ON SMILES

If I were to be born into this world again and had the choice of my

endowments I should arrange very carefully about my smile. There is

nothing so irresistible as the right sort of smile. It is better

than the silver spoon in the mouth. It will carry you anywhere and

win you anything, including the silver spoon. It disarms your

enemies and makes them forget that they have a grudge against you.

"I have a great many reasons for disliking you," said a well-known

public man to a friend of mine the other day, "but when I am with you

I can never remember what they are." It was the flash of sunshine

that did for him. He could not preserve his hostility in the

presence of the other's disarming smile and gay good-humour. He just

yielded up his sword and sunned himself in the pleasant weather that

the other carried with him like an atmosphere.

At the Bar, of course, a pleasant address is worth a fortune. I

suppose there has been no more successful figure in the law courts in

our time than Rufus Isaacs, but I fancy he won as many of his

victories by the debonair smile with which he irradiated the courts

as by his law. You could see the judge on the bench and the jury in

the box basking in the warmth that he shed around them. The weather

might be as harsh as it liked outside; but here the sky was clear and

the sun was shining genially. It was a fine day and the only blot on

the landscape was the unhappy counsel for the other side, who thumped

the table and got red in the face as he saw his client's case melting

away like snow before a south wind.

And among politicians it is notorious that a popular smile is the

shortest cut to the great heart of democracy. In an estimate of the

qualities that have contributed to Mr. Lloyd George's amazing success

a high place would have to be given to the twinkling smile, so merry

and mischievous, so engagingly frank and so essentially secret and

calculating, with which, by the help of the photographer, he has

irradiated his generation. If Mr. Asquith had learned how to smile

for public consumption, the history of English politics, and even of

the world, would have been vastly different; but Mr. Asquith's smile

is private and intellectual and has no pictorial value, and I doubt

whether anyone ever heard him laugh outright. He was born without

the chief equipment of the politician in a democratic age. No one

knew the value of that equipment more than Theodore Roosevelt. He

was the most idolised public man America has produced for half a

century, and he owed his popularity more to his enormous smile than

to any other quality. It was like a baron of beef. You could cut

and come again. There was no end to it. It seemed to stretch across

the Continent from the Atlantic to the Pacific, and when it burst

into laughter it shook the land like a merry earthquake. There was

not much behind the smile, but it was the genuine article, the

expression of a companionable spirit and a healthy enjoyment of life,

and it knocked the Americans "all of a heap." Woodrow Wilson's smile

was almost as spacious as Roosevelt's, but it was less infectious,

for it was thoughtful and reflective; came from the mind rather than

the feelings, and never burst into laughter. It was the smile of the

schoolmaster, while Roosevelt's was the smile of the uproarious

schoolboy who was having no end of "a bully time."

Really first-rate smiles are rare. For the most part our smiles add

little to our self-expression. If we are dull, they are dull. If we

are sinister, they are only a little more sinister. If we are smug,

they only emphasise our smugness. If, like the Lord High Everything

Else, we were born sneering, our smile is apt to be a sneer, too. If

we are terrible, like Swift, we shall have his "terrible smile."

Only rarely do we light upon the smile that is a revelation. Harry

Lauder's smile is like a national institution or a natural element.

It is plentiful enough to fill the world. It is a continual and

abundant feast that requires neither words nor chorus, and when he

laughs you can no more help feeling happy than he can. Lord

Balfour's smile is famous in another way. It has the untroubled

sweetness of a child's, and there are few who can resist its charm;

but it is elusive and seems too much like a mask that has little to

do with the real man. You feel that he would send you to the

scaffold with the same seraphic sweetness with which he would pass

you the sugar. It is not an emanation of the man like that abundant

smile, at once good-humoured and sardonic, with which Mr. Birrell

sets the company aglow.

The most memorable smiles are those which have the quality of the

unexpected. A smile that is habitual rarely pleases, for it suggests

policy, and the essence of a smile is its spontaneity and lack of

deliberation. Archbishop Temple said he hated people who were always

smiling, and then, looking across the luncheon table at the vicar who

had been doing his best to ingratiate himself with the terrible

prelate, added: "Look at the vicar there--_he's_ always smiling." It

was a cruel affront, but the smile that has the quality of an

artifice is hard to bear. It was so in the case of Mrs. Barbauld, of

whom it was said that she wore such an habitual smile that it made

your face ache to look at her. One would almost prefer the other

melancholy extreme, illustrated by that gloomy fanatic, Philip II.,

who is said to have laughed only once in his life, and that on

receiving the merry news of the massacre of St. Bartholomew. The

smiles that dwell in the mind most are those that break suddenly like

sunshine from unexpected places. That was the quality of the

curiously wistful smile that played over the ascetic features of Lord

Morley in conversation. You could forgive all his asperities when he

smiled. But the most delightful example of the unexpected smile that

I know is that of the pianist, Frederic Lamond. The intensity of his

countenance forbids the suggestion of a smile, and at the piano he

seems to descend into unfathomable depths of gravity and spiritual

remoteness. But when the piece is over and the house breaks out into

thunders of applause, he emerges from the depths with a smile that

suggests that the Land of Beulah has broken on his sight. It is so

sudden a transition that you almost seem to catch a glimpse of the

Land of Beulah yourself.

But it is no use for those of us who have only humdrum smiles to

attempt to set up a smile that is an incantation. Smiles, like

poets, are born, not made. If they are made, they are not smiles,

but grimaces, and convict us on the spot. They are simply an attempt

to circulate false news. There is no remedy for us of the negligible

smile, but to be born again and to be born different, not outside but

within, for the smile is only the publication of the inward spirit.

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