5. LAYING FOUNDATIONS IN BLOOD.

In the building of a house, as a new home, the prominence given to the

laying of the threshold, or to its dedicating by blood, is another

indication, or outcome, of its altar-like sacredness. In Upper Syria a

sacrifice is often made at the beginning of the building of a new house,

and again at the first crossing of its threshold. “When a new house is

built,” among the Metâwileh, “the owner will not reside in it until,

with certain formalities, a black hen has been carried several times

round the house and slaughtered within the door,” as if in covenant

dedication of the house.[122]

Among the Copts in Egypt, when the threshold of a new house is laid, the

owner slaughters a sheep or a goat on the threshold, and steps over the

blood, as if in covenant for himself and his household with Him to whom

all blood, as life, belongs. Then he divides the sacrificed victim among

his neighbors; and they in turn come and step across the blood on the

threshold, invoking as they do so a blessing on the new house and its

owner, while coming into covenant with him.[123]

The foundation-stone of a new building is, in a sense, the threshold of

that structure. Hence to lay the foundations in blood is to proffer

blood at the threshold. Traces of this custom are to be found in the

practices or the legends of peoples wellnigh all the world over.[124]

Apparently the earlier sacrifices were of human beings.[125] Later they

were of animals substituted for persons. The idea seems to have been

that he who covenanted by blood with God, or with the gods, when his

house, or his city, was builded, was guarded, together with his

household, while he and they were dwellers there; but, if he failed to

proffer a threshold sacrifice, his first-born, or the first person who

crossed the bloodless threshold, would be claimed by the ignored or

defied deity.

There is, indeed, a suggestion of this idea in the curse pronounced by

Joshua, when he destroyed the doomed city of Jericho, against him who

should rebuild its walls, he not being in covenant with and obedient to

the Lord. “Cursed be the man before the Lord, that riseth up and

buildeth this city Jericho: with the loss of his firstborn shall he lay

the foundation thereof, and with the loss of his youngest son shall he

set up the gates of it.”[126] A later record tells of the fulfilment of

this curse. It says of the reign of Ahab: “In his days did Hiel the

Bethel-ite build Jericho: he laid the foundation thereof with the loss

of Abiram his firstborn, and set up the gates thereof with the loss of

his youngest son Segub; according to the word of the Lord, which he

spake by the hand of Joshua the son of Nun.”[127]

Human sacrifices, in order to furnish blood at the foundations of a

house, or of a public structure, have been continued down to recent

times, or to the present, in some portions of the world; and there are

indications in popular tradition that they were frequent in a not remote

past.

It is said that at the building of Scutari, in Asia Minor, “the workmen

were engaged on its fortifications for three years, but the walls would

not stand. Then they protested that the only possible way to succeed was

to lay under or in them a living human being. They accordingly laid hold

of a young woman who brought them dinner, and immured her.”[128]

According to a story in China, when the bridge leading to the site of

St. John’s College, in Shanghai, was in process of building, an official

present took off his shoes, as indicating his rank, and threw them into

the stream, in order to stay the current, and enable the workmen to lay

the foundations. Finding this unavailing, he took off his garments and

threw them in. Finally he threw himself in, and as his life went out the

workmen were enabled to go on with their building. To this day the

belief is general that that structure stands fast because of this

sacrifice.[129]

“When the walls of Algiers were built of blocks of concrete [by

Muhammadans], in the sixteenth century, a Christian captive named

Geronimo was placed in one of the blocks and the rampart built over and

about him. Since the French occupation of Algiers a subsidence in the

wall led to an examination of the blocks, and one was found to have

given way. It was removed, and the cast of Geronimo was discovered in

the block. The body had gone to dust, and the superincumbent weight had

crushed in the stone sarcophagus.”[130]

A story told among the Danes is, that “many years ago, when the ramparts

were being raised round Copenhagen, the wall always sank, so that it was

not possible to get it to stand firm. They therefore took a little

innocent girl, placed her in a chair by a table, and gave her playthings

and sweetmeats. While she thus sat enjoying herself, twelve masons built

an arch over her, which, when completed, they covered with earth to the

sound of drums and trumpets. By this process the walls were made

solid.”[131]

“Thuringian legend declares that to make the castle of Liebenstein fast

and impregnable, a child was bought for hard money of its mother, and

walled in. It was eating a cake while the masons were at work, the story

goes, and it cried, ‘Mother, I see thee still;’ then later, ‘Mother, I

see thee a little still;’ and as they put in the last stone, ‘Mother,

now I see thee no more.’”[132]

A similar story is told of a Slavic town on the Danube. A plague

devastated it, and it was determined to build it anew, with a new

citadel. “Acting on the advice of their wisest men, they sent out

messengers before sunrise one morning in all directions, with orders to

seize upon the first living creature they should meet. The victim proved

to be a child (_Dyetina_, archaic form of _Ditya_), who was buried alive

under the foundation-stone of the new citadel. The city was on that

account called Dyetinets [or Detinetz], a name since applied to any

citadel.”[133]

It is even said that “when, a few years ago, the Bridge Gate of the

Bremen city walls was demolished, the skeleton of a child was found

imbedded in the foundations.”[134]

A Scottish legend tells that St. Columba found himself unable to build a

cathedral on the island of Iona unless he would secure its stability and

safety by the blood of a human sacrifice. Thereupon he took his

companion, Oran, and buried him alive at the foundations of the

structure, having no trouble after that.[135]

And it is said that under the walls of the only two round towers of the

ancient Irish examined, human skeletons were found buried.[136]

Until the transfer of Alaska to the United States, in 1867, by the

Russian government, human sacrifices at the foundation of a new house

were common in that portion of America. The ceremonies are thus

described by one familiar with them: “The rectangular space for the

building is ... cleared, a spot for the fireplace designated, and four

holes dug, wherein the corner posts are to be set.... A slave, either

man or woman who has been captured in war or is even a descendant of

such a slave, is blindfolded and compelled to lie down face uppermost,

in the place selected for the fireplace [the site of the domestic

altar]. A sapling is then cut, laid across the throat of the slave, and,

at a given signal, the two nearest relatives of the host sit upon the

respective ends of the sapling, thereby choking the unhappy wretch to

death. But the corner posts must receive their baptism; so four slaves

are blindfolded, and one is forced to stand in each post-hole, when, at

a given signal, a blow on the forehead is dealt with a peculiar club

ornamented with the host’s coat of arms.” It is said that even to the

present time, on the building of a house in Alaska, “the same ceremonies

are enacted, with the exception of the sacrifices, which are prevented

by the United States authorities.”[137]

In Hindoostan, Burmah, Tennasserin, Borneo, Japan, Galam, Yarriba,

Polynesia, and elsewhere, there are modern survivals of this

foundation-laying in blood.[138] It would seem, indeed, to have been

wellnigh universal as a primitive usage.

Popular ballads give other indications of such customs, in various

lands. “In a song, of which there are several versions, of the building

of the bridge of Arta, it is told how the bridge fell down as fast as it

was built, until at last the master-builder dreamed a dream that it

would only stand if his own wife were buried alive in the foundations.

He therefore sends for her, bidding her dress in festival attire, and

then finds an excuse to make her descend into the central pile,

whereupon they heap the earth over her, and thus the bridge stands

fast.”[139]

“In another song the same story is told of the Bridge of Tricha, with

the difference only that it is a little bird that whispers in the

architect’s ear how the pile may be made to stand. A similar

superstition connected with the building of the monastery Curtea de

Argest, in Wallachia, forms the subject of a fine poem by the Roumanian

poet Alexandri.”[140]

There is an indication of a like custom among the Vlachs in Turkey, as

shown in their folk-poetry. The ballad of the “Monastery of Argis” tells

of such an incident, in which the master-builder Manoli plays a

part.[141]

Various substitutes for human offerings at the laying of a

foundation-stone, or a threshold, have been adopted in different

countries. Thus, in modern Greece, “after the ground has been cleared

for the foundations of a new house, the future owner, his family, and

the workmen attend, together with the _pappas_ [the priest] in full

canonicals, accompanied by incense, holy water, and all due accessories.

A prayer is said, and those present are aspersed, and the site is

sprinkled with the consecrated water. Then a fowl or a lamb, which you

have noticed lying near with the feet tied together, is taken by one of

the workmen, killed and decapitated, the _pappas_ standing by all the

while, and even giving directions; the blood is then smeared on the

foundation-stone, in the fulfilment of the popular adage that ‘there

must be blood in the foundation.’”[142]

The modern Greek term for this ceremony, _stoicheionein_, would seem to

indicate a sacrifice to the deity of the threshold, or the foundation.

“The Bulgarians, it is said, when laying a house foundation, take a

thread, and measure the shadow of some casual passer-by. The measure is

then buried under the foundation-stone, and it is expected that the man

whose shadow has been thus treated will soon become but a shade

himself.... Sometimes a victim is put to death on the occasion; the

foundations being sprinkled with the blood of a fowl, or a lamb, or some

other species of scapegoat.”[143]

Among the Russian peasants the idea prevails that the building of a new

house “is apt to be followed by the death of the head of the family for

which the new dwelling is constructed, or that the member of the family

who is the first to enter it will soon die. In accordance with a custom

of great antiquity, the oldest member of a migrating household enters

the new house first; and in many places, as, for instance, in the

Government of Archangel, some animal is killed and buried on the spot on

which the first log or stone is laid.”[144]

The “upper corner” of a house, in Russia, is peculiarly sacred, having

even more honor than the doorway threshold in the ordinary home. Yet

this upper corner seems to be in a sense the real threshold, or

foundation corner, of the building. A cock is the ordinary victim

sacrificed “on the spot which a projected house is to cover.” The head

of this cock is buried “exactly where the ‘upper corner’ of the building

is to stand.” And this corner is thenceforward a sacred corner. Opposite

to it is the stove. It is called the “great” and the “beautiful” corner.

The family meal is eaten before it, and every one who enters the cottage

makes obeisance toward it. Formerly ancestral images are supposed to

have been in that corner, and now holy pictures are there.[145] It would

seem to be in accordance with this idea that the foundation-stone, or

threshold, of a new building, which in civilized lands is now laid with

imposing ceremonies, is known as the “corner-stone.” Yet the

“corner-stone” of a modern building is sometimes at the corner of the

central doorway.[146]

It is worthy of note that in ancient Egypt the one door of an ordinary

dwelling-house was placed at one side, or end, of the front wall, and

not in the center; so that the corner-stone of the building was

literally a portion of the threshold.[147] The same was true of many an

old-time New England house; the “front door” was at the left-hand side

(as one approached the house) of the gable end. Thus the threshold of

the door was often the corner-stone.

Ancient Romans were accustomed to place statues and images, instead of

living persons, under the foundations of their buildings, as has been

shown by recent researches in and about Rome.[148] In one instance,

where a fine statue of colossal size and in perfect preservation was

unearthed, at the foundations of a convent which was being enlarged, “by

order of the monks, it was buried again,” as if in deference to the

primitive belief that it was essential to the stability of the

structure.[149]

There is a Swedish tradition “that under the altar in the first

Christian churches a lamb was usually buried, which imparted security

and duration to the edifice.”[150] And, “according to Danish accounts, a

lamb was buried under every altar, and a living horse was laid in every

churchyard before a human corpse was laid in it. Both lamb and horse are

to be seen occasionally in the church- or grave-yard, and betoken death.

Under other houses pigs and hens were buried alive.”[151]

A new sacrificial stone, or altar of sacrifice, laid on the summit of a

Mexican temple, in 1512, was consecrated by Montezuma by the blood of

more than twelve thousand captives.[152]

When the new railroad was built between Jaffa and Jerusalem, a few years

ago, there were sacrifices of sheep at its beginning. And there were

similar sacrifices at the foundations of the Turkish building, at the

Columbian Exposition at Chicago.

In all these facts or legends, blood on the threshold of the building,

in the foundation-stones of the structure, is shown to have been deemed

an essential factor in a covenant with, or in propitiation of, the deity

of the place.

The Threshold Covenant; or, The Beginning of Religious Rites · 第 34 / 166 题