“This patrol had just visited the crooked gallery and the three

blind alleys which are beneath the Rue du Cadran. While they were

taking their candle to the bottom of these blind alleys, Jean Valjean

had come to the entrance of the gallery upon his way, had found it

narrower than the principal passage, and had not entered it. He had

passed beyond. The policemen, on coming out from the Cadran gallery,

had thought they heard the sound of steps in the direction of the belt

sewer. It was, in fact, Jean Valjean’s steps. The sergeant in command

of the patrol lifted his lantern, and the squad began to look into the

mist in the direction whence the sound came.

“Jean Valjean saw these goblins form a kind of circle. These mastiffs’

heads drew near each other and whispered.

“The result of this council held by the watch-dogs was, that they had

been mistaken, that there had been no noise, that there was nobody

there, that it was needless to trouble themselves with the belt sewer.

[Sidenote: NARROW ESCAPE FROM CAPTURE.]

“The sergeant gave the order to file left towards the descent to the

Seine. If they had conceived the idea of dividing into two squads

and going in both directions, Jean Valjean would have been caught.

That hung by this thread. It is probable that the instructions from

the prefecture, foreseeing the possibility of a combat and that the

insurgents might be numerous, forbade the patrol to separate. The

patrol resumed its march, leaving Jean Valjean behind. Of all these

movements Jean Valjean perceived nothing except the eclipse of the

lantern, which suddenly turned back.

“Slow and measured steps resounded upon the floor for some time, more

and more deadened by the progressive increase of the distance; the

group of black forms sank away; a glimmer oscillated and floated,

making a ruddy circle in the vault, which decreased, then disappeared;

the silence became deep again; the obscurity became again complete;

blindness and deafness resumed possession of the darkness; and Jean

Valjean, not yet daring to stir, stood for a long time with his back

to the wall, his ear intent and eye dilated, watching the vanishing of

that phantom patrol.

“He resumed his march, and after a time felt that he was entering

water, and that he had under his feet pavement no longer, but mud.

[Sidenote: CAUGHT IN A QUICKSAND.]

“It sometimes happens, on certain coasts of Brittany or Scotland,

that a man, traveller or fisherman, walking on the beach at low tide

far from the bank, suddenly notices that for several minutes he has

been walking with some difficulty. The strand beneath his feet is

like pitch; his soles stick to it; it is sand no longer, it is glue.

The beach is perfectly dry, but at every step he takes, as soon as

he lifts his foot, the print which it leaves fills with water. The

eye, however, has noticed no change; the immense strand is smooth and

tranquil, all the sand has the same appearance, nothing distinguishes

the surface which is solid from the surface which is no longer so;

the joyous little cloud of sand-fleas continues to leap tumultuously

over the wayfarer’s feet. The man pursues his way, goes forward,

inclines towards the land, endeavors to get nearer the upland. He

is not anxious. Anxious about what? Only he feels somehow as if the

weight of his feet increased with every step which he takes. Suddenly

he sinks in. He sinks in two or three inches. Decidedly he is not on

the right road; he stops to take his bearings. All at once he looks at

his feet. His feet have disappeared. The sand covers them. He draws

his feet out of the sand; he will retrace his steps, he turns back,

he sinks in deeper. The sand comes up to his ankles; he pulls himself

out, and throws himself to the left; the sand is half leg deep ; he

throws himself to the right; the sand comes up to his shins. Then he

recognizes with unspeakable terror that he is caught in the quicksand,

and that he has beneath him the fearful medium in which man can no

more walk than the fish can swim. He throws off his load if he has

one, he lightens himself like a ship in distress; it is already too

late; the sand is above his knees.

[Sidenote: QUICKSANDS ON THE COAST OF BRITTANY.]

“He calls, he waves his hat or his handkerchief; the sand gains on

him more and more; if the beach is deserted, if the land is too far

off, if the sand-bank is of too ill repute, if there is no hero in

sight, it is all over; he is condemned to enlizement. He is condemned

to that appalling interment, long, infallible, implacable, impossible

to slacken or to hasten, which endures for hours, which will not end,

which seizes you erect, free and in full health, which draws you by

the feet, which, at every effort that you attempt, at every shout

that you utter, drags you a little deeper, which appears to punish

you for your resistance by a redoubling of its grasp, which sinks the

man slowly into the earth while it leaves him all the time to look at

the horizon, the trees, the green fields, the smoke of the villages

in the plain, the sails of the ships upon the sea, the birds flying

and singing, the sunshine, the sky. Enlizement is the grave become a

tide and rising from the depths of the earth towards a living man.

Each minute is an inexorable enshroudress. The victim attempts to sit

down, to lie down, to creep; every movement he makes inters him; he

straightens up, he sinks in; he feels that he is being swallowed up;

he howls, implores, cries to the clouds, wrings his hands, despairs.

Behold him waist deep in the sand; the sand reaches his breast; he is

now only a bust. He raises his arms, utters furious groans, clutches

the beach with his nails, would hold by that straw, leans upon his

elbows to pull himself out of this soft sheath, sobs frenziedly; the

sand rises. The sand reaches his shoulders, the sand reaches his neck;

the face alone is visible now. The mouth cries, the sand fills it;

silence. The eyes still gaze, the sand shuts them; night. Then the

forehead decreases, a little hair flutters above the sand; a hand

protrudes, comes through the surface of the beach, moves and shakes,

and disappears. Sinister effacement of a man.

“This fatal mishap, always possible upon one or another coast of the

sea, was also possible, thirty years ago, in the sewer of Paris.

[Sidenote: QUICKSAND IN THE SEWER.]

“The water filtered into certain underlying, particularly friable

soils; the floor, which was of paving-stones, as in the old sewers,

or of hydraulic cement upon concrete, as in the new galleries,

having lost its support, bent. A bend in a floor of that kind is a

crack, is a crumbling. The floor gave way over a certain space. This

crevasse, a hiatus in a gulf of mud, was called technically _fontis_.

What is a fontis? It is the quicksand of the sea-shore suddenly

encountered under ground; it is the beach of Mont St. Michel in a

sewer. The diluted soil is, as it were, in fusion; all its molecules

are in suspension in a soft medium; it is not land, and it is not

water. Depth sometimes very great. Nothing more fearful than such

a mischance. If the water predominates, death is prompt, there is

swallowing up; if the earth predominates, death is slow, there is

enlizement.

“Can you picture to yourself such a death? If enlizement is terrible

on the shore of the sea, what is it in the cloaca? Instead of the

open air, the full light, the broad day, that clear horizon, those

vast sounds, those free clouds whence rains life, those barks seen in

the distance, that hope under every form, probable passers, succor

possible until the last moment; instead of all that, deafness,

blindness, a black arch, an interior of a tomb already prepared, death

in the mire under a cover! the slow stifling by the filth, a stone box

in which asphyxia opens its claw in the slime and takes you by the

throat; fetidness mingled with the death rattle; mire instead of sand,

sulphuretted hydrogen instead of the hurricane, ordure instead of the

ocean; and to call, and to gnash your teeth, and writhe, and struggle,

and agonize, with that huge city above your head knowing nothing of it

all!

“The depth of the fontis varied, as well as its length, and its

density by reason of the more or less yielding character of the

subsoil. Sometimes a fontis was three or four feet deep, sometimes

eight or ten; sometimes no bottom could be found. The mire was here

almost solid, there almost liquid. In the Lunière fontis, it would

have taken a man a day to disappear, while he would have been devoured

in five minutes by the Phélippeaux slough. The mire bears more or less

according to its greater or less density. A child escapes where a man

is lost. The first law of safety is to divest yourself of every kind

of burden. To throw away his bag of tools, or his basket, or his hod,

is the first thing that every sewer-man does when he feels the soil

giving way beneath him.

[Sidenote: PERIL OF JEAN VALJEAN.]

“Jean Valjean found himself in presence of a fontis. A yielding of the

pavement, imperfectly upheld by the underlying sand, had occasioned a

damming of the rain-water. Infiltration having taken place, sinking

had followed. The floor, broken up, had disappeared in the mire.

For what distance? Impossible to say. The obscurity was deeper than

anywhere else. It was a mud-hole in the cavern of night.

“Jean Valjean felt the pavement slipping away under him. He entered

into this slime. It was water on the surface, mire at the bottom. He

must surely pass through. To retrace his steps was impossible. Marius

was expiring, and Jean Valjean exhausted. Where else could he go? Jean

Valjean advanced. Moreover, the quagmire appeared not very deep for

a few steps. But in proportion as he advanced, his feet sank in. He

very soon had the mire half-knee deep, and water above his knees. He

walked on, holding Marius with both arms as high above the water as he

could. The mud now came up to his knees, and the water to his waist.

He could no longer turn back. He sank in deeper and deeper. This mire,

dense enough for one man’s weight, evidently could not bear two.

Marius and Jean Valjean would have had a chance of escape separately.

Jean Valjean continued to advance, supporting this dying man, who was

perhaps a corpse.

“The water came up to his armpits; he felt that he was foundering; it

was with difficulty that he could move in the depth of mire in which

he was. The density, which was the support, was also the obstacle.

He still held Marius up, and with an unparalleled outlay of strength

he advanced; but he sank deeper. He now had only his head out of the

water, and his arms supporting Marius. There is in the old pictures of

the deluge a mother doing thus with her child.

“He sank still deeper, he threw his face back to escape the water, and

to be able to breathe; he who should have seen him in this obscurity

would have thought he saw a mask floating upon the darkness; he dimly

perceived Marius’s drooping head and livid face above him; he made

a desperate effort, and thrust his foot forward; his foot struck

something solid: a support. It was time.

[Sidenote: SAVED AT LAST.]

“He rose, and writhed, and rooted himself upon this support with a

sort of fury. It produced the effect upon him of the first step of a

staircase reascending towards life.

“This support, discovered in the mire at the last moment, was the

beginning of the other slope of the floor, which had bent without

breaking, and had curved beneath the water like a board, and in a

single piece. A well-constructed paving forms an arch, and has this

firmness. This fragment of the floor, partly submerged, but solid,

was a real slope, and, once upon this slope, they were saved. Jean

Valjean ascended this inclined plane, and reached the other side of

the quagmire.

“On coming out of the water, he struck against a stone, and fell upon

his knees. This seemed to him fitting, and he remained thus for some

time, his soul lost in unspoken prayer to God.

“He rose, shivering, chilled, infected, bending beneath this dying

man, whom he was dragging on, all dripping with slime, his soul filled

with a strange light.”

XXXVI.

MERCURY.

PROPERTIES AND PECULIARITIES OF MERCURY, OR

QUICKSILVER.—AMALGAMATION.—CINNABAR.—WHERE IT IS

FOUND.—ALMADEN AND OTHER MINES.—CURIOUS CUSTOMS AT

IDRIA.—MODES OF WORKING.—HUANCA VELICA.—QUICKSILVER MINES IN

CALIFORNIA.—CALIFORNIA LAWSUITS. - WONDERFUL PROPERTIES OF SPANISH

TITLES.—AN UNHAPPY ACCIDENT.—PRACTICAL VALUE OF AN EARTHQUAKE—AN

UNDERGROUND CHAPEL.

One of the most valuable mineral substances is the one which is known

as Mercury, or Quicksilver. It has many properties peculiar to no

other metal. At an ordinary temperature it is a fluid. At thirty-nine

or forty degrees below zero (Fahrenheit) it becomes solid, and

resembles lead. At six hundred and sixty-two degrees (Fahrenheit) it

boils, and is thrown out on an invisible, transparent vapor, like

steam. Before it reaches the boiling point, if it is exposed to the

air at a high temperature, it absorbs oxygen, and is converted into

red oxide. Strong nitric acid will absorb mercury. Acids affect it

somewhat, but not to any great extent. It mixes with lead, zinc, gold,

and silver, and it may be separated from them by a chemical process,

and be made perfectly pure. Sometimes the cheap metals are used to

adulterate mercury; but the effect of this mixture is to produce an

amalgam, whose adulterations can be easily detected. It is found

sometimes in a native or pure form, and sometimes amalgamated with

silver; but these instances are so rare that deposits of this sort

cannot be relied upon as sources of supply.

Sometimes mercury is found in its natural state in cavities in the

earth, so that it may be dug up in considerable quantities. The chief

source of supply, however, is in the form of cinnabar. Cinnabar is

said to be an East Indian name, originally given to the mixture of the

blood of the dragon with that of the elephant, and afterwards applied

to the common ore of mercury. On account of its beautiful red color,

known as vermilion, this ore has been worked in various parts of the

world for more than three thousand years. Some of the Roman historians

refer to the use of mercury in amalgamating gold; and the mines of

Almaden, in Spain, which still produce cinnabar, are known to have

been worked for thousands of years before the Christian era. Cinnabar

consists of eighty-six per cent. of mercury, and fourteen per cent. of

sulphur. It forms beds and veins in certain rocks, and in many places

the rocks near the veins will have cinnabar distributed through them.

When finely ground it makes a brilliant red paint, and, as before

stated, is known as vermilion; and it is said that the Indians of

California first called the attention of the Spanish settlers to the

presence of quicksilver by their use of cinnabar in ornamenting their

faces.

[Sidenote: CINNABAR MINES.]

The most important mines of mercury in the world are those of Almaden,

in Spain; New Almaden, in California; Idria, in Austria; and Huanca

Velica, in Peru. There are smaller mines in Hungary, Bohemia, Bavaria,

China, Japan, Brazil, and a few other countries. Formerly the Almaden

mines, in Spain, controlled the quicksilver market of the globe. The

owners of the mines could affect the price of the article just as they

pleased. If they raised or lowered it, the other mines were obliged to

lower or raise their prices.

Almaden is situated in New Castile, about fifty miles north of

Cordova. Apart from its mining peculiarities, it possesses no feature

of attraction, as it consists simply of one long street, built on a

ridge of rock, where the cinnabar ore is found. The town has a mining

school, half a dozen or more ordinary schools, three hospitals, and a

liberal supply of churches, and about ten thousand inhabitants. Until

about the beginning of the present century the mines were worked by

convicts, who were compelled to wear chains, and were kept at such

severe toil that they never lived long. Later, however, the mines have

been worked on a voluntary labor system, and employ about five or six

thousand persons. Each laborer is required to toil only six hours a

day. A longer exposure than this to the quicksilver is considered

injurious to the health. The annual production of the Almaden mines is

about two million pounds of pure metal.

[Sidenote: MINES IN AUSTRIA AND PERU.]

The mines of Idria, in Austria, are about thirty-two miles northeast

of Trieste. The town is a small one, its population being less than

five thousand. Its annual production is about three hundred thousand

pounds. A single shaft has been sunk to a depth of about one thousand

feet. The excavations are made through horizontal galleries extended

from this shaft. The descent into the mine is accomplished partly by

steps cut in the rock and partly by ladders. About five hundred miners

are employed. They preserved a peculiarity by wearing a uniform of

their own, and, though the occupation is unhealthy, the appointment

of a miner at Idria is greatly sought. The mines have been worked

about four hundred years, and are the property of the government. The

product of the other smaller mines of this metal throughout Europe

is so inconsiderable as to have no material effect on the market.

The same may be said of the quicksilver mines of China, Japan, and

Australia.

The Peruvian quicksilver mines have been worked since the beginning

of the sixteenth century. At the great mines of Huanca Velica the

ores are found in sandstone and shales along a belt of ground or rock

about four hundred feet thick. Most of the excavations are open ones,

and appear as if laid out without much plan or method. Accidents

frequently occur, and at one time two hundred workmen were buried by

the caving in of the earth. The total annual yield of the Peruvian

mines is about four hundred thousand pounds.

Mercury is found in many places in Mexico, but no mines of it are now

worked, the deposits not being sufficient to pay for the exploitation.

The quicksilver mines of California were first opened and worked in

1845, by one of the Spanish settlers. It was known that for a long

time the Indians had made use of cinnabar to ornament their faces, and

it was found that they had made pits fifty or sixty feet deep into

the mountain in search of it. The first attempt made by the Spaniards

in these Indian mines was to work the cinnabar ore for silver; but

no silver could be found. The war of 1846 stopped the working of the

mine, and nothing was done after that until 1848, when operations were

recommenced on a large scale. A company of Mexicans and English worked

the mines from 1850 to 1858, when they were stopped by the United

States court on account of a lawsuit about the title.

[Illustration: QUICKSILVER MINES OF NEW ALMADEN.]

[Illustration: BLASTING IN THE QUICKSILVER MINES.]

[Sidenote: NEW ALMADEN IN CALIFORNIA.]

The New Almaden mines are situated about twelve miles from San José,

an important town fifty miles south of San Francisco. It was my

pleasure to visit these mines several years ago, and learn something

of the mode of working them. A small party of us took the train from

San Francisco, and proceeded to San José, whence we travelled in

carriages over an excellent road, which undulated just enough to make

it interesting. Unfortunately for us, at the time of our visit, no

work was in progress in the lower mines in consequence of one of those

lawsuits for which the region is famous. Consequently we did not go

down into the mine itself, but were obliged to content ourselves with

an inspection of the reduction works.

I may remark, by the by, in speaking of these lawsuits of the New

Almaden mine, that it is a peculiar dispensation of providential care

or human cupidity to afflict every valuable piece of property in

California with a lawsuit. I would not wish to assert that there is a

dishonest man in all California, as the assertion might be followed

by an assault on the writer by some enthusiastic resident of the

Golden State; but I do say that the result of my observation was, that

nothing could be found in California worth the having but that some

claimant under a previous title would be sure to present himself.

The New Almaden mines, as soon as their value became known, found

plenty of claimants under Spanish titles and Indian titles. A great

part of their revenue has been swallowed up in legal proceedings.

When all these questions shall have been settled finally, I presume

some claimant will turn up who holds a title given him by Columbus or

Queen Isabella, and possibly by the founder of the Christian religion.

Titles in California can go back to a wonderfully distant period, and

they are always so indefinite as to afford holding-ground for a legal

anchor.

[Sidenote: FRAUDULENT TITLES.]

I do not think a single mine or very valuable property in California

has ever escaped legal difficulties. A rocky island in San Francisco

Bay was pointed out to me as the locality of a Spanish claim. It had

stood very quietly unoccupied, and was not considered worth ten cents

for any practical purpose. By and by the government wished to use it

as the site of a fortification. Immediately there arose a claimant

under a Spanish title, and he came very near compelling the government

to pay him a handsome price for the property. I presume, if a volcanic

island should be thrown up in the middle of the bay, and somebody

should take possession of a piece of it, somebody else would have

a Spanish or Indian title to it, or would possibly produce a title

from his Satanic Majesty, who had caused the island to be made for

the especial benefit of the claimant, in return for valuable services

rendered in times past or present.

On reaching the mines, we proceeded at once to the Reduction Works,

and were politely shown around by Mr. Butterworth, the superintendent.

We amused ourselves trying to lift flasks of quicksilver, and were

nearly choked with the fumes arising from the places where the ore

was being reduced. The reduction works are very simple affairs. They

consist of piles of brick with furnaces beneath them, and with large

cavities, down which the ore is placed. The ore is roasted, and the

mercury rises in vapor, and is condensed. The furnaces are, most of

them, forty feet long, eight feet wide, and ten feet high, and fixed

near each other. Each furnace is divided into compartments, the fire

occupying one at the end and a little below the compartment, where the

ore is placed. The heat does not come in direct contact with the ore,

but is driven through it by means of flues.

[Sidenote: THE CONDENSING CHAMBERS.]

There are several Condensing Chambers, so called, each of them eight

feet long, four feet wide, and about six feet high. The chamber where

the ore is placed is connected with the condensing chambers by means

of a flue. Eight or ten tons of ore are placed in the furnace at one

time. Seven other condensing chambers succeed the first, and the fumes

are passed through one after the other, and finally into a tank, where

they are condensed in water. Each chamber is so constructed that the

mercury will flow into the iron tank, where it is collected and put in

flasks. About sixty hours are required to extract the mercury from a

charge of ore.

In spite of all precautions a great deal of mercury is lost. At the

time of our visit, new furnaces had been constructed to take the place

of some old ones, which had been torn down a year or two before.

They showed us an immense cavity in the earth, where the quicksilver

had accumulated and settled. Its weight had made places for it in

some instances, while in others the ground was thoroughly saturated.

These deposits were discovered quite by accident, and I was told that

several tons of quicksilver had been taken from them.

One of our party became aware of the peculiar properties of

quicksilver in a way that was not at all satisfactory. At the tank

where the material was waiting to be placed in the flasks there were

several gallons of mercury, and we amused ourselves by forcing our

hands beneath the surface. The sensation was peculiar, and to most of

us entirely new. Our friend was wearing a ring on one of the fingers

that he thrust into the metal. The quicksilver allied with the gold,

and suddenly it was discovered that the ring had turned white. His

attention was called to it by our guide, who suggested that the ring

must be removed instantly and heated. It was taken from the finger,

not without considerable difficulty, placed upon a shovel, and heated.

A goodly portion of the mercury, which had adhered to it, was driven

away; but I believe the ring subsequently tumbled to pieces, and

became valueless.

The Underground World: A mirror of life below the surface · 第 38 / 72 段