CHAPTER II

The River Ashe, after a drowsy and meandering childhood, passed

peacefully among the sedges and marigolds of its water meadows, suddenly

and somewhat disconcertingly grows up and, without any period of

transition and adolescence, becomes, from being a mere girl of a

rivulet, a male and full-blooded estuary of the sea. At Coton, for

instance, the tips of the sculls of a sauntering pleasure-boat will

almost span its entire width, while, but a mile farther down, you will

see stone-laden barges and tall, red-winged sailing craft coming up with

the tide, and making fast to the grey wooden quay wall of Ashbridge,

rough with barnacles. For the reeds and meadow-sweet of its margin are

exchanged the brown and green growths of the sea, with their sharp,

acrid odour instead of the damp, fresh smell of meadow flowers, and at

low tide the podded bladders of brown weed and long strings of marine

macaroni, among which peevish crabs scuttle sideways, take the place

of the grass and spires of loosestrife; and over the water, instead of

singing larks, hang white companies of chiding seagulls. Here at high

tide extends a sheet of water large enough, when the wind blows up the

estuary, to breed waves that break in foam and spray against the barges,

while at the ebb acres of mud flats are disclosed on which the boats

lean slanting till the flood lifts them again and makes them strain at

the wheezing ropes that tie them to the quay.

A year before the flame of war went roaring through Europe in

unquenchable conflagration it would have seemed that nothing could

possibly rouse Ashbridge from its red-brick Georgian repose. There was

never a town so inimitably drowsy or so sternly uncompetitive. A hundred

years ago it must have presented almost precisely the same appearance as

it did in the summer of 1913, if we leave out of reckoning a few

dozen of modern upstart villas that line its outskirts, and the very

inconspicuous railway station that hides itself behind the warehouses

near the river’s bank. Most of the trains, too, quite ignore its

existence, and pass through it on their way to more rewarding

stopping-places, hardly recognising it even by a spurt of steam from

their whistles, and it is only if you travel by those that require

the most frequent pauses in their progress that you will be enabled to

alight at its thin and depopulated platform.

Just outside the station there perennially waits a low-roofed and

sanguine omnibus that under daily discouragement continues to hope that

in the long-delayed fulness of time somebody will want to be driven

somewhere. (This nobody ever does, since the distance to any house is so

small, and a porter follows with luggage on a barrow.) It carries on its

floor a quantity of fresh straw, in the manner of the stage coaches, in

which the problematic passenger, should he ever appear, will no doubt

bury his feet. On its side, just below the window that is not made to

open, it carries the legend that shows that it belongs to the Comber

Arms, a hostelry so self-effacing that it is discoverable only by the

sharpest-eyed of pilgrims. Narrow roadways, flanked by proportionately

narrower pavements, lie ribbon-like between huddled shops and

squarely-spacious Georgian houses; and an air of leisure and content,

amounting almost to stupefaction, is the moral atmosphere of the place.

On the outskirts of the town, crowning the gentle hills that lie to the

north and west, villas in acre plots, belonging to business men in the

county town some ten miles distant, “prick their Cockney ears” and are

strangely at variance with the sober gravity of the indigenous houses.

So, too, are the manners and customs of their owners, who go to

Stoneborough every morning to their work, and return by the train that

brings them home in time for dinner. They do other exotic and unsuitable

things also, like driving swiftly about in motors, in playing golf on

the other side of the river at Coton, and in having parties at each

other’s houses. But apart from them nobody ever seems to leave Ashbridge

(though a stroll to the station about the time that the evening train

arrives is a recognised diversion) or, in consequence, ever to come

back. Ashbridge, in fact, is self-contained, and desires neither to

meddle with others nor to be meddled with.

The estuary opposite the town is some quarter of a mile broad at high

tide, and in order to cross to the other side, where lie the woods and

park of Ashbridge House, it is necessary to shout and make staccato

prancings in order to attract the attention of the antique ferryman, who

is invariably at the other side of the river and generally asleep at the

bottom of his boat. If you are strong-lunged and can prance and shout

for a long time, he may eventually stagger to his feet, come across

for you and row you over. Otherwise you will stand but little chance of

arousing him from his slumbers, and you will stop where you are, unless

you choose to walk round by the bridge at Coton, a mile above.

Periodical attempts are made by the brisker inhabitants of Ashbridge,

who do not understand its spirit, to substitute for this aged and

ineffectual Charon someone who is occasionally awake, but nothing ever

results from these revolutionary moves, and the requests addressed to

the town council on the subject are never heard of again. “Old George”

was ferryman there before any members of the town council were born, and

he seems to have established a right to go to sleep on the other side of

the river which is now inalienable from him. Besides, asleep or awake,

he is always perfectly sober, which, after all, is really one of the

first requirements for a suitable ferryman. Even the representations of

Lord Ashbridge himself who, when in residence, frequently has occasion

to use the ferry when crossing from his house to the town, failed to

produce the smallest effect, and he was compelled to build a boathouse

of his own on the farther bank, and be paddled across by himself or

one of the servants. Often he rowed himself, for he used to be a fine

oarsman, and it was good for the lounger on the quay to see the foaming

prow of his vigorous progress and the dignity of physical toil.

In all other respects, except in this case of “Old George,” Lord

Ashbridge’s wishes were law to the local authorities, for in this

tranquil East-coast district the spirit of the feudal system with

a beneficent lord and contented tenants strongly survived. It had

triumphed even over such modern innovations as railroads, for Lord

Ashbridge had the undoubted right to stop any train he pleased by signal

at Ashbridge station. This he certainly enjoyed doing; it fed his sense

of the fitness of things to progress along the platform with his genial,

important tiptoe walk, and elbows squarely stuck out, to the carriage

that was at once reserved for him, to touch the brim of his grey top-hat

(if travelling up to town) to the obsequious guard, and to observe the

heads of passengers who wondered why their express was arrested, thrust

out of carriage windows to look at him. A livened footman, as well as a

valet, followed him, bearing a coat and a rug and a morning or evening

paper and a dispatch-box with a large gilt coronet on it, and bestowed

these solaces to a railway journey on the empty seats near him. And

not only his sense of fitness was hereby fed, but that also of the

station-master and the solitary porter and the newsboy, and such

inhabitants of Ashbridge as happened to have strolled on to the

platform. For he was THEIR Earl of Ashbridge, kind, courteous and

dominant, a local king; it was all very pleasant.

But this arrest of express trains was a strictly personal privilege;

when Lady Ashbridge or Michael travelled they always went in the slow

train to Stoneborough, changed there and abided their time on the

platform like ordinary mortals. Though he could undoubtedly have

extended his rights to the stopping of a train for his wife or son, he

wisely reserved this for himself, lest it should lose prestige. There

was sufficient glory already (to probe his mind to the bottom) for Lady

Ashbridge in being his wife; it was sufficient also for Michael that he

was his son.

It may be inferred that there was a touch of pomposity about this

admirable gentleman, who was so excellent a landlord and so hard working

a member of the British aristocracy. But pomposity would be far too

superficial a word to apply to him; it would not adequately connote

his deep-abiding and essential conviction that on one of the days of

Creation (that, probably, on which the decree was made that there should

be Light) there leaped into being the great landowners of England.

But Lord Ashbridge, though himself a peer, by no means accepted the

peerage en bloc as representing the English aristocracy; to be, in

his phrase, “one of us” implied that you belonged to certain

well-ascertained families where brewers and distinguished soldiers

had no place, unless it was theirs already. He was ready to pay all

reasonable homage to those who were distinguished by their abilities,

their riches, their exalted positions in Church and State, but his

homage to such was transfused with a courteous condescension, and he

only treated as his equals and really revered those who belonged to the

families that were “one of us.”

His wife, of course, was “one of us,” since he would never have

permitted himself to be allied to a woman who was not, though for beauty

and wisdom she might have been Aphrodite and Athene rolled compactly

into one peerless identity. As a matter of fact, Lady Ashbridge had

not the faintest resemblance to either of these effulgent goddesses. In

person she resembled a camel, long and lean, with a drooping mouth and

tired, patient eyes, while in mind she was stunned. No idea other than

an obvious one ever had birth behind her high, smooth forehead, and she

habitually brought conversation to a close by the dry enunciation of

something indubitably true, which had no direct relation to the point

under discussion. But she had faint, ineradicable prejudices, and

instincts not quite dormant. There was a large quantity of mild

affection in her nature, the quality of which may be illustrated by

the fact that when her father died she cried a little every day after

breakfast for about six weeks. Then she did not cry any more. It was

impossible not to like what there was of her, but there was really very

little to like, for she belonged heart and soul to the generation and

the breeding among which it is enough for a woman to be a lady, and

visit the keeper’s wife when she has a baby.

But though there was so little of her, the balance was made up for

by the fact that there was so much of her husband. His large, rather

flamboyant person, his big white face and curling brown beard, his loud

voice and his falsetto laugh, his absolutely certain opinions, above all

the fervency of his consciousness of being Lord Ashbridge and all which

that implied, completely filled any place he happened to be in, so

that a room empty except for him gave the impression of being almost

uncomfortably crowded. This keen consciousness of his identity was

naturally sufficient to make him very good humoured, since he was

himself a fine example of the type that he admired most. Probably only

two persons in the world had the power of causing him annoyance, but

both of these, by an irony of fate that it seemed scarcely possible to

consider accidental, were closely connected with him, for one was his

sister, the other his only son.

The grounds of their potentiality in this respect can be easily

stated. Barbara Comber, his sister (and so “one of us”), had married an

extremely wealthy American, who, in Lord Ashbridge’s view, could not be

considered one of anybody at all; in other words, his imagination failed

to picture a whole class of people who resembled Anthony Jerome. He had

hoped when his sister announced her intention of taking this deplorable

step that his future brother-in-law would at any rate prove to be a

snob--he had a vague notion that all Americans were snobs--and that thus

Mr. Jerome would have the saving grace to admire and toady him. But Mr.

Jerome showed no signs of doing anything of the sort; he treated him

with an austere and distant politeness that Lord Ashbridge could

not construe as being founded on admiration and a sense of his own

inferiority, for it was so clearly founded on dislike. That, however,

did not annoy Lord Ashbridge, for it was easy to suppose that poor Mr.

Jerome knew no better. But Barbara annoyed him, for not only had she

shown herself a renegade in marrying a man who was not “one of us,” but

with all the advantages she had enjoyed since birth of knowing what

“we” were, she gloried in her new relations, saying, without any proper

reticence about the matter, that they were Real People, whose character

and wits vastly transcended anything that Combers had to show.

Michael was an even more vexatious case, and in moments of depression

his father thought that he would really turn in his grave at the dismal

idea of Michael having stepped into his honourable shoes. Physically he

was utterly unlike a Comber, and his mind, his general attitude

towards life seemed to have diverged even farther from that healthy and

unreflective pattern. Only this morning his father had received a letter

from him that summed Michael up, that fulfilled all the doubts and fears

that had hung about him; for after three years in the Guards he had,

without consultation with anybody, resigned his commission on the

inexplicable grounds that he wanted to do something with his life. To

begin with that was rankly heretical; if you were a Comber there was no

need to do anything with your life; life did everything for you. . . .

And what this un-Comberish young man wanted to do with his life was to

be a musician. That musicians, artists, actors, had a right to exist

Lord Ashbridge did not question. They were no doubt (or might be)

very excellent people in their way, and as a matter of fact he often

recognised their existence by going to the opera, to the private view

of the Academy, or to the play, and he took a very considerable pride of

proprietorship in his own admirable collection of family portraits. But

then those were pictures of Combers; Reynolds and Romney and the rest of

them had enjoyed the privilege of perpetuating on their canvases these

big, fine men and charming women. But that a Comber--and that one

positively the next Lord Ashbridge--should intend to devote his energies

to an artistic calling, and allude to that scheme as doing something

with his life, was a thing as unthinkable as if the butler had developed

a fixed idea that he was “one of us.”

The blow was a recent one; Michael’s letter had only reached his father

this morning, and at the present moment Lord Ashbridge was attempting

over a cup of tea on the long south terrace overlooking the estuary to

convey--not very successfully--to his wife something of his feelings

on the subject. She, according to her custom, was drinking a little hot

water herself, and providing her Chinese pug with a mixture of cream

and crumbled rusks. Though the dog was of undoubtedly high lineage, Lord

Ashbridge rather detested her.

“A musical career!” he exclaimed, referring to Michael’s letter. “What

sort of a career for a Comber is a musical career? I shall tell Michael

pretty roundly when he arrives this evening what I think of it all. We

shall have Francis next saying that he wants to resign, too, and become

a dentist.”

Lady Ashbridge considered this for a moment in her stunned mind.

“Dear me, Robert, I hope not,” she said. “I do not think it the least

likely that Francis would do anything of the kind. Look, Petsy is

better; she has drunk her cream and rusks quite up. I think it was only

the heat.”

He gave a little good-humoured giggle of falsetto laughter.

“I wish, Marion,” he said, “that you could manage to take your mind off

your dog for a moment and attend to me. And I must really ask you not to

give your Petsy any more cream, or she will certainly be sick.”

Lady Ashbridge gave a little sigh.

“All gone, Petsy,” she said.

“I am glad it has all gone,” said he, “and we will hope it won’t return.

But about Michael now!”

Lady Ashbridge pulled herself together.

“Yes, poor Michael!” she said. “He is coming to-night, is he not? But

just now you were speaking of Francis, and the fear of his wanting to be

a dentist!”

“Well, I am now speaking of Michael’s wanting to be a musician. Of

course that is utterly out of the question. If, as he says, he has sent

in his resignation, he will just have to beg them to cancel it. Michael

seems not to have the slightest idea of the duties which his birth and

position entail on him. Unfitted for the life he now leads . . . waste

of time. . . . Instead he proposes to go to Baireuth in August, and then

to settle down in London to study!”

Lady Ashbridge recollected the almanac.

“That will be in September, then,” she said. “I do not think I was ever

in London in September. I did not know that anybody was.”

“The point, my dear, is not how or where you have been accustomed to

spend your Septembers,” said her husband. “What we are talking about

is--”

“Yes, dear, I know quite well what we are talking about,” said she. “We

are talking about Michael not studying music all September.”

Lord Ashbridge got up and began walking across the terrace opposite the

tea-table with his elbows stuck out and his feet lifted rather high.

“Michael doesn’t seem to realise that he is not Tom or Dick or Harry,”

said he. “Music, indeed! I’m musical myself; all we Combers are musical.

But Michael is my only son, and it really distresses me to see how

little sense he has of his responsibilities. Amusements are all very

well; it is not that I want to cut him off his amusements, but when it

comes to a career--”

Lady Ashbridge was surreptitiously engaged in pouring out a little more

cream for Petsy, and her husband, turning rather sooner than she had

expected, caught her in the act.

“Do not give Petsy any more cream,” he said, with some asperity; “I

absolutely forbid it.”

Lady Ashbridge quite composedly replaced the cream-jug.

“Poor Petsy!” she observed.

“I ask you to attend to me, Marion,” he said.

“But I am attending to you very well, Robert,” said she, “and I

understand you perfectly. You do not want Michael to be a musician in

September and wear long hair and perhaps play at concerts. I am sure

I quite agree with you, for such a thing would be as unheard of in my

family as in yours. But how do you propose to stop it?”

“I shall use my authority,” he said, stepping a little higher.

“Yes, dear, I am sure you will. But what will happen if Michael doesn’t

pay any attention to your authority? You will be worse off than ever.

Poor Michael is very obedient when he is told to do anything he intends

to do, but when he doesn’t agree it is difficult to do anything with

him. And, you see, he is quite independent of you with my mother having

left him so much money. Poor mamma!”

Lord Ashbridge felt strongly about this.

“It was a most extraordinary disposition of her property for your mother

to make,” he observed. “It has given Michael an independence which I

much deplore. And she did it in direct opposition to my wishes.”

This touched on one of the questions about which Lady Ashbridge had her

convictions. She had a mild but unalterable opinion that when anybody

died, all that they had previously done became absolutely flawless and

laudable.

“Mamma did as she thought right with her property,” she said, “and it

is not for us to question it. She was conscientiousness itself. You will

have to excuse my listening to any criticism you may feel inclined to

make about her, Robert.”

“Certainly, my dear. I only want you to listen to me about Michael. You

agree with me on the impossibility of his adopting a musical career. I

cannot, at present, think so ill of Michael as to suppose that he will

defy our joint authority.”

“Michael has a great will of his own,” she remarked. “He gets that from

you, Robert, though he gets his money from his grandmother.”

The futility of further discussion with his wife began to dawn on Lord

Ashbridge, as it dawned on everybody who had the privilege of conversing

with her. Her mind was a blind alley that led nowhere; it was clear that

she had no idea to contribute to the subject except slightly pessimistic

forebodings with which, unfortunately, he found himself secretly

disposed to agree. He had always felt that Michael was an uncomfortable

sort of boy; in other words, that he had the inconvenient habit of

thinking things out for himself, instead of blindly accepting the

conclusions of other people.

Much as Lord Ashbridge valued the sturdy independence of character which

he himself enjoyed displaying, he appreciated it rather less highly when

it was manifested by people who were not sensible enough to agree

with him. He looked forward to Michael’s arrival that evening with the

feeling that there was a rebellious standard hoisted against the calm

blue of the evening sky, and remembering the advent of his sister he

wondered whether she would not join the insurgent. Barbara Jerome, as

has been remarked, often annoyed her brother; she also genially laughed

at him; but Lord Ashbridge, partly from affection, partly from a

loyal family sense of clanship, always expected his sister to spend

a fortnight with him in August, and would have been much hurt had she

refused to do so. Her husband, however, so far from spending a fortnight

with his brother-in-law, never spent a minute in his presence if it

could possibly be avoided, an arrangement which everybody concerned

considered to be wise, and in the interests of cordiality.

“And Barbara comes this evening as well as Michael, does she not?” he

said. “I hope she will not take Michael’s part in his absurd scheme.”

“I have given Barbara the blue room,” said Lady Ashbridge, after a

little thought. “I am afraid she may bring her great dog with her. I

hope he will not quarrel with Petsy. Petsy does not like other dogs.”

The day had been very hot, and Lord Ashbridge, not having taken any

exercise, went off to have a round of golf with the professional of the

links that lay not half a mile from the house. He considered exercise

an essential part of the true Englishman’s daily curriculum, and as

necessary a contribution to the traditional mode of life which made them

all what they were--or should be--as a bath in the morning or attendance

at church on Sunday. He did not care so much about playing golf with

a casual friend, because the casual friend, as a rule, casually beat

him--thus putting him in an un-English position--and preferred a game

with this first-class professional whose duty it was--in complete

violation of his capacities--to play just badly enough to be beaten

towards the end of the round after an exciting match. It required a

good deal of cleverness and self-control to accomplish this, for Lord

Ashbridge was a notably puerile performer, but he generally managed it

with tact and success, by dint of missing absurdly easy putts, and (here

his skill came in) by pulling and slicing his ball into far-distant

bunkers. Throughout the game it was his business to keep up a running

fire of admiring ejaculations such as “Well driven, my lord,” or “A

fine putt, my lord. Ah! dear me, I wish I could putt like that,” though

occasionally his chorus of praise betrayed him into error, and from

habit he found himself saying: “Good shot, my lord,” when my lord had

just made an egregious mess of things. But on the whole he devised so

pleasantly sycophantic an atmosphere as to procure a substantial tip for

himself, and to make Lord Ashbridge conscious of being a very superior

performer. Whether at the bottom of his heart he knew he could not play

at all, he probably did not inquire; the result of his matches and his

opponent’s skilfully-showered praise was sufficient for him. So now he

left the discouraging companionship of his wife and Petsy and walked

swingingly across the garden and the park to the links, there to seek

in Macpherson’s applause the self-confidence that would enable him to

encounter his republican sister and his musical son with an unyielding

front.

His spirits mounted rapidly as he went. It pleased him to go jauntily

across the lawn and reflect that all this smooth turf was his, to look

at the wealth of well-tended flowers in his garden and know that all

this polychromatic loveliness was bred in Lord Ashbridge’s borders (and

was graciously thrown open to the gaze of the admiring public on Sunday

afternoon, when they were begged to keep off the grass), and that Lord

Ashbridge was himself. He liked reminding himself that the towering elms

drew their leafy verdure from Lord Ashbridge’s soil; that the rows of

hen-coops in the park, populous and cheeping with infant pheasants,

belonged to the same fortunate gentleman who in November would so

unerringly shoot them down as they rocketted swiftly over the highest

of his tree-tops; that to him also appertained the long-fronted Jacobean

house which stood so commandingly upon the hill-top, and glowed with

all the mellowness of its three-hundred-years-old bricks. And his

satisfaction was not wholly fatuous nor entirely personal; all these

spacious dignities were insignia (temporarily conferred on him, like

some order, and permanently conferred on his family) of the splendid

political constitution under which England had made herself mistress

of an empire and the seas that guarded it. Probably he would have been

proud of belonging to that even if he had not been “one of us”; as it

was, the high position which he occupied in it caused that pride to be

slightly mixed with the pride that was concerned with the notion of the

Empire belonging to him and his peers.

But though he was the most profound of Tories, he would truthfully have

professed (as indeed he practised in the management of his estates) the

most Liberal opinions as to schemes for the amelioration of the lower

classes. Only, just as the music he was good enough to listen to had to

be played for him, so the tenants and farmers had to be his dependents.

He looked after them very well indeed, conceiving this to be the

prime duty of a great landlord, but his interest in them was really

proprietary. It was of his bounty, and of his complete knowledge of

what his duties as “one of us” were, that he did so, and any legislation

which compelled him to part with one pennyworth of his property for the

sake of others less fortunate he resisted to the best of his ability as

a theft of what was his. The country, in fact, if it went to the dogs

(and certain recent legislation distinctly seemed to point kennelwards),

would go to the dogs because ignorant politicians, who were most

emphatically not “of us,” forced him and others like him to recognise

the rights of dependents instead of trusting to their instinctive

fitness to dispense benefits not as rights but as acts of grace. If

England trusted to her aristocracy (to put the matter in a nutshell) all

would be well with her in the future even as it had been in the past,

but any attempt to curtail their splendours must inevitably detract

from the prestige and magnificence of the Empire. . . . And he responded

suitably to the obsequious salute of the professional, and remembered

that the entire golf links were his property, and that the Club paid a

merely nominal rental to him, just the tribute money of a penny which

was due to Caesar.

For the next hour or two after her husband had left her, Lady Ashbridge

occupied herself in the thoroughly lady-like pursuit of doing nothing

whatever; she just existed in her comfortable chair, since Barbara

might come any moment, and she would have to entertain her, which she

frequently did unawares. But as Barbara continued not to come, she took

up her perennial piece of needlework, feeling rather busy and pressed,

and had hardly done so when her sister-in-law arrived.

She was preceded by an enormous stag-hound, who, having been shut up in

her motor all the way from London, bounded delightedly, with the sense

of young limbs released, on to the terrace, and made wild leaps in

a circle round the horrified Petsy, who had just received a second

saucerful of cream. Once he dashed in close, and with a single lick of

his tongue swept the saucer dry of nutriment, and with hoarse barkings

proceeded again to dance corybantically about, while Lady Ashbridge

with faint cries of dismay waved her embroidery at him. Then, seeing

his mistress coming out of the French window from the drawing-room, he

bounded calf-like towards her, and Petsy, nearly sick with cream and

horror, was gathered to Lady Ashbridge’s bosom.

“My dear Barbara,” she said, “how upsetting your dog is! Poor Petsy’s

heart is beating terribly; she does not like dogs. But I am very pleased

to see you, and I have given you the blue room.”

It was clearly suitable that Barbara Jerome should have a large dog,

for both in mind and body she was on the large scale herself. She had a

pleasant, high-coloured face, was very tall, enormously stout, and moved

with great briskness and vigour. She had something to say on any subject

that came on the board; and, what was less usual in these days of

universal knowledge, there was invariably some point in what she said.

She had, in the ordinary sense of the word, no manners at all,

but essentially made up for this lack by her sincere and humourous

kindliness. She saw with acute vividness the ludicrous side of

everybody, herself included, and to her mind the arch-humourist of

all was her brother, whom she was quite unable to take seriously. She

dressed as if she had looted a milliner’s shop and had put on in a great

hurry anything that came to hand. She towered over her sister-in-law as

she kissed her, and Petsy, safe in her citadel, barked shrilly.

“My dear, which is the blue room?” she said. “I hope it is big enough

for Og and me. Yes, that is Og, which is short for dog. He takes two

mutton-chops for dinner, and a little something during the night if he

feels disposed, because he is still growing. Tony drove down with me,

and is in the car now. He would not come in for fear of seeing Robert,

so I ventured to tell them to take him a cup of tea there, which he will

drink with the blinds down, and then drive back to town again. He has

been made American ambassador, by the way, and will go in to dinner

before Robert. My dear, I can think of few things which Robert is less

fitted to bear than that. However, we all have our crosses, even those

of us who have our coronets also.”

Lady Ashbridge’s hospitable instincts asserted themselves. “But your

husband must come in,” she said. “I will go and tell him. And Robert has

gone to play golf.”

Barbara laughed.

“I am quite sure Tony won’t come in,” she said. “I promised him he

shouldn’t, and he only drove down with me on the express stipulation

that no risks were to be run about his seeing Robert. We must take no

chances, so let him have his tea quietly in the motor and then drive

away again. And who else is there? Anybody? Michael?”

“Michael comes this evening.”

“I am glad; I am particularly fond of Michael. Also he will play to us

after dinner, and though I don’t know one note from another, it will

relieve me of sitting in a stately circle watching Robert cheat at

patience. I always find the evenings here rather trying; they remind me

of being in church. I feel as if I were part of a corporate body, which

leads to misplaced decorum. Ah! there is the sound of Tony’s retreating

motor; his strategic movement has come off. And now give me some news,

if you can get in a word. Dear me, there is Robert coming back across

the lawn. What a mercy that Tony did not leave the motor. Robert always

walks as if he was dancing a minuet. Look, there is Og imitating him! Or

is he stalking him, thinking he is an enemy. Og, come here!”

She whistled shrilly on her fingers, and rose to greet her brother, whom

Og was still menacing, as he advanced towards her with staccato steps.

Barbara, however, got between Og and his prey, and threw her parasol at

him.

“My dear, how are you?” she said. “And how did the golf go? And did you

beat the professional?”

He suspected flippancy here, and became markedly dignified.

“An excellent match,” he said, “and Macpherson tells me I played a very

sound game. I am delighted to see you, Barbara. And did Michael come

down with you?”

“No. I drove from town. It saves time, but not expense, with your awful

trains.”

“And you are well, and Mr. Jerome?” he asked. He always called his

brother-in-law Mr. Jerome, to indicate the gulf between them. Barbara

gave a little spurt of laughter.

“Yes, his excellency is quite well,” she said. “You must call him

excellency now, my dear.”

“Indeed! That is a great step.”

“Considering that Tony began as an office-boy. How richly rewarding you

are, my dear. And shan’t I make an odd ambassadress! I haven’t been to a

Court since the dark ages, when I went to those beloved States. We will

practise after dinner, dear, and you and Marion shall be the King and

Queen, and I will try to walk backwards without tumbling on my head. You

will like being the King, Robert. And then we will be ourselves again,

all except Og, who shall be Tony and shall go out of the room before

you.”

He gave his treble little giggle, for on the whole it answered better

not to be dignified with Barbara, whenever he could remember not to

be; and Lady Ashbridge, still nursing Petsy, threw a bombshell of the

obvious to explode the conversation.

“Og has two mutton-chops for his dinner,” she said, “and he is growing

still. Fancy!”

Lord Ashbridge took a refreshing glance at the broad stretch of country

that all belonged to him.

“I am rather glad to have this opportunity of talking to you, my dear

Barbara,” he said, “before Michael comes.”

“His train gets in half an hour before dinner” said Lady Ashbridge. “He

has to change at Stoneborough.”

“Quite so. I heard from Michael this morning, saying that he has

resigned his commission in the Guards, and is going to take up music

seriously.”

Barbara gave a delighted exclamation.

“But how perfectly splendid!” she said. “Fancy a Comber doing anything

original! Michael and I are the only Combers who ever have, since

Combers ‘arose from out the azure main’ in the year one. I married an

American; that’s something, though it’s not up to Michael!”

“That is not quite my view of it,” said he. “As for its being original,

it would be original enough if Marion eloped with a Patagonian.”

Lady Ashbridge let fall her embroidery at this monstrous suggestion.

“You are talking very wildly, Robert,” she said, in a pained voice.

“My dear, get on with your sacred carpet,” said he. “I am talking to

Barbara. I have already ascertained your--your lack of views on the

subject. I was saying, Barbara, that mere originality is not a merit.”

“No, you never said that,” remarked Lady Ashbridge.

“I should have if you had allowed me to. And as for your saying that he

has done it, Barbara, that is very wide of the mark, and I intend shall

continue to be so.”

“Dear great Bashaw, that is just what you said to me when I told you

I was going to marry his Excellency. But I did. And I think it is a

glorious move on Michael’s part. It requires brain to find out what you

like, and character to go and do it. Combers haven’t got brains as

a rule, you see. If they ever had any, they have degenerated into

conservative instincts.”

He again refreshed himself with the landscape. The roofs of Ashbridge

were visible in the clear sunset. . . . Ashbridge paid its rents with

remarkable regularity.

“That may or may not be so,” he said, forgetting for a moment the danger

of being dignified. “But Combers have position.”

Barbara controlled herself admirably. A slight tremor shook her, which

he did not notice.

“Yes, dear,” she said. “I allow that Combers have had for many

generations a sort of acquisitive cunning, for all we possess has

come to us by exceedingly prudent marriages. They have also--I am an

exception here--the gift of not saying very much, which certainly has an

impressive effect, even when it arises from not having very much to say.

They are sticky; they attract wealth, and they have the force called vis

inertiae, which means that they invest their money prudently. You should

hear Tony--well, perhaps you had better not hear Tony. But now here

is Michael showing that he has got tastes. Can you wonder that I’m

delighted? And not only has he got tastes, but he has the strength of

character to back them. Michael, in the Guards too! It was a perfect

farce, and he’s had the sense to see it. He hated his duties, and he

hated his diversions. Now Francis--”

“I am afraid Michael has always been a little jealous of Francis,”

remarked his father.

This roused Barbara; she spoke quite seriously:

“If you really think that, my dear,” she said, “you have the distinction

of being the worst possible judge of character that the world has ever

known. Michael might be jealous of anybody else, for the poor boy feels

his physical awkwardness most sensitively, but Francis is just the one

person he really worships. He would do anything in the world for him.”

The discussion with Barbara was being even more fruitless than that with

his wife, and Lord Ashbridge rose.

“All I can do, then, is to ask you not to back Michael up,” he said.

“My dear, he won’t need backing up. He’s a match for you by himself. But

if Michael, after thoroughly worsting you, asks me my opinion, I shall

certainly give it him. But he won’t ask my opinion first. He will strew

your limbs, Robert, over this delightful terrace.”

“Michael’s train is late,” said Lady Ashbridge, hearing the stable clock

strike. “He should have been here before this.”

Barbara had still a word to say, and disregarded this quencher.

“But don’t think, Robert,” she said, “that because Michael resists your

wishes and authority, he will be enjoying himself. He will hate doing

it, but that will not stop him.”

Lord Ashbridge was not a bully; he had merely a profound sense of his

own importance.

“We will see about resistance,” he said.

Barbara was not so successful on this occasion, and exploded loudly:

“You will, dear, indeed,” she said.

Michael meantime had been travelling down from London without perturbing

himself over the scene with his father which he knew lay before him.

This was quite characteristic of him; he had a singular command over his

imagination when he had made up his mind to anything, and never indulged

in the gratuitous pain of anticipation. Today he had an additional

bulwark against such self-inflicted worries, for he had spent his last

two hours in town at the vocal recital of a singer who a month before

had stirred the critics into rhapsody over her gift of lyric song.

Up till now he had had no opportunity of hearing her; and, with the

panegyrics that had been showered on her in his mind, he had gone with

the expectation of disappointment. But now, an hour afterwards, the

wheels of the train sang her songs, and in the inward ear he could

recapture, with the vividness of an hallucination, the timbre of

that wonderful voice and also the sweet harmonies of the pianist who

accompanied her.

The hall had been packed from end to end, and he had barely got to his

seat, the only one vacant in the whole room, when Miss Sylvia Falbe

appeared, followed at once by her accompanist, whose name occurred

nowhere on the programme. Two neighbours, however, who chatted shrilly

during the applause that greeted them, informed him that this was

Hermann, “dear Hermann; there is no one like him!” But it occurred to

Michael that the singer was like him, though she was fair and he dark.

But his perception of either of them visually was but vague; he had come

to hear and not to see. Neither she nor Hermann had any music with them,

and Hermann just glanced at the programme, which he put down on the top

of the piano, which, again unusually, was open. Then without pause they

began the set of German songs--Brahms, Schubert, Schumann--with which

the recital opened. And for one moment, before he lost himself in the

ecstasy of hearing, Michael found himself registering the fact that

Sylvia Falbe had one of the most charming faces he had ever seen. The

next he was swallowed up in melody.

She had the ease of the consummate artist, and each note, like the gates

of the New Jerusalem, was a pearl, round and smooth and luminous almost,

so that it was as if many-coloured light came from her lips. Nor was

that all; it seemed as if the accompaniment was made by the song itself,

coming into life with the freshness of the dawn of its creation; it was

impossible to believe that one mind directed the singer and another the

pianist, and if the voice was an example of art in excelsis, not less

exalted was the perfection of the player. Not for a moment through the

song did he take his eyes off her; he looked at her with an intensity of

gaze that seemed to be reading the emotion with which the lovely melody

filled her. For herself, she looked straight out over the hall, with

grey eyes half-closed, and mouth that in the pauses of her song was

large and full-lipped, generously curving, and face that seemed lit with

the light of the morning she sang of. She was the song; Michael thought

of her as just that, and the pianist who watched and understood her so

unerringly was the song, too. They had for him no identity of their own;

they were as remote from everyday life as the mind of Schumann which

they made so vivid. It was then that they existed.

The last song of the group she sang in English, for it was “Who is

Sylvia?” There was a buzz of smiles and whispers among the front row in

the pause before it, and regaining her own identity for a moment, she

smiled at a group of her friends among whom clearly it was a cliche

species of joke that she should ask who Sylvia was, and enumerate her

merits, when all the time she was Sylvia. Michael felt rather impatient

at this; she was not anybody just now but a singer. And then came the

divine inevitable simplicity of perfect words and the melody preordained

for them. The singer, as he knew, was German, but she had no trace of

foreign accent. It seemed to him that this was just one miracle the

more; she had become English because she was singing what Shakespeare

wrote.

The next group, consisting of modern French songs, appeared to Michael

utterly unworthy of the singer and the echoing piano. If you had it in

you to give reality to great and simple things, it was surely a waste

to concern yourself with these little morbid, melancholy manikins, these

marionettes. But his emotions being unoccupied he attended more to the

manner of the performance, and in especial to the marvellous technique,

not so much of the singer, but of the pianist who caused the rain to

fall and the waters reflect the toneless grey skies. He had never, even

when listening to the great masters, heard so flawless a comprehension

as this anonymous player, incidentally known as Hermann, exhibited. As

far as mere manipulation went, it was, as might perhaps be expected,

entirely effortless, but effortless no less was the understanding of the

music. It happened. . . . It was like that.

All of this so filled Michael’s mind as he travelled down that evening

to Ashbridge, that he scarcely remembered the errand on which he went,

and when it occurred to him it instantly sank out of sight again, lost

in the recollection of the music which he had heard to-day and which

belonged to the art that claimed the allegiance of his soul. The rattle

of the wheels was alchemised into song, and as with half-closed eyes he

listened to it, there swam across it now the full face of the singer,

now the profile of the pianist, that had stood out white and intent

against the dark panelling behind his head. He had gleaned one fact at

the box-office as he hurried out to catch his train: this Hermann was

the singer’s brother, a teacher of the piano in London, and apparently

highly thought of.

Michael · 第 2 / 17 章