CHAPTER IV

Marjolin had been found in a heap of cabbages at the Market of the

Innocents. He was sleeping under the shelter of a large white-hearted

one, a broad leaf of which concealed his rosy childish face It was

never known what poverty-stricken mother had laid him there. When he

was found he was already a fine little fellow of two or three years of

age, very plump and merry, but so backward and dense that he could

scarcely stammer a few words, and only seemed able to smile. When one

of the vegetable saleswomen found him lying under the big white cabbage

she raised such a loud cry of surprise that her neighbours rushed up to

see what was the matter, while the youngster, still in petticoats, and

wrapped in a scrap of old blanket, held out his arms towards her. He

could not tell who his mother was, but opened his eyes in wide

astonishment as he squeezed against the shoulder of a stout tripe

dealer who eventually took him up. The whole market busied itself about

him throughout the day. He soon recovered confidence, ate slices of

bread and butter, and smiled at all the women. The stout tripe dealer

kept him for a time, then a neighbour took him; and a month later a

third woman gave him shelter. When they asked him where his mother was,

he waved his little hand with a pretty gesture which embraced all the

women present. He became the adopted child of the place, always

clinging to the skirts of one or another of the women, and always

finding a corner of a bed and a share of a meal somewhere. Somehow,

too, he managed to find clothes, and he even had a copper or two at the

bottom of his ragged pockets. It was a buxom, ruddy girl dealing in

medicinal herbs who gave him the name of Marjolin,[*] though no one

knew why.

[*] Literally “Marjoram.”

When Marjolin was nearly four years of age, old Mother Chantemesse also

happened to find a child, a little girl, lying on the footway of the

Rue Saint Denis, near the corner of the market. Judging by the little

one’s size, she seemed to be a couple of years old, but she could

already chatter like a magpie, murdering her words in an incessant

childish babble. Old Mother Chantemesse after a time gathered that her

name was Cadine, and that on the previous evening her mother had left

her sitting on a doorstep, with instructions to wait till she returned.

The child had fallen asleep there, and did not cry. She related that

she was beaten at home; and she gladly followed Mother Chantemesse,

seemingly quite enchanted with that huge square, where there were so

many people and such piles of vegetables. Mother Chantemesse, a retail

dealer by trade, was a crusty but very worthy woman, approaching her

sixtieth year. She was extremely fond of children, and had lost three

boys of her own when they were mere babies. She came to the opinion

that the chit she had found “was far too wide awake to kick the

bucket,” and so she adopted her.

One evening, however, as she was going off home with her right hand

clasping Cadine’s, Marjolin came up and unceremoniously caught hold of

her left hand.

“Nay, my lad,” said the old woman, stopping, “the place is filled. Have

you left your big Therese, then? What a fickle little gadabout you

are!”

The boy gazed at her with his smiling eyes, without letting go of her

hand. He looked so pretty with his curly hair that she could not resist

him. “Well, come along, then, you little scamp,” said she; “I’ll put

you to bed as well.”

Thus she made her appearance in the Rue au Lard, where she lived, with

a child clinging to either hand. Marjolin made himself quite at home

there. When the two children proved too noisy the old woman cuffed

them, delighted to shout and worry herself, and wash the youngsters,

and pack them away beneath the blankets. She had fixed them up a little

bed in an old costermonger’s barrow, the wheels and shafts of which had

disappeared. It was like a big cradle, a trifle hard, but retaining a

strong scent of the vegetables which it had long kept fresh and cool

beneath a covering of damp cloths. And there, when four years old,

Cadine and Marjolin slept locked in each other’s arms.

They grew up together, and were always to be seen with their arms about

one another’s waist. At night time old Mother Chantemesse heard them

prattling softly. Cadine’s clear treble went chattering on for hours

together, while Marjolin listened with occasional expressions of

astonishment vented in a deeper tone. The girl was a mischievous young

creature, and concocted all sorts of stories to frighten her companion;

telling him, for instance, that she had one night seen a man, dressed

all in white, looking at them and putting out a great red tongue, at

the foot of the bed. Marjolin quite perspired with terror, and

anxiously asked for further particulars; but the girl would then begin

to jeer at him, and end by calling him a big donkey. At other times

they were not so peaceably disposed, but kicked each other beneath the

blankets. Cadine would pull up her legs, and try to restrain her

laughter as Marjolin missed his aim, and sent his feet banging against

the wall. When this happened, old Madame Chantemesse was obliged to get

up to put the bed-clothes straight again; and, by way of sending the

children to sleep, she would administer a box on the ear to both of

them. For a long time their bed was a sort of playground. They carried

their toys into it, and munched stolen carrots and turnips as they lay

side by side. Every morning their adopted mother was amazed at the

strange things she found in the bed—pebbles, leaves, apple cores, and

dolls made out of scraps of rags. When the very cold weather came, she

went off to her work, leaving them sleeping there, Cadine’s black mop

mingling with Marjolin’s sunny curls, and their mouths so near together

that they looked as though they were keeping each other warm with their

breath.

The room in the Rue au Lard was a big, dilapidated garret, with a

single window, the panes of which were dimmed by the rain. The children

would play at hide-and-seek in the tall walnut wardrobe and underneath

Mother Chantemesse’s colossal bed. There were also two or three tables

in the room, and they crawled under these on all fours. They found the

place a very charming playground, on account of the dim light and the

vegetables scattered about in the dark corners. The street itself, too,

narrow and very quiet, with a broad arcade opening into the Rue de la

Lingerie, provided them with plenty of entertainment. The door of the

house was by the side of the arcade; it was a low door and could only

be opened half way owing to the near proximity of the greasy corkscrew

staircase. The house, which had a projecting pent roof and a bulging

front, dark with damp, and displaying greenish drain-sinks near the

windows of each floor, also served as a big toy for the young couple.

They spent their mornings below in throwing stones up into the

drain-sinks, and the stones thereupon fell down the pipes with a very

merry clatter. In thus amusing themselves, however, they managed to

break a couple of windows, and filled the drains with stones, so that

Mother Chantemesse, who had lived in the house for three and forty

years, narrowly escaped being turned out of it.

Cadine and Marjolin then directed their attention to the vans and drays

and tumbrels which were drawn up in the quiet street. They clambered on

to the wheels, swung from the dangling chains, and larked about amongst

the piles of boxes and hampers. Here also were the back premises of the

commission agents of the Rue de la Poterie—huge, gloomy warehouses,

each day filled and emptied afresh, and affording a constant succession

of delightful hiding-places, where the youngsters buried themselves

amidst the scent of dried fruits, oranges, and fresh apples. When they

got tired of playing in his way, they went off to join old Madame

Chantemesse at the Market of the Innocents. They arrived there

arm-in-arm, laughing gaily as they crossed the streets with never the

slightest fear of being run over by the endless vehicles. They knew the

pavement well, and plunged their little legs knee-deep in the vegetable

refuse without ever slipping. They jeered merrily at any porter in

heavy boots who, in stepping over an artichoke stem, fell sprawling

full-length upon the ground. They were the rosy-cheeked familiar

spirits of those greasy streets. They were to be seen everywhere.

On rainy days they walked gravely beneath the shelter of a ragged old

umbrella, with which Mother Chantemesse had protected her

stock-in-trade for twenty years, and sticking it up in a corner of the

market they called it their house. On sunny days they romped to such a

degree that when evening came they were almost too tired to move. They

bathed their feet in the fountains, dammed up the gutters, or hid

themselves beneath piles of vegetables, and remained there prattling to

each other just as they did in bed at night. People passing some huge

mountain of cos or cabbage lettuces often heard a muffled sound of

chatter coming from it. And when the green-stuff was removed, the two

children would be discovered lying side by side on their couch of

verdure, their eyes glistening uneasily like those of birds discovered

in the depth of a thicket. As time went on, Cadine could not get along

without Marjolin, and Marjolin began to cry when he lost sight of

Cadine. If they happened to get separated, they sought one another

behind the petticoats of every stallkeeper in the markets, amongst the

boxes and under the cabbages. If was, indeed, chiefly under the

cabbages that they grew up and learned to love each other.

Marjolin was nearly eight years old, and Cadine six, when old Madame

Chantemesse began to reproach them for their idleness. She told them

that she would interest them in her business, and pay them a sou a day

to assist her in paring her vegetables. During the first few days the

children displayed eager zeal; they squatted down on either side of the

big flat basket with little knives in their hands, and worked away

energetically. Mother Chantemesse made a specialty of pared vegetables;

on her stall, covered with a strip of damp black lining, were little

lots of potatoes, turnips, carrots, and white onions, arranged in

pyramids of four—three at the base and one at the apex, all quite ready

to be popped into the pans of dilatory housewives. She also had bundles

duly stringed in readiness for the soup-pot—four leeks, three carrots,

a parsnip, two turnips, and a couple of springs of celery. Then there

were finely cut vegetables for julienne soup laid out on squares of

paper, cabbages cut into quarters, and little heaps of tomatoes and

slices of pumpkin which gleamed like red stars and golden crescents

amidst the pale hues of the other vegetables. Cadine evinced much more

dexterity than Marjolin, although she was younger. The peelings of the

potatoes she pared were so thin that you could see through them; she

tied up the bundles for the soup-pot so artistically that they looked

like bouquets; and she had a way of making the little heaps she set up,

though they contained but three carrots or turnips, look like very big

ones. The passers-by would stop and smile when she called out in her

shrill childish voice: “Madame! madame! come and try me! Each little

pile for two sous.”

She had her regular customers, and her little piles and bundles were

widely known. Old Mother Chantemesse, seated between the two children,

would indulge in a silent laugh which made her bosom rise almost to her

chin, at seeing them working away so seriously. She paid them their

daily sous most faithfully. But they soon began to weary of the little

heaps and bundles; they were growing up, and began to dream of some

more lucrative business. Marjolin remained very childish for his years,

and this irritated Cadine. He had no more brains than a cabbage, she

often said. And it was, indeed, quite useless for her to devise any

plan for him to make money; he never earned any. He could not even do

an errand satisfactorily. The girl, on the other hand, was very shrewd.

When but eight years old she obtained employment from one of those

women who sit on a bench in the neighbourhood of the markets provided

with a basket of lemons, and employ a troop of children to go about

selling them. Carrying the lemons in her hands and offering them at two

for three sous, Cadine thrust them under every woman’s nose, and ran

after every passer-by. Her hands empty, she hastened back for a fresh

supply. She was paid two sous for every dozen lemons that she sold, and

on good days she could earn some five or six sous. During the following

year she hawked caps at nine sous apiece, which proved a more

profitable business; only she had to keep a sharp look-out, as street

trading of this kind is forbidden unless one be licensed. However, she

scented a policeman at a distance of a hundred yards; and the caps

forthwith disappeared under her skirts, whilst she began to munch an

apple with an air of guileless innocence. Then she took to selling

pastry, cakes, cherry-tarts, gingerbread, and thick yellow maize

biscuits on wicker trays. Marjolin, however, ate up nearly the whole of

her stock-in-trade. At last, when she was eleven years old, she

succeeded in realising a grand idea which had long been worrying her.

In a couple of months she put by four francs, bought a small

_hotte_,[*] and then set up as a dealer in birds’ food.

[*] A basket carried on the back.—Translator.

It was a big affair. She got up early in the morning and purchased her

stock of groundsel, millet, and bird-cake from the wholesale dealers.

Then she set out on her day’s work, crossing the river, and

perambulating the Latin Quarter from the Rue Saint Jacques to the Rue

Dauphine, and even to the Luxembourg. Marjolin used to accompany her,

but she would not let him carry the basket. He was only fit to call

out, she said; and so, in his thick, drawling voice, he would raise the

cry, “Chickweed for the little birds!”

Then Cadine herself, with her flute-like voice, would start on a

strange scale of notes ending in a clear, protracted alto, “Chickweed

for the little birds!”

They each took one side of the road, and looked up in the air as they

walked along. In those days Marjolin wore a big scarlet waistcoat which

hung down to his knees; it had belonged to the defunct Monsieur

Chantemesse, who had been a cab-driver. Cadine for her part wore a

white and blue check gown, made out of an old tartan of Madame

Chantemesse’s. All the canaries in the garrets of the Latin Quarter

knew them; and, as they passed along, repeating their cry, each echoing

the other’s voice, every cage poured out a song.

Cadine sold water-cress, too. “Two sous a bunch! Two sous a bunch!” And

Marjolin went into the shops to offer it for sale. “Fine water-cress!

Health for the body! Fine fresh water-cress!”

However, the new central markets had just been erected, and the girl

would stand gazing in ecstacy at the avenue of flower stalls which runs

through the fruit pavilion. Here on either hand, from end to end, big

clumps of flowers bloom as in the borders of a garden walk. It is a

perfect harvest, sweet with perfume, a double hedge of blossoms,

between which the girls of the neighbourhood love to walk, smiling the

while, though almost stifled by the heavy perfume. And on the top tiers

of the stalls are artificial flowers, with paper leaves, in which

dewdrops are simulated by drops of gum; and memorial wreaths of black

and white beads rippling with bluish reflections. Cadine’s rosy

nostrils would dilate with feline sensuality; she would linger as long

as possible in that sweet freshness, and carry as much of the perfume

away with her as she could. When her hair bobbed under Marjolin’s nose

he would remark that it smelt of pinks. She said that she had given

over using pomatum; that is was quite sufficient for her to stroll

through the flower walk in order to scent her hair. Next she began to

intrigue and scheme with such success that she was engaged by one of

the stallkeepers. And then Marjolin declared that she smelt sweet from

head to foot. She lived in the midst of roses, lilacs, wall-flowers,

and lilies of the valley; and Marjolin would playfully smell at her

skirts, feign a momentary hesitation, and then exclaim, “Ah, that’s

lily of the valley!” Next he would sniff at her waist and bodice: “Ah,

that’s wall-flowers!” And at her sleeves and wrists: “Ah, that’s

lilac!” And at her neck, and her cheeks and lips: “Ah, but that’s

roses!” he would cry. Cadine used to laugh at him, and call him a

“silly stupid,” and tell him to get away, because he was tickling her

with the tip of his nose. As she spoke her breath smelt of jasmine. She

was verily a bouquet, full of warmth and life.

She now got up at four o’clock every morning to assist her mistress in

her purchases. Each day they bought armfuls of flowers from the

suburban florists, with bundles of moss, and bundles of fern fronds,

and periwinkle leaves to garnish the bouquets. Cadine would gaze with

amazement at the diamonds and Valenciennes worn by the daughters of the

great gardeners of Montreuil, who came to the markets amidst their

roses.

On the saints’ days of popular observance, such as Saint Mary’s, Saint

Peter’s, and Saint Joseph’s days, the sale of flowers began at two

o’clock. More than a hundred thousand francs’ worth of cut flowers

would be sold on the footways, and some of the retail dealers would

make as much as two hundred francs in a few hours. On days like those

only Cadine’s curly locks peered over the mounds of pansies,

mignonette, and marguerites. She was quite drowned and lost in the

flood of flowers. Then she would spend all her time in mounting

bouquets on bits of rush. In a few weeks she acquired considerable

skillfulness in her business, and manifested no little originality. Her

bouquets did not always please everybody, however. Sometimes they made

one smile, sometimes they alarmed the eyes. Red predominated in them,

mottled with violent tints of blue, yellow, and violet of a barbaric

charm. On the mornings when she pinched Marjolin, and teased him till

she made him cry, she made up fierce-looking bouquets, suggestive of

her own bad temper, bouquets with strong rough scents and glaring

irritating colours. On other days, however, when she was softened by

some thrill of joy or sorrow, her bouquets would assume a tone of

silvery grey, very soft and subdued, and delicately perfumed.

Then, too, she would set roses, as sanguineous as open hearts, in lakes

of snow-white pinks; arrange bunches of tawny iris that shot up in

tufts of flame from foliage that seemed scared by the brilliance of the

flowers; work elaborate designs, as complicated as those of Smyrna

rugs, adding flower to flower, as on a canvas; and prepare rippling

fanlike bouquets spreading out with all the delicacy of lace. Here was

a cluster of flowers of delicious purity, there a fat nosegay, whatever

one might dream of for the hand of a marchioness or a fish-wife; all

the charming quaint fancies, in short, which the brain of a

sharp-witted child of twelve, budding into womanhood, could devise.

There were only two flowers for which Cadine retained respect; white

lilac, which by the bundle of eight or ten sprays cost from fifteen to

twenty francs in the winter time; and camellias, which were still more

costly, and arrived in boxes of a dozen, lying on beds of moss, and

covered with cotton wool. She handled these as delicately as though

they were jewels, holding her breath for fear of dimming their lustre,

and fastening their short stems to springs of cane with the tenderest

care. She spoke of them with serious reverence. She told Marjolin one

day that a speckless white camellia was a very rare and exceptionally

lovely thing, and, as she was making him admire one, he exclaimed:

“Yes; it’s pretty; but I prefer your neck, you know. It’s much more

soft and transparent than the camellia, and there are some little blue

and pink veins just like the pencillings on a flower.” Then, drawing

near and sniffing, he murmured: “Ah! you smell of orange blossom

to-day.”

Cadine was self-willed, and did not get on well in the position of a

servant, so she ended by setting up in business on her own account. As

she was only thirteen at the time, and could not hope for a big trade

and a stall in the flower avenue, she took to selling one-sou bunches

of violets pricked into a bed of moss in an osier tray which she

carried hanging from her neck. All day long she wandered about the

markets and their precincts with her little bit of hanging garden. She

loved this continual stroll, which relieved the numbness of her limbs

after long hours spent, with bent knees, on a low chair, making

bouquets. She fastened her violets together with marvellous deftness as

she walked along. She counted out six or eight flowers, according to

the season, doubled a sprig of cane in half, added a leaf, twisted some

damp thread round the whole, and broke off the thread with her strong

young teeth. The little bunches seemed to spring spontaneously from the

layer of moss, so rapidly did she stick them into it.

Along the footways, amidst the jostling of the street traffic, her

nimble fingers were ever flowering though she gave them not a glance,

but boldly scanned the shops and passers-by. Sometimes she would rest

in a doorway for a moment; and alongside the gutters, greasy with

kitchen slops, she sat, as it were a patch of springtime, a suggestion

of green woods, and purple blossoms. Her flowers still betokened her

frame of mind, her fits of bad temper and her thrills of tenderness.

Sometimes they bristled and glowered with anger amidst their crumpled

leaves; at other times they spoke only of love and peacefulness as they

smiled in their prim collars. As Cadine passed along, she left a sweet

perfume behind her; Marjolin followed her devoutly. From head to foot

she now exhaled but one scent, and the lad repeated that she was

herself a violet, a great big violet.

“Do you remember the day when we went to Romainville together?” he

would say; “Romainville, where there are so many violets. The scent was

just the same. Oh! don’t change again—you smell too sweetly.”

And she did not change again. This was her last trade. Still, she often

neglected her osier tray to go rambling about the neighbourhood. The

building of the central markets—as yet incomplete—provided both

children with endless opportunities for amusement. They made their way

into the midst of the work-yards through some gap or other between the

planks; they descended into the foundations, and climbed up to the

cast-iron pillars. Every nook, every piece of the framework witnessed

their games and quarrels; the pavilions grew up under the touch of

their little hands. From all this arose the affection which they felt

for the great markets, and which the latter seemed to return. They were

on familiar terms with that gigantic pile, old friends as they were,

who had seen each pin and bolt put into place. They felt no fear of the

huge monster; but slapped it with their childish hands, treated it like

a good friend, a chum whose presence brought no constraint. And the

markets seemed to smile at these two light-hearted children, whose love

was the song, the idyll of their immensity.

Cadine alone now slept at Mother Chantemesse’s. The old woman had

packed Marjolin off to a neighbour’s. This made the two children very

unhappy. Still, they contrived to spend much of their time together. In

the daytime they would hide themselves away in the warehouses of the

Rue au Lard, behind piles of apples and cases of oranges; and in the

evening they would dive into the cellars beneath the poultry market,

and secret themselves among the huge hampers of feathers which stood

near the blocks where the poultry was killed. They were quite alone

there, amidst the strong smell of the poultry, and with never a sound

but the sudden crowing of some rooster to break upon their babble and

their laughter. The feathers amidst which they found themselves were of

all sorts—turkey’s feathers, long and black; goose quills, white and

flexible; the downy plumage of ducks, soft like cotton wool; and the

ruddy and mottled feathers of fowls, which at the faintest breath flew

up in a cloud like a swarm of flies buzzing in the sun. And then in

wintertime there was the purple plumage of the pheasants, the ashen

grey of the larks, the splotched silk of the partridges, quails, and

thrushes. And all these feathers freshly plucked were still warm and

odoriferous, seemingly endowed with life. The spot was as cosy as a

nest; at times a quiver as of flapping wings sped by, and Marjolin and

Cadine, nestling amidst all the plumage, often imagined that they were

being carried aloft by one of those huge birds with outspread pinions

that one hears of in the fairy tales.

As time went on their childish affection took the inevitable turn.

Veritable offsprings of Nature, knowing naught of social conventions

and restraints, they loved one another in all innocence and

guilelessness. They mated even as the birds of the air mate, even as

youth and maid mated in primeval times, because such is Nature’s law.

At sixteen Cadine was a dusky town gipsy, greedy and sensual, whilst

Marjolin, now eighteen, was a tall, strapping fellow, as handsome a

youth as could be met, but still with his mental faculties quite

undeveloped. He had lived, indeed, a mere animal life, which had

strengthened his frame, but left his intellect in a rudimentary state.

When old Madame Chantemesse realised the turn that things were taking

she wrathfully upbraided Cadine and struck out vigorously at her with

her broom. But the hussy only laughed and dodged the blows, and then

hied off to her lover. And gradually the markets became their home,

their manger, their aviary, where they lived and loved amidst the meat,

the butter, the vegetables, and the feathers.

They discovered another little paradise in the pavilion where butter,

eggs, and cheese were sold wholesale. Enormous walls of empty baskets

were here piled up every morning, and amidst these Cadine and Marjolin

burrowed and hollowed out a dark lair for themselves. A mere partition

of osier-work separated them from the market crowd, whose loud voices

rang out all around them. They often shook with laughter when people,

without the least suspicion of their presence, stopped to talk together

a few yards away from them. On these occasions they would contrive

peepholes, and spy through them, and when cherries were in season

Cadine tossed the stones in the faces of all the old women who passed

along—a pastime which amused them the more as the startled old crones

could never make out whence the hail of cherry-stones had come. They

also prowled about the depths of the cellars, knowing every gloomy

corner of them, and contriving to get through the most carefully locked

gates. One of their favourite amusements was to visit the track of the

subterranean railway, which had been laid under the markets, and which

those who planned the latter had intended to connect with the different

goods’ stations of Paris. Sections of this railway were laid beneath

each of the covered ways, between the cellars of each pavilion; the

work, indeed, was in such an advanced state that turn-tables had been

put into position at all the points of intersection, and were in

readiness for use. After much examination, Cadine and Marjolin had at

last succeeded in discovering a loose plank in the hoarding which

enclosed the track, and they had managed to convert it into a door, by

which they could easily gain access to the line. There they were quite

shut off from the world, though they could hear the continuous rumbling

of the street traffic over their heads.

The line stretched through deserted vaults, here and there illumined by

a glimmer of light filtering through iron gratings, while in certain

dark corners gas jets were burning. And Cadine and Marjolin rambled

about as in the secret recesses of some castle of their own, secure

from all interruption, and rejoicing in the buzzy silence, the murky

glimmer, and subterranean secrecy, which imparted a touch of melodrama

to their experiences. All sorts of smells were wafted through the

hoarding from the neighbouring cellars; the musty smell of vegetables,

the pungency of fish, the overpowering stench of cheese, and the warm

reek of poultry.

At other times, on clear nights and fine dawns, they would climb on to

the roofs, ascending thither by the steep staircases of the turrets at

the angles of the pavilions. Up above they found fields of leads,

endless promenades and squares, a stretch of undulating country which

belonged to them. They rambled round the square roofs of the pavilions,

followed the course of the long roofs of the covered ways, climbed and

descended the slopes, and lost themselves in endless perambulations of

discovery. And when they grew tired of the lower levels they ascended

still higher, venturing up the iron ladders, on which Cadine’s skirts

flapped like flags. Then they ran along the second tier of roofs

beneath the open heavens. There was nothing save the stars above them.

All sorts of sounds rose up from the echoing markets, a clattering and

rumbling, a vague roar as of a distant tempest heard at nighttime. At

that height the morning breeze swept away the evil smells, the foul

breath of the awaking markets. They would kiss one another on the edge

of the gutterings like sparrows frisking on the house-tops. The rising

fires of the sun illumined their faces with a ruddy glow. Cadine

laughed with pleasure at being so high up in the air, and her neck

shone with iridescent tints like a dove’s; while Marjolin bent down to

look at the street still wrapped in gloom, with his hands clutching

hold of the leads like the feet of a wood-pigeon. When they descended

to earth again, joyful from their excursion in the fresh air, they

would remark to one another that they were coming back from the

country.

It was in the tripe market that they had made the acquaintance of

Claude Lantier. They went there every day, impelled thereto by an

animal taste for blood, the cruel instinct of urchins who find

amusement in the sight of severed heads. A ruddy stream flowed along

the gutters round the pavilion; they dipped the tips of their shoes in

it, and dammed it up with leaves, so as to form large pools of blood.

They took a strong interest in the arrival of the loads of offal in

carts which always smelt offensively, despite all the drenchings of

water they got; they watched the unloading of the bundles of sheep’s

trotters, which were piled up on the ground like filthy paving-stones,

of the huge stiffened tongues, bleeding at their torn roots, and of the

massive bell-shaped bullocks’ hearts. But the spectacle which, above

all others, made them quiver with delight was that of the big dripping

hampers, full of sheep’s heads, with greasy horns and black muzzles,

and strips of woolly skin dangling from bleeding flesh. The sight of

these conjured up in their minds the idea of some guillotine casting

into the baskets the heads of countless victims.

They followed the baskets into the depths of the cellar, watching them

glide down the rails laid over the steps, and listening to the rasping

noise which the casters of these osier waggons made in their descent.

Down below there was a scene of exquisite horror. They entered into a

charnel-house atmosphere, and walked along through murky puddles,

amidst which every now and then purple eyes seem to be glistening. At

times the soles of their boots stuck to the ground, at others they

splashed through the horrible mire, anxious and yet delighted. The gas

jets burned low, like blinking, bloodshot eyes. Near the water-taps, in

the pale light falling through the gratings, they came upon the blocks;

and there they remained in rapture watching the tripe men, who, in

aprons stiffened by gory splashings, broke the sheep’s heads one after

another with a blow of their mallets. They lingered there for hours,

waiting till all the baskets were empty, fascinated by the crackling of

the bones, unable to tear themselves away till all was over. Sometimes

an attendant passed behind them, cleansing the cellar with a hose;

floods of water rushed out with a sluice-like roar, but although the

violence of the discharge actually ate away the surface of the

flagstones, it was powerless to remove the ruddy stains and stench of

blood.

Cadine and Marjolin were sure of meeting Claude between four and five

in the afternoon at the wholesale auction of the bullocks’ lights. He

was always there amidst the tripe dealers’ carts backed up against the

kerb-stones and the blue-bloused, white-aproned men who jostled him and

deafened his ears by their loud bids. But he never felt their elbows;

he stood in a sort of ecstatic trance before the huge hanging lights,

and often told Cadine and Marjolin that there was no finer sight to be

seen. The lights were of a soft rosy hue, gradually deepening and

turning at the lower edges to a rich carmine; and Claude compared them

to watered satin, finding no other term to describe the soft silkiness

of those flowing lengths of flesh which drooped in broad folds like

ballet dancers’ skirts. He thought, too, of gauze and lace allowing a

glimpse of pinky skin; and when a ray of sunshine fell upon the lights

and girdled them with gold an expression of languorous rapture came

into his eyes, and he felt happier than if he had been privileged to

contemplate the Greek goddesses in their sovereign nudity, or the

chatelaines of romance in their brocaded robes.

The artist became a great friend of the two young scapegraces. He loved

beautiful animals, and such undoubtedly they were. For a long time he

dreamt of a colossal picture which should represent the loves of Cadine

and Marjolin in the central markets, amidst the vegetables, the fish,

and the meat. He would have depicted them seated on some couch of food,

their arms circling each other’s waists, and their lips exchanging an

idyllic kiss. In this conception he saw a manifesto proclaiming the

positivism of art—modern art, experimental and materialistic. And it

seemed to him also that it would be a smart satire on the school which

wishes every painting to embody an “idea,” a slap for the old

traditions and all they represented. But during a couple of years he

began study after study without succeeding in giving the particular

“note” he desired. In this way he spoilt fifteen canvases. His failure

filled him with rancour; however, he continued to associate with his

two models from a sort of hopeless love for his abortive picture. When

he met them prowling about in the afternoon, he often scoured the

neighbourhood with them, strolling around with his hands in his

pockets, and deeply interested in the life of the streets.

They all three trudged along together, dragging their heels over the

footways and monopolising their whole breadth so as to force others to

step down into the road. With their noses in the air they sniffed in

the odours of Paris, and could have recognised every corner blindfold

by the spirituous emanations of the wine shops, the hot puffs that came

from the bakehouses and confectioners’, and the musty odours wafted

from the fruiterers’. They would make the circuit of the whole

district. They delighted in passing through the rotunda of the corn

market, that huge massive stone cage where sacks of flour were piled up

on every side, and where their footsteps echoed in the silence of the

resonant roof. They were fond, too, of the little narrow streets in the

neighbourhood, which had become as deserted, as black, and as mournful

as though they formed part of an abandoned city. These were the Rue

Babille, the Rue Sauval, the Rue des Deux Ecus, and the Rue de Viarmes,

this last pallid from its proximity to the millers’ stores, and at four

o’clock lively by reason of the corn exchange held there. It was

generally at this point that they started on their round. They made

their way slowly along the Rue Vauvilliers, glancing as they went at

the windows of the low eating-houses, and thus reaching the miserably

narrow Rue des Prouvaires, where Claude blinked his eyes as he saw one

of the covered ways of the market, at the far end of which, framed

round by this huge iron nave, appeared a side entrance of St. Eustache

with its rose and its tiers of arched windows. And then, with an air of

defiance, he would remark that all the middle ages and the Renaissance

put together were less mighty than the central markets. Afterwards, as

they paced the broad new streets, the Rue du Pont Neuf and the Rue des

Halles, he explained modern life with its wide footways, its lofty

houses, and its luxurious shops, to the two urchins. He predicted, too,

the advent of new and truly original art, whose approach he could

divine, and despair filled him that its revelation should seemingly be

beyond his own powers.

Cadine and Marjolin, however, preferred the provincial quietness of the

Rue des Bourdonnais, where one can play at marbles without fear of

being run over. The girl perked her head affectedly as she passed the

wholesale glove and hosiery stores, at each door of which bareheaded

assistants, with their pens stuck in their ears, stood watching her

with a weary gaze. And she and her lover had yet a stronger preference

for such bits of olden Paris as still existed: the Rue de la Poterie

and the Rue de la Lingerie, with their butter and egg and cheese

dealers; the Rue de la Ferronerie and the Rue de l’Aiguillerie (the

beautiful streets of far-away times), with their dark narrow shops; and

especially the Rue Courtalon, a dank, dirty by-way running from the

Place Sainte Opportune to the Rue Saint Denis, and intersected by

foul-smelling alleys where they had romped in their younger days. In

the Rue Saint Denis they entered into the land of dainties; and they

smiled upon the dried apples, the “Spanishwood,” the prunes, and the

sugar-candy in the windows of the grocers and druggists. Their

ramblings always set them dreaming of a feast of good things, and

inspired them with a desire to glut themselves on the contents of the

windows. To them the district seemed like some huge table, always laid

with an everlasting dessert into which they longed to plunge their

fingers.

They devoted but a moment to visiting the other blocks of tumble-down

old houses, the Rue Pirouette, the Rue de Mondetour, the Rue de la

Petite Truanderie, and the Rue de la Grande Truanderie, for they took

little interest in the shops of the dealers in edible snails, cooked

vegetables, tripe, and drink. In the Rue de la Grand Truanderie,

however, there was a soap factory, an oasis of sweetness in the midst

of all the foul odours, and Marjolin was fond of standing outside it

till some one happened to enter or come out, so that the perfume which

swept through the doorway might blow full in his face. Then with all

speed they returned to the Rue Pierre Lescot and the Rue Rambuteau.

Cadine was extremely fond of salted provisions; she stood in admiration

before the bundles of red-herrings, the barrels of anchovies and

capers, and the little casks of gherkins and olives, standing on end

with wooden spoons inside them. The smell of the vinegar titillated her

throat; the pungent odour of the rolled cod, smoked salmon, bacon and

ham, and the sharp acidity of the baskets of lemons, made her mouth

water longingly. She was also fond of feasting her eyes on the boxes of

sardines piled up in metallic columns amidst the cases and sacks. In

the Rue Montorgueil and the Rue Montmartre were other tempting-looking

groceries and restaurants, from whose basements appetising odours were

wafted, with glorious shows of game and poultry, and

preserved-provision shops, which last displayed beside their doors open

kegs overflowing with yellow sour-krout suggestive of old lacework.

Then they lingered in the Rue Coquillière, inhaling the odour of

truffles from the premises of a notable dealer in comestibles, which

threw so strong a perfume into the street that Cadine and Marjolin

closed their eyes and imagined they were swallowing all kinds of

delicious things. These perfumes, however, distressed Claude. They made

him realise the emptiness of his stomach, he said; and, leaving the

“two animals” to feast on the odour of the truffles—the most

penetrating odour to be found in all the neighbourhood—he went off

again to the corn market by way of the Rue Oblin, studying on his road

the old women who sold green-stuff in the doorways and the displays of

cheap pottery spread out on the foot-pavements.

Such were their rambles in common; but when Cadine set out alone with

her bunches of violets she often went farther afield, making it a point

to visit certain shops for which she had a particular partiality. She

had an especial weakness for the Taboureau bakery establishment, one of

the windows of which was exclusively devoted to pastry. She would

follow the Rue Turbigo and retrace her steps a dozen times in order to

pass again and again before the almond cakes, the _savarins_, the St.

Honoré tarts, the fruit tarts, and the various dishes containing

bunlike _babas_ redolent of rum, eclairs combining the finger biscuit

with chocolate, and _choux a la crème_, little rounds of pastry

overflowing with whipped white of egg. The glass jars full of dry

biscuits, macaroons, and _madeleines_ also made her mouth water; and

the bright shop with its big mirrors, its marble slabs, its gilding,

its bread-bins of ornamental ironwork, and its second window in which

long glistening loaves were displayed slantwise, with one end resting

on a crystal shelf whilst above they were upheld by a brass rod, was so

warm and odoriferous of baked dough that her features expanded with

pleasure when, yielding to temptation, she went in to buy a _brioche_

for two sous.

Another shop, one in front of the Square des Innocents, also filled her

with gluttonous inquisitiveness, a fever of longing desire. This shop

made a specialty of forcemeat pasties. In addition to the ordinary ones

there were pasties of pike and pasties of truffled _foie gras_; and the

girl would gaze yearningly at them, saying to herself that she would

really have to eat one some day.

Cadine also had her moments of vanity and coquetry. When these fits

were on her, she bought herself in imagination some of the magnificent

dresses displayed in the windows of the “Fabriques de France” which

made the Pointe Saint Eustache gaudy with their pieces of bright stuff

hanging from the first floor to the footway and flapping in the breeze.

Somewhat incommoded by the flat basket hanging before her, amidst the

crowd of market women in dirty aprons gazing at future Sunday dresses,

the girl would feel the woollens, flannels, and cottons to test the

texture and suppleness of the material; and she would promise herself a

gown of bright-coloured flannelling, flowered print, or scarlet poplin.

Sometimes even from amongst the pieces draped and set off to advantage

by the window-dressers she would choose some soft sky-blue or

apple-green silk, and dream of wearing it with pink ribbons. In the

evenings she would dazzle herself with the displays in the windows of

the big jewellers in the Rue Montmartre. That terrible street deafened

her with its ceaseless flow of vehicles, and the streaming crowd never

ceased to jostle her; still she did not stir, but remained feasting her

eyes on the blazing splendour set out in the light of the reflecting

lamps which hung outside the windows. On one side all was white with

the bright glitter of silver: watches in rows, chains hanging, spoons

and forks laid crossways, cups, snuff-boxes, napkin-rings, and combs

arranged on shelves. The silver thimbles, dotting a porcelain stand

covered with a glass shade, had an especial attraction for her. Then on

the other side the windows glistened with the tawny glow of gold. A

cascade of long pendant chains descended from above, rippling with

ruddy gleams; small ladies’ watches, with the backs of their cases

displayed, sparkled like fallen stars; wedding rings clustered round

slender rods; bracelets, broaches, and other costly ornaments glittered

on the black velvet linings of their cases; jewelled rings set their

stands aglow with blue, green, yellow, and violet flamelets; while on

every tier of the shelves superposed rows of earrings and crosses and

lockets hung against the crystal like the rich fringes of altar-cloths.

The glow of this gold illumined the street half way across with a

sun-like radiance. And Cadine, as she gazed at it, almost fancied that

she was in presence of something holy, or on the threshold of the

Emperor’s treasure chamber. She would for a long time scrutinise all

this show of gaudy jewellery, adapted to the taste of the fish-wives,

and carefully read the large figures on the tickets affixed to each

article; and eventually she would select for herself a pair of

earrings—pear-shaped drops of imitation coral hanging from golden

roses.

One morning Claude caught her standing in ecstasy before a

hair-dresser’s window in the Rue Saint Honoré. She was gazing at the

display of hair with an expression of intense envy. High up in the

window was a streaming cascade of long manes, soft wisps, loose

tresses, frizzy falls, undulating comb-curls, a perfect cataract of

silky and bristling hair, real and artificial, now in coils of a

flaming red, now in thick black crops, now in pale golden locks, and

even in snowy white ones for the coquette of sixty. In cardboard boxes

down below were cleverly arranged fringes, curling side-ringlets, and

carefully combed chignons glossy with pomade. And amidst this

framework, in a sort of shrine beneath the ravelled ends of the hanging

locks, there revolved the bust of a woman, arrayed in a wrapper of

cherry-coloured satin fastened between the breasts with a brass brooch.

The figure wore a lofty bridal coiffure picked out with sprigs of

orange blossom, and smiled with a dollish smile. Its eyes were pale

blue; its eyebrows were very stiff and of exaggerated length; and its

waxen cheeks and shoulders bore evident traces of the heat and smoke of

the gas. Cadine waited till the revolving figure again displayed its

smiling face, and as its profile showed more distinctly and it slowly

went round from left to right she felt perfectly happy. Claude,

however, was indignant, and, shaking Cadine, he asked her what she was

doing in front of “that abomination, that corpse-like hussy picked up

at the Morgue!” He flew into a temper with the “dummy’s” cadaverous

face and shoulders, that disfigurement of the beautiful, and remarked

that artists painted nothing but that unreal type of woman nowadays.

Cadine, however, remained unconvinced by his oratory, and considered

the lady extremely beautiful. Then, resisting the attempts of the

artist to drag her away by the arm, and scratching her black mop in

vexation, she pointed to an enormous ruddy tail, severed from the

quarters of some vigorous mare, and told him she would have liked to

have a crop of hair like that.

During the long rambles when Claude, Cadine, and Marjolin prowled about

the neighbourhood of the markets, they saw the iron ribs of the giant

building at the end of every street. Wherever they turned they caught

sudden glimpses of it; the horizon was always bounded by it; merely the

aspect under which it was seen varied. Claude was perpetually turning

round, and particularly in the Rue Montmartre, after passing the

church. From that point the markets, seen obliquely in the distance,

filled him with enthusiasm. A huge arcade, a giant, gaping gateway, was

open before him; then came the crowding pavilions with their lower and

upper roofs, their countless Venetian shutters and endless blinds, a

vision, as it were, of superposed houses and palaces; a Babylon of

metal of Hindoo delicacy of workmanship, intersected by hanging

terraces, aerial galleries, and flying bridges poised over space. The

trio always returned to this city round which they strolled, unable to

stray more than a hundred yards away. They came back to it during the

hot afternoons when the Venetian shutters were closed and the blinds

lowered. In the covered ways all seemed to be asleep, the ashy greyness

was streaked by yellow bars of sunlight falling through the high

windows. Only a subdued murmur broke the silence; the steps of a few

hurrying passers-by resounded on the footways; whilst the badge-wearing

porters sat in rows on the stone ledges at the corners of the

pavilions, taking off their boots and nursing their aching feet. The

quietude was that of a colossus at rest, interrupted at times by some

cock-crow rising from the cellars below.

Claude, Cadine, and Marjolin then often went to see the empty hampers

piled upon the drays, which came to fetch them every afternoon so that

they might be sent back to the consignors. There were mountains of

them, labelled with black letters and figures, in front of the

salesmen’s warehouses in the Rue Berger. The porters arranged them

symmetrically, tier by tier, on the vehicles. When the pile rose,

however, to the height of a first floor, the porter who stood below

balancing the next batch of hampers had to make a spring in order to

toss them up to his mate, who was perched aloft with arms extended.

Claude, who delighted in feats of strength and dexterity, would stand

for hours watching the flight of these masses of osier, and would burst

into a hearty laugh whenever too vigorous a toss sent them flying over

the pile into the roadway beyond. He was fond, too, of the footways of

the Rue Rambuteau and the Rue du Pont Neuf, near the fruit market,

where the retail dealers congregated. The sight of the vegetables

displayed in the open air, on trestle-tables covered with damp black

rags, was full of charm for him. At four in the afternoon the whole of

this nook of greenery was aglow with sunshine; and Claude wandered

between the stalls, inspecting the bright-coloured heads of the

saleswomen with keen artistic relish. The younger ones, with their hair

in nets, had already lost all freshness of complexion through the rough

life they led; while the older ones were bent and shrivelled, with

wrinkled, flaring faces showing under the yellow kerchiefs bound round

their heads. Cadine and Marjolin refused to accompany him hither, as

they could perceive old Mother Chantemesse shaking her fist at them, in

her anger at seeing them prowling about together. He joined them again,

however, on the opposite footway, where he found a splendid subject for

a picture in the stallkeepers squatting under their huge umbrellas of

faded red, blue, and violet, which, mounted upon poles, filled the

whole market-side with bumps, and showed conspicuously against the

fiery glow of the sinking sun, whose rays faded amidst the carrots and

the turnips. One tattered harridan, a century old, was sheltering three

spare-looking lettuces beneath an umbrella of pink silk, shockingly

split and stained.

Cadine and Marjolin had struck up an acquaintance with Leon, Quenu’s

apprentice, one day when he was taking a pie to a house in the

neighbourhood. They saw him cautiously raise the lid of his pan in a

secluded corner of the Rue de Mondetour, and delicately take out a ball

of forcemeat. They smiled at the sight, which gave them a very high

opinion of Leon. And the idea came to Cadine that she might at last

satisfy one of her most ardent longings. Indeed, the very next time

that she met the lad with his basket she made herself very agreeable,

and induced him to offer her a forcemeat ball. But, although she

laughed and licked her fingers, she experienced some disappointment.

The forcemeat did not prove nearly so nice as she had anticipated. On

the other hand, the lad, with his sly, greedy phiz and his white

garments, which made him look like a girl going to her first communion,

somewhat took her fancy.

She invited him to a monster lunch which she gave amongst the hampers

in the auction room at the butter market. The three of them—herself,

Marjolin, and Leon—completely secluded themselves from the world within

four walls of osier. The feast was laid out on a large flat basket.

There were pears, nuts, cream-cheese, shrimps, fried potatoes, and

radishes. The cheese came from a fruiterer’s in the Rue de la

Cossonnerie, and was a present; and a “frier” of the Rue de la Grande

Truanderie had given Cadine credit for two sous’ worth of potatoes. The

rest of the feast, the pears, the nuts, the shrimps, and the radishes,

had been pilfered from different parts of the market. It was a

delicious treat; and Leon, desirous of returning the hospitality, gave

a supper in his bedroom at one o’clock in the morning. The bill of fare

included cold black-pudding, slices of polony, a piece of salt pork,

some gherkins, and some goose-fat. The Quenu-Gradelles’ shop had

provided everything. And matters did not stop there. Dainty suppers

alternated with delicate luncheons, and invitation upon invitation.

Three times a week there were banquets, either amidst the hampers or in

Leon’s garret, where Florent, on the nights when he lay awake, could

hear a stifled sound of munching and rippling laughter until day began

to break.

The loves of Cadine and Marjolin now took another turn. The youth

played the gallant, and just as another might entertain his

_innamorata_ at a champagne supper _en tête à tête_ in a private room,

he led Cadine into some quiet corner of the market cellars to munch

apples or sprigs of celery. One day he stole a red-herring, which they

devoured with immense enjoyment on the roof of the fish market beside

the guttering. There was not a single shady nook in the whole place

where they did not indulge in secret feasts. The district, with its

rows of open shops full of fruit and cakes and preserves, was no longer

a closed paradise, in front of which they prowled with greedy, covetous

appetites. As they passed the shops they now extended their hands and

pilfered a prune, a few cherries, or a bit of cod. They also

provisioned themselves at the markets, keeping a sharp look-out as they

made their way between the stalls, picking up everything that fell, and

often assisting the fall by a push of their shoulders.

In spite, however, of all the marauding, some terrible scores had to be

run up with the “frier” of the Rue de la Grand Truanderie. This

“frier,” whose shanty leaned against a tumble-down house, and was

propped up by heavy joists, green with moss, made a display of boiled

mussels lying in large earthenware bowls filled to the brim with clear

water; of dishes of little yellow dabs stiffened by too thick a coating

of paste; of squares of tripe simmering in a pan; and of grilled

herrings, black and charred, and so hard that if you tapped them they

sounded like wood. On certain weeks Cadine owed the frier as much as

twenty sous, a crushing debt, which required the sale of an

incalculable number of bunches of violets, for she could count upon no

assistance from Marjolin. Moreover, she was bound to return Leon’s

hospitalities; and she even felt some little shame at never being able

to offer him a scrap of meat. He himself had now taken to purloining

entire hams. As a rule, he stowed everything away under his shirt; and

at night when he reached his bedroom he drew from his bosom hunks of

polony, slices of _paté de foie gras_, and bundles of pork rind. They

had to do without bread, and there was nothing to drink; but no matter.

One night Marjolin saw Leon kiss Cadine between two mouthfuls; however,

he only laughed. He could have smashed the little fellow with a blow

from his fist, but he felt no jealousy in respect of Cadine. He treated

her simply as a comrade with whom he had chummed for years.

Claude never participated in these feasts. Having caught Cadine one day

stealing a beet-root from a little hamper lined with hay, he had pulled

her ears and given her a sound rating. These thieving propensities made

her perfect as a ne’er-do-well. However, in spite of himself, he could

not help feeling a sort of admiration for these sensual, pilfering,

greedy creatures, who preyed upon everything that lay about, feasting

off the crumbs that fell from the giant’s table.

At last Marjolin nominally took service under Gavard, happy in having

nothing to do except to listen to his master’s flow of talk, while

Cadine still continued to sell violets, quite accustomed by this time

to old Mother Chantemesse’s scoldings. They were still the same

children as ever, giving way to their instincts and appetites without

the slightest shame—they were the growth of the slimy pavements of the

market district, where, even in fine weather, the mud remains black and

sticky. However, as Cadine walked along the footways, mechanically

twisting her bunches of violets, she was sometimes disturbed by

disquieting reveries; and Marjolin, too, suffered from an uneasiness

which he could not explain. He would occasionally leave the girl and

miss some ramble or feast in order to go and gaze at Madame Quenu

through the windows of her pork shop. She was so handsome and plump and

round that it did him good to look at her. As he stood gazing at her,

he felt full and satisfied, as though he had just eaten or drunk

something extremely nice. And when he went off, a sort of hunger and

thirst to see her again suddenly came upon him. This had been going on

for a couple of months. At first he had looked at her with the

respectful glance which he bestowed upon the shop-fronts of the grocers

and provision dealers; but subsequently, when he and Cadine had taken

to general pilfering, he began to regard her smooth cheeks much as he

regarded the barrels of olives and boxes of dried apples.

For some time past Marjolin had seen handsome Lisa every day, in the

morning. She would pass Gavard’s stall, and stop for a moment or two to

chat with the poultry dealer. She now did her marketing herself, so

that she might be cheated as little as possible, she said. The truth,

however, was that she wished to make Gavard speak out. In the pork shop

he was always distrustful, but at his stall he chatted and talked with

the utmost freedom. Now, Lisa had made up her mind to ascertain from

him exactly what took place in the little room at Monsieur Lebigre’s;

for she had no great confidence in her secret police office,

Mademoiselle Saget. In a short time she learnt from the incorrigible

chatterbox a lot of vague details which very much alarmed her. Two days

after her explanation with Quenu she returned home from the market

looking very pale. She beckoned to her husband to follow her into the

dining-room, and having carefully closed the door she said to him: “Is

your brother determined to send us to the scaffold, then? Why did you

conceal from me what you knew?”

Quenu declared that he knew nothing. He even swore a great oath that he

had not returned to Monsieur Lebigre’s, and would never go there again.

“You will do well not to do so,” replied Lisa, shrugging her shoulders,

“unless you want to get yourself into a serious scrape. Florent is up

to some evil trick, I’m certain of it! I have just learned quite

sufficient to show me where he is going. He’s going back to Cayenne, do

you hear?”

Then, after a pause, she continued in calmer ones: “Oh, the unhappy

man! He had everything here that he could wish for. He might have

redeemed his character; he had nothing but good examples before him.

But no, it is in his blood! He will come to a violent end with his

politics! I insist upon there being an end to all this! You hear me,

Quenu? I gave you due warning long ago!”

She spoke the last words very incisively. Quenu bent his head, as if

awaiting sentence.

“To begin with,” continued Lisa, “he shall cease to take his meals

here. It will be quite sufficient if we give him a bed. He is earning

money; let him feed himself.”

Quenu seemed on the point of protesting, but his wife silenced him by

adding energetically:

“Make your choice between him and me. If he remains here, I swear to

you that I will go away, and take my daughter with me. Do you want me

to tell you the whole truth about him? He is a man capable of anything;

he has come here to bring discord into our household. But I will set

things right, you may depend on it. You have your choice between him

and me; you hear me?”

Then, leaving her husband in silent consternation, she returned to the

shop, where she served a customer with her usual affable smile. The

fact was that, having artfully inveigled Gavard into a political

discussion, the poultry dealer had told her that she would soon see how

the land lay, that they were going to make a clean sweep of everything,

and that two determined men like her brother-in-law and himself would

suffice to set the fire blazing. This was the evil trick of which she

had spoken to Quenu, some conspiracy to which Gavard was always making

mysterious allusions with a sniggering grin from which he seemingly

desired a great deal to be inferred. And in imagination Lisa already

saw the gendarmes invading the pork shop, gagging herself, her husband,

and Pauline, and casting them into some underground dungeon.

In the evening, at dinner, she evinced an icy frigidity. She made no

offers to serve Florent, but several times remarked: “It’s very strange

what an amount of bread we’ve got through lately.”

Florent at last understood. He felt that he was being treated like a

poor relation who is gradually turned out of doors. For the last two

months Lisa had dressed him in Quenu’s old trousers and coats; and, as

he was as thin as his brother was fat, these ragged garments had a most

extraordinary appearance upon him. She also turned her oldest linen

over to him: pocket-handkerchiefs which had been darned a score of

times, ragged towels, sheets which were only fit to be cut up into

dusters and dish-cloths, and worn-out shirts, distended by Quenu’s

corpulent figure, and so short that they would have served Florent as

under-vests. Moreover, he no longer found around him the same

good-natured kindliness as in the earlier days. The whole household

seemed to shrug its shoulders after the example set by handsome Lisa.

Auguste and Augustine turned their backs upon him, and little Pauline,

with the cruel frankness of childhood, let fall some bitter remarks

about the stains on his coat and the holes in his shirt. However,

during the last days he suffered most at table. He scarcely dared to

eat, as he saw the mother and daughter fix their gaze upon him whenever

he cut himself a piece of bread. Quenu meantime peered into his plate,

to avoid having to take any part in what went on.

That which most tortured Florent was his inability to invent a reason

for leaving the house. During a week he kept on revolving in his mind a

sentence expressing his resolve to take his meals elsewhere, but could

not bring himself to utter it. Indeed, this man of tender nature lived

in such a world of illusions that he feared he might hurt his brother

and sister-in-law by ceasing to lunch and dine with them. It had taken

him over two months to detect Lisa’s latent hostility; and even now he

was sometimes inclined to think that he must be mistaken, and that she

was in reality kindly disposed towards him. Unselfishness with him

extended to forgetfulness of his requirements; it was no longer a

virtue, but utter indifference to self, an absolute obliteration of

personality. Even when he recognised that he was being gradually turned

out of the house, his mind never for a moment dwelt upon his share in

old Gradelle’s fortune, or upon the accounts which Lisa had offered

him. He had already planned out his expenditure for the future;

reckoning that with what Madame Verlaque still allowed him to retain of

his salary, and the thirty francs a month which a pupil, obtained

through La Normande, paid him he would be able to spend eighteen sous

on his breakfast and twenty-six sous on his dinner. This, he thought,

would be ample. And so, at last, taking as his excuse the lessons which

he was giving his new pupil, he emboldened himself one morning to

pretend that it would be impossible for him in future to come to the

house at mealtimes. He blushed as he gave utterance to this laboriously

constructed lie, which had given him so much trouble, and continued

apologetically:

“You mustn’t be offended; the boy only has those hours free. I can

easily get something to eat, you know; and I will come and have a chat

with you in the evenings.”

Beautiful Lisa maintained her icy reserve, and this increased Florent’s

feeling of trouble. In order to have no cause for self-reproach she had

been unwilling to send him about his business, preferring to wait till

he should weary of the situation and go of his own accord. Now he was

going, and it was a good riddance; and she studiously refrained from

all show of kindliness for fear it might induce him to remain. Quenu,

however, showed some signs of emotion, and exclaimed: “Don’t think of

putting yourself about; take your meals elsewhere by all means, if it

is more convenient. It isn’t we who are turning you way; you’ll at all

events dine with us sometimes on Sundays, eh?”

Florent hurried off. His heart was very heavy. When he had gone, the

beautiful Lisa did not venture to reproach her husband for his weakness

in giving that invitation for Sundays. She had conquered, and again

breathed freely amongst the light oak of her dining-room, where she

would have liked to burn some sugar to drive away the odour of perverse

leanness which seemed to linger about. Moreover, she continued to

remain on the defensive; and at the end of another week she felt more

alarmed than ever. She only occasionally saw Florent in the evenings,

and began to have all sorts of dreadful thoughts, imagining that her

brother-in-law was constructing some infernal machine upstairs in

Augustine’s bedroom, or else making signals which would result in

barricades covering the whole neighbourhood. Gavard, who had become

gloomy, merely nodded or shook his head when she spoke to him, and left

his stall for days together in Marjolin’s charge. The beautiful Lisa,

however, determined that she would get to the bottom of affairs. She

knew that Florent had obtained a day’s leave, and intended to spend it

with Claude Lantier, at Madame Francois’s, at Nanterre. As he would

start in the morning, and remain away till night, she conceived the

idea of inviting Gavard to dinner. He would be sure to talk freely, at

table, she thought. But throughout the morning she was unable to meet

the poultry dealer, and so in the afternoon she went back again to the

markets.

Marjolin was in the stall alone. He used to drowse there for hours,

recouping himself from the fatigue of his long rambles. He generally

sat upon one chair with his legs resting upon another, and his head

leaning against a little dresser. In the wintertime he took a keen

delight in lolling there and contemplating the display of game; the

bucks hanging head downwards, with their fore-legs broken and twisted

round their necks; the larks festooning the stall like garlands; the

big ruddy hares, the mottled partridges, the water-fowl of a

bronze-grey hue, the Russian black cocks and hazel hens, which arrived

in a packing of oat straw and charcoal;[*] and the pheasants, the

magnificent pheasants, with their scarlet hoods, their stomachers of

green satin, their mantles of embossed gold, and their flaming tails,

that trailed like trains of court robes. All this show of plumage

reminded Marjolin of his rambles in the cellars with Cadine amongst the

hampers of feathers.

[*] The baskets in which these are sent to Paris are identical with

those which in many provinces of Russia serve the _moujiks_ as cradles

for their infants.—Translator.

That afternoon the beautiful Lisa found Marjolin in the midst of the

poultry. It was warm, and whiffs of hot air passed along the narrow

alleys of the pavilion. She was obliged to stoop before she could see

him stretched out inside the stall, below the bare flesh of the birds.

From the hooked bar up above hung fat geese, the hooks sticking in the

bleeding wounds of their long stiffened necks, while their huge bodies

bulged out, glowing ruddily beneath their fine down, and, with their

snowy tails and wings, suggesting nudity encompassed by fine linen. And

also hanging from the bar, with ears thrown back and feet parted as

though they were bent on some vigorous leap, were grey rabbits whose

turned-up tails gleamed whitely, whilst their heads, with sharp teeth

and dim eyes, laughed with the grin of death. On the counter of the

stall plucked fowls showed their strained fleshy breasts; pigeons,

crowded on osier trays, displayed the soft bare skin of innocents;

ducks, with skin of rougher texture, exhibited their webbed feet; and

three magnificent turkeys, speckled with blue dots, like freshly-shaven

chins, slumbered on their backs amidst the black fans of their expanded

tails. On plates near by were giblets, livers, gizzards, necks, feet,

and wings; while an oval dish contained a skinned and gutted rabbit,

with its four legs wide apart, its head bleeding, and is kidneys

showing through its gashed belly. A streamlet of dark blood, after

trickling along its back to its tail, had fallen drop by drop, staining

the whiteness of the dish. Marjolin had not even taken the trouble to

wipe the block, near which the rabbit’s feet were still lying. He

reclined there with his eyes half closed, encompassed by other piles of

dead poultry which crowded the shelves of the stall, poultry in paper

wrappers like bouquets, rows upon rows of protuberant breasts and bent

legs showing confusedly. And amidst all this mass of food, the young

fellow’s big, fair figure, the flesh of his cheeks, hands, and powerful

neck covered with ruddy down seemed as soft as that of the magnificent

turkeys, and as plump as the breasts of the fat geese.

When he caught sight of Lisa, he at once sprang up, blushing at having

been caught sprawling in this way. He always seemed very nervous and

ill at ease in Madame Quenu’s presence; and when she asked him if

Monsieur Gavard was there, he stammered out: “No, I don’t think so. He

was here a little while ago, but he want away again.”

Lisa looked at him, smiling; she had a great liking for him. But

feeling something warm brush against her hand, which was hanging by her

side, she raised a little shriek. Some live rabbits were thrusting

their noses out of a box under the counter of the stall, and sniffing

at her skirts.

“Oh,” she exclaimed with a laugh, “it’s your rabbits that are tickling

me.”

Then she stooped and attempted to stroke a white rabbit, which darted

in alarm into a corner of the box.

“Will Monsieur Gavard be back soon, do you think?” she asked, as she

again rose erect.

Marjolin once more replied that he did not know; then in a hesitating

way he continued: “He’s very likely gone down into the cellars. He told

me, I think, that he was going there.”

“Well, I think I’ll wait for him, then,” replied Lisa. “Could you let

him know that I am here? or I might go down to him, perhaps. Yes,

that’s a good idea; I’ve been intending to go and have a look at the

cellars for these last five years. You’ll take me down, won’t you, and

explain things to me?”

Marjolin blushed crimson, and, hurrying out of the stall, walked on in

front of her, leaving the poultry to look after itself. “Of course I

will,” said he. “I’ll do anything you wish, Madame Lisa.”

When they got down below, the beautiful Lisa felt quite suffocated by

the dank atmosphere of the cellar. She stood at the bottom step, and

raised her eyes to look at the vaulted roofing of red and white bricks

arching slightly between the iron ribs upheld by small columns. What

made her hesitate more than the gloominess of the place was a warm,

penetrating odour, the exhalations of large numbers of living

creatures, which irritated her nostrils and throat.

“What a nasty smell!” she exclaimed. “It must be very unhealthy down

here.”

“It never does me any harm,” replied Marjolin in astonishment. “There’s

nothing unpleasant about the smell when you’ve got accustomed to it;

and it’s very warm and cosy down here in the wintertime.”

As Lisa followed him, however, she declared that the strong scent of

the poultry quite turned her stomach, and that she would certainly not

be able to eat a fowl for the next two months. All around her, the

storerooms, the small cabins where the stallkeepers keep their live

stock, formed regular streets, intersecting each other at right angles.

There were only a few scattered gas lights, and the little alleys

seemed wrapped in sleep like the lanes of a village where the

inhabitants have all gone to bed. Marjolin made Lisa feel the

close-meshed wiring, stretched on a framework of cast iron; and as she

made her way along one of the streets she amused herself by reading the

names of the different tenants, which were inscribed on blue labels.

“Monsieur Gavard’s place is quite at the far end,” said the young man,

still walking on.

They turned to the left, and found themselves in a sort of blind alley,

a dark, gloomy spot where not a ray of light penetrated. Gavard was not

there.

“Oh, it makes no difference,” said Marjolin. “I can show you our birds

just the same. I have a key of the storeroom.”

Lisa followed him into the darkness.

“You don’t suppose that I can see your birds in this black oven, do

you?” she asked, laughing.

Marjolin did not reply at once; but presently he stammered out that

there was always a candle in the storeroom. He was fumbling about the

lock, and seemed quite unable to find the keyhole. As Lisa came up to

help him, she felt a hot breath on her neck; and when the young man had

at last succeeded in opening the door and lighted the candle, she saw

that he was trembling.

“You silly fellow!” she exclaimed, “to get yourself into such a state

just because a door won’t open! Why, you’re no better than a girl, in

spite of your big fists!”

She stepped inside the storeroom. Gavard had rented two compartments,

which he had thrown into one by removing the partition between them. In

the dirt on the floor wallowed the larger birds—the geese, turkeys, and

ducks—while up above, on tiers of shelves, were boxes with barred

fronts containing fowls and rabbits. The grating of the storeroom was

so coated with dust and cobwebs that it looked as though covered with

grey blinds. The woodwork down below was rotting, and covered with

filth. Lisa, however, not wishing to vex Marjolin, refrained from any

further expression of disgust. She pushed her fingers between the bars

of the boxes, and began to lament the fate of the unhappy fowls, which

were so closely huddled together and could not even stand upright. Then

she stroked a duck with a broken leg which was squatting in a corner,

and the young man told her that it would be killed that very evening,

for fear lest it should die during the night.

“But what do they do for food?” asked Lisa.

Thereupon he explained to her that poultry would not eat in the dark,

and that it was necessary to light a candle and wait there till they

had finished their meal.

“It amuses me to watch them,” he continued; “I often stay here with a

light for hours altogether. You should see how they peck away; and when

I hide the flame of the candle with my hand they all stand stock-still

with their necks in the air, just as though the sun had set. It is

against the rules to leave a lighted candle here and go away. One of

the dealers, old Mother Palette—you know her, don’t you?—nearly burned

the whole place down the other day. A fowl must have knocked the candle

over into the straw while she was away.”

“A pretty thing, isn’t it,” said Lisa, “for fowls to insist upon having

the chandeliers lighted up every time they take a meal?”

This idea made her laugh. Then she came out of the storeroom, wiping

her feet, and holding up her skirts to keep them from the filth.

Marjolin blew out the candle and locked the door. Lisa felt rather

nervous at finding herself in the dark again with this big young

fellow, and so she hastened on in front.

“I’m glad I came, all the same,” she presently said, as he joined her.

“There is a great deal more under these markets than I ever imagined.

But I must make haste now and get home again. They’ll wonder what has

become of me at the shop. If Monsieur Gavard comes back, tell him that

I want to speak to him immediately.”

“I expect he’s in the killing-room,” said Marjolin. “We’ll go and see,

if you like.”

Lisa made no reply. She felt oppressed by the close atmosphere which

warmed her face. She was quite flushed, and her bodice, generally so

still and lifeless, began to heave. Moreover, the sound of Marjolin’s

hurrying steps behind her filled her with an uneasy feeling. At last

she stepped aside, and let him go on in front. The lanes of this

underground village were still fast asleep. Lisa noticed that her

companion was taking the longest way. When they came out in front of

the railway track he told her that he had wished to show it to her; and

they stood for a moment or two looking through the chinks in the

hoarding of heavy beams. Then Marjolin proposed to take her on to the

line; but she refused, saying that it was not worth while, as she could

see things well enough where she was.

As they returned to the poultry cellars they found old Madame Palette

in front of her storeroom, removing the cords of a large square hamper,

in which a furious fluttering of wings and scraping of feet could be

heard. As she unfastened the last knot the lid suddenly flew open, as

though shot up by a spring, and some big geese thrust out their heads

and necks. Then, in wild alarm, they sprang from their prison and

rushed away, craning their necks, and filling the dark cellars with a

frightful noise of hissing and clattering of beaks. Lisa could not help

laughing, in spite of the lamentations of the old woman, who swore like

a carter as she caught hold of two of the absconding birds and dragged

them back by the neck. Marjolin, meantime, set off in pursuit of a

third. They could hear him running along the narrow alleys, hunting for

the runaway, and delighting in the chase. Then, far off in the

distance, they heard the sounds of a struggle, and presently Marjolin

came back again, bringing the goose with him. Mother Palette, a

sallow-faced old woman, took it in her arms and clasped it for a moment

to her bosom, in the classic attitude of Leda.

“Well, well, I’m sure I don’t know what I should have done if you

hadn’t been here,” said she. “The other day I had a regular fight with

one of the brutes; but I had my knife with me, and I cut its throat.”

Marjolin was quite out of breath. When they reached the stone blocks

where the poultry were killed, and where the gas burnt more brightly,

Lisa could see that he was perspiring, and had bold, glistening eyes.

She thought he looked very handsome like that, with his broad

shoulders, big flushed face, and fair curly hair, and she looked at him

so complacently, with that air of admiration which women feel they may

safely express for quite young lads, that he relapsed into timid

bashfulness again.

“Well, Monsieur Gavard isn’t here, you see,” she said. “You’ve only

made me waste my time.”

Marjolin, however, began rapidly explaining the killing of the poultry

to her. Five huge stone slabs stretched out in the direction of the Rue

Rambuteau under the yellow light of the gas jets. A woman was killing

fowls at one end; and this led him to tell Lisa that the birds were

plucked almost before they were dead, the operation thus being much

easier. Then he wanted her to feel the feathers which were lying in

heaps on the stone slabs; and told her that they were sorted and sold

for as much as nine sous the pound, according to their quality. To

satisfy him, she was also obliged to plunge her hand into the big

hampers full of down. Then he turned the water-taps, of which there was

one by every pillar. There was no end to the particulars he gave. The

blood, he said, streamed along the stone blocks, and collected into

pools on the paved floor, which attendants sluiced with water every two

hours, removing the more recent stains with coarse brushes.

When Lisa stooped over the drain which carries away the swillings,

Marjolin found a fresh text for talk. On rainy days, said he, the water

sometimes rose through this orifice and flooded the place. It had once

risen a foot high; and they had been obliged to transport all the

poultry to the other end of the cellar, which is on a higher level. He

laughed as he recalled the wild flutter of the terrified creatures.

However, he had now finished, and it seemed as though there remained

nothing else for him to show, when all at once he bethought himself of

the ventilator. Thereupon he took Lisa off to the far end of the

cellar, and told her to look up; and inside one of the turrets at the

corner angles of the pavilion she observed a sort of escape-pipe, by

which the foul atmosphere of the storerooms ascended into space.

Here, in this corner, reeking with abominable odours, Marjolin’s

nostrils quivered, and his breath came and went violently. His long

stroll with Lisa in these cellars, full of warm animal perfumes, had

gradually intoxicated him.

She had again turned towards him. “Well,” said she, “it was very kind

of you to show me all this, and when you come to the shop I will give

you something.”

Whilst speaking she took hold of his soft chin, as she often did,

without recognising that he was no longer a child; and perhaps she

allowed her hand to linger there a little longer than was her wont. At

all events, Marjolin, usually so bashful, was thrilled by the caress,

and all at once he impetuously sprang forward, clasped Lisa by the

shoulders, and pressed his lips to her soft cheeks. She raised no cry,

but turned very pale at this sudden attack, which showed her how

imprudent she had been. And then, freeing herself from the embrace, she

raised her arm, as she had seen men do in slaughter houses, clenched

her comely fist, and knocked Marjolin down with a single blow, planted

straight between his eyes; and as he fell his head came into collision

with one of the stone slabs, and was split open. Just at that moment

the hoarse and prolonged crowing of a cock sounded through the gloom.

Handsome Lisa, however, remained perfectly cool. Her lips were tightly

compressed, and her bosom had recovered its wonted immobility. Up above

she could hear the heavy rumbling of the markets, and through the

vent-holes alongside the Rue Rambuteau the noise of the street traffic

made its way into the oppressive silence of the cellar. Lisa reflected

that her own strong arm had saved her; and then, fearing lest some one

should come and find her there, she hastened off, without giving a

glance at Marjolin. As she climbed the steps, after passing through the

grated entrance of the cellars, the daylight brought her great relief.

She returned to the shop, quite calm, and only looking a little pale.

“You’ve been a long time,” Quenu said to her.

“I can’t find Gavard. I have looked for him everywhere,” she quietly

replied. “We shall have to eat our leg of mutton without him.”

Then she filled the lard pot, which she noticed was empty; and cut some

pork chops for her friend Madame Taboureau, who had sent her little

servant for them. The blows which she dealt with her cleaver reminded

her of Marjolin. She felt that she had nothing to reproach herself

with. She had acted like an honest woman. She was not going to disturb

her peace of mind; she was too happy to do anything to compromise

herself. However, she glanced at Quenu, whose neck was coarse and

ruddy, and whose shaven chin looked as rough as knotted wood; whereas

Marjolin’s chin and neck resembled rosy satin. But then she must not

think of him any more, for he was no longer a child. She regretted it,

and could not help thinking that children grew up much too quickly.

A slight flush came back to her cheeks, and Quenu considered that she

looked wonderfully blooming. He came and sat down beside her at the

counter for a moment or two. “You ought to go out oftener,” said he;

“it does you good. We’ll go to the theatre together one of these

nights, if you like; to the Gaité, eh? Madame Taboureau has been to see

the piece they are playing there, and she declares it’s splendid.”

Lisa smiled, and said they would see about it, and then once more she

took herself off. Quenu thought that it was too good of her to take so

much trouble in running about after that brute Gavard. In point of

fact, however, she had simply gone upstairs to Florent’s bedroom, the

key of which was hanging from a nail in the kitchen. She hoped to find

out something or other by an inspection of this room, since the poultry

dealer had failed her. She went slowly round it, examining the bed, the

mantelpiece, and every corner. The window with the little balcony was

open, and the budding pomegranate was steeped in the golden beams of

the setting sun. The room looked to her as though Augustine had never

left it—had slept there only the night before. There seemed to be

nothing masculine about the place. She was quite surprised, for she had

expected to find some suspicious-looking chests, and coffers with

strong locks. She went to feel Augustine’s summer gown, which was still

hanging against the wall. Then she sat down at the table, and began to

read an unfinished page of manuscript, in which the word “revolution”

occurred twice. This alarmed her, and she opened the drawer, which she

saw was full of papers. But her sense of honour awoke within her in

presence of the secret which the rickety deal table so badly guarded.

She remained bending over the papers, trying to understand them without

touching them, in a state of great emotion, when the shrill song of the

chaffinch, on whose cage streamed a ray of sunshine, made her start.

She closed the drawer. It was a base thing that she had contemplated,

she thought.

Then, as she lingered by the window, reflecting that she ought to go

and ask counsel of Abbé Roustan, who was a very sensible man, she saw a

crowd of people round a stretcher in the market square below. The night

was falling, still she distinctly recognised Cadine weeping in the

midst of the crowd; while Florent and Claude, whose boots were white

with dust, stood together talking earnestly at the edge of the footway.

She hurried downstairs again, surprised to see them back so soon, and

scarcely had she reached her counter when Mademoiselle Saget entered

the shop.

“They have found that scamp of a Marjolin in the cellar, with his head

split open,” exclaimed the old maid. “Won’t you come to see him, Madame

Quenu?”

Lisa crossed the road to look at him. The young fellow was lying on his

back on the stretcher, looking very pale. His eyes were closed, and a

stiff wisp of his fair hair was clotted with blood. The bystanders,

however, declared that there was no serious harm done, and, besides,

the scamp had only himself to blame, for he was always playing all

sorts of wild pranks in the cellars. It was generally supposed that he

had been trying to jump over one of the stone blocks—one of his

favourite amusements—and had fallen with his head against the slab.

“I dare say that hussy there gave him a shove,” remarked Mademoiselle

Saget, pointing to Cadine, who was weeping. “They are always larking

together.”

Meantime the fresh air had restored Marjolin to consciousness, and he

opened his eyes in wide astonishment. He looked round at everybody, and

then, observing Lisa bending over him, he gently smiled at her with an

expression of mingled humility and affection. He seemed to have

forgotten all that had happened. Lisa, feeling relieved, said that he

ought to be taken to the hospital at once, and promised to go and see

him there, and take him some oranges and biscuits. However, Marjolin’s

head had fallen back, and when the stretcher was carried away Cadine

followed it, with her flat basket slung round her neck, and her hot

tears rolling down upon the bunches of violets in their mossy bed. She

certainly had no thoughts for the flowers that she was thus scalding

with her bitter grief.

As Lisa went back to her shop, she heard Claude say, as he shook hands

with Florent and parted from him: “Ah! the confounded young scamp! He’s

quite spoiled my day for me! Still, we had a very enjoyable time,

didn’t we?”

Claude and Florent had returned both worried and happy, bringing with

them the pleasant freshness of the country air. Madame Francois had

disposed of all her vegetables that morning before daylight; and they

had all three gone to the Golden Compasses, in the Rue Montorgueil, to

get the cart. Here, in the middle of Paris, they found a foretaste of

the country. Behind the Restaurant Philippe, with its frontage of gilt

woodwork rising to the first floor, there was a yard like that of a

farm, dirty, teeming with life, reeking with the odour of manure and

straw. Bands of fowls were pecking at the soft ground. Sheds and

staircases and galleries of greeny wood clung to the old houses around,

and at the far end, in a shanty of big beams, was Balthazar, harnessed

to the cart, and eating the oats in his nosebag. He went down the Rue

Montorgueil at a slow trot, seemingly well pleased to return to

Nanterre so soon. However, he was not going home without a load. Madame

Francois had a contract with the company which undertook the scavenging

of the markets, and twice a week she carried off with her a load of

leaves, forked up from the mass of refuse which littered the square. It

made excellent manure. In a few minutes the cart was filled to

overflowing. Claude and Florent stretched themselves out on the deep

bed of greenery; Madame Francois grasped her reins, and Balthazar went

off at his slow, steady pace, his head somewhat bent by reason of there

being so many passengers to pull along.

This excursion had been talked of for a long time past. Madame Francois

laughed cheerily. She was partial to the two men, and promised them an

_omelette au lard_ as had never been eaten, said she, in “that

villainous Paris.” Florent and Claude revelled in the thought of this

day of lounging idleness which as yet had scarcely begun to dawn.

Nanterre seemed to be some distant paradise into which they would

presently enter.

“Are you quite comfortable?” Madame Francois asked as the cart turned

into the Rue du Pont Neuf.

Claude declared that their couch was as soft as a bridal bed. Lying on

their backs, with their hands crossed under their heads, both men were

looking up at the pale sky from which the stars were vanishing. All

along the Rue de Rivoli they kept unbroken silence, waiting till they

should have got clear of the houses, and listening to the worthy woman

as she chattered to Balthazar: “Take your time, old man,” she said to

him in kindly tones. “We’re in no hurry; we shall be sure to get there

at last.”

On reaching the Champs Elysees, when the artist saw nothing but

tree-tops on either side of him, and the great green mass of the

Tuileries gardens in the distance, he woke up, as it were, and began to

talk. When the cart had passed the end of the Rue du Roule he had

caught a glimpse of the side entrance of Saint Eustache under the giant

roofing of one of the market covered-ways. He was constantly referring

to this view of the church, and tried to give it a symbolical meaning.

“It’s an odd mixture,” he said, “that bit of church framed round by an

avenue of cast iron. The one will kill the other; the iron will slay

the stone, and the time is not very far off. Do you believe in chance,

Florent? For my part, I don’t think that it was any mere chance of

position that set a rose-window of Saint Eustache right in the middle

of the central markets. No; there’s a whole manifesto in it. It is

modern art, realism, naturalism—whatever you like to call it—that has

grown up and dominates ancient art. Don’t you agree with me?”

Then, as Florent still kept silence, Claude continued: “Besides, that

church is a piece of bastard architecture, made up of the dying gasp of

the middle ages, and the first stammering of the Renaissance. Have you

noticed what sort of churches are built nowadays? They resemble all

kinds of things—libraries, observatories, pigeon-cotes, barracks; and

surely no one can imagine that the Deity dwells in such places. The

pious old builders are all dead and gone; and it would be better to

cease erecting those hideous carcasses of stone, in which we have no

belief to enshrine. Since the beginning of the century there has only

been one large original pile of buildings erected in Paris—a pile in

accordance with modern developments—and that’s the central markets. You

hear me, Florent? Ah! they are a fine bit of building, though they but

faintly indicate what we shall see in the twentieth century! And so,

you see, Saint Eustache is done for! It stands there with its

rose-windows, deserted by worshippers, while the markets spread out by

its side and teem with noisy life. Yes! that’s how I understand it all,

my friend.”

“Ah! Monsieur Claude,” said Madame Francois, laughing, “the woman who

cut your tongue-string certainly earned her money. Look at Balthazar

laying his ears back to listen to you. Come, come, get along,

Balthazar!”

The cart was slowly making its way up the incline. At this early hour

of the morning the avenue, with its double lines of iron chairs on

either pathway, and its lawns, dotted with flowerbeds and clumps of

shrubbery, stretching away under the blue shadows of the trees, was

quite deserted; however, at the Rond-Point a lady and gentleman on

horseback passed the cart at a gentle trot. Florent, who had made

himself a pillow with a bundle of cabbage-leaves, was still gazing at

the sky, in which a far-stretching rosy glow was appearing. Every now

and then he would close his eyes, the better to enjoy the fresh breeze

of the morning as it fanned his face. He was so happy to escape from

the markets, and travel on through the pure air, that he remained

speechless, and did not even listen to what was being said around him.

“And then, too, what fine jokers are those fellows who imprison art in

a toy-box!” resumed Claude, after a pause. “They are always repeating

the same idiotic words: ‘You can’t create art out of science,’ says

one; ‘Mechanical appliances kill poetry,’ says another; and a pack of

fools wail over the fate of the flowers, as though anybody wished the

flowers any harm! I’m sick of all such twaddle; I should like to answer

all that snivelling with some work of open defiance. I should take a

pleasure in shocking those good people. Shall I tell you what was the

finest thing I ever produced since I first began to work, and the one

which I recall with the greatest pleasure? It’s quite a story. When I

was at my Aunt Lisa’s on Christmas Eve last year that idiot of an

Auguste, the assistant, was setting out the shop-window. Well, he quite

irritated me by the weak, spiritless way in which he arranged the

display; and at last I requested him to take himself off, saying that I

would group the things myself in a proper manner. You see, I had plenty

of bright colours to work with—the red of the tongues, the yellow of

the hams, the blue of the paper shavings, the rosy pink of the things

that had been cut into, the green of the sprigs of heath, and the black

of the black-puddings—ah! a magnificent black, which I have never

managed to produce on my palette. And naturally, the _crepine_, the

small sausages, the chitterlings, and the crumbed trotters provided me

with delicate greys and browns. I produced a perfect work of art. I

took the dishes, the plates, the pans, and the jars, and arranged the

different colours; and I devised a wonderful picture of still life,

with subtle scales of tints leading up to brilliant flashes of colour.

The red tongues seemed to thrust themselves out like greedy flames, and

the black-puddings, surrounded by pale sausages, suggested a dark night

fraught with terrible indigestion. I had produced, you see, a picture

symbolical of the gluttony of Christmas Eve, when people meet and

sup—the midnight feasting, the ravenous gorging of stomachs void and

faint after all the singing of hymns.[*] At the top of everything a

huge turkey exhibited its white breast, marbled blackly by the truffles

showing through its skin. It was something barbaric and superb,

suggesting a paunch amidst a halo of glory; but there was such a

cutting, sarcastic touch about it all that people crowded to the

window, alarmed by the fierce flare of the shop-front. When my aunt

Lisa came back from the kitchen she was quite frightened, and thought

I’d set the fat in the shop on fire; and she considered the appearance

of the turkey so indelicate that she turned me out of the place while

Auguste re-arranged the window after his own idiotic fashion. Such

brutes will never understand the language of a red splotch by the side

of a grey one. Ah, well! that was my masterpiece. I have never done

anything better.”

[*] An allusion to the “midnight mass” usually celebrated in Roman

Catholic churches on Christmas Eve.—Translator.

He relapsed into silence, smiling and dwelling with gratification on

this reminiscence. The cart had now reached the Arc de Triomphe, and

strong currents of air swept from the avenues across the expanse of

open ground. Florent sat up, and inhaled with zest the first odours of

grass wafted from the fortifications. He turned his back on Paris,

anxious to behold the country in the distance. At the corner of the Rue

de Longchamp, Madame Francois pointed out to him the spot where she had

picked him up. This rendered him thoughtful, and he gazed at her as she

sat there, so healthy-looking and serene, with her arms slightly

extended so as to grasp the reins. She looked even handsomer than Lisa,

with her neckerchief tied over her head, her robust glow of health, and

her brusque, kindly air. When she gave a slight cluck with her tongue,

Balthazar pricked up his ears and rattled down the road at a quicker

pace.

On arriving at Nanterre, the cart turned to the left into a narrow

lane, skirted some blank walls, and finally came to a standstill at the

end of a sort of blind alley. It was the end of the world, Madame

Francois used to say. The load of vegetable leaves now had to be

discharged. Claude and Florent would not hear of the journeyman

gardener, who was planting lettuces, leaving his work, but armed

themselves with pitchforks and proceeded to toss the leaves into the

manure pit. This occupation afforded them much amusement. Claude had

quite a liking for manure, since it symbolises the world and its life.

The strippings and parings of the vegetables, the scourings of the

markets, the refuse that fell from that colossal table, remained full

of life, and returned to the spot where the vegetables had previously

sprouted, to warm and nourish fresh generations of cabbages, turnips,

and carrots. They rose again in fertile crops, and once more went to

spread themselves out upon the market square. Paris rotted everything,

and returned everything to the soil, which never wearied of repairing

the ravages of death.

“Ah!” exclaimed Claude, as he plied his fork for the last time, “here’s

a cabbage-stalk that I’m sure I recognise. It has grown up at least

half a score of times in that corner yonder by the apricot tree.”

This remark made Florent laugh. But he soon became grave again, and

strolled slowly through the kitchen garden, while Claude made a sketch

of the stable, and Madame Francois got breakfast ready. The kitchen

garden was a long strip of ground, divided in the middle by a narrow

path; it rose slightly, and at the top end, on raising the head, you

could perceive the low barracks of Mont Valerien. Green hedges

separated it from other plots of land, and these lofty walls of

hawthorn fringed the horizon with a curtain of greenery in such wise

that of all the surrounding country Mont Valerien alone seemed to rise

inquisitively on tip-toe in order to peer into Madame Francois’s close.

Great peacefulness came from the countryside which could not be seen.

Along the kitchen garden, between the four hedges, the May sun shone

with a languid heat, a silence disturbed only by the buzzing of

insects, a somnolence suggestive of painless parturition. Every now and

then a faint cracking sound, a soft sigh, made one fancy that one could

hear the vegetables sprout into being. The patches of spinach and

sorrel, the borders of radishes, carrots, and turnips, the beds of

potatoes and cabbages, spread out in even regularity, displaying their

dark leaf-mould between their tufts of greenery. Farther away, the

trenched lettuces, onions, leeks, and celery, planted by line in long

straight rows, looked like soldiers on parade; while the peas and beans

were beginning to twine their slender tendrils round a forest of

sticks, which, when June came, they would transform into a thick and

verdant wood. There was not a weed to be seen. The garden resembled two

parallel strips of carpet of a geometrical pattern of green on a

reddish ground, which were carefully swept every morning. Borders of

thyme grew like greyish fringe along each side of the pathway.

Florent paced backwards and forwards amidst the perfume of the thyme,

which the sun was warming. He felt profoundly happy in the peacefulness

and cleanliness of the garden. For nearly a year past he had only seen

vegetables bruised and crushed by the jolting of the market-carts;

vegetables torn up on the previous evening, and still bleeding. He

rejoiced to find them at home, in peace in the dark mould, and sound in

every part. The cabbages had a bulky, prosperous appearance; the

carrots looked bright and gay; and the lettuces lounged in line with an

air of careless indolence. And as he looked at them all, the markets

which he had left behind him that morning seemed to him like a vast

mortuary, an abode of death, where only corpses could be found, a

charnel-house reeking with foul smells and putrefaction. He slackened

his steps, and rested in that kitchen garden, as after a long

perambulation amidst deafening noises and repulsive odours. The uproar

and the sickening humidity of the fish market had departed from him;

and he felt as though he were being born anew in the pure fresh air.

Claude was right, he thought. The markets were a sphere of death. The

soil was the life, the eternal cradle, the health of the world.

“The omelet’s ready!” suddenly cried Madame Francois.

When they were all three seated round the table in the kitchen, with

the door thrown open to the sunshine, they ate their breakfast with

such light-hearted gaiety that Madame Francois looked at Florent in

amazement, repeating between each mouthful: “You’re quite altered.

You’re ten years younger. It is that villainous Paris which makes you

seem so gloomy. You’ve got a little sunshine in your eyes now. Ah!

those big towns do one’s health no good, you ought to come and live

here.”

Claude laughed, and retorted that Paris was a glorious place. He stuck

up for it and all that belonged to it, even to its gutters; though at

the same time retaining a keen affection for the country.

In the afternoon Madame Francois and Florent found themselves alone at

the end of the garden, in a corner planted with a few fruit trees.

Seated on the ground, they talked somewhat seriously together. The good

woman advised Florent with an affectionate and quite maternal kindness.

She asked him endless questions about his life, and his intentions for

the future, and begged him to remember that he might always count upon

her, if ever he thought that she could in the slightest degree

contribute to his happiness. Florent was deeply touched. No woman had

ever spoken to him in that way before. Madame Francois seemed to him

like some healthy, robust plant that had grown up with the vegetables

in the leaf-mould of the garden; while the Lisas, the Normans, and

other pretty women of the markets appeared to him like flesh of

doubtful freshness decked out for exhibition. He here enjoyed several

hours of perfect well-being, delivered from all that reek of food which

sickened him in the markets, and reviving to new life amidst the

fertile atmosphere of the country, like that cabbage stalk which Claude

declared he had seen sprout up more than half a score of times.

The two men took leave of Madame Francois at about five o’clock. They

had decided to walk back to Paris; and the market gardener accompanied

them into the lane. As she bade good-bye to Florent, she kept his hand

in her own for a moment, and said gently: “If ever anything happens to

trouble you, remember to come to me.”

For a quarter of an hour Florent walked on without speaking, already

getting gloomy again, and reflecting that he was leaving health behind

him. The road to Courbevoie was white with dust. However, both men were

fond of long walks and the ringing of stout boots on the hard ground.

Little clouds of dust rose up behind their heels at every step, while

the rays of the sinking sun darted obliquely over the avenue,

lengthening their shadows in such wise that their heads reached the

other side of the road, and journeyed along the opposite footway.

Claude, swinging his arms, and taking long, regular strides,

complacently watched these two shadows, whilst enjoying the rhythmical

cadence of his steps, which he accentuated by a motion of his

shoulders. Presently, however, as though just awaking from a dream, he

exclaimed: “Do you know the ‘Battle of the Fat and the Thin’?”

Florent, surprised by the question, replied in the negative; and

thereupon Claude waxed enthusiastic, talking of that series of prints

in very eulogical fashion. He mentioned certain incidents: the Fat, so

swollen that they almost burst, preparing their evening debauch, while

the Thin, bent double by fasting, looked in from the street with the

appearance of envious laths; and then, again, the Fat, with hanging

cheeks, driving off one of the Thin, who had been audacious enough to

introduce himself into their midst in lowly humility, and who looked

like a ninepin amongst a population of balls.

In these designs Claude detected the entire drama of human life, and he

ended by classifying men into Fat and Thin, two hostile groups, one of

which devours the other, and grows fat and sleek and enjoys itself.

“Cain,” said he, “was certainly one of the Fat, and Abel one of the

Thin. Ever since that first murder, there have been rampant appetites

which have drained the life-blood of small eaters. It’s a continual

preying of the stronger upon the weaker; each swallowing his neighbour,

and then getting swallowed in his turn. Beware of the Fat, my friend.”

He relapsed into silence for a moment, still watching their two

shadows, which the setting sun elongated more than ever. Then he

murmured: “You see, we belong to the Thin—you and I. Those who are no

more corpulent than we are don’t take up much room in the sunlight,

eh?”

Florent glanced at the two shadows, and smiled. But Claude waxed angry,

and exclaimed: “You make a mistake if you think it is a laughing

matter. For my own part, I greatly suffer from being one of the Thin.

If I were one of the Fat, I could paint at my ease; I should have a

fine studio, and sell my pictures for their weight in gold. But,

instead of that, I’m one of the Thin; and I have to grind my life out

in producing things which simply make the Fat ones shrug their

shoulders. I shall die of it all in the end, I’m sure of it, with my

skin clinging to my bones, and so flattened that they will be able to

bury me between two leaves of a book. And you, too, you are one of the

Thin, a wonderful one; the very king of Thin, in fact! Do you remember

your quarrel with the fish-wives? It was magnificent; all those

colossal bosoms flying at your scraggy breast! Oh! they were simply

acting from natural instinct; they were pursuing one of the Thin just

as cats pursue a mouse. The Fat, you know, have an instinctive hatred

of the Thin, to such an extent that they must needs drive the latter

from their sight, either by means of their teeth or their feet. And

that is why, if I were in your place, I should take my precautions. The

Quenus belong to the Fat, and so do the Mehudins; indeed, you have none

but Fat ones around you. I should feel uneasy under such

circumstances.”

“And what about Gavard, and Mademoiselle Saget, and your friend

Marjolin?” asked Florent, still smiling.

“Oh, if you like, I will classify all our acquaintances for you,”

replied Claude. “I’ve had their heads in a portfolio in my studio for a

long time past, with memoranda of the order to which they belong.

Gavard is one of the Fat, but of the kind which pretends to belong to

the Thin. The variety is by no means uncommon. Mademoiselle Saget and

Madame Lecœur belong to the Thin, but to a variety which is much to be

feared—the Thin ones whom envy drives to despair, and who are capable

of anything in their craving to fatten themselves. My friend Marjolin,

little Cadine, and La Sarriette are three Fat ones, still innocent,

however, and having nothing but the guileless hunger of youth. I may

remark that the Fat, so long as they’ve not grown old, are charming

creatures. Monsieur Lebigre is one of the Fat—don’t you think so? As

for your political friends, Charvet, Clemence, Logre, and Lacaille,

they mostly belong to the Thin. I only except that big animal

Alexandre, and that prodigy Robine, who has caused me a vast amount of

annoyance.”

The artist continued to talk in this strain from the Pont de Neuilly to

the Arc de Triomphe. He returned to some of those whom he had already

mentioned, and completed their portraits with a few characteristic

touches. Logre, he said, was one of the Thin whose belly had been

placed between his shoulders. Beautiful Lisa was all stomach, and the

beautiful Norman all bosom. Mademoiselle Saget, in her earlier life,

must have certainly lost some opportunity to fatten herself, for she

detested the Fat, while, at the same time, she despised the Thin. As

for Gavard, he was compromising his position as one of the Fat, and

would end by becoming as flat as a bug.

“And what about Madame Francois?” Florent asked.

Claude seemed much embarrassed by this question. He cast about for an

answer, and at last stammered:

“Madame Francois, Madame Francois—well, no, I really don’t know; I

never thought about classifying her. But she’s a dear good soul, and

that’s quite sufficient. She’s neither one of the Fat nor one of the

Thin!”

They both laughed. They were now in front of the Arc de Triomphe. The

sun, over by the hills of Suresnes, was so low on the horizon that

their colossal shadows streaked the whiteness of the great structure

even above the huge groups of statuary, like strokes made with a piece

of charcoal. This increased Claude’s merriment, he waved his arms and

bent his body; and then, as he started on his way again, he said; “Did

you notice—just as the sun set our two heads shot up to the sky!”

But Florent no longer smiled. Paris was grasping him again, that Paris

which now frightened him so much, after having cost him so many tears

at Cayenne. When he reached the markets night was falling, and there

was a suffocating smell. He bent his head as he once more returned to

the nightmare of endless food, whilst preserving the sweet yet sad

recollection of that day of bright health odorous with the perfume of

thyme.

The Fat and the Thin · 第 6 / 9 章