The second mile is between Fair Anna and the Arabian, and they lock in

the middle of it; but the Arabian gradually takes the lead, and when

they flash up to the stand he is ten yards ahead. Sir Archy is

distanced and withdrawn.

It would be impossible to describe the excitement of the crowd:--the

tremendous effect produced upon them by this reversal of all their

hopes and expectations. They roll about like waves, they shout, they

curse, they rumble and groan like a stormy sea.

The horses are the objects of every one's attention. Their condition

will go far to indicate the final result--and Sir Archy being led away

and withdrawn, the race now will be between Fair Anna and the Arabian.

Mr. James looks more solemn than ever, and all eyes are turned upon

him. Captain Waters is not visible--he is yonder, conversing with the

ladies.

But the horses! Fair Anna pants and breathes heavily: her coat is

drenched more completely than before with perspiration; her mouth

foams; she tosses her head; when the rake is applied to her back a

shower falls.

The Arabian is wet all over too; but he breathes regularly; his eye is

bright and his head calm. He has commenced running. The first

intention of Mr. James is to give up the race, but his pride will not

let him. He utters an oath, and gives renewed instructions to his

rider. These instructions are to whip and spur--to take the lead and

keep it, from the start.

The moment for the final struggle arrives, and Captain Ralph merely

says, "Rein free!"

The boys mount--the crowd opens; the drum taps and the animals are off

like lightning.

Fair Anna feels that all her previous reputation is at stake, and

flies like a deer. She passes around the first mile like a flash of

white light; but the Arabian is beside her. For a quarter of a mile

thereafter they run neck and neck--the rider of fair Anna lashes and

spurs desperately.

They come up to the quarter-stretch in the last mile at supernatural

speed:--the spectators rise on their toes and shout:--two shadows pass

them like the shadows of darting hawks:--the mare barely saves her

distance and the Arabian has triumphed.

If we could not describe the excitement after the second heat, what

possibility is there that we could convey an idea of the raging and

surging pandemonium which the crowd now came to resemble? Furious

cries--shouts--curses--applause--laughter--and the rattle of coin

leaving unwilling hands are some of the sounds. But here we must give

up:--as no mere pen can describe the raging of a great mass of water

lashed by an angry wind into foam and whistling spray and muttering

waves, which rise and fall and crash incessantly, so we cannot trace

the outline of the wildly excited crowd.

[Afterwards come contests with the quarter-staff, a wrestling match,

running matches, a contest of singing among "a dozen blushing

maidens," and of fiddling among twenty bold musicians: and the day is

wound up with a great banquet.]

FOOTNOTE:

[29] By permission of D. Appleton and Co., New York.

ZEBULON BAIRD VANCE.

~1830=1894.~

ZEBULON BAIRD VANCE was born in Buncombe County, North Carolina, and

was educated at Washington College, Tennessee, and at the University

of North Carolina. He studied law and began its practice in Asheville.

He was soon elected to the State Legislature and to Congress; and from

1854 to his death was continuously in public life except just after

the war. His wit and eloquence made him a great favorite both on the

stump and in Congress, and the influence he wielded in his state was

unbounded. He was opposed to secession, but joined his state in her

decision and became colonel of the 26th North Carolina Regiment, one

of the best of the army.

In 1862 he was elected governor of the State and was so active and

enterprising in getting aid by sea for the cause that he was called

the "War Governor of the South." He was in favor of considering the

negotiations for peace in 1863, but he neglected no measures to insure

the success of the Confederacy. In 1865 he was held a prisoner of war

for a few weeks in Washington.

[Illustration: ~State Capitol of North Carolina.~]

His political disabilities were not removed till 1872; in 1876 he was

elected governor of North Carolina, and in 1879, United States

Senator, having been elected and his seat refused him in 1870. His

death occurred in Washington City, and he is buried in Asheville. His

State is now preparing to erect a monument expressing her honor and

devotion to her illustrious son.

WORKS.

Speeches: (in Congress and on Public Occasions.)

CHANGES WROUGHT BY THE WAR.

(_From All About it--an address before the young men of Raleigh,

N. C.; published in "Land We Love" January, 1867._)

Virginia to the north of us was settled by English Cavaliers; South

Carolina, mainly by French Huguenots, both among the noblest stocks of

Western Europe. North Carolina, with but a slight infusion of each,

was settled by a sturdier--and in some respects--a better race than

either. She was emphatically the offspring of religious and political

persecution, and the vital stream of her infant life was of

Scotch-Irish origin. A cross of those two noble races has produced a

breed of men as renowned for great deeds and modest worth as perhaps

any other in this world. Two instances will suffice for this. Perhaps

the most manly and glorious feat of arms in modern times was the

defence of Londonderry, as the boldest and most remarkable state paper

was the Mecklenburg Declaration of Independence. Both were the work

mainly of men such as settled North Carolina.

_The Country Gentlemen._--Perhaps one of the most remarkable changes

which we may expect, is one that will soon be apparent on the face of

our country society. The abolition of slavery will do wonders here. It

puts an end to the reign of those lordly-landed proprietors, planters,

and farmers, who constituted so striking and so pleasant a feature in

our rural population. No longer the masters of hundreds of slaves

wherewith to cultivate their thousands of acres, the general cheapness

of lands in the South will prevent their forming around them a system

of dependent tenantry, since every industrious man will be able to

plough his own farm. They will therefore gradually sell off their

paternal acres, no longer within the scope of prudent management, and

seek homes in the towns and villages, or contract their establishments

to their means and altered condition. Agriculture will then pass

gradually into the hands of small farmers, and the great farms will

forever disappear.

I can scarcely imagine it possible for any one to view the steady

disappearance of the race of Southern country gentlemen without

genuine sorrow . . . the high-toned, educated, chivalrous,

intelligent, and hospitable Southern gentlemen, of whom each one who

hears me has at least a dozen in his mind's eye in Virginia and the

Carolinas: whose broad fields were cultivated by their own faithful

and devoted slaves, whose rudely splendid mansions stand where their

fathers reared them, among the oaks and the pines which greeted the

canoe of John Smith, welcomed the ships of Raleigh, and sheltered the

wild cavaliers of De Soto; whose hall doors stood wide open, and were

never shut except against a retreating guest;[30] whose cellar and

table abounded with the richest products of the richest lands in the

world, and whose hospitality was yet unstained by unrefined excess;

whose parlors and fire-sides were adorned by a courtly female grace

which might vie with any that ever lighted and blessed the home of

man; whose hands were taught from infancy to fly open to every

generous and charitable appeal, and whose minds were inured to all

self-respect and toleration, and whose strong brains were sudden death

to humbuggery, all the _isms_, and the whole family of mean and

pestilential fanaticism.

_The Negroes._--There is also a great change at hand for the

negro. . . Who that knew him as a contented, well-treated slave, did

not learn to love and admire the negro character? I, for one, confess

to almost an enthusiasm on the subject. The cheerful ring of their

songs at their daily tasks, their love for their masters and their

families, their politeness and good manners, their easily bought but

sincere gratitude, their deep-seated aristocracy--for your genuine

negro was a terrible aristocrat,--their pride in their own and their

master's dignity, together with their overflowing and never-failing

animal spirits, both during hours of labor and leisure, altogether,

made up an aggregation of joyous simplicity and fidelity--when not

perverted by harsh treatment--that to me was irresistible!

A remembrance of the seasons spent among them will perish only with

life. From the time of the ingathering of the crops, until after the

ushering in of the new year, was wont to be with them a season of

greater joy and festivity than with any other people on earth, of whom

it has been my lot to hear. In the glorious November nights of our

beneficent clime, after the first frosts had given a bracing sharpness

and a ringing clearness to the air, and lent that transparent blue to

the heavens through which the stars gleam like globes of sapphire,

when I have seen a hundred or more of them around the swelling piles

of corn, and heard their tuneful voices ringing with the chorus of

some wild refrain, I have thought I would rather far listen to them

than to any music ever sung to mortal ears; for it was the outpouring

of the hearts of happy and contented men, rejoicing over the abundance

which rewarded the labor of the closing year! And the listening, too,

has many a time and oft filled my bosom with emotions, and opened my

heart with charity and love toward this subject and dependent race,

such as no oratory, no rhetoric or minstrelsy in all this wide earth

could impart!

Nature ceased almost to feel fatigue in the joyous scenes which

followed. The fiddle and the banjo, animated as it would seem like

living things, literally knew no rest, night or day; while Terpichore

covered her face in absolute despair in the presence of that famous

_double-shuffle_ with which the long nights and "master's shoes" were

worn away together! . . . .

Who can forget the cook by whom his youthful appetite was fed? The

fussy, consequential old lady to whom I now refer, has often, during

my vagrant inroads into her rightful domains, boxed my infant jaws,

with an imperious, "Bress de Lord, git out of de way: dat chile never

kin git enuff": and as often relenting at sight of my hungry tears,

has fairly bribed me into her love again with the very choicest bits

of the savory messes of her art. She was haughty as Juno, and

aristocratic as though her naked ancestors had come over with the

Conqueror, or "drawn a good bow at Hastings," . . . and yet her pride

invariably melted at the sight of certain surreptitious quantities of

tobacco, with which I made my court to this high priestess of the

region sacred to the stomach.

And there, too, plainest of all, I can see the fat and chubby form of

my dear old nurse, whose encircling arms of love fondled and supported

me from the time whereof the memory of this man runneth not to the

contrary. All the strong love of her simple and faithful nature seemed

bestowed on her mistress' children, which she was not permitted to

give to her own, long, long ago left behind and dead in "ole

Varginney." Oh! the wonderful and touching stories of them, and a

hundred other things, which she has poured into my infant ears! How

well do I remember the marvellous story of the manner in which she

obtained religion, of her many and sore conflicts with the powers of

darkness, and of her first dawning hopes in that blessed gospel whose

richest glory is, that it is preached to the poor, such as she was!

From her lips, too, I heard my first ghost-story! Think of that! None

of your feeble make-believes of a ghost-story either, carrying

infidelity on its face; but a real bona-fide narrative, witnessed by

herself, and told with the earnestness of truth itself. How my knees

smote together, and my hair stood on end, "so called"--as I stared and

startled, and declared again and again with quite a sickly manhood

indeed, that _I wasn't scared a bit_!

Perhaps the proudest day of my boyhood was when I was able to present

her with a large and flaming red cotton handkerchief, wherewith in

turban style she adorned her head. And my satisfaction was complete

when my profound erudition enabled me to read for her on Sabbath

afternoons that most wonderful of all stories, the Pilgrim's Progress.

Nor was it uninstructive, or a slight tribute to the genius of the

immortal tinker--could I but have appreciated it--to observe the

varied emotions excited within her breast by the recital of those

fearful conflicts by the way, and of the unspeakable glories of the

celestial City, within whose portals of pearl I trust her faithful

soul has long since entered!

FOOTNOTE:

[30] As in the case of the gentleman for whom Senator Vance's native

county was named. He had over his front door the inscription:

"Buncombe Hall,

Welcome all!"

ALBERT PIKE.

~1809=1891.~

ALBERT PIKE was born in Boston, but after his twenty-second year made

his home in the South. He was a student at Harvard and taught for a

while; in 1831, he went to Arkansas, walking, it is said, five hundred

miles of the way, as his horse had run away in a storm.

He became an editor and then a lawyer, cultivating letters at the same

time, and wrote the "Hymns to the Gods." He served in the Mexican and

Civil Wars, with rank in the latter of Brigadier-General in the

Confederate army. He afterwards made his home in Washington City,

where he at first practised his profession, but later gave his

attention mostly to literature and Freemasonry.

WORKS.

Hymns to the Gods.

Prose Sketches and Poems.

Reports of Cases in the Supreme Court of Arkansas.

Works on Freemasonry.

Nugae, (including Hymns to the Gods).

The following poem is one of the best on that wonderful bird whose

song almost all Southern poets have celebrated. It has a classic ring

and reminds one of Keats' Odes on the Nightingale and on a Grecian

Urn.

TO THE MOCKING-BIRD.

Thou glorious mocker of the world! I hear

Thy many voices ringing through the glooms

Of these green solitudes; and all the clear,

Bright joyance of their song enthralls the ear,

And floods the heart. Over the spherèd tombs

Of vanished nations rolls thy music-tide;

No light from History's starlit page illumes

The memory of these nations; they have died:

None care for them but thou; and thou mayst sing

O'er me, perhaps, as now thy clear notes ring

Over their bones by whom thou once wast deified.

Glad scorner of all cities! Thou dost leave

The world's mad turmoil and incessant din,

Where none in other's honesty believe,

Where the old sigh, the young turn gray and grieve,

Where misery gnaws the maiden's heart within:

Thou fleest far into the dark green woods,

Where, with thy flood of music, thou canst win

Their heart to harmony, and where intrudes

No discord on thy melodies. Oh, where,

Among the sweet musicians of the air,

Is one so dear as thou to these old solitudes?

Ha! what a burst was that! The Æolian strain

Goes floating through the tangled passages

Of the still woods, and now it comes again,

A multitudinous melody,--like a rain

Of glassy music under echoing trees,

Close by a ringing lake. It wraps the soul

With a bright harmony of happiness,

Even as a gem is wrapped when round it roll

Thin waves of crimson flame; till we become

With the excess of perfect pleasure, dumb,

And pant like a swift runner clinging to the goal.

I cannot love the man who doth not love,

As men love light, the song of happy birds;

For the first visions that my boy-heart wove

To fill its sleep with, were that I did rove

Through the fresh woods, what time the snowy herds

Of morning clouds shrunk from the advancing sun

Into the depths of Heaven's blue heart, as words

From the Poet's lips float gently, one by one,

And vanish in the human heart; and then

I revelled in such songs, and sorrowed when,

With noon-heat overwrought, the music-gush was done.

I would, sweet bird, that I might live with thee,

Amid the eloquent grandeur of these shades,

Alone with nature,--but it may not be;

I have to struggle with the stormy sea

Of human life until existence fades

Into death's darkness. Thou wilt sing and soar

Through the thick woods and shadow-checkered glades,

While pain and sorrow cast no dimness o'er

The brilliance of thy heart; but I must wear,

As now, my garments of regret and care,--

As penitents of old their galling sackcloth wore.

Yet why complain? What though fond hopes deferred

Have overshadowed Life's green paths with gloom?

Content's soft music is not all unheard;

There is a voice sweeter than thine, sweet bird,

To welcome me within my humble home;

There is an eye, with love's devotion bright,

The darkness of existence to illume.

Then why complain? When Death shall cast his blight

Over the spirit, my cold bones shall rest

Beneath these trees; and, from thy swelling breast,

Over them pour thy song, like a rich flood of light.

WILLIAM TAPPAN THOMPSON.

~1812=1882.~

WILLIAM TAPPAN THOMPSON was a native of Ravenna, Ohio, the first white

child born in the Western Reserve. He removed to Georgia in 1835, and

became with Judge A. B. Longstreet editor of the "States Rights

Sentinel" at Augusta. He was subsequently editor of several other

papers, in one of which, the "Miscellany," appeared his famous

humorous "Letters of Major Jones."

From 1845 to 1850 he lived in Baltimore, editor with Park Benjamin of

the "Western Continent;" but he returned to Georgia and established

in Savannah the "Morning News" with which he was connected till his

death.

He served in the Confederate cause as aide to Gov. Joseph E. Brown,

and later as a volunteer in the ranks.

WORKS.

Major Jones's Courtship.

Major Jones's Chronicles of Pineville.

Major Jones's Sketches of Travel.

The Live Indian: a Farce.

John's Alive, and other Sketches, edited by his daughter.

_Dramatized_ The Vicar of Wakefield.

The titles of these books describe their contents, and the following

extract gives their style. The scenes are laid in Georgia; and even

when Major Jones travels, he remains a Georgian still.

MAJOR JONES'S CHRISTMAS PRESENT TO MARY STALLINGS.

(_From Major Jones's Courtship._[31])

They all agreed they would hang up a bag for me to put Miss Mary's

Crismus present in, on the back porch; and about ten o'clock I told

'em good-evenin' and went home.

I sot up till midnight, and when they wos all gone to bed, I went

softly into the back gate, and went up to the porch, and thar, shore

enough, was a great big meal-bag hangin' to the jice. It was monstrous

unhandy to git to it, but I was termined not to back out. So I sot

some chairs on top of a bench, and got hold of the rope, and let

myself down into the bag; but jist as I was gittin in, it swung agin

the chairs, and down they went with a terrible racket; but nobody

din't wake up but Miss Stallinses old cur dog, and here he come rippin

and tearin through the yard like rath, and round and round he went,

tryin to find out what was the matter. I scrooch'd down in the bag,

and didn't breathe louder nor a kitten, for fear he'd find me out;

and after a while he quit barkin.

The wind begun to blow bominable cold, and the old bag kept turnin

round and swingin so it made me sea-sick as the mischief. I was afraid

to move for fear the rope would break and let me fall, and thar I sot

with my teeth rattlin like I had a ager. It seemed like it would never

come daylight, and I do believe if I didn't love Miss Mary so powerful

I would froze to death; for my heart was the only spot that felt warm,

and it didn't beat more'n two licks a minit, only when I thought how

she would be supprised in the mornin, and then it went in a canter.

Bimeby the cussed old dog came up on the porch and begun to smell

about the bag, and then he barked like he thought he'd treed

something.

"Bow! wow! wow!" ses he. Then he'd smell agin, and try to git up to

the bag. "Git out!" ses I, very low, for fear the galls mought hear

me. "Bow! wow!" ses he. "Begone! you bominable fool!" ses I, and I

felt all over in spots, for I spected every minit he'd nip me, and

what made it worse, I didn't know wharabouts he'd take hold. "Bow!

wow! wow!" Then I tried coaxin--"Come here, good feller," ses I, and

whistled a little to him, but it wasn't no use. Thar he stood, and kep

up his everlastin barkin and whinin, all night. I couldn't tell when

daylight was breakin, only by the chickens crowin, and I was monstrous

glad to hear 'em, for if I'd had to stay thar one hour more, I don't

believe I'd ever got out of that bag alive.

Old Miss Stallins come out fust, and as soon as she seed the bag, ses

she: "What upon yeath has Joseph went and put in that bag for Mary?

I'll lay it's a yearlin or some live animal, or Bruin wouldn't bark at

it so."

She went in to call the galls, and I sot thar, shiverin all over so I

couldn't hardly speak if I tried to,--but I didn't say nothin. Bimeby

they all come runnin out on the porch.

"My goodness! what is it?" ses Miss Mary.

"Oh, it's alive!" ses Miss Kesiah. "I seed it move."

"Call Cato, and make him cut the rope," ses Miss Carline, "and let's

see what it is. Come here, Cato, and get this bag down."

"Don't hurt it for the world," ses Miss Mary.

Cato untied the rope that was round the jice, and let the bag down

easy on the floor, and I tumbled out, all covered with corn-meal from

head to foot.

"Goodness gracious!" ses Miss Mary, "if it ain't the Majer himself!"

"Yes," ses I, "and you know you promised to keep my Crismus present as

long as you lived."

The galls laughed themselves almost to death, and went to brushin off

the meal as fast as they could, sayin they was gwine to hang that bag

up every Crismus till they got husbands too. Miss Mary--bless her

bright eyes!--she blushed as beautiful as a mornin-glory, and sed

she'd stick to her word. . . . I do believe if I was froze stiff, one

look at her sweet face, as she stood thar lookin down to the floor

with her roguish eyes, and her bright curls fallin all over her snowy

neck, would have fotched me to. I tell you what, it was worth hangin

in a meal bag from one Crismus to another to feel as happy as I have

ever sense.

FOOTNOTE:

[31] By permission of T. B. Peterson and Brothers, Philadelphia.

JAMES BARRON HOPE.

~1827=1887.~

JAMES BARRON HOPE was born near Norfolk, Virginia, educated at William

and Mary College, and began the practice of law at Hampton. In 1857 he

wrote the poem for the two hundred and fiftieth anniversary of the

settlement of Jamestown, and in 1858 an Ode for the dedication of the

Washington Monument at Richmond. He also wrote poems for the "Southern

Literary Messenger," as _Henry Ellen_. In 1861 he entered the

Confederate service and fought through the war as captain. Afterwards

he settled in Norfolk to the practice of his profession. His best

poems are considered to be "Arms and the Man," and "Memorial Ode," the

latter written for the laying of the corner-stone of the Lee Monument

in Richmond, 1887, just before his death.

WORKS.

Leoni di Monota, [poems].

Elegiac Ode and other Poems.

Under the Empire, [novel].

Arms and the Man, and other Poems.

THE VICTORY AT YORKTOWN.

(_From Arms and the Man._[32])

A Metrical Address recited on the one hundredth anniversary of the

surrender of Lord Cornwallis at Yorktown, on invitation of the United

States Congress, October 19, 1881.

PROLOGUE.

Full-burnished through the long-revolving years

The ploughshare of a Century to-day

Runs peaceful furrows where a crop of Spears

Once stood in War's array.

And we, like those who on the Trojan plain

See hoary secrets wrenched from upturned sods;--

Who, in their fancy, hear resound again

The battle-cry of Gods;--

We now,--this splendid scene before us spread

Where Freedom's full hexameter began--

Restore our Epic, which the Nations read

As far its thunders ran.

Here visions throng on People and on Bard,

Ranks all a-glitter in battalions massed

And closed around as like a plumèd guard,

They lead us down the Past.

I see great Shapes in vague confusion march

Like giant shadows, moving vast and slow,

Beneath some torch-lit temple's mighty arch

Where long processions go.

Southern Literature From 1579-1895 A comprehensive review, with copious extracts and criticisms for the use of schools and the general reader · 第 21 / 32 段