The curvature of the Tower's legs imposed a problem unique in elevator
design, and it caused great annoyance to Eiffel, the fair's Commission,
and all others concerned. Since a vertical shaftway anywhere within the
open area beneath the first platform was esthetically unthinkable, the
elevators could be placed only in the inclined legs. The problem of
reaching the first platform was not serious. The legs were wide enough and
their curvature so slight in this lower portion as to permit them to
contain a straight run of track, and the service could have been designed
along the lines of an ordinary inclined railway. It was estimated that the
great majority of visitors would go only to this level, attracted by the
several international restaurants, bars and other features located there.
Two elevators to operate only that far were contracted for with no
difficulty--one to be placed in the east leg and one in the west.
To transport people to the second platform was an altogether different
problem. Since there was to be a single run from the ground, it would have
been necessary to form the elevator guides either with a constant
curvature, approximating that of the legs, or with a series of straight
chords connected by short segmental curves of small radius. Eiffel planned
initially to use the first method, but the second was adopted ultimately,
probably as being the simpler because only two straight lengths of run
were found to be necessary.
Bids were invited for two elevators on this basis--one each for the north
and south legs. Here the unprecedented character of the matter became
evident--there was not a firm in France willing to undertake the work. The
American Elevator Company, the European branch of Otis Brothers & Company,
did submit a proposal through its Paris office, Otis Ascenseur Cie., but
the Commission was compelled to reject it because a clause in the fair's
charter prohibited the use of any foreign material in the construction of
the Tower. Furthermore, there was a strong prejudice against foreign
contractors, which, because of the general background of disfavor
surrounding the project during its early stages, was an element worth
serious consideration by the Commission. The bidding time was extended,
and many attempts were made to attract a native design but none was
forthcoming.
As time grew short, it became imperative to resolve the matter, and the
Commission, in desperation, awarded the contract to Otis in July 1887 for
the amount of $22,500.[10] A curious footnote to the affair appeared much
later in the form of a published interview[11] with W. Frank Hall, Otis'
Paris representative:
"Yes," said Mr. Hall, "this is the first elevator of its kind. Our
people for thirty-eight years have been doing this work, and have
constructed thousands of elevators vertically, and many on an
incline, but never one to strike a radius of 160 feet for a distance
of over 50 feet. It has required a great amount of preparatory study
and we have worked on it for three years."
"That was before you got the contract?"
"Quite so, but we knew that, although the French authorities were
very reluctant to give away this piece of work, they would be bound
to come to us, and so we were preparing for them."
Such supreme confidence must have rapidly evaporated as events progressed.
Despite the invaluable advertising to be derived from an installation of
such distinction, the Otises would probably have defaulted had they
foreseen the difficulties which preceded completion of the work.
[Illustration: Figure 24.--General arrangement of Otis elevator system in
Eiffel Tower. (From _The Engineer_ (London), July 19, 1889, vol. 68, p.
58.)]
The proposed system (fig. 24) was based fundamentally upon Otis' standard
hydraulic elevator, but it was recognizable only in basic operating
principle (fig. 25). Tracks of regular rail section replaced the guides
because of the incline, and the double-decked cabin (fig. 29) ran on small
flanged wheels. This much of the apparatus was really not unlike that of
an ordinary inclined railway. Motive power was provided by the customary
hydraulic cylinder (fig. 26), set on an angle roughly equal to the incline
of the lower section of run. Balancing the cabin's dead weight was a
counterpoise carriage (fig. 27) loaded with pig iron that traveled on a
second set of rails beneath the main track. Like the driving system, the
counterweight was rope-geared, 3 to 1, so that its travel was about 125
feet to the cabin's 377 feet.
[Illustration: Figure 25.--Schematic diagram of the rigging of the Otis
system. (Adapted from Gustave Eiffel, _La Tour de Trois Cents Metres_,
Paris, 1900, p. 127.)]
Everything about the system was on a scale far heavier than found in the
normal elevator of the type. The cylinder, of 38-inch bore, was 36 feet
long. Rather than a simple nest of pulleys, the piston rods pulled a large
guided carriage or "chariot" bearing six movable sheaves (fig. 28).
Corresponding were five stationary sheaves, the whole reeved to form an
immense 12-purchase tackle. The car, attached to the free ends of the
cables, was hauled up as the piston drew the two sheave assemblies apart.
In examining the system, it is difficult to determine what single element
in its design might have caused such a problem as to have been beyond the
engineering ability of a French firm, and to have caused such concern to a
large, well-established American organization of Otis' wide elevator and
inclined railway experience. Indeed, when the French system--which served
the first platform from the east and west legs--is examined, it appears
curious that a national technology capable of producing a machine at such
a level of complexity should have been unable to deal easily with the
entire matter. This can be plausibly explained only on the basis of
Europe's previously mentioned lack of experience with rope-geared and
other cable-hung elevator systems. The difficulty attending Otis' work,
usually true in the case of all innovations, lay unquestionably in the
multitudes of details--many of them, of course, invisible when only the
successfully working end product is observed.
More than a matter of detail was the Commission's demand for perfect
safety, which precipitated a situation typical of many confronting Otis
during the entire work. Otis had wished to coordinate the entire design
process through Mr. Hall, with technical matters handled by mail.
Nevertheless, at Eiffel's insistence, and with some inconvenience, in 1888
the company dispatched the project's engineer, Thomas E. Brown, Jr., to
Paris for a direct consultation. Mild conflict over minor details ensued,
but a gross difference of opinion arose ultimately between the American
and French engineers over the safety of the system. The disagreement
threatened to halt the entire project. In common with all elevators in
which the car hangs by cables, the prime consideration here was a means of
arresting the cabin should the cables fail. As originally presented to
Eiffel, the plans indicated an elaborate modification of the standard Otis
safety device--itself a direct derivative of E. G. Otis' original.
If any one of the six hoisting cables broke or stretched unduly, or if
their tension slackened for any reason, powerful leaf springs were
released causing brake shoes to grip the rails. The essential feature of
the design was the car's arrest by friction between its grippers and the
rails so that the stopping action was gradual, not sudden as in the
elevator safety. During proof trials of the safety, made prior to the
fair's opening by cutting away a set of temporary hoisting cables, the
cabin would fall about 10 feet before being halted.
[Illustration: Figure 26.--Section through the Otis power cylinder.
(Adapted from Gustave Eiffel, _La Tour de Trois Cents Metres_, Paris,
1900, pl. 22.)]
[Illustration: Figure 27.--Details of the counterweight carriage in the
Otis system. (From Gustave Eiffel, _La Tour de Trois Cents Metres_, Paris,
1900, pl. 22{4}.)]
Although highly efficient and of unquestionable security, this safety
device was considered an insufficient safeguard by Eiffel, who, speaking
in the name of the Commission, demanded the application of a device known
as the rack and pinion safety that was used to some extent on European cog
railways. The commissioners not only considered this system more reliable
but felt that one of its features was a necessity: a device that
permitted the car to be lowered by hand, even after failure of all the
hoisting cables. The serious shortcomings of the rack and pinion were its
great noisiness and the limitation it imposed on hoisting speed. Both
disadvantages were due to the constant engagement of a pinion on the car
with a continuous rack set between the rails. The meeting ended in an
impasse, with Brown unwilling to approve the objectionable apparatus and
able only to return to New York and lay the matter before his company.
While Eiffel's attitude in the matter may appear highly unreasonable, it
must be said that during a subsequent meeting between Brown and
Koechlin, the French engineer implied that a mutual antagonism had
arisen between the Tower's creator and the Commission. Thus, since his own
judgment must have had little influence with the commissioners at that
time, Eiffel was compelled to specify what he well knew were excessive
safety provisions.
This decision placed Otis Brothers in a decidedly uncomfortable position,
at the mercy of the Commission. W. E. Hale, promoter of the water balance
elevator--who by then had a strong voice in Otis' affairs--expressed the
seriousness of the matter in a letter to the company's president, Charles
R. Otis, following receipt of Brown's report on the Paris conference.
Referring to the controversial cogwheel, Hale wrote
... if this must be arranged so that the car is effected [sic] in its
operation by constant contact with the rack and pinion ... so as to
communicate the noise and jar, and unpleasant motion which such an
arrangement always produces, I should favor giving up the whole
matter rather than allying ourselves with any such abortion.... we
would be the laughing stock of the world, for putting up such a
contrivance.
This difficult situation apparently was the product of a somewhat general
contract phrased in terms of service to be provided rather than of
specific equipment to be used. This is not unusual, but it did leave open
to later dispute such ambiguous clauses as "adequate safety devices are to
be provided."
Although faced with the loss not only of all previously expended design
work but also of an advertisement of international consequence, the
company apparently concurred with Hale and so advised Paris.
Unfortunately, there are no Otis records to reveal the subsequent
transactions, but we may assume that Otis' threat of withdrawal prevailed,
coupled as it was with Eiffel's confidence in the American equipment. The
system went into operation as originally designed, free of the odious rack
and pinion.
That, unfortunately, was not the final disagreement. Before the fair's
opening in May 1889, the relationship was strained so drastically that a
mutually satisfactory conclusion to the project must indeed have seemed
hopeless. The numerous minor structural modifications of the Tower legs
found necessary as construction progressed had necessitated certain
equivalent alteration to the Otis design insofar as its dependency upon
the framework was affected. Consequently, work on the machinery was set
back by some months. Eiffel was informed that although everything was
guaranteed to be in full operation by opening day on May 1, the
contractual deadline of January 1 could not possibly be met. Eiffel, now
unquestionably acting on his own volition, responded by cable, refusing
all payment. Charles Otis' reply, a classic of indignation, disclosed to
Eiffel the jeopardy in which his impetuosity had placed the success of the
entire project:
After all else we have borne and suffered and achieved in your
behalf, we regard this as a trifle too much; and we do not hesitate
to declare, in the strongest terms possible to the English language,
that we will not put up with it ... and, if there is to be War, under
the existing circumstances, propose that at least part of it shall be
fought on American ground. If Mr. Eiffel shall, on the contrary,
treat us as we believe we are entitled to be treated, under the
circumstances, and his confidence in our integrity to serve him well
shall be restored in season to admit of the completion of this work
at the time wanted, well and good; but it must be done at once ...
otherwise we shall ship no more work from this side, and Mr. Eiffel
must charge to himself the consequences of his own acts.
This message apparently had the desired effect and the matter was somehow
resolved, as the machinery was in full operation when the Exposition
opened. The installation must have had immense promotional value for Otis
Brothers, particularly in its contrast to the somewhat anomalous French
system. This contrast evidently was visible to the technically
unsophisticated as well as to visiting engineers. Several newspapers
reported that the Otis elevators were one of the best American exhibits at
the fair.
In spite of their large over-all scale and the complication of the basic
pattern imposed by the unique situation, the Otis elevators performed well
and justified the original judgment and confidence which had prompted
Eiffel to fight for their installation. Aside from the obvious advantage
of simplicity when compared to the French machines, their operation was
relatively quiet, and fast.
The double car, traveling at 400 feet per minute, carried 40 persons, all
seated because of the change of inclination. The main valve or distributor
that controlled the flow of water to and from the driving cylinder was
operated from the car by cables. The hydraulic head necessary to produce
pressure within the cylinder was obtained from a large open reservoir on
the second platform. After being exhausted from the cylinder, the water
was pumped back up by two Girard pumps (fig. 31) in the engine room at
the base of the Tower's south leg.