OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

Herr HERMANN FERNAU's _Because I am a German_ (CONSTABLE) is a sort of

postscript to the widely-outside-Germany-circulated _J'accuse!_, that

vigorous indictment by an anonymous German of the Prussian clique as

the criminal authors of the War. Herr FERNAU summarises the argument of

_J'accuse!_ and if anyone cares to have at his finger-tips the essential

case against the enemy he could not do better than absorb the six pages in

which twenty-four questions put by the anonymous author to the directors

of his unhappy country's destiny are most skilfully compressed. Four

attempted German answers are shown by our author to have in common an

amazing reluctance to deal with any single definite point at issue;

and a most unjudicial appeal to popular hatred of the traitor critic. Of

course it is a cheap line to welcome as a miracle of wisdom every German

who takes a pro-Ally view. But I honestly detect no shadow of pro-Ally

bias in this book, and it is certainly no tirade against Germany. What

bias there is is that of the extreme republican against his autocratic

government. "I have read," says Herr FERNAU in effect, "this perfectly

serious and definite indictment lucidly drawn in legal form. I hope as a

German (not afraid to sign my name) there is an answer. But whereas the

Entente Powers have supported their official case by documentary evidence

we are asked to accept mere asseveration in the case of Germany. That

is the less allowable as the obvious (though not necessarily the true)

reading of the facts is against her. Silence and vigorous suppression

of the indictment look rather like signs of guilt." Yes, emphatically

a book for members of the Independent Labour Party.

* * * * *

_Beatrice Lovelace_ belonged to a family that had come down in the world,

and were now Reduced County. So far reduced, indeed, that _Beatrice_

lived with her cross aunt _Anastasia_ and one little maid-of-all-work

in a tiny house in a very dull suburb, where the aunt would not allow

her to be friends with the neighbours. However, one fine day two

things happened. _Beatrice_ got to know the young man next door, and

the little servant (whose name, by a silly coincidence which vexed

me, happened to be _Million_) was left a million dollars. So, as the

house was already uncomfortable by reason of a row about the young man,

_Beatrice_ determined to shake the suburban dust from her shapely feet

and take service as maid to her ex-domestic. That is why the story of

it is called _Miss Million's Maid_ (HUTCHINSON). An excellent story, too,

told with great verve by Mrs. OLIVER ONIONS. I could never attempt to

detail the complicated adventures to which their fantastic situation

exposes _Beatrice_ and _Million_. Of course they have each a lover; indeed,

the supply of suitors is soon in excess of the demand. Also there is an

apparent abduction of the heiress (which turns out to be no abduction at

all, but a very pleasant and kindly episode, which I won't spoil for you),

and a complicated affair of a stolen ruby that brings both heroines into

the dock. It is all great fun and as unreal as a fairy-tale. For which

reason may I suggest that it was an error to date it 1914? Such nonsensical

and dream-like imaginings are so happily out of key with the world-tragedy

that its introduction strikes a note of discord.

* * * * *

I have just finished reading a distinguished book, _One of Our

Grandmothers_ (CHAPMAN AND HALL), by ETHEL COLBURN MAYNE--a book full of a

delicate insight and very shrewd characterisation. It probes to the heart

of the mystery of girlhood--Irish girlhood in this case. I certainly

think that _Millicent_, who was a sort of prig, yet splendidly alive,

with her gift of music (which, contrary to custom in these matters,

the author makes you really believe in), her temperament, her temper

and her limitless demands on life, would have given young _Maryon_,

of the Royal Irish Constabulary, a trying time of it; but it would

have been worth it. That, by the way, was _Jerry's_ opinion, common,

horsey, true-hearted, clean-minded little _Jerry_, who was the father

of _Millicent's_ coarse and something cruel stepmother. I have rarely

read a more fragrant chapter than that in which this queer, sensitive,

loyal little man tries to cut away the girl's ignorance while healing

the hurt that a rougher hand (a woman's), making the same attempt, had

caused. Perhaps Miss _Mayne_ was really trying to trace to its source

the stream of modern feminism. She is a rare explorer and cartographer.

* * * * *

_A Rich Man's Table_ (MILLS AND BOON) is one of those stories that I find

slightly irritating, because they appear to lead nowhere. Perhaps this

attitude is unreasonable, and mere fiction should be all that I have

a right to look for. But in that case I confess to wishing a little

more body to it. Miss ELLA MACMAHON's latest novel is somehow a little

flat; not even the splintered infinitive on the first page could impart any

real snap to it. The rich man was Mr. _Bentley Broke_, a pompous person,

who had one child, a son of literary leanings named _Otho_. Perhaps

I was intended to sympathise with _Otho_. It looked like it at first;

but later, when he left home and married, without paternal blessing, the

daughter of his father's great rival, he developed into such a fool--and

objectionable at that--that I became uncertain on the matter. Especially

as the pompous parent, lacking nerve to carry out a matrimonial venture

on his own account, relented and behaved quite decently to the rebellious

pair. So the rich man's table would have, as all tables should, more than

one pair of legs under it again. Nothing very fresh or thrilling in all

this, you may observe. But the characters, for what they are, live, and

are drawn briskly enough. And there is some skill in the contrast between

a dinner of herbs in Fulham, and a stalled ox, with fatted calf, at the

rich man's table in Portman Square. Perhaps this is the point of the story.

* * * * *

So often have I read and admired the novels of "M. E. FRANCIS" that to

praise her work has become a habit which it irks me to break. But I am

now bound to say that _Penton's Captain_ (CHAPMAN AND HALL) has not added

to my debt. And the cause of the trouble--as of so many other troubles--is

the War. In her own line Mrs. _Blundell_ is inimitable, but here she is

just one of a hundred or a thousand whose fiction seems trivial beside the

facts of life and death. Apart from this defect, her story is absolutely

without offence, a simple tale of love and misunderstandings and war and

heroism, and the curtain falls upon a scene of complete happiness. Her

only fault is that she has been tempted, excusably enough in these days

of upheaval, to wander from her element, and I am looking forward to the

day when she returns to it and I can again thank her with the old zest

and sincerity.

* * * * *

As a painstaking study of lower middle-class life _The Progress of Kay_

(CONSTABLE) is to be remarked and remembered. That is not, however, to say

that it is exciting, for _Kay's_ progress consisted so much in just

getting older that I suspect Mr. G. W. BULLETT's title to be ironical. As

a child _Kay_ had some imagination and a sense of mischief; as an adult

he would have been all the better for a little military training, and

there is no disguising the fact that as a married man and a father he

was a dreary creature. I can well believe, from the air of truth which

these pages wear, that there are plenty of _Kays_ in the world to-day;

and to confess that I was not greatly intrigued by this particular sample

when he grew to man's estate is in its way a compliment to his creator. For

however much you may like or dislike the mark at which Mr. BULLETT has

aimed there is no doubt that he has hit it. Villadom, by his art, takes

on a revived significance, and _Kay's_ career encourages reflection

touched by a vague sadness.

* * * * *

[Illustration: FALSE ECONOMY.]

* * * * *

A Tale for the Horse-Marines.

"_London, Sunday._

"While a British submarine was rescuing the Zeppelin crew in the

North Sea, a German cruiser fired at it.

"The Cavalry from Salonika are pursuing the remainder of the

Zeppelin crew."--_Egyptian Mail._

* * * * *

"LONDON STOCKS.

Punch, or The London Charivari, Vol. 150, May 31, 1916 · 第 31 / 32 题