CHAPTER XI

THE APOSTOLIC PERIOD

[Sidenote: The star-crowned woman]

The twelfth chapter of Revelation introduces an important line of

prophetic truth respecting the church, beginning with these words:

"And there appeared a great wonder in heaven; a woman clothed with the

sun, and the moon under her feet, and upon her head a crown of twelve

stars: and she being with child cried, travailing in birth, and pained

to be delivered." "And she brought forth a man child, who was to rule

all nations with a rod of iron: and her child was caught up unto God,

and to his throne. And the woman fled into the wilderness, where

she hath a place prepared of God, that they should feed her there a

thousand two hundred and threescore days" (verses 1, 2, 5, 6).

As we have already stated and as will be made very clear hereafter,

symbols drawn from human life are used to represent ecclesiastical

affairs. Therefore in the symbol now before us we have a

representation of the church, and from the general description given

we infer that it must be the pure church of God, for the brightest

luminaries of heaven are gathered around her and no evil thing is said

concerning her. That this woman is the special object of God's care

and concern is further shown by the fact that when she fled into the

wilderness, she had "a place prepared of God, that they should feed

her there." That this interpretation of the woman is correct is also

shown by other texts in Revelation.

In chapter 21:9 an angel talking with John said, "Come hither, I will

shew thee the _bride_, the Lamb's wife." And again, in chapter 19:7,

where the church is undoubtedly referred to, a great multitude is

represented as saying, "Let us be glad and rejoice, and give honor to

him: for the marriage of the Lamb is come, and his _wife_ hath made

herself ready." In the seventeenth chapter the church apostate is

without doubt described by the symbol of a vile, polluted harlot.

The pure woman of chapter 12, then, represents the apostolic church in

all its beauty and glory. She is represented as clothed with the sun,

a striking emblem of the light of the glorious gospel of Christ

which shone forth from the early church. The moon under her feet is

generally understood to designate the typical worship of the Jewish

age, which was a shadow of things to come but which now stands

eclipsed in the superior light and glory of the new and better

dispensation. The moon is the lesser light and derives its

illumination from the sun; so also the Mosaic period was the moonlight

age of the church and reflected a part of the gospel which, at a later

time, was to be revealed in all its glory with the rise of the "Sun of

righteousness."

The crown of twelve stars adorning the diadem of the church is a fit

representation of the twelve apostles of the Lamb, they being in one

important sense permanent fixtures in the church. According to chapter

1:20, stars are sometimes used to represent Christian ministers, the

analogy as light-givers being obvious. "They that be wise shall

shine as the brightness of the firmament; and they that turn many to

righteousness as the stars forever and ever" (Dan. 12:3).

The prominent position occupied by this woman and the light which

shone forth from the sun with which she was clothed stand out in

marked contrast with the later description given of her flight into

and seclusion in the wilderness. The latter stage of her experience

I shall describe further on, but a brief allusion to it will make

her first appearance more impressive. The wilderness describes the

apostasy which was to envelop the woman and thus obscure her light.

Therefore her first appearance as in the planetary heavens presents a

sublime description of her dignity and excellence in the morning time

of the gospel era. Her light shone upon all and her glory could be

seen by all. She presents that fundamentally distinct characteristic

of the true church of God--universality; not a mere isolated star

shedding its feeble rays in competition with the other orbs of night;

but a cluster of bright, shining stars and _the very sun itself_. The

light of the apostolic church was, therefore, all-inclusive in the

sense of reflecting all the truth. It is essential to our proper

understanding of the symbols that follow that we comprehend the true

character of the church of God--the bride of Christ.

[Sidenote: The man child]

The next object to claim our attention in the vision under

consideration is that of the man child to whom the woman is said to

give birth. A variety of interpretations of this man child have been

given. Some say that it refers to Jesus Christ, but this application

is objectionable for different reasons. First, Jesus is everywhere

represented as the founder of the church, not as its child. Second,

true analogy is lacking: there is nothing about a mere child to

proclaim divinity. Others have identified the child with the Emperor

Constantine; but here again the consistent use of symbolic language is

overlooked; for if the woman, the mother, represents the church, then

the child horn of her can not represent a single, definite individual,

but rather a collection of individuals or another phase of the

church itself. In other words, if the one single symbol represents a

particular individual, the other must also represent an individual.

Thus, if the man child is identified with Christ, the mother should

signify the Virgin Mary; or if Constantine is intended, then Helena,

mother of Constantine, should be represented by the woman.

It is clear, however, that the woman signifies, not a single

individual, but the church. Therefore the child born of her must

simply signify another phase of the church but the same family. By

means of this twofold symbol--involving the closest relationship

known--is set forth the fruitfulness and perpetuity of the church.

There is also another reason why a double symbol should be selected

to set forth the true church--to represent two distinct phases of the

church's life and history, which, in the nature of the case, could

not be represented under a single symbol. According to the description

given, the man child was caught up to God and to his throne, while the

woman remained on earth and fled into the wilderness, where she had a

place prepared of God for 1,260 days. The man child, then, represents

that phase of the church which was caught up from the earth but

ascended to heaven and there lived and reigned with Christ; while the

woman represents that phase of the church which continued on earth and

fled into the wilderness during the period of the great apostasy.

There is also direct Scriptural testimony justifying this

interpretation of the man child. In Isaiah 66 we have a sublime

description of Zion, God's church and people, represented as a

woman, a mother. The context shows that this scripture is a prophetic

allusion to the church of the New Testament age. "Before she

travailed, she brought forth; before her pain came, she was delivered

of a _man child_. Who hath heard such a thing? who hath seen such

things? Shall the earth he made to bring forth in one day? or shall

a nation be born at once? for as soon as Zion travailed, she brought

forth her children" (verses 7, 8). Here Zion is represented as a

mother bringing forth a man child, but this is interpreted to be _a

nation born at once_. According to Heb. 12:22, 23, this Zion, or Sion,

represents the New Testament church. There is no doubt, then, that the

man child of Revelation 12 refers to the great host of new converts

with which the early church was blessed. The scripture in Isaiah

just cited met its fulfilment on the day of Pentecost and shortly

afterwards, when thousands were brought into the church in a day. The

apostle Paul also refers to the great company of Jews and Gentiles who

were reconciled to God as constituting _"one new man" in Christ_ (Eph.

2:15).

[Sidenote: The great red dragon]

The next object in the vision to which our attention is directed

is introduced in these words: "And there appeared another wonder in

heaven; and behold a great red dragon, having seven heads and ten

horns, and seven crowns upon his heads. And his tail drew the third

part of the stars of heaven, and did cast them to the earth: and the

dragon stood before the woman which was ready to be delivered, for to

devour her child as soon as it was born" (Rev. 12:3, 4).

The dragon is the name given by the ancients to a fabulous monster

represented as a large winged lizard or serpent. It was regarded as

the enemy of mankind, and its overthrow is made to figure among the

greatest exploits of the gods and heroes of heathen mythology. The

symbol, being drawn from the natural world, directs us by analogy to

persecuting, tyrannical government. We must not suppose that this is

a literal description of Beelzebub; for there is no proof that the

personal devil has any such appearance as this monster with seven

heads and ten horns, and a tail dragging after him a third part of the

stars of heaven.

In the second verse of the next chapter John describes the rise of a

beast that also had seven heads and ten horns; "and the dragon gave

him his power, and his seat, and great authority." The fact that the

dragon was succeeded by the beast, who reigned in his stead, is proof

that the dragon does not signify the personal devil; for, as far as

we know, the archfiend has never resigned his position, but is still

doing his infernal business at the same stand.

In many respects the beast is similar to the dragon. In the

seventeenth chapter the beast appears again, and the explanation given

by the angel will enable us to understand the signification both of

the dragon and of the beast. "The beast that thou sawest was, and is

not; and shall ascend out of the bottomless pit, and go into perdition

... and here is the mind which hath wisdom. The seven heads are seven

mountains, on which the woman sitteth. And there are seven kings: five

are fallen, and one is, and the other is not yet come; and when he

cometh, he must continue a short space.... And the ten horns which

thou sawest are ten kings, which have received no kingdom as yet; but

receive power as kings one hour with the beast" (verses 8-12).

With these facts before us and with our understanding of the nature of

symbols, it is easy to identify the dragon and the beast as the Roman

Empire, first under the pagan form and later under the papal form.

Although the beast was to succeed the dragon, yet in identifying the

heads of the beast, the angel informed John that in his day five had

already fallen, while one then existed and the other was future. This

proves, then, that the same heads served both for the dragon and for

the beast, thus establishing their essential identity. And it is a

fact well known that there is no essential difference between Rome

pagan and Rome papal. The seven heads of Rome, therefore, signify the

distinct forms of government that ruled successively in the empire,

for they are represented, not as simultaneous powers, but as

consecutive powers. The five that had already fallen when John

received the vision were the regal power, the consular, the

decemvirate, the military tribunes, and the triumvirate. "One is"--the

imperial. The seventh, or future one, was the patriciate.

It is natural that the pagan Roman Empire should be represented as a

dragon. In the prophecy of Daniel the Grecian kingdom is represented

by a he goat for no other apparent reason than the fact that the goat

was the national military standard of the Grecian monarchy. So also

the dragon was the principal military standard of the Romans next to

the eagle. Arian, an early writer, mentions the fact that dragons were

used as military standards by the Romans. The dragon of Revelation

12 is also described as a _red_ dragon. The dragon standards of the

Romans were painted red. Ammianus Marcellinus mentions "the purple

standard of the dragon." By this fabulous beast described as a great

red dragon, then, is symbolically represented the heathen Roman

Empire.

The ten horns, or kingdoms, which had not yet risen when the

revelation was given, were the ten minor kingdoms that grew out of

the Roman Empire during its decline and fall. These are as follows:

1. Anglo-Saxons; 2. Burgundians; 3. Franks; 4. Huns; 5. Heruli; 6.

Lombards; 7. Ostrogoths; 8. Suevi; 9. Vandals; 10. Visigoths.

The dragon is described with the horns, although they were not yet in

existence and did not arise until about the time the dragon became

the beast. He is also represented with seven heads, although he really

possessed only one head at a time and five had already fallen and one

was yet to come. He is described with all the heads and horns he had

ever had or was to have. The reason why the same general power is

described under two forms--first as the dragon and later as the

beast--will appear more clearly hereafter.

The fact that the dragon was called the devil and Satan has led some

to think that the personal devil himself is meant. The foregoing

explanation concerning the heads and the horns shows conclusively,

however, that by the dragon is meant the pagan Roman Empire, and not

Beelzebub. The Hebrews applied the term "Satan" to an adversary, or

opposer, as can be seen by examining in the original the following

and many other texts: Num. 22:22; 1 Sam. 29:4; 2 Sam. 19:22; 1 Kings

11:25. The term is also thus used in the New Testament, signifying

merely an opposer. "But he turned, and said unto Peter, Get thee

behind me, _Satan_" (Matt. 16:23). "The things which the Gentiles

sacrifice, they sacrifice to _devils_" (1 Cor. 10:20). Paganism was

the great opposer of Christianity; hence was a Satan to it, while the

apostle Paul denominated its religious rites as devil-worship. We must

remember that the text does not say that the dragon was the devil and

Satan, but that he was _called_ the devil and Satan. He partook of the

nature and character of the personal devil, was the chief instrument

through which the devil worked, and was therefore called by his name.

The tail of this dragon "drew the third part of the stars of heaven,

and did cast them to the earth." This is not a literal description,

for the fixed or planetary stars never fall to the earth. If they did,

they would destroy it. The stars are doubtless employed as symbols

set in the ecclesiastical firmament, giving light amid the surrounding

darkness. Light is so often used as the representative of gospel

truth that the application of the stars to prominent characters in

the church is obvious. Jesus is the Sun of Righteousness, and his

ministers are bright, shining stars--light-givers. The ministers

of the seven churches of Asia Minor are represented as stars (chap.

1:20). "They that be wise shall shine as the brightness of the

firmament; and they that turn many to righteousness as the stars

forever and ever" (Dan. 12:3). The casting down of the third part of

the stars, therefore, signifies the warfare which the dragon power

waged against the early church, in which conflict the ministers of

Christ became the marked objects of heathen wrath.

[Sidenote: The war in heaven]

"And there was war in heaven: Michael and his angels fought against

the dragon; and the dragon fought and his angels, and prevailed not;

neither was their place found any more in heaven. And the great dragon

was cast out, that old serpent called the Devil and Satan, which

deceiveth the whole world: he was cast out into the earth, and his

angels were cast out with him. And I heard a loud voice saying in

heaven, Now is come salvation, and strength, and the kingdom of our

God, and the power of his Christ: for the accuser of our brethren is

cast down, which accused them before our God day and night. And

they overcame him by the blood of the Lamb, and by the word of their

testimony; and they loved not their lives unto the death" (Rev.

12:7-11).

The symbolic scene suddenly changes, and instead of the woman and the

man child, Michael and his angels appear in conflict with the dragon

and his angels. This change of symbols indicates the introduction of

a different phase of thought. From the nature of the symbols we can

quickly ascertain the reason for this change. The woman represents the

true church and is a proper symbol of its unity, beauty, purity,

and glory. But there is another phase of the church which can not be

represented symbolically by a woman--the militant phase. The church is

also an aggressive, fighting power, ready to wage warfare against the

powers of evil. We would not expect to see the church left helpless

like a woman before a great dragon. We would naturally expect to

see divine aid extended, and this is done by the change of symbolic

imagery, Michael (Christ) and his angels appearing to wage war against

the dragon.

The battle between Michael and the dragon signifies the great conflict

which took place between primitive Christianity and the powers of

paganism enthroned in the Roman Empire. It will be observed that this

scripture has no reference to the origin of Satan himself, as some

people have supposed; for the conflict was fought in the Christian

dispensation, as is proved by the weapons which the followers of

Michael employed--"And they _overcame him by the blood of the Lamb_,

and by the word of their testimony; and they loved not their lives

unto the death." Under this figure, the followers of Michael are

represented as victors, the dragon being cast down to the earth,

or overthrown. It is a fact of history that primitive Christianity

succeeded in its fight against paganism.

In the nineteenth chapter of Acts we have an account of the effect

Christianity had on heathenism. Paul went to Ephesus, which at that

time was the chief capital of proconsular Asia, a leading mart of

heathen idolatry, and in which was situated one of the seven wonders

of the ancient world--the temple of Diana. The preaching of the gospel

produced such a mighty effect that the followers of Diana, fearing

lest their magnificent system of worship should be destroyed, stirred

up the people in a tumult until the city was in an uproar, a great mob

shouting, "Great is Diana of the Ephesians."

Before the end of the first century, according to the testimony of

the younger Pliny, the temples of the gods of Asia Minor were almost

forsaken. Well has Butler said, "The final victory of Christianity

over heathenism and Judaism, and the mightiest empire of the ancient

world, a victory gained without physical force, by the moral power

of faith and perseverance, of faith and love, is one of the strongest

evidences of the divinity and indestructible life of our holy

religion."

It is a fact worthy of mention that the early Christians regarded

the Roman Empire as a great enemy to the truth, and described it as a

dragon, the victory of Christianity over heathenism being represented

by the overthrow of the dragon. Constantine and others of his time

describe these events thus. Says Bishop Newton, "Moreover, a picture

of Constantine was set up over the palace gate, with a cross over his

head, and under his feet the great enemy of mankind (who persecuted

the church by means of impious tyrants), in the form of a dragon,

transfixed with a dart through the midst of its body, and falling

headlong into the depth of the sea."

Verse 11 seems to indicate that many of the followers of Christ lost

their lives in this conflict, and this doubtless is parallel with the

statement that the man child was caught up to God and to his throne.

It may also imply that in the conflict the dragon employed the arm of

civil power in his opposition to the truth. But Christianity increased

notwithstanding the violent opposition. During the reign of the

Emperor Septimus Severus, about the close of the second century, when

a violent persecution of the Christians occurred, Tertullian, the

first of the great Latin Fathers, wrote a notable apology for the

Christian faith, addressed to the Emperor. In this important document

this noble defender of Christianity sets forth so clearly the nature

of the conflict between truth and error that I shall make rather a

lengthy quotation from his writing.

"Rulers of the Roman Empire," he begins, "you surely can not forbid

the truth to reach you by the secret pathway of a noiseless book.

She knows that she is but a sojourner on the earth, and as a stranger

finds enemies; and more, her origin, her dwelling-place, her hope, her

rewards, her honors, are above. One thing, meanwhile, she anxiously

desires of earthly rulers--not to be condemned unknown. What harm can

it do to give her a hearing?... The outcry is that the state is filled

with Christians; that they are in the fields, in the citadels, in the

islands. The lament is, as for some calamity, that both sexes, every

age and condition, even high rank, are passing over to the Christian

faith.

"The outcry is a confession and an argument for our cause; for we are

a people of yesterday, and yet we have filled every place belonging to

you--cities, islands, castles, towns, assemblies, your very camp, your

tribes, companies, palace, senate, forum. We leave to you your temples

alone. We can count your armies: our numbers in a single province

will be greater. We have it in our power, without arms and without

rebellion, to fight against you with the weapon of a simple divorce.

We can leave you to wage your wars alone. If such a multitude should

withdraw into some remote corner of the world, you would doubtless

tremble at your own solitude, and ask, 'Of whom are we the governors?'

"It is a human right that every man should worship according to his

own convictions ... a forced religion is no religion at all.... Men

say that the Christians are the cause of every public disaster. If the

Tiber rises as high as the city walls, if the Nile does not rise over

the fields, if the heavens give no rain, if there be an earthquake, if

a famine or pestilence, straightway they cry, Away with the Christians

to the lions.... But go zealously on, ye good governors, you will

stand higher with the people if you kill us, torture us, condemn

us, grind us to the dust; your injustice is the proof that we

are innocent. God permits us to suffer. Your cruelty avails you

nothing.... The oftener you mow us down, the more in number we grow;

the blood of Christians is seed. What you call our obstinacy is an

instructor. For who that sees it does not inquire for what we suffer!

Who that inquires does not embrace our doctrines? Who that embraces

them is not ready to give his blood for the fulness of God's grace?"

[Sidenote: The woman's flight]

Under the figure of Michael and his angels, the early church is

represented as victorious in casting down the powers of heathenism;

but under the symbol of the woman, the church is apparently

represented as defeated; for after the casting down of the dragon it

is said, "To the woman were given two wings of a great eagle, that she

might fly into the wilderness, into her place, where she is nourished

for a time, and times, and half a time, from the face of the serpent"

(verse 14). This agrees with verse 6, where it is said that "the woman

fled into the wilderness, where she hath a place prepared of God,

that they should feed her there a thousand two hundred and three score

days."

The flight of the woman into an obscure place in the wilderness

presents a striking contrast with her first appearance in the

planetary heavens, where she was "clothed with the sun, and the moon

under her feet, and upon her head a crown of twelve stars." By this

sudden change in the symbolic representation of the woman's position

is set forth the ecclesiastical change that took place in the early

part of the church's history. First she appears as the glorious bride

of Christ adorned in beauty and splendor and radiating the light of

his glorious gospel. She was then "the light of the world." Later we

find a great change taking place. Instead of the church representing

all the truth to the world, we find the beginning of a great apostasy,

which in time was to eclipse and well nigh extinguish the light and

glory of primitive Christianity by substituting in its place the

darkness of the apostasy born in ages of ignorance and superstition.

That such a change in the history of the true church should occur

was predicted by Christ and the apostles. Jesus said, "And because

iniquity shall abound, the love of many shall wax cold" (Matt. 24:12).

Peter said, "There shall be false teachers among you, who privily

shall bring in damnable heresies" (2 Pet. 2:1). Paul said, "Also of

your own selves shall men arise, speaking perverse things, to draw

away disciples after them" (Acts 20:30). To the Thessalonians who had

been troubled with the report that the second coming of Christ was

then near at hand, Paul said, "Let no man deceive you by any means:

for that day shall not come, except there come _a falling away first_,

and that man of sin be revealed, the son of perdition; who opposeth

and exalteth himself above all that is called God, or that is

worshiped; so that he as God sitteth in the temple of God, and showing

himself that he is God.... For the mystery of iniquity doth already

work: only he who now letteth will let, until he be taken out of

the way. And then shall that Wicked be revealed, whom the Lord shall

consume with the spirit of his mouth, and shall destroy with the

brightness of his coming" (2 Thess. 2:3-8).

The reader can scarcely consider these texts without perceiving

clearly that change which came over the primitive church resulting

in a transition from her glorious state of innocent beauty to the

full-grown papacy--the "mystery of iniquity."

The Last Reformation · 第 3 / 6 章