I see these Shapes before me all unfold,

But ne'er can fix them on the lofty wall,

Nor tell them, save as she of Endor told

What she beheld to Saul.

WASHINGTON AND LEE.

(_From Memorial Ode._)

Our history is a shining sea

Locked in by lofty land,

And its great Pillars of Hercules,

Above the shifting sand

I here behold in majesty

Uprising on each hand.

These Pillars of our history,

In fame forever young,

Are known in every latitude

And named in every tongue,

And down through all the Ages

Their story shall be sung.

The Father of his Country

Stands above that shut-in sea,

A glorious symbol to the world

Of all that's great and free;

And to-day Virginia matches him--

And matches him with Lee.

FOOTNOTE:

[32] By permission of Mrs. Jane Barren Hope Marr.

JAMES WOOD DAVIDSON.

~1829=----.~

JAMES WOOD DAVIDSON was born in Newberry County, South Carolina, and

educated at South Carolina College, Columbia. He taught at Winnsboro

and at Columbia until the opening of the war, when he enlisted as a

volunteer in the Army of Northern Virginia, and served throughout the

great struggle. After the war he taught again in Columbia till 1871.

Then he removed to Washington and in 1873 to New York, where he

engaged in literary and journalistic work. He has also lived in

Florida and represented Dade County in the State Legislature. He is

now living in Washington City.

WORKS.

Living Writers of the South, (1869).

The Correspondent.

Poetry of the Future.

Dictionary of Southern Authors, [unfinished].

School History of South Carolina.

Bell of Doom, [a poem].

Florida of To-day.

Helen of Troy, [a romance of ancient Greece; unfinished.]

Dr. Davidson's "Living Writers of the South" has made his name well

known as a critic and student of literature, and his labors in behalf

of Southern letters entitle him to high regard.

THE BEAUTIFUL AND THE POETICAL.

(_From Poetry of the Future._[33])

The relation between the Beautiful and Beauty on the one hand, and the

Poetical and Poetry on the other, has generally been seen, when seen

at all, vaguely; that is to say, seen as the Beautiful and the

Poetical themselves have been seen--"in a mirror darkly." This

indistinctness seems to have grown out of the faulty views of nature

taken by the speculators. . . . . . . . . . In brief, then, Nature is

an effect--a product--of a Power lying behind or above it; and it

stands, accordingly, to that Power in the relation of an effect to a

cause. That cause we shall describe as Spiritual; the effect, as

Natural. The Natural, or Nature, is the material Universe embracing

the three kingdoms, known as mineral, vegetable, and animal. . . . .

Such being the case, everything in nature is a correspondent of some

thing--is expressive of and consequently representative and

exponential of something--above it or behind it; and that something is

an idea--a thing not material. It follows, then, that every object in

nature has real character in itself as a representative of an idea;

just as, say, an anchor is representative of hope, a heart, of love,

an olive branch, of peace, and a ring, of marriage. . .

We next come to consider the percipient mind. Men's minds have limited

and imperfect faculties and capabilities. That which is good, or true,

or beautiful, to one mind can hardly be the same in the same way and

degree to any other mind. It is true--as some writers have stated, but

none seems willing to push the propositions to their legitimate

conclusions--that the Good and the Beautiful are true, the Beautiful

and the True are good, and the True and the Good are beautiful. We

wish to accept the propositions in their most comprehensive scope and

with all their legitimate consequences.

Let us note, at this point, the fact, obvious enough but generally

overlooked, that in perception the result depends far more upon the

percipient mind than upon the object perceived. To a ploughboy, a

pebble is an insignificant thing, suggestive possibly of some

discomfort in walking, and fit only to shy at a bird, may be; but to

the geologist it appears worthy a volume, and speaks to him of strata

may be a million of years old, of glacial attrition, of volcanic

action, of chemical constituents, of mineralogical principles, and

crystallogenic attraction, of mathematical laws and geometric angles,

and of future geognostic changes. That is to say, the pebble contracts

and expands, as it were, with the faculties and the prejudices of the

person--of the mind--that sees it.

Or, again: The crescent moon is visible in the clear sky. _A_ sees a

bright convenience which enables him to walk better--not so good a

light as the full moon would be, but valuable as far as it goes. _B_

sees a lovely luminary to light him to his lady-love, a hallowed eye

half shut that watches with protecting radiance over her slumbers. _C_

reckons the intervening 238,000 miles, its diameter of 2,162.3 miles,

and his mind busies itself with orbits, radii, ellipses, eclipses,

azimuth, parallax, sidereal periods, satellitic inclinations, and

synodic revolutions. _D_, with a turn for symbols and history, sees in

it something of the "ornaments like the moon" that Gideon captured

from the Sheikhs Zebah and Zalmunna, something of Byzantine siege,

Ottoman ensign, the Crusades, the Knighthood of Selim, the battle of

Tours, and the city of New Orleans. . . . . . . . .

The Beautiful . . . . is a relation between the man that sees and the

object seen. A perfectly harmonious relation brings perfect beauty.

The Poetical . . . . is the beautiful; and this may be expressed

either in prose or in poetry. . . . . . . . . .

Poetry, more closely defined, is the poetical expressed in rhythmical

language.

FOOTNOTE:

[33] By permission of the author.

CHARLES COLCOCK JONES, JR.

~1831=1893.~

CHARLES COLCOCK JONES, JR., was born at Savannah, Georgia, and made

his literary fame by special study of the history of Georgia and the

life of the Southern Indians. He was by profession a lawyer, was

colonel of artillery in the Confederate Army, and from 1865 to 1877

lived and practised law in New York City. Since 1877 his home was

"Montrose" near Augusta, Georgia, where he left a fine library and

large collections of Indian curiosities and of portraits and

autographs. His style is full and flowing, and the following list

shows his great activity with his pen.

WORKS.

Indian Remains in Southern Georgia.

Ancient Tumuli and Structures in Georgia.

Dead Towns of Georgia.

Last Days of Gen. Henry Lee.

Life, Labors, and Neglected Grave of Richard Henry Wilde.

Negro Myths from the Georgia Coast.

Histories of Savannah and Augusta.

English Colonization of Georgia.

_Edited_ his father's works.

History of Georgia.

Sketch of Tomo-chi-chi.

Antiquities of the Southern Indians.

Life of Jasper: of Tatnall: of De Soto: of Purry: of Jenkins: of

Habersham: of Gen. Robert Toombs: of Elbert: of John Percival.

Addresses to Confederate Association, and Historical Society, and

on Greene, Pulaski, Stephens.

Colonel Jones is the most prolific author that Georgia has produced

and his works place him at the head of her historical writers.

SALZBURGER SETTLEMENT IN GEORGIA.

(_From History of Georgia._[34])

During the four years commencing in 1729 and ending in 1732, more than

thirty thousand Salzburgers, impelled by the fierce persecutions of

Leopold, abandoned their homes in the broad valley of the Salza, and

sought refuge in Prussia, Holland, and England, where their past

sufferings and present wants enlisted the profound sympathy of

Protestant communities. In the public indignation engendered by their

unjustifiable and inhuman treatment, and in the general desire to

alleviate their sufferings, Oglethorpe and the trustees fully shared.

An asylum in Georgia was offered.

. . . . . . .

Forty-two men with their families, numbering in all seventy-eight

souls, set out on foot for Rotterdam. They came from the town of

Berchtolsgaden and its vicinity. . . . On the 2d of December they

embarked for England. On the 8th of January, 1734 (O. S.), having a

favorable wind, they departed in the ship _Purisburg_ for Savannah.

. . . . . . .

. . . Upon the return of Mr. Oglethorpe and the commissary, Baron Von

Reck, [sent to examine the site of the new colony] to Savannah, nine

able-bodied Salzburgers were dispatched, by the way of Abercorn, to

Ebenezer, to cut down trees and erect shelters for the new colonists.

On the 7th of April the rest of the emigrants arrived, and, with the

blessing of the good Mr. Bolzius, entered at once upon the task of

clearing land, constructing bridges, building shanties, and preparing

a road-way to Abercorn. Wild honey found in a hollow tree greatly

refreshed them, and parrots and partridges made them "a very good

dish." Upon the sandy soil they fixed their hopes for a generous yield

of peas and potatoes. To the "black, fat, and heavy" land they looked

for all sorts of corn. From the clayey soil they purposed

manufacturing bricks and earthenware.

On the first of May lots were drawn upon which houses were to be

erected in the town of Ebenezer. The day following, the hearts of the

people were rejoiced by the coming of ten cows and calves,--sent as a

present from the magistrates of Savannah in obedience to Mr.

Oglethorpe's orders. Ten casks "full of all Sorts of Seeds" arriving

from Savannah set these pious people to praising God for all his

loving kindnesses. Commiserating their poverty, the Indians gave them

deer, and their English neighbors taught them how to brew a sort of

beer made of molasses, sassafras, and pine tops. Poor Lackner dying,

by common consent the little money he left was made the "Beginning of

a Box for the Poor." . . . . . . . . By appointment, Monday, the 13th

of May, was observed by the congregation as a season of

thanksgiving. . . . .

Of the town of Savannah, the Baron Von Reck favors us with the

following impressions: "I went to view this rising Town, _Savannah_,

seated upon the Banks of a River of the same Name. The Town is

regularly laid out, divided into four Wards, in each of which is left

a spacious Square for holding of Markets and other publick Uses. The

Streets are all straight, and the Houses are all of the same Model and

Dimensions, and well contrived for Conveniency. For the Time it has

been built it is very populous, and its Inhabitants are all White

People. And indeed the Blessing of God seems to have gone along with

this Undertaking, for here we see Industry honored and Justice

strictly executed, and Luxury and Idleness banished from this happy

Place where Plenty and Brotherly Love seem to make their Abode, and

where the good Order of a Nightly Watch restrains the Disorderly and

makes the Inhabitants sleep secure in the midst of a Wilderness.

"There is laid out near the Town, by order of the Trustees, a Garden

for making Experiments for the Improving Botany and Agriculture; it

contains 10 Acres and lies upon the River; and it is cleared and

brought into such Order that there is already a fine Nursery of

Oranges, Olives, white Mulberries, Figs, Peaches, and many curious

Herbs: besides which there are Cabbages, Peas, and other European

Pulse and Plants which all thrive. Within the Garden there is an

artificial Hill, said by the Indians to be raised over the Body of one

of their ancient Emperors.

"I had like to have forgot one of the best Regulations made by the

Trustees for the Government of the Town of _Savannah_. I mean the

utter Prohibition of the Use of Rum, that flattering but deceitful

Liquor which has been found equally pernicious to the Natives and new

Comers, which seldoms fails by Sickness or Death to draw after it its

own Punishment."

FOOTNOTE:

[34] By permission of Mr. Charles Edgeworth Jones.

MARY VIRGINIA TERHUNE.

~ca. 1831=----.~

[Illustration: ~Mary Washington Monument, Fredericksburg, Va.~]

MRS. TERHUNE, better known as "Marion Harland," was born in Amelia

County, Virginia, where her father, Samuel P. Hawes, a merchant from

Massachusetts, had made his home. She began writing at the early age of

fourteen. In 1856, she was married to Rev. E. P. Terhune and since 1859

has lived in the North. Her novels, dealing chiefly with Southern life,

are very popular and have made her well known North and South. "The

Story of Mary Washington" was written in order to aid the enterprise for

a monument to the mother of Washington, which was happily consummated

May 10, 1894, by its unveiling at Fredericksburg, on which occasion

Mrs. Terhune was present, an honored guest.

WORKS.

Alone.

Moss Side.

Nemesis.

Husbands and Homes.

Helen Gardner's Wedding-Day.

Ruby's Husband.

At Last.

Empty Heart.

Judith, a Chronicle of Old Virginia.

Hidden Path.

Miriam.

Husks.

Sunnybank.

Christmas Holly.

Phemie's Temptation.

Common Sense in the Household.

Eve's Daughters.

A Gallant Fight.

Story of Mary Washington.

LETTER DESCRIBING MARY [BALL] WASHINGTON WHEN A YOUNG GIRL.

(_From Story of Mary Washington._[35])

"WMSBURG, _ye 7th of Octr, 1722_.

"_Dear Sukey_, Madam Ball of Lancaster and Her Sweet Molly have gone

Hom. Mamma thinks Molly the Comliest Maiden She Knows. She is about 16

yrs old, is taller than Me, is very Sensable, Modest and Loving. Her

Hair is like unto Flax, Her Eyes are the color of Yours, and her

Chekes are like May blossoms. I wish you could see her."

We do seem to see her in lingering over the portrait done in miniature

in colors that are fresh to this day. It is, as if in exploring a

catacomb, we had happened upon a fair chamber adorned with a frescoed

portrait of a girl-princess of a legendary age. Romancist and

biographer are one as we study the picture line by line. The brush was

dipped in the limner's heart and wrought passing well.

MADAM WASHINGTON AT THE PEACE BALL.

(_From the Same._)

Her only public appearance as the hero's mother was at the Peace Ball

given in Fredericksburg during the visit of Washington to that town.

With all her majestic self-command, she did not disguise the pleasure

with which she received the special request of the managers that she

would honor the occasion with her presence. There was even a happy

flutter in the playful rejoinder that "her dancing days were pretty

well over, but that if her coming would contribute to the general

pleasure she would attend."

. . . A path was opened from the foot to the top of the hall as they

appeared in the doorway, and "every head was bowed in reverence." It

must have been the proudest moment of her life, but she bore herself

with perfect composure then, and after her son, seating her in an

armchair upon the daïs reserved for distinguished guests, faced the

crowd in prideful expectancy that all his friends would seek to know

his mother. She had entered the hall at eight o'clock, and for two

hours held court, the most distinguished people there pressing eagerly

forward to be presented to her. . . . From her slightly elevated

position, she could, without rising, overlook the floor, and watched

with quiet pleasure the dancers, among them the kingly figure of the

Commander-in-Chief, who led a Fredericksburg matron through a minuet.

At ten o'clock, she signed to him to approach, and rose to take his

arm, saying in her clear soft voice, "Come, George, it is time for old

folks to be at home." Smiling a good-night to all, she walked down the

room, as erect in form and as steady in gait as any dancer there.

One of the French officers exclaimed aloud, as she disappeared:

"If such are the matrons of America, she may well boast of illustrious

sons!" . . . . .

Lafayette's report of his interview to his friends at Mt. Vernon was:

"I have seen the only Roman matron living at this day!"

FOOTNOTE:

[35] By permission of author and publishers, Houghton, Mifflin & Co.,

Boston.

AUGUSTA EVANS WILSON.

~1835=----.~

MRS. WILSON was born at Columbus, Georgia, but early removed to

Mobile, Alabama. Her first novel was "Inez: a Tale of the Alamo,"

published in 1855. She was married to Mr. L. M. Wilson of Mobile in

1868, and they had a delightful suburban home at Spring Hill. Since

Mr. Wilson's death, she resides in Mobile. Her novels, especially "St.

Elmo," have made a great sensation in the reading world: they evince

great ability and learning. See Miss Rutherford's "American Authors."

WORKS.

Inez: a Tale of the Alamo.

Macaria.

Vashti.

At the Mercy of Tiberius.

Beulah.

St. Elmo.

Infelice.

"_St. Elmo_ contains a description of that marvel of oriental

architecture, the Taj Mahal at Agra in India,--a marble tomb erected

to perpetuate the name of Noormahal, whom Tom Moore has immortalized

in his 'Lalla Rookh.' A recent traveller visiting Agra in 1891 writes

that he was surprised to find a Parsee boy almost in the shadow of the

Taj Mahal reading a copy of the London edition of Mrs. Wilson's

_Vashti_. . . . Her style has been severely criticised as pedantic,

but certainly this charge may with equal justice be brought against

George Meredith, Bulwer, and George Eliot, and it is well established

that Mrs. Wilson's books have in many instances stimulated her young

readers to study history, mythology, and the sciences, from which she

so frequently draws her illustrations."--Miss Rutherford.

A LEARNED AND INTERESTING CONVERSATION.

(_From St. Elmo._[36])

Edna had risen to leave the room when the master of the house entered,

but at his request resumed her seat and continued reading.

After searching the shelves unavailingly, he glanced over his shoulder

and asked:

"Have you seen my copy of De Guérin's Centaur anywhere about the

house? I had it a week ago."

"I beg your pardon, sir, for causing such a fruitless search; here is

the book. I picked it up on the front steps where you were reading a

few evenings since, and it opened at a passage that attracted my

attention."

She closed the volume and held it toward him, but he waved it back.

"Keep it if it interests you. I have read it once, and merely wished

to refer to a particular passage. Can you guess what sentence most

frequently recurs to me? If so, read it to me."

He drew a chair close to the hearth and lighted his cigar.

Hesitatingly Edna turned the leaves.

"I am afraid, sir, that my selection will displease you."

"I will risk it, as, notwithstanding your flattering opinion to the

contrary, I am not altogether so unreasonable as to take offense at a

compliance with my own request."

Still she shrank from the task he imposed, and her fingers toyed with

the scarlet fuchsias; but after eyeing her for a while, he leaned

forward and pushed the glass bowl beyond her reach.

"Edna, I am waiting."

"Well, then, Mr. Murray, I should think that these two passages would

impress you with peculiar force."

Raising the book, she read with much emphasis:

"'Thou pursuest after wisdom, O Melampus! which is the science of the

will of the gods; _and thou roamest from people to people, like a

mortal driven by the destinies_. In the times when I kept my

night-watches before the caverns, I have sometimes believed that I was

about to surprise the thoughts of the sleeping Cybele, and that the

mother of the gods, betrayed by her dreams, would let fall some of her

secrets. But I have never yet made out more than sounds which faded

away in the murmur of night, or words inarticulate as the bubbling of

the rivers.' . . . 'Seekest thou to know the gods, O Macareus! and

from what source, men, animals, and elements of the universal fire

have their origin? The aged ocean, the father of all things, keeps

locked within his own breast these secrets; and the nymphs who stand

around sing as they weave their eternal dance before him, to cover any

sound which might escape from his lips, half opened by slumber.

Mortals dear to the gods for their virtue have received from their

hands lyres to give delight to man, or the seeds of new plants to make

him rich, but from their inexorable lips--nothing!'

"Mr. Murray, am I correct in my conjecture?"

"Quite correct," he answered, smiling grimly.

Taking the book from her hand he threw it on the table, and tossed his

cigar into the grate, adding in a defiant, challenging tone:

"The mantle of Solomon did not fall at Le Cayla on the shoulders of

Maurice de Guérin. After all he was a wretched hypochondriac, and a

tinge of _le cahier vert_ doubtless crept into his eyes."

"Do you forget, sir, that he said, 'When one is a wanderer, one feels

that one fulfils the true condition of humanity?' and that among his

last words are these, 'The stream of travel is full of delight. Oh!

who will set me adrift on this Nile?'"

"Pardon me if I remind you, _par parenthèse_, of the preliminary and

courteous _En garde!_ which should be pronounced before a thrust. De

Guérin felt starved in Languedoc, and no wonder! But had he penetrated

every nook and cranny of the habitable globe, and traversed the vast

zaarahs which science accords the universe, he would have died at last

as hungry as Ugolino. I speak advisedly; for the true Io gad-fly,

_ennui_, has stung me from hemisphere to hemisphere, across

tempestuous oceans, scorching deserts, and icy mountain ranges. I have

faced alike the bourrans of the steppes, and the Samieli of Shamo, and

the result of my vandal life is best epitomized in those grand but

grim words of Bossuet: '_On trouve au fond du tout le vide et le

néant!_' Nineteen years ago, to satisfy my hunger, I set out to hunt

the daintiest food this world could furnish, and, like other fools,

have learned finally, that life is but a huge mellow golden Ösher,

that mockingly sifts its bitter dust upon our eager lips. Ah! truly,

_on trouve au fond du tout le vide et le néant_!"

"Mr. Murray, if you insist upon your bitter Ösher simile, why shut

your eyes to the palpable analogy suggested? Naturalists assert that

the Solanum, or apple of Sodom, contains in its normal state neither

dust nor ashes; unless it is punctured by an insect, (the Tenthredo),

which converts the whole of the inside into dust, leaving nothing but

the rind entire, without any loss of color. Human life is as fair and

tempting as the fruit of 'Ain Jidy,' till stung and poisoned by the

Tenthredo of sin."

All conceivable _suaviter in modo_ characterized his mocking

countenance and tone, as he inclined his haughty head and asked:

"Will you favor me by lifting on the point of your dissecting knife

this stinging sin of mine to which you refer? The noxious brood swarm

so teasingly about my ears that they deprive me of your cool, clear,

philosophic discrimination. Which particular Tenthredo of the buzzing

swarm around my spoiled apple of life would you advise me to select

for my _anathema maranatha_?"

"Of your history, sir, I am entirely ignorant; and even if I were not,

I should not presume to levy a tax upon it in discussions with you;

for, however vulnerable you may possibly be, I regard an _argumentum

ad hominem_ as the weakest weapon in the armory of dialectics--a

weapon too often dipped in the venom of personal malevolence. I merely

gave expression to my belief that miserable useless lives are sinful

lives." . . .

FOOTNOTE:

[36] By permission of the author, and of the publisher, G. W.

Dillingham, N. Y.

DANIEL BEDINGER LUCAS.

~1836=----.~

DANIEL BEDINGER LUCAS is a native of Charlestown, West Virginia, and

has reputation as a lawyer, orator, and judge. He was a soldier in the

Confederate Army and wrote his fine and best known poem, "The Land

Where We Were Dreaming," in 1865. He has served in the State

Legislature. His sister was also a poet and her verses are included in

the "Wreath of Eglantine."

WORKS.

Memoir of John Yates Bell.

Maid of Northumberland.

Ballads and Madrigals.

Wreath of Eglantine, and other Poems.

THE LAND WHERE WE WERE DREAMING.

(_From The Land We Love._[37])

Fair were our nation's visions, and as grand

As ever floated out of fancy-land;

Children were we in simple faith,

But god like children, whom nor death

Nor threat of danger drove from honor's path--

In the land where we were dreaming.

Proud were our men as pride of birth could render,

As violets our women pure and tender;

And when they spoke, their voices' thrill

At evening hushed the whip poor-will,

At morn the mocking bird was mute and still,

In the land where we were dreaming.

Southern Literature From 1579-1895 A comprehensive review, with copious extracts and criticisms for the use of schools and the general reader · 第 22 / 32 段