578. For O my sweet William, etc. The MS. reads:

"Sweet William was a woodsman true,

He stole poor Blanche's heart away;

His coat was of the forest hue,

And sweet he sung the Lowland Lay."

590. The toils are pitched. The nets are set. Cf. Shakespeare, L. L. L.,

iv. 3. 2: "they have pitched a toil," etc. "The meaning is obvious.

The hunters are Clan-Alpine's men; the stag of ten is Fitz-James; the

wounded doe is herself" (Taylor).

594. A stag of ten. "Having ten branches on his antlers" (Scott). Nares

says that antlers is an error here, the word meaning "the short brow

horns, not the branched horns;" but see Wb. Cf. Jonson, Sad Shepherd, i.

2:

"Aud a hart of ten,

Madam, I trow to be;"

and Massinger, Emperor of the East, iv. 2:

"He'll make you royal sport; he is a deer

Of ten, at least."

595. Sturdily. As Taylor notes, the "triple rhymes" in this song are "of

a very loose kind."

609. Blanche's song. Jeffrey says: "No machinery can be conceived more

clumsy for effecting the deliverance of a distressed hero than the

introduction of a mad woman, who, without knowing or caring about the

wanderer, warns him by a song to take care of the ambush that was set

for him. The maniacs or poetry have indeed had a prescriptive right to

be musical, since the days of Ophelia downwards; but it is rather a rash

extension of this privilege to make them sing good sense, and to make

sensible people be guided by them."

To this Taylor well replied: "This criticism seems unjust. The cruelty

of Roderick's raids in the Lowlands has already been hinted at, and

the sight of the Lowland dress might well stir associations in the poor

girl's mind which would lead her to look to the knight for help and

protection and also to warn him of his danger. It is plain, from

Murdoch's surprise, that her being out of her captors' sight is looked

on as dangerous, from which we may infer that she is not entirely

crazed. Her song is not the only hint that Fitz-James follows. His

suspicions had already twice been excited, so that the episode seems

natural enough. As giving a distinct personal ground for the combat in

canto v., it serves the poet's purpose still further. Without it,

we should sympathize too much with the robber chief, who thinks that

'plundering Lowland field and fold is naught but retribution true;' but

the sight of this sad fruit of his raids wins us back to the cause of

law and order."

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