God on what remains of his race and the house which he had built. He was
not a Papist himself, nor did he wish any one belonging to him to be
Popish, for he had read enough of the Bible to know that no one can be
saved through Popery, yet had he a sneaking affection for it, and would
at times in an underhand manner, give it a good word both in writing and
discourse, because it was a gaudy kind of worship, and ignorance and
vassalage prevailed so long as it flourished—but he certainly did not
wish any of his people to become Papists, nor the house which he had
built to become a Popish house, though the very name he gave it savoured
of Popery; but Popery becomes fashionable through his novels and
poems—the only one that remains of his race, a female grandchild, marries
a person who, following the fashion, becomes a Papist, and makes her a
Papist too. Money abounds with the husband, who buys the house, and then
the house becomes the rankest Popish house in Britain. A superstitious
person might almost imagine that one of the old Scottish Covenanters,
whilst the grand house was being built from the profits resulting from
the sale of writings favouring Popery and persecution, and calumniatory
of Scotland’s saints and martyrs, had risen from the grave, and banned
Scott, his race, and his house, by reading a certain Psalm.
In saying what he has said about Scott, the author has not been
influenced by any feeling of malice or ill-will, but simply by a regard
for truth, and a desire to point out to his countrymen the harm which has
resulted from the perusal of his works; he is not one of those who would
depreciate the talents of Scott—he admires his talents, both as a prose
writer and a poet; as a poet especially he admires him, and believes him
to have been by far the greatest, with perhaps the exception of
Mickiewicz, who only wrote for unfortunate Poland, that Europe has given
birth to during the last hundred years. As a prose writer he admires him
less, it is true, but his admiration for him in that capacity is very
high, and he only laments that he prostituted his talents to the cause of
the Stuarts and gentility. What book of fiction of the present century
can you read twice, with the exception of _Waverley_ and _Rob Roy_?
There is _Pelham_ it is true, which the writer of these lines has seen a
Jewess reading in the steppe of Debreczin, and which a young Prussian
Baron, a great traveller, whom he met at Constantinople in ’44 told him
he always carried in his valise. And, in conclusion, he will say, in
order to show the opinion which he entertains of the power of Scott as a
writer, that he did for the spectre of the wretched Pretender what all
the kings of Europe could not do for his body—placed it on the throne of
these realms; and for Popery, what Popes and Cardinals strove in vain to
do for three centuries—brought back its mummeries and nonsense into the
temples of the British Isles.
Scott during his lifetime had a crowd of imitators, who, whether they
wrote history so called—poetry so called—or novels—nobody would call a
book a novel if he could call it anything else—wrote Charlie o’er the
water nonsense; and now that he has been dead nearly a quarter of a
century, there are others daily springing up who are striving to imitate
Scott in his Charlie o’er the water nonsense—for nonsense it is, even
when flowing from his pen. They, too, must write Jacobite histories,
Jacobite songs, and Jacobite novels, and much the same figure as the
scoundrel menials in the comedy cut when personating their masters, and
retailing their masters’ conversation, do they cut as Walter Scotts. In
their histories, they too talk about the Prince and Glenfinnan, and the
pibroch; and in their songs about “Claverse” and “Bonny Dundee”. But
though they may be Scots, they are not Walter Scotts. But it is perhaps
chiefly in the novel that you see the veritable hog in armour; the time
of the novel is of course the ’15 or ’45; the hero a Jacobite, and
connected with one or other of the enterprises of those periods; and the
author, to show how unprejudiced he is, and what _original_ views he
takes of subjects, must needs speak up for Popery, whenever he has
occasion to mention it; though with all his originality, when he brings
his hero and the vagabonds with which he is concerned before a barricaded
house, belonging to the Whigs, he can make them get into it by no other
method than that which Scott makes his rioters employ to get into the
Tolbooth, _burning down_ the door.
To express the more than utter foolishness of this latter Charlie o’er
the water nonsense, whether in rhyme or prose, there is but one word, and
that word a Scotch word. Scotch, the sorriest of jargons, compared with
which even Roth-Welsch is dignified and expressive, has yet one word to
express what would be inexpressible by any word or combination of words
in any language, or in any other jargon in the world; and very properly;
for as the nonsense is properly Scotch, so should the word be Scotch
which expresses it—that word is “fushionless,” pronounced _fooshionless_;
and when the writer has called the nonsense fooshionless—and he does call
it fooshionless—he has nothing more to say, but leaves the nonsense to
its fate.
CHAPTER VIII.
ON CANTING NONSENSE.
THE writer now wishes to say something on the subject of canting
nonsense, of which there is a great deal in England. There are various
cants in England, amongst which is the religious cant. He is not going
to discuss the subject of religious cant: lest, however, he should be
misunderstood, he begs leave to repeat that he is a sincere member of the
old-fashioned Church of England, in which he believes there is more
religion, and consequently less cant, than in any other Church in the
world; nor is he going to discuss many other cants; he shall content
himself with saying something about two—the temperance cant and the
unmanly cant. Temperance canters say that, “it is unlawful to drink a
glass of ale”. Unmanly canters say that “it is unlawful to use one’s
fists”. The writer begs leave to tell both these species of canters that
they do not speak the words of truth.
It is very lawful to take a cup of ale, or wine, for the purpose of
cheering or invigorating yourself when you are faint and down-hearted;
and likewise to give a cup of ale or wine to others when they are in a
similar condition. The Holy Scripture sayeth nothing to the contrary,
but rather encourageth people in so doing by the text, “Wine maketh glad
the heart of man”. But it is not lawful to intoxicate yourself with
frequent cups of ale or wine, nor to make others intoxicated, nor does
the Holy Scripture say that it is. The Holy Scripture no more says that
it is lawful to intoxicate yourself or others, than it says that it is
unlawful to take a cup of ale or wine yourself, or to give one to others.
Noah is not commended in the Scripture for making himself drunken on the
wine he brewed. Nor is it said that the Saviour, when He supplied the
guests with first-rate wine at the marriage feast, told them to make
themselves drunk upon it. He is said to have supplied them with
first-rate wine, but He doubtless left the quantity which each should
drink to each party’s reason and discretion. When you set a good dinner
before your guests, you do not expect that they should gorge themselves
with the victuals you set before them. Wine may be abused, and so may a
leg of mutton.
Second. It is lawful for any one to use his fists in his own defence, or
in the defence of others, provided they can’t help themselves; but it is
not lawful to use them for purposes of tyranny or brutality. If you are
attacked by a ruffian, as the elderly individual in _Lavengro_ is in the
inn yard, it is quite lawful, if you can, to give him as good a thrashing
as the elderly individual gave the brutal coachman; and if you see a
helpless woman—perhaps your own sister—set upon by a drunken lord, a
drunken coachman, or a drunken coalheaver, or a brute of any description,
either drunk or sober, it is not only lawful, but laudable to give them,
if you can, a good drubbing; but it is not lawful because you have a
strong pair of fists, and know how to use them, to go swaggering through
a fair, jostling against unoffending individuals; should you do so, you
would be served quite right if you were to get a drubbing, more
particularly if you were served out by some one less strong, but more
skilful than yourself—even as the coachman was served out by a pupil of
the immortal Broughton—sixty years old, it is true, but possessed of
Broughton’s guard and chop. Moses is not blamed in the Scripture for
taking part with the oppressed, and killing an Egyptian persecutor. We
are not told how Moses killed the Egyptian; but it is quite as creditable
to Moses to suppose that he killed the Egyptian by giving him a buffet
under the left ear, as by stabbing him with a knife. It is true that the
Saviour in the New Testament tells His disciples to turn the left cheek
to be smitten, after they had received a blow on the right; but He was
speaking to people divinely inspired, or whom He intended divinely to
inspire—people selected by God for a particular purpose. He likewise
tells these people to part with various articles of raiment when asked
for them, and to go a-travelling without money, and take no thought of
the morrow. Are those exhortations carried out by very good people in
the present day? Do Quakers, when smitten on the right cheek, turn the
left to the smiter? When asked for their coat, do they say, “Friend,
take my shirt also?” Has the Dean of Salisbury no purse? Does the
Archbishop of Canterbury go to an inn, run up a reckoning, and then say
to his landlord, “Mistress, I have no coin?” Assuredly the Dean has a
purse, and a tolerably well-filled one; and, assuredly, the Archbishop,
on departing from an inn, not only settles his reckoning, but leaves
something handsome for the servants, and does not say that he is
forbidden by the gospel to pay for what he has eaten, or the trouble he
has given, as a certain Spanish cavalier said he was forbidden by the
statutes of chivalry. Now, to take the part of yourself, or the part of
the oppressed, with your fists, is quite as lawful in the present day as
it is to refuse your coat and your shirt also to any vagabond who may ask
for them, and not to refuse to pay for supper, bed and breakfast, at the
Feathers, or any other inn, after you have had the benefit of all three.
The conduct of Lavengro with respect to drink may, upon the whole, serve
as a model. He is no drunkard, nor is he fond of intoxicating other
people; yet when the horrors are upon him he has no objection to go to a
public-house and call for a pint of ale, nor does he shrink from
recommending ale to others when they are faint and downcast. In one
instance, it is true, he does what cannot be exactly justified; he
encourages the priest in the dingle, in more instances than one, in
drinking more hollands and water than is consistent with decorum. He has
a motive indeed in doing so; a desire to learn from the knave in his cups
the plans and hopes of the Propaganda of Rome. Such conduct, however,
was inconsistent with strict fair dealing and openness; and the author
advises all those whose consciences never reproach them for a single
unfair or covert act committed by them, to abuse him heartily for
administering hollands and water to the Priest of Rome. In that instance
the hero is certainly wrong; yet in all other cases with regard to drink,
he is manifestly right. To tell people that they are never to drink a
glass of ale or wine themselves, or to give one to others, is cant; and
the writer has no toleration for cant of any description. Some cants are
not dangerous; but the writer believes that a more dangerous cant than
the temperance cant, or as it is generally called, teetotalism, is
scarcely to be found. The writer is willing to believe that it
originated with well meaning, though weak people; but there can be no
doubt that it was quickly turned to account by people who were neither
well meaning nor weak. Let the reader note particularly the purpose to
which this cry has been turned in America—the land, indeed, par
excellence, of humbug and humbug cries. It is there continually in the
mouth of the most violent political party, and is made an instrument of
almost unexampled persecution. The writer would say more on the
temperance cant, both in England and America, but want of space prevents
him. There is one point on which he cannot avoid making a few brief
remarks—that is, the inconsistent conduct of its apostles in general.
The teetotal apostle says, it is a dreadful thing to be drunk. So it is,
teetotaller; but if so, why do you get drunk? I get drunk? Yes, unhappy
man, why do you get drunk on smoke and passion? Why are your garments
impregnated with the odour of the Indian weed? Why is there a pipe or a
cigar always in your mouth? Why is your language more dreadful than that
of a Poissarde? Tobacco-smoke is more deleterious than ale, teetotaller;
bile more potent than brandy. You are fond of telling your hearers what
an awful thing it is to die drunken. So it is, teetotaller. Then take
good care that you do not die with smoke and passion, drunken, and with
temperance language on your lips; that is, abuse and calumny against all
those who differ from you. One word of sense you have been heard to say,
which is, that spirits may be taken as a medicine. Now you are in a
fever of passion, teetotaller: so, pray take this tumbler of brandy; take
it on the homœopathic principle, that heat is to be expelled by heat.
You are in a temperance fury, so swallow the contents of this tumbler,
and it will, perhaps, cure you. You look at the glass wistfully—you say
you occasionally take a glass medicinally—and it is probable you do.
Take one now. Consider what a dreadful thing it would be to die passion
drunk; to appear before your Maker with intemperate language on your
lips. That’s right! You don’t seem to wince at the brandy. That’s
right!—well done! All down in two pulls. Now you look like a reasonable
being!
If the conduct of Lavengro with regard to drink is open to little
censure, assuredly the use which he makes of his fists is entitled to
none at all. Because he has a pair of tolerably strong fists, and knows
to a certain extent how to use them, is he a swaggerer or oppressor? To
what ill account does he turn them? Who more quiet, gentle and
inoffensive than he? He beats off a ruffian who attacks him in a dingle;
has a kind of friendly tuzzle with Mr. Petulengro, and behold the extent
of his fistic exploits.
Ay, but he associates with prize-fighters; and that very fellow,
Petulengro, is a prize-fighter, and has fought for a stake in a ring.
Well, and if he had not associated with prize-fighters, how could he have
used his fists? Oh, anybody can use his fists in his own defence,
without being taught by prize-fighters. Can they? Then why does not the
Italian, or Spaniard, or Afghan use his fists when insulted or outraged,
instead of having recourse to the weapons which he has recourse to?
Nobody can use his fists without being taught the use of them by those
who have themselves been taught, no more than any one can “whiffle”
without being taught by a master of the art. Now let any man of the
present day try to whiffle. Would not any one who wished to whiffle have
to go to a master of the art? Assuredly! but where would he find one at
the present day? The last of the whifflers hanged himself about a
fortnight ago on a bell-rope in a church steeple of “the old town,” from
pure grief that there was no further demand for the exhibition of his
art, there being no demand for whiffling since the discontinuation of
Guildhall banquets. Whiffling is lost. The old chap left his sword
behind him; let any one take up the old chap’s sword and try to whiffle.
Now much the same hand as he would make who should take up the whiffler’s
sword and try to whiffle, would he who should try to use his fists who
had never had the advantage of a master. Let no one think that men use
their fists naturally in their own disputes—men have naturally recourse
to any other thing to defend themselves or to offend others; they fly to
the stick, to the stone, to the murderous and cowardly knife, or to abuse
as cowardly as the knife, and occasionally more murderous. Now which is
best when you hate a person, or have a pique against a person, to clench
your fist and say “Come on,” or to have recourse to the stone, the knife,
or murderous calumny? The use of the fist is almost lost in England.
Yet are the people better than they were when they knew how to use their
fists? The writer believes not. A fisty combat is at present a great
rarity, but the use of the knife, the noose, and of poison, to say
nothing of calumny, are of more frequent occurrence in England than
perhaps in any country in Europe. Is polite taste better than when it
could bear the details of a fight? The writer believes not. Two men
cannot meet in a ring to settle a dispute in a manly manner without some
trumpery local newspaper letting loose a volley of abuse against “the
disgraceful exhibition,” in which abuse it is sure to be sanctioned by
its dainty readers; whereas some murderous horror, the discovery for
example of the mangled remains of a woman in some obscure den, is
greedily seized hold on by the moral journal, and dressed up for its
readers, who luxuriate and gloat upon the ghastly dish. Now, the writer
of _Lavengro_ has no sympathy with those who would shrink from striking a
blow, but would not shrink from the use of poison or calumny; and his
taste has little in common with that which cannot tolerate the hardy
details of a prize-fight, but which luxuriates on descriptions of the
murder dens of modern England. But prize-fighters and pugilists are
blackguards, a reviewer has said; and blackguards they would be provided
they employed their skill and their prowess for purposes of brutality and
oppression; but prize-fighters and pugilists are seldom friends to
brutality and oppression; and which is the blackguard, the writer would
ask: he who uses his fists to take his own part, or instructs others to
use theirs for the same purpose, or the being who from envy and malice,
or at the bidding of a malicious scoundrel, endeavours by calumny,
falsehood, and misrepresentation to impede the efforts of lonely and
unprotected genius?
One word more about the race, all but extinct, of the people
opprobriously called prize-fighters. Some of them have been as noble,
kindly men as the world ever produced. Can the rolls of the English
aristocracy exhibit names belonging to more noble, more heroic men than
those who were called respectively Pearce, Cribb and Spring? Did ever
one of the English aristocracy contract the seeds of fatal consumption by
rushing up the stairs of a burning edifice, even to the topmost garret,
and rescuing a woman from seemingly inevitable destruction? The writer
says no. A woman was rescued from the top of a burning house; but the
man who rescued her was no aristocrat; it was Pearce, not Percy, who ran
up the burning stairs. Did ever one of those glittering ones save a
fainting female from the libidinous rage of six ruffians? The writer
believes not. A woman was rescued from the libidinous fury of six
monsters on — Down; but the man who rescued her was no aristocrat; it was
Pearce not Paulet, who rescued the woman, and thrashed my Lord’s six
gamekeepers—Pearce, whose equal never was, and probably never will be,
found in sturdy combat. Are there any of the aristocracy of whom it can
be said that they never did a cowardly, cruel or mean action, and that
they invariably took the part of the unfortunate and weak against cruelty
and oppression? As much can be said of Cribb, of Spring, and the other;
but where is the aristocrat of whom as much can be said? Wellington?
Wellington indeed! a skilful general, and a good man of valour, it is
true, but with that cant word of “duty” continually on his lips. Did he
rescue Ney from his butchers? Did he lend a helping hand to Warner?
In conclusion, the writer would advise those of his country-folks who
read his book to have nothing to do with the two kinds of canting
nonsense described above, but in their progress through life to enjoy as
well as they can, but always with moderation, the good things of this
world, to put confidence in God, to be as independent as possible, and to
take their own parts. If they are low spirited, let them not make
themselves foolish by putting on sackcloth, drinking water, or chewing
ashes, but let them take wholesome exercise, and eat the most generous
food they can get, taking up and reading occasionally, not the lives of
Ignatius Loyola and Francis Spira, but something more agreeable; for
example, the life and adventures of Mr. Duncan Campbell, the deaf and
dumb gentleman; the travels of Captain Falconer in America, and the
journal of John Randall, who went to Virginia and married an Indian wife;
not forgetting, amidst their eating and drinking, their walks over
heaths, and by the sea-side, and their agreeable literature, to be
charitable to the poor, to read the Psalms and to go to church twice on a
Sunday. In their dealings with people, to be courteous to everybody, as
Lavengro was, but always independent like him; and if people meddle with
them, to give them as good as they bring, even as he and Isopel Berners
were in the habit of doing; and it will be as well for him to observe
that he by no means advises women to be too womanly, but bearing the
conduct of Isopel Berners in mind, to take their own parts, and if
anybody strikes them, to strike again.
Beating of women by the lords of the creation has become very prevalent
in England since pugilism has been discountenanced. Now the writer
strongly advises any woman who is struck by a ruffian to strike him
again; or if she cannot clench her fists, and he advises all women in
these singular times to learn to clench their fists, to go at him with
tooth and nail, and not to be afraid of the result, for any fellow who is
dastard enough to strike a woman, would allow himself to be beaten by a
woman, were she to make at him in self-defence, even if, instead of
possessing the stately height and athletic proportions of the aforesaid
Isopel, she were as diminutive in stature, and had a hand as delicate,
and foot as small, as a certain royal lady, who was some time ago
assaulted by a fellow upwards of six feet high, whom the writer has no
doubt she could have beaten had she thought proper to go at him. Such is
the deliberate advice of the author to his countrymen and women—advice in
which he believes there is nothing unscriptural or repugnant to common
sense.
The writer is perfectly well aware that, by the plain language which he
has used in speaking of the various kinds of nonsense prevalent in
England, he shall make himself a multitude of enemies; but he is not
going to conceal the truth or to tamper with nonsense, from the fear of
provoking hostility. He has a duty to perform and he will perform it
resolutely; he is the person who carried the Bible to Spain; and as
resolutely as he spoke in Spain against the superstitions of Spain, will
he speak in England against the nonsense of his own native land. He is
not one of those who, before they sit down to write a book, say to
themselves, what cry shall we take up? what principles shall we advocate?
what principles shall we abuse? before we put pen to paper we must find
out what cry is the loudest, what principle has the most advocates,
otherwise, after having written our book, we may find ourselves on the
weaker side.
A sailor of the _Bounty_ waked from his sleep by the noise of the mutiny,
lay still in his hammock for some time, quite undecided whether to take
part with the captain or to join the mutineers. “I must mind what I do,”
said he to himself, “lest, in the end, I find myself on the weaker side;”
finally, on hearing that the mutineers were successful, he went on deck,
and seeing Bligh pinioned to the mast, he put his fist to his nose, and
otherwise insulted him. Now, there are many writers of the present day
whose conduct is very similar to that of the sailor. They lie listening
in their corners till they have ascertained which principle has most
advocates; then, presently, they make their appearance on the deck of the
world with their book; if truth has been victorious, then has truth their
hurrah! but if truth is pinioned against the mast, then is their fist
thrust against the nose of truth, and their gibe and their insult spurted
in their face. The strongest party had the sailor, and the strongest
party has almost invariably the writer of the present day.
CHAPTER IX.
PSEUDO-CRITICS.
A CERTAIN set of individuals calling themselves critics have attacked
_Lavengro_ with much virulence and malice. If what they call criticism
had been founded on truth, the author would have had nothing to say. The
book contains plenty of blemishes, some of them, by-the-bye, wilful ones,
as the writer will presently show; not one of these, however, has been
detected and pointed out; but the best passages in the book, indeed
whatever was calculated to make the book valuable, have been assailed
with abuse and misrepresentation. The duty of the true critic is to play
the part of a leech, and not of a viper. Upon true and upon malignant
criticism there is an excellent fable by the Spaniard Iriarte. The viper
says to the leech, “Why do people invite your bite, and flee from mine?”
“Because,” says the leech, “people receive health from my bite, and
poison from yours.” “There is as much difference,” says the clever
Spaniard, “between true and malignant criticism, as between poison and
medicine.” Certainly a great many meritorious writers have allowed
themselves to be poisoned by malignant criticism; the writer, however, is
not one of those who allow themselves to be poisoned by pseudo-critics;
no! no! he will rather hold them up by their tails, and show the
creatures wriggling, blood and foam streaming from their broken jaws.
First of all, however, he will notice one of their objections. “The book
isn’t true,” say they. Now one of the principal reasons with those who
have attacked _Lavengro_ for their abuse of it is, that it is
particularly true in one instance, namely, that it exposes their own
nonsense, their love of humbug, their slavishness, their dressings, their
goings out, their scraping and bowing to great people; it is the showing
up of “gentility nonsense” in _Lavengro_ that has been one principal
reason for the raising the above cry; for in _Lavengro_, is denounced the
besetting folly of the English people, a folly which those who call
themselves guardians of the public taste are far from being above. “We
can’t abide anything that isn’t true!” they exclaim. Can’t they? Then
why are they so enraptured with any fiction that is adapted to purposes
of humbug, which tends to make them satisfied with their own proceedings,
with their own nonsense, which does not tell them to reform, to become
more alive to their own failings, and less sensitive about the tyrannical
goings on of the masters, and the degraded condition, the sufferings, and
the trials of the serfs in the star Jupiter? Had _Lavengro_, instead of
being the work of an independent mind, been written in order to further
any of the thousand and one cants, and species of nonsense prevalent in
England, the author would have heard much less about its not being true,
both from public detractors and private censurers.
“But _Lavengro_ pretends to be an autobiography,” say the critics; and
here the writer begs leave to observe, that it would be well for people
who profess to have a regard for truth, not to exhibit in every assertion
which they make a most profligate disregard of it; this assertion of
theirs is a falsehood, and they know it to be a falsehood. In the
preface _Lavengro_ is stated to be a dream; and the writer takes this
opportunity of stating that he never said it was an autobiography; never
authorised any person to say that it was one; and that he has in
innumerable instances declared in public and private, both before and
after the work was published, that it was not what is generally termed an
autobiography: but a set of people who pretend to write criticisms on
books, hating the author for various reasons—amongst others, because,
having the proper pride of a gentleman and a scholar, he did not, in the
year ’43, choose to permit himself to be exhibited and made a zany of in
London, and especially because he will neither associate with, nor curry
favour with, them who are neither gentlemen nor scholars—attack his book
with abuse and calumny. He is, perhaps, condescending too much when he
takes any notice of such people; as, however, the English public is
wonderfully led by cries and shouts, and generally ready to take part
against any person who is either unwilling or unable to defend himself,
he deems it advisable not to be altogether quiet with those who assail
him. The best way to deal with vipers is to tear out their teeth; and
the best way to deal with pseudo-critics is to deprive them of their
poison-bag, which is easily done by exposing their ignorance. The writer
knew perfectly well the description of people with whom he would have to
do, he therefore very quietly prepared a stratagem, by means of which he
could at any time exhibit them, powerless and helpless, in his hand.
Critics, when they review books, ought to have a competent knowledge of
the subjects which those books discuss.
_Lavengro_ is a philological book, a poem if you choose to call it so.
Now what a fine triumph it would have been for those who wished to vilify
the book and its author, provided they could have detected the latter
tripping in his philology—they might have instantly said that he was an
ignorant pretender to philology—they laughed at the idea of his taking up
a viper by its tail, a trick which hundreds of country urchins do every
September, but they were silent about the really wonderful part of the
book, the philological matter—they thought philology was his stronghold,
and that it would be useless to attack him there; they of course would
give him no credit as a philologist, for anything like fair treatment
towards him was not to be expected at their hands, but they were afraid
to attack his philology—yet that was the point, and the only point in
which they might have attacked him successfully; he was vulnerable there.
How was this? Why, in order to have an opportunity of holding up
pseudo-critics by the tails, he wilfully spelt various foreign words
wrong—Welsh words, and even Italian words—did they detect these
mis-spellings? not one of them, even as he knew they would not, and he
now taunts them with ignorance; and the power of taunting them with
ignorance is the punishment which he designed for them—a power which they
might but for their ignorance have used against him. The writer besides
knowing something of Italian and Welsh, knows a little of Armenian
language and literature; but who knowing anything of the Armenian
language, unless he had an end in view, would say, that the word for sea
in Armenian is anything like the word tide in English? The word for sea
in Armenian is _dzow_, a word connected with the Tibetian word for water,
and the Chinese _shuy_, and the Turkish _su_, signifying the same thing;
but where is the resemblance between _dzow_ and tide? Again, the word
for bread in ancient Armenian is _hats_; yet the Armenian on London
Bridge is made to say _zhats_, which is not the nominative of the
Armenian noun for bread, but the accusative: now, critics, ravening
against a man because he is a gentleman and a scholar, and has not only
the power but also the courage to write original works, why did not you
discover that weak point? Why, because you were ignorant, so here ye are
held up! Moreover, who with a name commencing with Z, ever wrote fables
in Armenian? There are two writers of fables in Armenian—Varthan and
Koscht, and illustrious writers they are, one in the simple, and the
other in the ornate style of Armenian composition, but neither of their
names begins with a Z. Oh, what a precious opportunity ye lost, ye
ravening crew, of convicting the poor, half-starved, friendless boy of
the book, of ignorance or misrepresentation, by asking who with a name
beginning with Z ever wrote fables in Armenian; but ye couldn’t help
yourselves, ye are duncie. “We duncie!” Ay, duncie. So here ye are
held up by the tails, blood and foam streaming from your jaws.
The writer wishes to ask here, what do you think of all this, _Messieurs
les Critiques_? Were ye ever served so before? But don’t you richly
deserve it? Haven’t you been for years past bullying and insulting
everybody whom you deemed weak, and currying favour with everybody whom
you thought strong? “_We_ approve of this. We disapprove of that. Oh,
this will never do. These are fine lines!” The lines perhaps some
horrid sycophantic rubbish addressed to Wellington, or Lord So-and-so.
To have your ignorance thus exposed, to be shown up in this manner, and
by whom? A gypsy! Ay, a gypsy was the very right person to do it. But
is it not galling, after all?
Ah, but _we_ don’t understand Armenian, it cannot be expected that _we_
should understand Armenian, or Welsh, or—. Hey, what’s this? The mighty
_we_ not understand Armenian or Welsh, or—. Then why does the mighty
_we_ pretend to review a book like _Lavengro_? From the arrogance with
which it continually delivers itself, one would think that the mighty
_we_ is omniscient; that it understands every language; is versed in
every literature; yet the mighty _we_ does not even know the word for
bread in Armenian. It knows bread well enough by name in English, and
frequently bread in England only by its name, but the truth is, that the
mighty _we_, with all its pretension, is in general a very sorry
creature, who, instead of saying _nous disons_, should rather say _nous
dis_: Parny in his _Guerre des Dieux_, very profanely makes the three in
one say, _Je faisons_; now, Lavengro, who is anything but profane, would
suggest that critics, especially magazine and Sunday newspaper critics,
should commence with _nous dis_, as the first word would be significant
of the conceit and assumption of the critic, and the second of the extent
of the critic’s information. The _we_ says its say, but when fawning
sycophancy or vulgar abuse are taken from that say, what remains? Why a
blank, a void, like Ginnungagap.
As the writer, of his own accord, has exposed some of the blemishes of
his book—a task, which a competent critic ought to have done—he will now
point out two or three of its merits, which any critic, not altogether
blinded with ignorance, might have done, or not replete with gall and
envy would have been glad to do. The book has the merit of communicating
a fact connected with physiology, which in all the pages of the multitude
of books was never previously mentioned—the mysterious practice of
touching objects to baffle the evil chance. The miserable detractor
will, of course, instantly begin to rave about such a habit being common:
well and good; but was it ever before described in print, or all
connected with it dissected? He may then vociferate something about
Johnson having touched: the writer cares not whether Johnson, who,
by-the-bye, during the last twenty or thirty years, owing to people
having become ultra Tory mad from reading Scott’s novels and the
_Quarterly Review_, has been a mighty favourite, especially with some who
were in the habit of calling him a half crazy old fool—touched, or
whether he did or not; but he asks where did Johnson ever describe the
feelings which induced him to perform the magic touch, even supposing
that he did perform it? Again, the history gives an account of a certain
book called the _Sleeping Bard_, the most remarkable prose work of the
most difficult language but one, of modern Europe,—a book, for a notice
of which, he believes, one might turn over in vain the pages of any
review printed in England, or, indeed, elsewhere. So here are two facts,
one literary and the other physiological, for which any candid critic was
bound to thank the author, even as in _the Romany Rye_ there is a fact
connected with Iro-Norman Myth, for the disclosing of which, any person
who pretends to have a regard for literature is bound to thank him,
namely, that the mysterious Finn or Fingal of _Ossian’s Poems_ is one and
the same person as the Sigurd Fafnisbane of the Edda and the Wilkina, and
the Siegfried Horn of the Lay of the Niebelungs.
The writer might here conclude, and, he believes, most triumphantly; as,
however, he is in the cue for writing, which he seldom is, he will for
his own gratification, and for the sake of others, dropping metaphors
about vipers and serpents, show up in particular two or three sets or
cliques of people, who, he is happy to say, have been particularly
virulent against him and his work, for nothing indeed could have given
him greater mortification than their praise.
In the first place, he wishes to dispose of certain individuals who call
themselves men of wit and fashion—about town—who he is told have abused
his book “vaustly”—their own word. These people paint their cheeks, wear
white kid gloves, and dabble in literature, or what they conceive to be
literature. For abuse from such people, the writer was prepared. Does
any one imagine that the writer was not well aware, before he published
his book, that, whenever he gave it to the world, he should be attacked
by every literary coxcomb in England who had influence enough to procure
the insertion of a scurrilous article in a magazine or newspaper! He has
been in Spain, and has seen how invariably the mule attacks the horse;
now why does the mule attack the horse? Why, because the latter carries
about with him that which the envious hermaphrodite does not possess.
They consider, forsooth, that his book is low—but he is not going to
waste words about them—one or two of whom, he is told, have written very
duncie books about Spain, and are highly enraged with him, because
certain books which he wrote about Spain were not considered duncie. No,
he is not going to waste words upon them, for verily he dislikes their
company, and so he’ll pass them by, and proceed to others.
The Scotch Charlie o’er the water people have been very loud in the abuse
of _Lavengro_—this again might be expected; the sarcasms of the priest
about the Charlie o’er the water nonsense of course stung them. Oh! it
is one of the claims which _Lavengro_ has to respect, that it is the
first, if not the only work, in which that nonsense is, to a certain
extent, exposed. Two or three of their remarks on passages of
_Lavengro_, he will reproduce and laugh at. Of course your Charlie o’er
the water people are genteel exceedingly, and cannot abide anything low.
Gypsyism they think is particularly low, and the use of gypsy words in
literature beneath its gentility; so they object to gypsy words being
used in _Lavengro_ where gypsies are introduced speaking—“What is Romany
forsooth?” say they. Very good! And what is Scotch? has not the public
been nauseated with Scotch for the last thirty years? “Ah, but Scotch is
not”—the writer believes he knows much better than the Scotch what Scotch
is and what it is not; he has told them before what it is: a very sorry
jargon. He will now tell them what it is not—a sister or an immediate
daughter of the Sanscrit, which Romany is. “Ay, but the Scotch
are”—foxes, foxes, nothing else than foxes, even like the gypsies—the
difference between the gypsy and Scotch fox being that the first is wild,
with a mighty brush, the other a sneak with a gilt collar and without a
tail.
A Charlie o’er the water person attempts to be witty, because the writer
has said that perhaps a certain old Edinburgh High-School porter, of the
name of Boee, was perhaps of the same blood as a certain Bui, a Northern
Kemp who distinguished himself at the battle of Horinger Bay. A pretty
matter, forsooth, to excite the ridicule of a Scotchman! Why, is there a
beggar or trumpery fellow in Scotland, who does not pretend to be
somebody, or related to somebody? Is not every Scotchman descended from
some king, kemp or cow-stealer of old, by his own account at least? Why,
the writer would even go so far as to bet a trifle that the poor
creature, who ridicules Boee’s supposed ancestry, has one of his own, at
least as grand and as apocryphal as old Boee’s of the High School.
The same Charlie o’er the water person is mightily indignant that
Lavengro should have spoken disrespectfully of William Wallace; Lavengro,
when he speaks of that personage, being a child of about ten years old,
and repeating merely what he had heard. All the Scotch, by-the-bye, for
a great many years past, have been great admirers of William Wallace,
particularly the Charlie o’er the water people, who in their
nonsense-verses about Charlie generally contrive to bring in the name of
William, Willie, or Wullie, Wallace. The writer begs leave to say that
he by no means wishes to bear hard against William Wallace, but he cannot
help asking why, if William, Willie, or Wullie, Wallace was such a
particularly nice person, did his brother Scots betray him to a certain
renowned southern warrior, called Edward Longshanks, who caused him to be
hanged and cut into four in London, and his quarters to be placed over
the gates of certain towns? They got gold, it is true, and titles, very
nice things, no doubt; but, surely, the life of a patriot is better than
all the gold and titles in the world—at least Lavengro thinks so—but
Lavengro has lived more with gypsies than Scotchmen, and gypsies do not
betray their brothers. It would be some time before a gypsy would hand
over his brother to the harum-beck, even supposing you would not only
make him a king, but a justice of the peace, and not only give him the
world, but the best farm on the Holkham estate; but gypsies are wild
foxes, and there is certainly a wonderful difference between the way of
thinking of the wild fox who retains his brush, and that of the scurvy
kennel creature who has lost his tail.
Ah! but thousands of Scotch, and particularly the Charlie o’er the water
people, will say, “We didn’t sell Willie Wallace, it was our forbears who
sold Willie Wallace— If Edward Longshanks had asked us to sell Wullie
Wallace, we would soon have shown him that—” Lord better ye, ye poor
trumpery set of creatures, ye would not have acted a bit better than your
forefathers; remember how ye have ever treated the few amongst ye who,
though born in the kennel, have shown something of the spirit of the
wood. Many of ye are still alive who delivered over men, quite as honest
and patriotic as William Wallace, into the hands of an English minister,
to be chained and transported for merely venturing to speak and write in
the cause of humanity, at the time when Europe was beginning to fling off
the chains imposed by kings and priests. And it is not so very long
since Burns, to whom ye are now building up obelisks rather higher than
he deserves, was permitted by his countrymen to die in poverty and
misery, because he would not join with them in songs of adulation to
kings and the trumpery great. So say not that ye would have acted with
respect to William Wallace one whit better than your fathers—and you in
particular, ye children of Charlie, whom do ye write nonsense-verses
about? A family of dastard despots, who did their best, during a century
and more, to tread out the few sparks of independent feeling still
glowing in Scotland—but enough has been said about ye.
Amongst those who have been prodigal in abuse and defamation of
_Lavengro_, have been your modern Radicals, and particularly a set of
people who filled the country with noise against the King and Queen,
Wellington, and the Tories, in ’32. About these people the writer will
presently have occasion to say a good deal, and also of real Radicals.
As, however, it may be supposed that he is one of those who delight to
play the sycophant to kings and queens, to curry favour with Tories, and
to bepraise Wellington, he begs leave to state that such is not the case.
About kings and queens he has nothing to say; about Tories, simply that
he believes them to be a bad set; about Wellington, however, it will be
necessary for him to say a good deal, of mixed import, as he will
subsequently frequently have occasion to mention him in connection with
what he has to say about pseudo-Radicals.
CHAPTER X.
PSEUDO-RADICALS.
ABOUT Wellington, then, he says, that he believes him at the present day
to be infinitely overrated. But there certainly was a time when he was
shamefully underrated. Now what time was that? Why the time of
pseudo-Radicalism, par excellence, from ’20 to ’32. Oh, the abuse that
was heaped on Wellington by those who traded in Radical cant—your
newspaper editors and review writers! and how he was sneered at then by
your Whigs, and how faintly supported he was by your Tories, who were
half ashamed of him; for your Tories, though capital fellows as
followers, when you want nobody to back you, are the faintest creatures
in the world when you cry in your agony, “Come and help me!” Oh,
assuredly Wellington was infamously used at that time, especially by your
traders in Radicalism, who howled at and hooted him; said he had every
vice—was no general—was beaten at Waterloo—was a poltroon—moreover a poor
illiterate creature, who could scarcely read or write; nay, a principal
Radical paper said boldly he could not read, and devised an ingenious
plan for teaching Wellington how to read. Now this was too bad; and the
writer, being a lover of justice, frequently spoke up for Wellington,
saying, that as for vice, he was not worse than his neighbours; that he
was brave; that he won the fight at Waterloo, from a half-dead man, it is
true, but that he did win it. Also, that he believed he had read _Rules
for the Manual and Platoon Exercises_ to some purpose; moreover, that he
was sure he could write, for that he the writer had once written to
Wellington, and had received an answer from him; nay, the writer once
went so far as to strike a blow for Wellington; for the last time he used
his fists was upon a Radical sub-editor, who was mobbing Wellington in
the street, from behind a rank of grimy fellows. But though the writer
spoke up for Wellington to a certain extent when he was shamefully
underrated, and once struck a blow for him when he was about being
hustled, he is not going to join in the loathsome sycophantic nonsense
which it has been the fashion to use with respect to Wellington these
last twenty years. Now what have those years been to England! Why the
years of ultra-gentility, everybody in England having gone gentility mad
during the last twenty years, and no people more so than your
pseudo-Radicals. Wellington was turned out, and your Whigs and Radicals
got in, and then commenced the period of ultra-gentility in England. The
Whigs and Radicals only hated Wellington as long as the patronage of the
country was in his hands, none of which they were tolerably sure he would
bestow on them; but no sooner did they get it into their own, than they
forthwith became admirers of Wellington. And why? Because he was a
duke, petted at Windsor and by foreign princes, and a very genteel
personage. Formerly many of your Whigs and Radicals had scarcely a
decent coat on their backs; but now the plunder of the country was at
their disposal, and they had as good a chance of being genteel as any
people. So they were willing to worship Wellington because he was very
genteel, and could not keep the plunder of the country out of their
hands. And Wellington has been worshipped, and prettily so, during the
last fifteen or twenty years. He is now a noble fine-hearted creature;
the greatest general the world ever produced; the bravest of men;
and—and—mercy upon us! the greatest of military writers! Now the present
writer will not join in such sycophancy. As he was not afraid to take
the part of Wellington when he was scurvily used by all parties, and when
it was dangerous to take his part, so he is not afraid to speak the naked
truth about Wellington in these days, when it is dangerous to say
anything about him but what is sycophantically laudatory. He said in
’32, that as to vice, Wellington was not worse than his neighbours; but
he is not going to say in ’54, that Wellington was a noble-hearted
fellow; for he believes that a more cold-hearted individual never
existed. His conduct to Warner, the poor Vaudois, and Marshal Ney,
showed that. He said in ’32, that he was a good general and a brave man;
but he is not going, in ’54, to say that he was the best general, or the
bravest man, the world ever saw. England has produced a better
general—France two or three—both countries many braver men. The son of
the Norfolk clergyman was a brave man; Marshal Ney was a braver man. Oh,
that battle of Copenhagen! Oh, that covering the retreat of the Grand
Army! And though he said in ’32 that he could write, he is not going to
say in ’54 that he is the best of all military writers. On the contrary,
he does not hesitate to say that any Commentary of Julius Cæsar, or any
chapter in Justinus, more especially the one about the Parthians, is
worth the ten volumes of Wellington’s Despatches; though he has no doubt
that, by saying so, he shall especially rouse the indignation of a
certain newspaper, at present one of the most genteel journals
imaginable—with a slight tendency to liberalism, it is true, but
perfectly genteel—which is nevertheless the very one which, in ’32, swore
bodily that Wellington could neither read nor write and devised an
ingenious plan for teaching him how to read.
Now, after the above statement, no one will venture to say, if the writer
should be disposed to bear hard upon Radicals, that he would be
influenced by a desire to pay court to princes, or to curry favour with
Tories, or from being a blind admirer of the Duke of Wellington; but the
writer is not going to declaim against Radicals, that is, real
Republicans, or their principles; upon the whole, he is something of an
admirer of both. The writer has always had as much admiration for
everything that is real and honest as he has had contempt for the
opposite. Now real Republicanism is certainly a very fine thing, a much
finer thing than Toryism, a system of common robbery, which is
nevertheless far better than Whiggism {364}—a compound of petty larceny,
popular instruction, and receiving of stolen goods. Yes, real
Republicanism is certainly a very fine thing, and your real Radicals and
Republicans are certainly very fine fellows, or rather were fine fellows,
for the Lord only knows where to find them at the present day—the writer
does not. If he did, he would at any time go five miles to invite one of
them to dinner, even supposing that he had to go to a workhouse in order
to find the person he wished to invite. Amongst the real Radicals of
England, those who flourished from the year ’16 to ’20, there were
certainly extraordinary characters, men partially insane, perhaps, but
honest and brave—they did not make a market of the principles which they
professed, and never intended to do so; they believed in them, and were
willing to risk their lives in endeavouring to carry them out. The
writer wishes to speak in particular of two of these men, both of whom
perished on the scaffold—their names were Thistlewood and Ings.
Thistlewood, the best known of them, was a brave soldier and had served
with distinction as an officer in the French service; he was one of the
excellent swordsmen of Europe; had fought several duels in France, where
it is no child’s play to fight a duel; but had never unsheathed his sword
for single combat, but in defence of the feeble and insulted—he was kind
and open-hearted, but of too great simplicity; he had once ten thousand
pounds left him, all of which he lent to a friend, who disappeared and
never returned him a penny. Ings was an uneducated man, of very low
stature, but amazing strength and resolution; he was a kind husband and
father, and though a humble butcher, the name he bore was one of the
royal names of the heathen Anglo-Saxons. These two men, along with five
others, were executed, and their heads hacked off, for levying war
against George the Fourth; the whole seven dying in a manner which
extorted cheers from the populace, the most of them uttering
philosophical or patriotic sayings. Thistlewood, who was, perhaps, the
most calm and collected of all, just before he was turned off, said, “We
are now going to discover the great secret”. Ings, the moment before he
was choked, was singing “Scots wha hae wi’ Wallace bled.” Now there was
no humbug about those men, nor about many more of the same time and of
the same principles. They might be deluded about Republicanism, as
Algernon Sidney was, and as Brutus was, but they were as honest and brave
as either Brutus or Sidney, and as willing to die for their principles.
But the Radicals who succeeded them were beings of a very different
description; they jobbed and traded in Republicanism, and either parted
with it, or at the present day are eager to part with it, for a
consideration. In order to get the Whigs into power, and themselves
places, they brought the country by their inflammatory language to the
verge of a revolution, and were the cause that many perished on the
scaffold; by their incendiary harangues and newspaper articles they
caused the Bristol conflagration, for which six poor creatures were
executed; they encouraged the mob to pillage, pull down and burn, and
then rushing into garrets looked on. Thistlewood tells the mob the Tower
is a second Bastile; let it be pulled down. A mob tries to pull down the
Tower; but Thistlewood is at the head of that mob; he is not peeping from
a garret on Tower Hill like Gulliver at Lisbon. Thistlewood and Ings say
to twenty ragged individuals, Liverpool and Castlereagh are two
satellites of despotism; it would be highly desirable to put them out of
the way. And a certain number of ragged individuals are surprised in a
stable in Cato Street, making preparations to put Castlereagh and
Liverpool out of the way, and are fired upon with muskets by Grenadiers,
and are hacked at with cutlasses by Bow Street runners; but the twain who
encouraged those ragged individuals to meet in Cato Street are not far
off, they are not on the other side of the river, in the Borough, for
example, in some garret or obscure cellar. The very first to confront
the Guards and runners are Thistlewood and Ings; Thistlewood whips his
long thin rapier through Smithers’ lungs, and Ings makes a dash at
Fitzclarence with his butcher’s knife. Oh, there was something in those
fellows! honesty and courage; but can as much be said for the inciters of
the troubles of ’32? No; they egged on poor ignorant mechanics and
rustics, and got them hanged for pulling down and burning, whilst the
highest pitch to which their own daring ever mounted was to mob
Wellington as he passed in the streets.
Now, these people were humbugs, which Thistlewood and Ings were not.
They raved and foamed against kings, queens, Wellington, the aristocracy,
and what not, till they had got the Whigs into power, with whom they were
in secret alliance, and with whom they afterwards openly joined in a
system of robbery and corruption, more flagitious than the old Tory one,
because there was more cant about it; for themselves they got
consulships, commissionerships, and in some instances governments; for
their sons clerkships in public offices; and there you may see those sons
with the never-failing badge of the low scoundrel-puppy, the gilt chain
at the waistcoat-pocket; and there you may hear and see them using the
languishing tones, and employing the airs and graces which wenches use
and employ, who, without being in the family way, wish to make their
keepers believe that they are in the family way. Assuredly great is the
cleverness of your Radicals of ’32, in providing for themselves and their
families. Yet, clever as they are, there is one thing they cannot
do—they get governments for themselves, commissionerships for their
brothers, clerkships for their sons, but there is one thing beyond their
craft—they cannot get husbands for their daughters, who, too ugly for
marriage, and with their heads filled with the nonsense they have imbibed
from gentility-novels, go over from Socinus to the Pope, becoming sisters
in fusty convents, or having heard a few sermons in Mr. Platitude’s
“chapelle,” seek for admission at the establishment of mother S—, who,
after employing them for a time in various menial offices, and making
them pluck off their eyebrows, hair by hair, generally dismisses them on
the plea of sluttishness; whereupon they return to their papas to eat the
bread of the country, with the comfortable prospect of eating it still in
the shape of a pension after their sires are dead. Papa (_ex uno disce
omnes_) living as quietly as he can; not exactly enviably, it is true,
being now and then seen to cast an uneasy and furtive glance behind, even
as an animal is wont, who has lost by some mischance a very sightly
appendage; as quietly however as he can, and as dignifiedly, a great
admirer of every genteel thing and genteel personage, the Duke in
particular, whose _Despatches_, bound in red morocco, you will find on
his table. A disliker of coarse expressions, and extremes of every kind,
with a perfect horror for revolutions and attempts to revolutionise,
exclaiming now and then, as a shriek escapes from whipped and bleeding
Hungary, a groan from gasping Poland, and a half-stifled curse from
down-trodden but scowling Italy, “Confound the revolutionary _canaille_,
why can’t it be quiet!” in a word, putting one in mind of the _parvenu_
in the _Walpurgis Nacht_. The writer is no admirer of Goethe, but the
idea of that _parvenu_ was certainly a good one—yes, putting one in mind
of the individual who says:—
“Wir waren wahrlich auch nicht dumm,
Und thaten oft was wir nicht sollten;
Doch jetzo kehrt sich alles um und um,
Und eben da wir’s fest erhalten wollten.”
We were no fools, as every one discern’d,
And stopp’d at nought our projects in fulfilling;
But now the world seems topsy-turvy turn’d,
To keep it quiet just when we were willing.
Now, this class of individuals entertain a mortal hatred for _Lavengro_
and its writer, and never lose an opportunity of vituperating both. It
is true that such hatred is by no means surprising. There is certainly a
great deal of difference between Lavengro and their own sons; the one
thinking of independence and philology, whilst he is clinking away at
kettles, and hammering horse-shoes in dingles; the others stuck up at
public offices with gilt chains at their waistcoat-pockets, and giving
themselves the airs and graces of females of a certain description. And
there certainly _is_ a great deal of difference between the author of
_Lavengro_ and themselves—he retaining his principles and his brush; they
with scarlet breeches on, it is true, but without their republicanism and
their tails. Oh, the writer can well afford to be vituperated by your
pseudo-Radicals of ’32!
Some time ago the writer was set upon by an old Radical and his wife; but
the matter is too rich not to require a chapter to itself.
CHAPTER XI.
THE OLD RADICAL.
“This very dirty man, with his very dirty face,
Would do any dirty act, which would get him a place.”
SOME time ago the writer was set upon by an old Radical and his wife; but
before he relates the manner in which they set upon him, it will be as
well to enter upon a few particulars tending to elucidate their reasons
for so doing.
The writer had just entered into his eighteenth year, when he met at the
table of a certain Anglo-Germanist an individual, apparently somewhat
under thirty, of middle stature, a thin and weaselly figure, a sallow
complexion, a certain obliquity of vision, and a large pair of
spectacles. This person, who had lately come from abroad, and had
published a volume of translations, had attracted some slight notice in
the literary world, and was looked upon as a kind of lion in a small
provincial capital. After dinner he argued a great deal, spoke
vehemently against the Church, and uttered the most desperate Radicalism
that was perhaps ever heard, saying, he hoped that in a short time there
would not be a king or queen in Europe, and inveighing bitterly against
the English aristocracy, and against the Duke of Wellington in
particular, whom he said, if he himself was ever president of an English
republic—an event which he seemed to think by no means improbable—he
would hang for certain infamous acts of profligacy and bloodshed which he
had perpetrated in Spain. Being informed that the writer was something
of a philologist, to which character the individual in question laid
great pretensions, he came and sat down by him, and talked about
languages and literature. The writer, who was only a boy, was a little
frightened at first, but, not wishing to appear a child of absolute
ignorance, he summoned what little learning he had, and began to blunder
out something about the Celtic languages and their literature, and asked
the Lion who he conceived Finn Ma Coul to be? and whether he did not
consider the “Ode to the Fox,” by Red Rhys of Eryry, to be a masterpiece
of pleasantry? Receiving no answer to these questions from the Lion,
who, singular enough, would frequently, when the writer put a question to
him, look across the table, and flatly contradict some one who was
talking to some other person, the writer dropped the Celtic languages and
literature, and asked him whether he did not think it a funny thing that
Temugin, generally called Genghis Khan, should have married the daughter
of Prester John? {369} The Lion, after giving a side-glance at the
writer through his left spectacle glass, seemed about to reply, but was
unfortunately prevented, being seized with an irresistible impulse to
contradict a respectable doctor of medicine, who was engaged in
conversation with the master of the house at the upper and farther end of
the table, the writer being a poor ignorant lad, sitting of course at the
bottom. The doctor, who had served in the Peninsula, having observed
that Ferdinand the Seventh was not quite so bad as had been represented,
the Lion vociferated that he was ten times worse, and that he hoped to
see him and the Duke of Wellington hanged together. The doctor, who,
being a Welshman, was somewhat of a warm temper, growing rather red, said
that at any rate he had been informed that Ferdinand the Seventh knew
sometimes how to behave himself like a gentleman—this brought on a long
dispute, which terminated rather abruptly. The Lion having observed that
the doctor must not talk about Spanish matters with one who had visited
every part of Spain, the doctor bowed, and said he was right, for that he
believed no people in general possessed such accurate information about
countries as those who had travelled them as bagmen. On the Lion asking
the doctor what he meant, the Welshman, whose under jaw began to move
violently, replied, that he meant what he said. Here the matter ended,
for the Lion turning from him, looked at the writer. The writer,
imagining that his own conversation hitherto had been too trivial and
common-place for the Lion to consider it worth his while to take much
notice of it, determined to assume a little higher ground, and after
repeating a few verses of the Koran, and gabbling a little Arabic, asked
the Lion what he considered to be the difference between the Hegira and
the Christian era, adding, that he thought the general computation was in
error by about one year; and being a particularly modest person, chiefly,
he believes, owing to his having been at school in Ireland, absolutely
blushed at finding that the Lion returned not a word in answer. “What a
wonderful individual I am seated by,” thought he, “to whom Arabic seems a
vulgar speech, and a question about the Hegira not worthy of an answer!”
not reflecting that as lions come from the Sahara, they have quite enough
of Arabic at home, and that the question about the Hegira was rather _mal
à propos_ to one used to prey on the flesh of hadjis. “Now I only wish
he would vouchsafe me a little of his learning,” thought the boy to
himself, and in this wish he was at last gratified; for the Lion, after
asking him whether he was acquainted at all with the Sclavonian
languages, and being informed that he was not, absolutely dumb-foundered
him by a display of Sclavonian erudition.
Years rolled by—the writer was a good deal about, sometimes in London,
sometimes in the country, sometimes abroad; in London he occasionally met
the man of the spectacles, who was always very civil to him, and, indeed,
cultivated his acquaintance. The writer thought it rather odd that,
after he himself had become acquainted with the Sclavonian languages and
literature, the man of the spectacles talked little or nothing about
them. In a little time, however, the matter ceased to cause him the
slightest surprise, for he had discovered a key to the mystery. In the
meantime the man of spectacles was busy enough; he speculated in
commerce, failed, and paid his creditors twenty pennies in the pound;
published translations, of which the public at length became heartily
tired; having, indeed, got an inkling of the manner in which those
translations were got up. He managed, however, to ride out many a storm,
having one trusty sheet-anchor—Radicalism. This he turned to the best
advantage—writing pamphlets and articles in reviews, all in the Radical
interest, and for which he was paid out of the Radical fund; which
articles and pamphlets, when Toryism seemed to reel on its last legs,
exhibited a slight tendency to Whiggism. Nevertheless, his abhorrence of
desertion of principle was so great in the time of the Duke of
Wellington’s administration, that when S— left the Whigs and went over,
he told the writer, who was about that time engaged with him in a
literary undertaking, that the said S— was a fellow with a character so
infamous, that any honest man would rather that you should spit in his
face than insult his ears with the mention of the name of S—.
The literary project having come to nothing,—in which, by-the-bye, the
writer was to have all the labour, and his friend all the credit,
provided any credit should accrue from it,—the writer did not see the
latter for some years, during which time considerable political changes
took place; the Tories were driven from, and the Whigs placed in, office,
both events being brought about by the Radicals coalescing with the
Whigs, over whom they possessed great influence for the services which
they had rendered. When the writer next visited his friend, he found him
very much altered; his opinions were by no means so exalted as they had
been—he was not disposed even to be rancorous against the Duke of
Wellington, saying that there were worse men than he, and giving him some
credit as a general; a hankering after gentility seeming to pervade the
whole family, father and sons, wife and daughters, all of whom talked
about genteel diversions—gentility-novels, and even seemed to look with
favour on high Churchism, having in former years, to all appearance, been
bigoted Dissenters. In a little time the writer went abroad; as, indeed,
did his friend; not, however, like the writer, at his own expense, but at
that of the country—the Whigs having given him a travelling appointment,
which he held for some years, during which he is said to have received
upwards of twelve thousand pounds of the money of the country, for
services which will, perhaps, be found inscribed on certain tablets, when
another Astolfo shall visit the moon. This appointment, however, he lost
on the Tories resuming power—when the writer found him almost as Radical
and patriotic as ever, just engaged in trying to get into Parliament,
into which he got by the assistance of his Radical friends, who, in
conjunction with the Whigs, were just getting up a crusade against the
Tories, which they intended should be a conclusive one.
A little time after the publication of _The Bible in Spain_, the Tories
being still in power, this individual, full of the most disinterested
friendship for the author, was particularly anxious that he should be
presented with an official situation, in a certain region a great many
miles off. “You are the only person for that appointment,” said he; “you
understand a great deal about the country, and are better acquainted with
the two languages spoken there than any one in England. Now I love my
country, and have, moreover, a great regard for you, and as I am in
Parliament, and have frequent opportunities of speaking to the Ministry,
I shall take care to tell them how desirable it would be to secure your
services. It is true they are Tories, but I think that even Tories would
give up their habitual love of jobbery in a case like yours, and for once
show themselves disposed to be honest men and gentlemen; indeed, I have
no doubt they will; for, having so deservedly an infamous character, they
would be glad to get themselves a little credit, by a presentation which
could not possibly be traced to jobbery or favouritism.” The writer
begged his friend to give himself no trouble about the matter, as he was
not desirous of the appointment, being in tolerably easy circumstances,
and willing to take some rest after a life of labour. All, however, that
he could say was of no use, his friend indignantly observing that the
matter ought to be taken entirely out of his hands, and the appointment
thrust upon him for the credit of the country. “But may not many people
be far more worthy of the appointment than myself?” said the writer.
“Where?” said the friendly Radical. “If you don’t get it, it will be
made a job of, given to the son of some steward, or, perhaps, to some
quack who has done dirty work; I tell you what, I shall ask it for you,
in spite of you; I shall, indeed!” and his eyes flashed with friendly and
patriotic fervour through the large pair of spectacles which he wore.
And, in fact, it would appear that the honest and friendly patriot put
his threat into execution. “I have spoken,” said he, “more than once to
this and that individual in Parliament, and everybody seems to think that
the appointment should be given to you. Nay, that you should be forced
to accept it. I intend next to speak to Lord A—.” {372a} And so he
did, at least it would appear so. On the writer calling upon him one
evening, about a week afterwards, in order to take leave of him, as the
writer was about to take a long journey for the sake of his health, his
friend no sooner saw him than he started up in a violent fit of
agitation, and glancing about the room, in which there were several
people, amongst others two Whig members of Parliament, said: “I am glad
you are come, I was just speaking about you. This,” said he, addressing
the two members, “is so-and-so, the author of so-and-so, the well-known
philologist; as I was telling you, I spoke to Lord A— {372b} this day
about him, and said that he ought forthwith to have the head appointment
in —; and what did the fellow say? Why, that there was no necessity for
such an appointment at all, and if there were, why—and then he hummed and
ha’d. Yes,” said he, looking at the writer, “he did indeed. What a
scandal! what an infamy! But I see how it will be, it will be a job.
The place will be given to some son of a steward or to some quack, as I
said before. Oh, these Tories! Well, if this does not make one—” Here
he stopped short, crunched his teeth, and looked the image of
desperation.
Seeing the poor man in this distressed condition, the writer begged him
to be comforted, and not to take the matter so much to heart; but the
indignant Radical took the matter very much to heart, and refused all
comfort whatever, bouncing about the room, and, whilst his spectacles
flashed in the light of four spermaceti candles, exclaiming: “It will be
a job—a Tory job! I see it all, I see it all, I see it all!”
And a job it proved, and a very pretty job, but no Tory job. Shortly
afterwards the Tories were out, and the Whigs were in. From that time
the writer heard not a word about the injustice done to the country, in
not presenting him with the appointment to —; the Radical, however, was
busy enough to obtain the appointment, not for the writer, but for
himself and eventually succeeded, partly through Radical influence, and
partly through that of a certain Whig lord, for whom the Radical had
done, on a particular occasion, work of a particular kind. So, though
the place was given to a quack, and the whole affair a very pretty job,
it was one in which the Tories had certainly no hand.
In the meanwhile, however, the friendly Radical did not drop the writer.
Oh, no! On various occasions he obtained from the writer all the
information about the country in question, and was particularly anxious
to obtain from the writer, and eventually did obtain, a copy of a work
written in the court language of that country, edited by the writer, a
language exceedingly difficult, which the writer, at the expense of a
considerable portion of his eyesight, had acquired, at least as far as by
the eyesight it could be acquired. What use the writer’s friend made of
the knowledge he had gained from him, and what use he made of the book,
the writer can only guess; but he has little doubt that when the question
of sending a person to — was mooted in a Parliamentary Committee—which it
was at the instigation of the Radical supporters of the writer’s
friend—the Radical on being examined about the country, gave the
information which he had obtained from the writer as his own, and flashed
the book and its singular characters in the eyes of the Committee; and
then of course his Radical friends would instantly say: “This is the man!
there is no one like him. See what information he possesses; and see
that book written by himself in the court language of Serendib. This is
the only man to send there. What a glory, what a triumph it would be to
Britain, to send out a man so deeply versed in the mysterious lore of —,
as our illustrious countryman; a person who with his knowledge could beat
with their own weapons the wise men of —! Is such an opportunity to be
lost? Oh, no, surely not; if it is, it will be an eternal disgrace to
England, and the world will see that Whigs are no better than Tories.”
Let no one think the writer uncharitable in these suppositions. The
writer is only too well acquainted with the antecedents of the
individual, to entertain much doubt that he would shrink from any such
conduct, provided he thought that his temporal interest would be
forwarded by it. The writer is aware of more than one instance in which
he has passed off the literature of friendless young men for his own,
after making them a slight pecuniary compensation and deforming what was
originally excellent by interpolations of his own. This was his especial
practice with regard to translation, of which he would fain be esteemed
the king. This Radical _literato_ is slightly acquainted with four or
five of the easier dialects of Europe, on the strength of which knowledge
he would fain pass for a universal linguist, publishing translations of
pieces originally written in various difficult languages; which
translations, however, were either made by himself from literal
renderings done for him into French or German, or had been made from the
originals into English, by friendless young men, and then deformed by his
alterations.
Well, the Radical got the appointment, and the writer certainly did not
grudge it him. He, of course, was aware that his friend had behaved in a
very base manner towards him, but he bore him no ill-will, and invariably
when he heard him spoken against, which was frequently the case, took his
part when no other person would; indeed, he could well afford to bear him
no ill-will. He had never sought for the appointment, nor wished for it,
nor, indeed, ever believed himself to be qualified for it. He was
conscious, it is true, that he was not altogether unacquainted with the
language and literature of the country with which the appointment was
connected. He was likewise aware that he was not altogether deficient in
courage and in propriety of behaviour. He knew that his appearance was
not particularly against him, his face not being like that of a convicted
pickpocket, nor his gait resembling that of a fox who has lost his tail;
yet he never believed himself adapted for the appointment, being aware
that he had no aptitude for the doing of dirty work, if called to do it,
nor pliancy which would enable him to submit to scurvy treatment, whether
he did dirty work or not—requisites, at the time of which he is speaking,
indispensable in every British official; requisites, by-the-bye, which
his friend, the Radical, possessed in a high degree; but though he bore
no ill-will towards his friend, his friend bore anything but good-will
towards him; for from the moment that he had obtained the appointment for
himself, his mind was filled with the most bitter malignity against the
writer, and naturally enough; for no one ever yet behaved in a base
manner towards another, without forthwith conceiving a mortal hatred
against him. You wrong another, know yourself to have acted basely, and
are enraged, not against yourself—for no one hates himself—but against
the innocent cause of your baseness; reasoning very plausibly, “But for
that fellow, I should never have been base; for had he not existed, I
could not have been so, at any rate against him”; and this hatred is all
the more bitter, when you reflect that you have been needlessly base.
Whilst the Tories are in power the writer’s friend, of his own accord,
raves against the Tories because they do not give the writer a certain
appointment, and makes, or says he makes, desperate exertions to make
them do so; but no sooner are the Tories out, with whom he has no
influence, and the Whigs in, with whom he, or rather his party, has
influence, than he gets the place for himself, though, according to his
own expressed opinion—an opinion with which the writer does not, and
never did, concur—the writer was the only person competent to hold it.
Now had he, without saying a word to the writer, or about the writer with
respect to the employment, got the place for himself when he had an
opportunity, knowing, as he very well knew, himself to be utterly
unqualified for it, the transaction, though a piece of jobbery, would not
have merited the title of a base transaction; as the matter stands,
however, who can avoid calling the whole affair not only a piece of—come,
come, out with the word—scoundrelism on the part of the writer’s friend,
but a most curious piece of uncalled-for scoundrelism? and who, with any
knowledge of fallen human nature, can wonder at the writer’s friend
entertaining towards him a considerable portion of gall and malignity?
This feeling on the part of the writer’s friend was wonderfully increased
by the appearance of _Lavengro_, many passages of which the Radical in
his foreign appointment applied to himself and family—one or two of his
children having gone over to Popery, the rest become members of Mr.
Platitude’s chapel, and the minds of all being filled with ultra notions
of gentility.
The writer, hearing that his old friend had returned to England, to
apply, he believes, for an increase of salary, and for a title, called
upon him, unwillingly, it is true, for he had no wish to see a person for
whom, though he bore him no ill-will, he could not avoid feeling a
considerable portion of contempt; the truth is, that his sole object in
calling was to endeavour to get back a piece of literary property which
his friend had obtained from him many years previously, and which, though
he had frequently applied for it, he never could get back. Well, the
writer called; he did not get his property, which, indeed, he had
scarcely time to press for, being almost instantly attacked by his good
friend and his wife—yes, it was then that the author was set upon by an
old Radical and his wife—the wife, who looked the very image of shame and
malignity, did not say much, it is true, but encouraged her husband in
all he said. Both of their own accord introduced the subject of
_Lavengro_. The Radical called the writer a grumbler, just as if there
had ever been a greater grumbler than himself until, by the means above
described, he had obtained a place; he said that the book contained a
melancholy view of human nature—just as if anybody could look in his face
without having a melancholy view of human nature. On the writer quietly
observing that the book contained an exposition of his principles, the
pseudo-Radical replied, that he cared nothing for his principles—which
was probably true, it not being likely that he would care for another
person’s principles after having shown so thorough a disregard for his
own. The writer said that the book, of course, would give offence to
humbugs; the Radical then demanded whether he thought him a humbug—the
wretched wife was the Radical’s protection, even as he knew she would be;
it was on her account that the writer did not kick his good friend; as it
was, he looked at him in the face and thought to himself, “How is it
possible I should think you a humbug, when only last night I was taking
your part in a company in which everybody called you a humbug?”
The Radical, probably observing something in the writer’s eye which he
did not like, became all on a sudden abjectly submissive, and, professing
the highest admiration for the writer, begged him to visit him in his
government; this the writer promised faithfully to do, and he takes the
present opportunity of performing his promise.
This is one of the pseudo-Radical calumniators of _Lavengro_ and its
author; were the writer on his death-bed he would lay his hand on his
heart and say, that he does not believe that there is one trait of
exaggeration in the portrait which he has drawn. This is one of the
pseudo-Radical calumniators of _Lavengro_ and its author; and this is one
of the genus, who, after having railed against jobbery for perhaps a
quarter of a century, at present batten on large official salaries which
they do not earn. England is a great country, and her interests require
that she should have many a well-paid official both at home and abroad;
but will England long continue a great country if the care of her
interests, both at home and abroad, is in many instances intrusted to
beings like him described above, whose only recommendation for an
official appointment was that he was deeply versed in the secrets of his
party and of the Whigs?
Before he concludes, the writer will take the liberty of saying of
_Lavengro_ that it is a book written for the express purpose of
inculcating virtue, love of country, learning, manly pursuits, and
genuine religion, for example, that of the Church of England, and for
awakening a contempt for nonsense of every kind, and a hatred for
priestcraft, more especially that of Rome.
And in conclusion, with respect to many passages of his book in which he
has expressed himself in terms neither measured nor mealy, he will beg
leave to observe, in the words of a great poet, who lived a profligate
life, it is true, but who died a sincere penitent—thanks, after God, to
good Bishop Burnet—
“All this with indignation I have hurl’d
At the pretending part of this proud world,
Who, swollen with selfish vanity, devise
False freedoms, formal cheats, and holy lies,
Over their fellow fools to tyrannise.”
—ROCHESTER.
* * * * *
THE END.
* * * * *
NOTES TO _THE ROMANY RYE_,
WITH
CORRECTIONS, IDENTIFICATIONS AND TRANSLATIONS.
Page 5. The man in black: The Rev. Fraser. See pp. 24–25, and
“Arbuthnot” in _Bibliog._—Barbarini, read Barberini: Urban VIII., pope
1623–44.—6. Nipotismo di Roma: See “Leti” in _Bibliog._—Ganganelli:
Clement XIV., pope, 1769–74.—10. Mezzofanti: So here and elsewhere in
_Romany Rye_; Mezzofante in _Lavengro_—Cardinal Giuseppe, 1774–1849, the
celebrated linguist.—Leon the Isaurian: Reigned at Constantinople from
717–741.—11. Ignacio: Spanish form of Ignatius.—14. Omani batsikhom:
Manchu Tartar form of prayer given elsewhere by Borrow as
_Oum-ma-ni-bat-mi-houm_. See _Life_, i., p. 176.—15. Bellissima
Biondina (It.): Fairest of blondes.—16. Sono un Prete, etc. (It): I am a
Roman Catholic Priest.—19. Zamarra (Sp.): A sheep-skin jacket with the
wool outside.—Carajo: An oath fit neither to be written nor pronounced,
but common to the lower classes of Spaniards, or to ambitious foreign
Hispanophiles who cannot know its meaning. See Oudin’s _Tesoro_, Paris,
1607.—20. Scotch blood: He was, then, a Fraser of Lovat, of whom Simon
Lord F. was a supporter of the last Pretender, Charles Edward Stuart,
1746.—Puta (Sp.): The most offensive word for harlot.—Alcoran des
Cordeliers, _i.e._, “the Franciscans’ Coran”: A blasphemous work written
in 1399 in Latin by Bartolommeo Albizzi (Albitius); first published in
printed form at Milan in 1510, then by Luther in 1542 with his peculiar
comments, and finally in French at Geneva, 1556. See “Albizzi” in the
_Bibliog._—22. Bible: The price of the old apple-woman’s Bible was, it
will be remembered, one half-crown (_Lavengro_, p. 264).—23. Alexander
VI.: Pope 1492–1503. He was a Spaniard of Valencia, and his family name
was Rodrigo Borja, in It. Borgia.—24. L’opere sue, etc.: His deeds were
not those of lions, but of foxes—a slight alteration of Dante’s _L’opere
mie_, etc. See _L’inf._, xxvii., st. 25.—25. Oimè (It.): Alas!—To . . .,
read Rome.—Sir John D., read Sir _Thomas_ Dereham: A follower of the
Stuarts; he died in 1739, and his monument stands in the English College
at Rome.—There is at . . ., read Rome.—Yes, per Dio (It.): By Heaven!
Page 25. Parsons and Garnet: Two English Jesuits—Robert Parsons
(1547–1610), superior to the Catholic Missions in England, and Henry
Garnet (1555–1606), hanged because he refused to reveal the secrets of
the confessional in connection with the Gunpowder Plot.—No hay remedio
(Sp.): There is no help for it.—26. Inserted it: In vol. iv., p.
330.—32. Calañés: A Spanish hat worn by the lower classes, having the
rim turned up against the crown.—There’s a chovahanee, etc.: The full
ditty runs thus in one of Borrow’s _MSS._:—
“THE PETULENGRES.
“There’s a chovahanee and a chovahanó,
The nav se lendè Petulengro;
Sore the chavès ’dré their ten
Are chories and labbenies—tatchipen,”
which reading corrects that of the text.—34. Flaming Bosville: Anselo
Herne. See p. 67, and note to _Lavengro_, p. 363.—37. Gentleman Cooper
and White-headed Bob: i.e., George Cooper and Ned Baldwin, who fought on
the 5th of July, 1825, according to Pearce Egan’s _Boxiana_, v., pp. 61
and 80. Observe that the date harmonises perfectly with the chronology
of the expedition.—38. Brynhilda the Valkyrie, or Amazon, was the wife
of Gunnar and friend of Sigurd. See the Edda in _Bibliog._ Sigurd,
called Fafnisbane or the Slayer of Fafnir, was a heroic character
frequently mentioned in the Edda, the Wilkina Saga, Snorro’s
Heimskringla, and Saxo-Grammaticus. In the Wilkina he is Sigurdr Sveinn,
in the old Danish Heroic Ballads (Kiæmpeviser) he is Sigurd Snaresvend
(Borrow’s “Snareswayne”), and Siegfrid in the Lay of the Nibelungs.
Sivard or Sivord is a German variety of the same name.
Page 40. Feasting: This rustic banquet was offered to Sylvester and
Ursula who were married that day, although our “rye” was not aware of the
fact till later. The song was _built up_ by our author from a very
slender prose draft, which I find in its earliest form given thus:—
1. “DRABBING THE BAULO,
“We jaws to the drab-engro and lels dui or trin hors-worth of drab,
and when we wels to the sweti we pens we can have a drab at a baulo.
Then we kairs it opré, and jaws to a farm-ker to mang a bit of
habben, and then we pens: ‘Chuva lis acai and dov-odoy baulo will lel
it, and to-morrow sorlu we’ll wel apopli and mang it’. And so we
kairs, and on the sorlu when we’ve got it, we toves it well; we kins
levinor at the kitchema, and have a kosko habben. The boshom-engro
plays (_kils_), and the tawni juva gils, a kosko puro Rommany
guillie.” Then follows the _gillie_ nearly as in the text.
2. “DRABBING THE BAULO.
“To mande shoon ye Rommany Chals
Who besh in the pus about the yag
I’ll pen how we drab the baulo.
“We jaws to the drab-engro ker
Trin horsworth there of drab we lels
And when to the swety back we wels
We pens we’ll drab the baulo.
“And then we kairs the drab opré,
And then we jaws to the farming ker
To mang a beti habben,
A beti poggado habben.
“A rinkeno baulo there we dick,
And then we pens in Rommany jib:
‘Chiv lis odoy oprey the chick,
The baulo he will lel lis,
The baulo he will lel lis.
“‘Apopli on the sorlo we
Will wel and mang him mullo,
Will wel and mang his truppo.’
“And so we kairs, and so we kairs,
We mang him on the sorlo,
And rig to the tan the baulo.
“And then we toves his wendror well
Till sore the wendror iuziou sie,
Till kekkeno drab’s adrey lis,
Till drab there’s kek adrey lis.
“And then his truppo well we hatch,
Kin levinor at the kitchema,
And have a kosko habben,
A kosko Rommano habben.
“The boshom-engro kils, he kils,
The tawni juva gils, she gils,
A puro Rommany gillie,
Now shoon the Rommany gillie.”
3. The third and last _MS._ is complete, but varies considerably from
the printed text. _Romany_ is written with two _m_’s, as in _Lavengro_
throughout; in the fourth verse it reads: “In Rommany _chib_:_ chiv_ lis
_odoy_ opré _the chik_”; fourth line omits “_and_”; in the fifth and
sixth verses it gives “_sorlo_” properly, instead of “saulo”; in seventh
verse it reads “_his_ wendror,” and in the last, “_boshom-engro_” and
“_tawni_”.
From all these variants it results that _MS._ No. 3 furnishes a better
reading than the printed text.
Page 42. Ursula’s Song: By the aid of the Gypsy list at the end of this
volume, the translation can be easily made out by the curious reader.—46.
Piramus: In _MS._ also _Priamus_.—Sanpriel: Corrupt form of _Sanspareil_,
unrivalled.—Synfye: Slavonic form of _Cynthia_—_th_ in Russian is
pronounced _ph_ or _f_; Thomas, _Fómas_.—47. Life of Charles: Add
_XIIth_.—48. The church: Mentioned as three miles from the dingle, and
on pp. 53, 110, as at _M._, has not yet been discovered.—58. The Edda:
Early Icelandic literary monuments, consisting of the Elder or Poetic
Edda collected by Sæmund, and the later or Prose Edda collected by Snorro
Sturleson. See Mallet’s _Northern Antiquities_, Bohn’s Edition.—Sagas:
Early historical tales handed down by oral tradition. See _Bibliog._—67.
Anselo Herne: His clan-name. See note to p. 363 of _Lavengro_. 68.
Pulci: Luigi Pulci (1432–87). See _Bibliog._—69. Ingravidata (It.):
With child.—E nacquene, etc.: “And of her a son was born, says story, who
subsequently gave great victory to Charlemagne”.—71. Fortiguerra:
Niccolò Fortiguerra (1674–1735). He did not live to print his voluminous
poem entitled _Ricciardetto_, having died in 1735, just “ninety years”
from the date 1825, as our text declares.—76. Slammocks, etc.: Norwich
worthies, I suppose; at least I do not find them in the _Boxiana_ at my
command.—89. The Armenian in this (xivth) chapter I find correct.
Hramahyel should have been given _hramaïyel_, hntal, etc., _khntal_
(χντάλ), and madagh, _madag_. See “Villotte” in the _Bibliog._—91.
Hard-mouthed jade: This favourite expression of Mr. Borrow’s proceeds, I
opine, from his readings in the quaint eighteenth century literature with
which his library abounded. In Defoe’s _Moll Flanders_, p. 301, edition
of 1722, we read: “The witnesses were the two wenches, a couple of _hard
mouth’d jades_ indeed”. And on p. 323: “A _hard mouth’d man_”.—93.
Brynhilda: See note to p. 38.—133–34. The “daffodil” poet: William
Wordsworth (1770–1850).—141. Carlo Borromeo: The Cardinal saint, born
1538, died 1584.—143. Bricconi abbasso (It.): “Down with the rogues!”
Page 157. Friar Bacon: The celebrated scientist Roger Bacon (1214–94)
was fated, like Virgil, to be popularly metamorphosed into a magician and
conjuror. Hence the “Friar Bacon” series of chap-books, extending (so
far as we know them) from the sixteenth century to the present. I will
give the passage referred to by Mr. Borrow, so that it may be seen that
the myth had no reference to the railway. No. 3 in _Bibliog._, leaf 8:—
“Chapter V. How Miles watched the Brazen-head, and in the end went
away from his master.
“Fryer Bacon, having performed many wonderful things by his curious
Art, was now sifting out _how he might wall England with brass_;
wherefore he and Fryer Bungy, when they had raised the devil, bound
him to a tree, for to make him tell them how it might be performed.
He told them that they should make a _Brazen-head_, which (if they
could watch it till it spoke) would tell them how it might be done.
The head was made, and they watched till they could watch no longer.
At last Fryer Bungey persuaded Fryer Bacon to let his man Miles watch
while they slept; to which the Fryer agreed. Then Miles was called,
who undertook to awake them when the Head would speak. So to sleep
they went, and Miles expected some great speech to come from the
Head. At last the Head cryed, ‘_TIME IS_’; at which Miles fell into
a great laughter, and made his scoffs and jears thereat. Then it
said, ‘_TIME WAS_’; but yet he would not awake his master, counting
them but silly and frivolous words. Lastly, the Head said, ‘_TIME IS
PAST_’; at which words down it fell, and in falling made such a noise
that it awakened the two Fryers, and had almost affrighted poor Miles
out of his senses,” etc.
Page 158. L . . ., read Liverpool; C . . ., read Chester.—162. Brooke
of Borneo: Sir James Brooke, Rajah of Sarawak (1803–68), George Borrow’s
school-mate at Norwich in 1816–17–18.—165. “Vails”: He means, of course,
_vale_.—175–6–7. Romanvile: London. See “English Rogue” in _Bibl._—176.
The chi she is kaulo (read _kauley_), etc.: “The lass she is black, she
sleeps upon her back”.—177–78. Sivord: Or Sivard, the same as Sigurd,
called the Snaresvend (“Snareswayne” on the next page). See note to p.
38, and _Romantic Ballads_, 1826, pp. 83 and 90. For the reason of
Borrow’s changing the Danish _svend_ into “swayne,” see _Life_, ii., p.
269.—The horse Grayman: _i.e._, the “Skimming gray” of p. 96, _Romantic
Ballads_.—183. The Maugrabin sorcerer: The “African Magician” in Lane’s
translation. There is in this passage of _The Romany Rye_ evidently a
confusion of two of the tales in the _Arabian Nights_—those of Aladdin
and Sindbad, fifth voyage.—221. Isten (pron. _íshten_): Hung. for
God.—222. Magyar (pron. _mädjr_): A Hungarian.—223. Tékéli
(1658–1705).—L’Eau de la Reine d’Hongrie, read _de Hongrie_, _h_ being
aspirate in this word.—Pigault Lebrun (Charles), 1753–1835; _Les Barons
de Felsheim_, Paris, 1822.—Ersebet, read _Erszebet_,
Elisabeth.—Florentius of Buda: Flourished 1790–1805. See “Budai Ferencz”
in the _Bibliog._—224. Álmus, or Álmos (_älmosh_), died 889. The
Hungarian scholar Vámbéri, has exploded the “dream” (or rather “sleep”)
theory heretofore entertained with regard to the origin of the name
Almos; he says it is an epithet, meaning the Great, the Sublime, the
Noble, the Glorious (_Ursprung_, pp. 62, 156).—225 (228 and elsewhere),
Dunau, read _Donau_, Germ. for Danube.—Király and Ház: The former comes
from the Servian _Králj_ (_lj_ like Span. _ll_ or Port. _lh_), which the
Hungarian lengthened into _kir-ály_, not finding it convenient to
pronounce _kr_. {383} As for _haz_, from _haus_ (Austrian pop.
pronunciation _hôs_), we are told by Vámbéri that the ancient form was
not _ház_, but _hos_ (_Ursp._, p. 556).—226. Janos (pron. _Yánosh_):
John.—226. Szava (Hung.): The Save.—229. Laszlo: Ladislaus.—Cilejia:
The Roman _Claudia Celleia_, now Cilly, in Carinthia.—230. Matyas: In
English Matthias.—Huz, read _husz_ (Hung.): Twenty. Vámbéri questions
this etymology of “hussar” (p. 283), but unsatisfactorily, we
think.—Ulazslo: Wladislaus.—Tché Drak: The Roumanian _cé dracŭ_, but
pronounced as in the text, and equivalent to the exclamation _que
diable_!—Mohacs Veszedelem, read Mohacsi Veszedelem: The Disaster of
Mohács, the title of a poem by Baron Liszti.—231. Bátory: A mere
epithet, the “valiant”.—232. Lajos (_laï-osh_), Louis or Lewis.—Mufti:
The ulémas or Doctors of the (Mahomedan) law.—233. Coloscvar, read
Koloszvár, in German, Klausenburg.—Budáï Ferencz: See _Bibliog._—235.
Rysckie Tsar, read _Russki Tsar_: The Russian Emperor.—Plescova, now
Pskov.—Iván Basilowitz, read _Vasiliévitch_, known as Iván the
Terrible.—236. Izbushka (Russ.): Hut—Tyzza, read _Tisza_: The river
Theiss.—Kopacs Teto, read _Kopász Tetö_.—Kassau, read _Kaschau_.—239.
Eljen edes, etc. (pron. _elyen edesh tsigáñ oor_, _elyen gool eraï_):
“Long live the sweet Gypsy gentleman, long live the gudlo Rye”.—241.
Roth-Welsch: The German for Thieves’ Slang.—Tzernebock, read _Tchernobog_
(_g_ like Germ. _ch_): Black god, evil principle.—Bielebock, read
_Bielbog_: White god, the good principle.—242. Saxo-Gramaticus, read
_Grammaticus_, see _Bibliog._—Fekete (Hung.): Black.—246. Erik Bloodaxe
(Danish _Blodöxe_): King of Norway, Snorro, 1633, p. 64.—256. Regner
Lodbrok: “Regnar” in Icelandic; Borrow gives the Danish term of this
king’s name. See his famous _Death Song_ in Mallet, pp.
383–85.—Halgerdr, read Halgerda, Mallet, pp. 340–41.—257. Biorn, read
_Björn_ and Ivarr, _Ivar_.—258. Verdammt (Germ.): Confounded.
Page 262. “Wife selling”: A very common practice among a certain class,
it seems, in England; and, as this will hardly be credited in America, I
will append some extracts from the newspapers. The _Norfolk Chronicle_
of 5th May, 1894, says: “The belief formerly prevailed, especially among
the rural population, that a man had a perfectly legal right to sell his
wife to another, provided he observed two indispensable formalities. One
was that he placed a _halter_ about her neck, and the other that he led
her into the market and publicly transferred her to the purchaser.
Numerous instances of these strange transactions have been recorded. Our
columns, on the 9th of February, 1805, contained an account of the sale
of a wife at Norwich. A Kentish tailor, the affections and person of
whose amiable spouse had been jockeyed away by a neighbouring
horse-dealer, caparisoned her neck with a halter and surrendered all
right and title to his virtuous rib, in consideration of the sum of £5.
On the 2nd of May, 1823, a similar sale was effected in this city. A man
named Stebbings disposed of his wile to a person named Turner for the sum
of £6 10s. The latter paid £4 on account, took the woman home, and
brutally turned his lawful wife out of doors.”
The London _Daily Mail_ of 1st March, 1899, prints the following:—
“Very few people are aware that wives are literally sold to-day in
England. A very common error of the vulgar is that a man by selling his
wife releases himself from the marriage contract as surely as if he were
legally divorced. In March, 1796, _The Times_ announced the sale of a
wife at Sheffield for sixpence. A short time afterwards the same journal
calmly stated that the price of wives has risen in Smithfield Market from
half a guinea to three guineas and a half! In 1803 a man led his wife,
by a halter round her neck, into the cattle market at Sheffield, and sold
her for a guinea, the purchaser leading away the woman to his home. In
1820 a man named Brouchet hired a cattle-pen in the Canterbury market,
placed his wife in it, and ultimately sold her for 5s. Then wives began
to increase in value, for soon afterwards one was sold for £15. This was
followed by a ‘slump’. In 1855 a man led his wife with a halter round
her waist into Derby marketplace and offered her for sale, but all be
could get for her was eighteen pence and a quart of ale. In 1873 a
husband left his home and creditors in Belper for the liberty of America.
The week after his flight all his goods were put up for auction to
satisfy his debts. His wife claimed part of the money, and this being
refused she insisted on being offered for sale as part of her husband’s
assets. There was no sale, however, for ‘Lot 29’. In even more recent
days wife sales were common, and are even being effected in this present
year of grace. In 1882 John Wilson, a collier of Alfreton, Derbyshire,
sold his wife in a public-house for fourpence. Sheffield knife-grinders
have long been noted for their transactions in the wife trade. Within
quite recent times many a Sheffield wife has been sold by her husband for
a gallon of beer, which has been drunk on the spot. Sometimes these
sales assume a more formal aspect. In 1887, in the Sheffield County
Court, a man admitted that he had bought another man’s wife for 5s. Most
of these discreditable ‘deals’ escape notice, but a case has come to
light where a man agreed to sell his wife to a collier, and the trio,
with the woman’s father and mother and two family friends, assembled to
arrange terms. Thirty shillings was the price finally agreed on. Four
years ago, at Leeds, a man charged with bigamy pleaded that, as he had
sold his wife for 3s. 6d. to another man, he could marry again legally!
Eighteen months’ imprisonment was what he got, and more than deserved. A
police court case in 1896 at Doncaster revealed the fact that John Tart
sold his wife to Enoch Childs, on the understanding that the latter
reared the vendor’s four children. In a Durham court in 1894 it
transpired that a man named Shaw sold his daughter, a girl of sixteen, to
a collier called Cudman, for 1s. Many a wife is at present sold in the
East End of London, as well as in Yorkshire, for a quart of beer or an
ounce of thick twist. It is the poor man’s method of divorce, and such
is popular ignorance that there are scores of people who imagine that
selling a wife is as legal a separation as a _decree nisi_ pronounced by
a bewigged and berobed judge.”
Page 265. Herodotus: The story is found in _Thalia III._, 84–88 (pp.
208–9 of Cary’s Eng. translation). The groom’s name was _Œbares_.—266.
Deaghblasda, read _deaghbhlasda_ (Ir.): Sweet-tasted, dainty. This is
the soothing word hinted at, but not given, in _Lavengro_, p. 83.—269.
At H . . ., read _Hertford_, where John Thurtell was hanged, 9th January,
1824.—Ned Flatnose: Ed. Painter of Norwich.—270. Spring: His true name
was Thomas _Winter_; see _Lavengro_, p. 168. He died 20th August,
1851.—276. . . . Fair, read Greenwich Fair, on Easter Monday. See
Dickens’ _Sketches_.—279. Oilien (and p. 295, Oilein) nan Naomha, read
_Oilean na Naomhtha_ (Ir.): Island of the Saints (Patrick and
Columba).—Finn-ma-Coul: The tale of Finn was first learned by Borrow in
January, 1854, from his Irish guide Cronan, while travelling in Cornwall
(_Life_, ii., p. 86, and note). This fact shows that Murtagh and his
tale are introduced here to exhibit the author’s discovery of the
identity between the Finn of Ireland and the Eddaic tradition of Sigurd
Fafnisbane (p. 281). For Sigurd in the Wilkina Saga is suckled by a hind
(p. 120) and fostered by Mymmer Smed or Mimer the Smith (p. 121) whom he
eventually slays (p. 124). In the Eddaic Lay of the serpent-killer we
read: “Sigurd took the heart of Fafnir and broiled it on a spit. And
when he judged that it was done, he touched it with his finger to
ascertain if that were really the case. Having burned his finger in the
act, he put it to his mouth, and no sooner had the heart’s blood of
Fafnir come in contact with Sigurd’s tongue than he understood the speech
of birds,” etc. Here we have the two sides verified, the Irish by
Cronan, and the Scandian by the Edda. But Brooke’s _Reliques_, a
favourite work of Borrow’s in his Norwich days, and which he cites in
1832 (_Life_, i., p. 146), give us certain other fragments of these
Finnic fables, whereby we can trace the sources of the text before us.
For example, after Jack Dale had stripped Murtagh of all his money he is
observed to be sitting “in deep despondency, holding his thumb to his
mouth” (p. 278). And a little farther on (p. 282) a verse is cited from
“Conan the Bald”. Now all this is found in Miss Brooke, that is, the
names and the ideas—Conan the Bald (p. 106), Lochlin (p. 46), and Darmod
Odeen (minus Taffy) and the verse with this note (p. 109):—“This strange
passage is explained by some lines in the Poem of Dubmac-Dighruibh, where
Finn is reproached with deriving all his courage from _chewing his thumb_
for prophetic information.”—281. Siol Loughlin, read _Lochlin_ (Ir.):
Literally “the seed of Norway,” _i.e._, the Danish or Norwegian race.
Miss Brooke very properly says (p. 46): “Lochlin is the Gælic (and Irish)
name for Scandinavia in general”; but Borrow limits it to Denmark—the
Danish race. And a little below, “the Loughlin songs” are his _Danish
Ballads_ which he published the following year.