

however, may be separated into two distinct classes or divisions, each

of which has its own adherents and supporters.

The first school is that of the philologists, and the second that of

the anthropologists, or comparative mythologists.

Philology relates to the study of language, especially when treated in

a philosophical manner. This school maintains that the myths had their

origin in a "disease of the language, as the pearl is a result of a

disease of the oyster." The key, therefore, to all mythologies, they

say, is found in language. The names originally applied to the gods

generally referred to the phenomena of the clouds, winds, rain,

sunshine, etc. Latin, Greek, and Sanskrit, the great languages of

antiquity, they demonstrate, had their foundation in a single source

which is still older. As further proof of their position, they point

to the similarity in the most ordinary words in the various languages

of the same family, and show that they have undergone few or very

trifling changes.

The greatest authority among the philologists claims that during the

"first period" there was a tribe in Central Asia, whose language

consisted of one-syllable words, which contained the germs of the

Turanian, Aryan, and Semitic tongues. This age is termed the Rhematic

period, and was succeeded by the Nomadic or Agglutinative age, during

which the language gradually "received, once for all, that peculiar

impress of their formative system which we still find in all the

dialects and national idioms comprised under the name of Aryan or

Semitic," which includes over three thousand dialects.

The same authority follows the Agglutinative period with one

"represented everywhere by the same characteristic features, called

the Mythological, or Mythopoeic age."

As the name implies, this last-mentioned period saw the evolution and

development of mythic lore. As do the American Indians of to-day, so

primitive man, in his crude way, explained the operation of physical

laws by giving to inanimate objects like passions and sentiments with

himself. When the tempest rages, and the crashing lightning splinters

the mountain oak, the Indian says that the Great Spirit is angry. When

nature becomes serene and calm, the Great Spirit is pleased. The

malign forces around him, which work ill to the warrior, are, they

say, the direct doings of an evil spirit. Even the heavenly bodies are

personified, and "poetry has so far kept alive in our minds the old

animative theory of nature, that it is no great effort in us to fancy

the waterspout a huge giant or sea-monster, and to depict, in what we

call appropriate metaphor, its march across the field of ocean."

Since the names of the Greek heroes and gods show a general

correspondence with the Sanskrit appellations of physical things, it

is comparatively easy to understand many of the first fancies and

reflections of the earliest men who ever lived. It is the argument of

the philologists that these fancies and reflections settled into

definite shape in that far-away period when most of the nations, now

spread to the remotest corners of the earth, dwelt together and used a

common language. Following the gradual scattering of this single,

unified people, the language became sensitive to the change, many

words not only losing their original meaning, but, in some instances,

acquiring an opposite significance. Other words, again, in the course

of time were utterly lost. "As long as such personified beings as the

Heaven or the Sun are consciously talked of in mythic language, the

meaning of their legends is open to no question, and the action

ascribed to them will, as a rule, be natural and appropriate." The

time came, however, when these names were considered simply as

applying to heroes or deities, and amid the jumble and confusion of

the succeeding ages it became well-nigh impossible to trace the myths

back to their original source and meaning. Such is a brief outline of

the myth interpretations, as made by the philologists.

Anthropology may be defined as the study of man, considered in his

entire nature. In explaining mythology, the anthropologists say that

"it is man, it is human thought and human language combined, which

naturally and necessarily produced the strange conglomerate of ancient

fable." Instead, therefore, of seeking the source of myths in

language, the second class find it in the "condition of thought

through which all races have passed."

The argument of the anthropologists is that while all nations have

come from one parent-stock, as is claimed also by the philologists,

yet the various peoples, in their primitive or savage state, have

passed through a like low intellectual condition and growth. The

folk-lore of all countries shows that the savages consider themselves

of the same nature as beasts, and regard "even plants, inanimate

objects, and the most abstract phenomena as persons with human parts

and passions." Every religion antedating Christianity has inculcated

the worship of idols, which usually take the form of beasts, and it

will be noted in the study of myths that the gods often assume the

forms of birds and animals. If it were in our power mentally to become

savages for a time, so as to look upon nature and our surroundings as

do the Blackfeet Indians, or the Patagonians, or the South Africans,

it would be a long step toward making clear this particular phase of

the question.

From what has been stated, however, the young student will gain an

idea of the meaning of the word "myth," which may be termed a story

whose origin can never be known with certainty. To most people it has

the same significance as a fable, legendary tale, or fanciful

falsehood. A collection of myths belonging to a particular age or

people is "a mythology," and the branch of inquiry which classifies

and interprets them bears the same name.

E. S. E.

November 1st, 1895.

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