THE WHITE DOG

Everything grew irksome for Alexandra Ivanovna in the workshop of this

out-of-the-way town—the patterns, the clatter of machines, the

complaints of the customers; it was the shop in which she had served as

apprentice and now for several years as cutter. Everything irritated

Alexandra Ivanovna; she quarrelled with every one and abused the

innocent apprentice. Among others to suffer from her outbursts of

temper was Tanechka, the youngest of the seamstresses, who only lately

had been an apprentice. In the beginning Tanechka submitted to her

abuse in silence. In the end she revolted, and, addressing herself to

her assailant, said, quite calmly and affably, so that every one

laughed:

“Alexandra Ivanovna, you are a downright dog!”

Alexandra Ivanovna felt humiliated.

“You are a dog yourself!” she exclaimed.

Tanechka sat there sewing. She paused now and then from her work and

said in a calm, deliberate manner:

“You always whine.... Certainly, you are a dog.... You have a dog’s

snout.... And a dog’s ears.... And a wagging tail.... The mistress will

soon drive you out of doors, because you are the most detestable of

dogs, a poodle.”

Tanechka was a young, plump, rosy-cheeked girl with an innocent,

good-natured face, which revealed, however, a trace of cunning. She sat

there so demure, barefooted, still dressed in her apprentice clothes;

her eyes were clear, and her brows were highly arched on her fine

curved white forehead, framed by straight, dark chestnut hair, which in

the distance looked black. Tanechka’s voice was clear, even, sweet,

insinuating, and if one could have heard its sound only, and not given

heed to the words, it would have given the impression that she was

paying Alexandra Ivanovna compliments.

The other seamstresses laughed, the apprentices chuckled, they covered

their faces with their black aprons and cast side glances at Alexandra

Ivanovna. As for Alexandra Ivanovna, she was livid with rage.

“Wretch!” she exclaimed. “I will pull your ears for you! I won’t leave

a hair on your head.”

Tanechka replied in a gentle voice:

“The paws are a trifle short.... The poodle bites as well as barks....

It may be necessary to buy a muzzle.”

Alexandra Ivanovna made a movement toward Tanechka. But before Tanechka

had time to lay aside her work and get up, the mistress of the

establishment, a large, serious-looking woman, entered, rustling her

dress.

She said sternly: “Alexandra Ivanovna, what do you mean by making such

a fuss?”

Alexandra Ivanovna, much agitated, replied: “Irina Petrovna, I wish you

would forbid her to call me a dog!”

Tanechka in her turn complained: “She is always snarling at something

or other. Always quibbling at the smallest trifles.”

But the mistress looked at her sternly and said: “Tanechka, I can see

through you. Are you sure you didn’t begin? You needn’t think that

because you are a seamstress now you are an important person. If it

weren’t for your mother’s sake——”

Tanechka grew red, but preserved her innocent and affable manner. She

addressed her mistress in a subdued voice: “Forgive me, Irina Petrovna,

I will not do it again. But it wasn’t altogether my fault....”

Alexandra Ivanovna returned home almost ill with rage. Tanechka had

guessed her weakness.

“A dog! Well, then I am a dog,” thought Alexandra Ivanovna, “but it is

none of her affair! Have I looked to see whether she is a serpent or a

fox? It is easy to find one out, but why make a fuss about it? Is a dog

worse than any other animal?”

The clear summer night languished and sighed, a soft breeze from the

adjacent fields occasionally blew down the peaceful streets. The moon

rose clear and full, that very same moon which rose long ago at another

place, over the broad desolate steppe, the home of the wild, of those

who ran free, and whined in their ancient earthly travail. The very

same, as then and in that region.

And now, as then, glowed eyes sick with longing; and her heart, still

wild, not forgetting in town the great spaciousness of the steppe felt

oppressed; her throat was troubled with a tormenting desire to howl

like a wild thing.

She was about to undress, but what was the use? She could not sleep,

anyway.

She went into the passage. The warm planks of the floor bent and

creaked under her, and small shavings and sand which covered them

tickled her feet not unpleasantly.

She went out on the doorstep. There sat the _babushka_ Stepanida, a

black figure in her black shawl, gaunt and shrivelled. She sat with her

head bent, and it seemed as though she were warming herself in the rays

of the cold moon.

Alexandra Ivanovna sat down beside her. She kept looking at the old

woman sideways. The large curved nose of her companion seemed to her

like the beak of an old bird.

“A crow?” Alexandra Ivanovna asked herself.

She smiled, forgetting for the moment her longing and her fears. Shrewd

as the eyes of a dog her own lighted up with the joy of her discovery.

In the pale green light of the moon the wrinkles of her faded face

became altogether invisible, and she seemed once more young and merry

and light-hearted, just as she was ten years ago, when the moon had not

yet called upon her to bark and bay of nights before the windows of the

dark bathhouse.

She moved closer to the old woman, and said affably: “_Babushka_

Stepanida, there is something I have been wanting to ask you.”

The old woman turned to her, her dark face furrowed with wrinkles, and

asked in a sharp, oldish voice that sounded like a caw:

“Well, my dear? Go ahead and ask.”

Alexandra Ivanovna gave a repressed laugh; her thin shoulders suddenly

trembled from a chill that ran down her spine.

She spoke very quietly: “_Babushka_ Stepanida, it seems to me—tell me

is it true?—I don’t know exactly how to put it—but you, _babushka_,

please don’t take offence—it is not from malice that I——”

“Go on, my dear, never fear, say it,” said the old woman.

She looked at Alexandra Ivanovna with glowing, penetrating eyes.

“It seems to me, _babushka_—please, now, don’t take offence—as though

you, _babushka_ were a crow.”

The old woman turned away. She was silent and merely nodded her head.

She had the appearance of one who had recalled something. Her head,

with its sharply outlined nose, bowed and nodded, and at last it seemed

to Alexandra Ivanovna that the old woman was dozing. Dozing, and

mumbling something under her nose. Nodding her head and mumbling some

old forgotten words—old magic words.

An intense quiet reigned out of doors. It was neither light nor dark,

and everything seemed bewitched with the inarticulate mumbling of old

forgotten words. Everything languished and seemed lost in apathy. Again

a longing oppressed her heart. And it was neither a dream nor an

illusion. A thousand perfumes, imperceptible by day, became subtly

distinguishable, and they recalled something ancient and primitive,

something forgotten in the long ages.

In a barely audible voice the old woman mumbled: “Yes, I am a crow.

Only I have no wings. But there are times when I caw, and I caw, and

tell of woe. And I am given to forebodings, my dear; each time I have

one I simply must caw. People are not particularly anxious to hear me.

And when I see a doomed person I have such a strong desire to caw.”

The old woman suddenly made a sweeping movement with her arms, and in a

shrill voice cried out twice: “Kar-r, Kar-r!”

Alexandra Ivanovna shuddered, and asked: “_Babushka_, at whom are you

cawing?”

The old woman answered: “At you, my dear—at you.”

It had become too painful to sit with the old woman any longer.

Alexandra Ivanovna went to her own room. She sat down before the open

window and listened to two voices at the gate.

“It simply won’t stop whining!” said a low and harsh voice.

“And uncle, did you see——?” asked an agreeable young tenor.

Alexandra Ivanovna recognized in this last the voice of the

curly-headed, somewhat red, freckled-faced lad who lived in the same

court.

A brief and depressing silence followed. Then she heard a hoarse and

harsh voice say suddenly: “Yes, I saw. It’s very large—and white. Lies

near the bathhouse, and bays at the moon.”

The voice gave her an image of the man, of his shovel-shaped beard, his

low, furrowed forehead, his small, piggish eyes, and his spread-out fat

legs.

“And why does it bay, uncle?” asked the agreeable voice.

And again the hoarse voice did not reply at once.

“Certainly to no good purpose—and where it came from is more than I can

say.”

“Do you think, uncle, it may be a were-wolf?” asked the agreeable

voice.

“I should not advise you to investigate,” replied the hoarse voice.

She could not quite understand what these words implied, nor did she

wish to think of them. She did not feel inclined to listen further.

What was the sound and significance of human words to _her_?

The moon looked straight into her face, and persistently called her and

tormented her. Her heart was restless with a dark longing, and she

could not sit still.

Alexandra Ivanovna quickly undressed herself. Naked, all white, she

silently stole through the passage; she then opened the outer

door—there was no one on the step or outside—and ran quickly across the

court and the vegetable garden, and reached the bathhouse. The sharp

contact of her body with the cold air and her feet with the cold ground

gave her pleasure. But soon her body was warm.

She lay down in the grass, on her stomach. Then, raising herself on her

elbows, she lifted her face toward the pale, brooding moon, and gave a

long-drawn-out whine.

“Listen, uncle, it is whining,” said the curly-haired lad at the gate.

The agreeable tenor voice trembled perceptibly.

“Whining again, the accursed one,” said the hoarse, harsh voice slowly.

They rose from the bench. The gate latch clicked.

They went silently across the courtyard and the vegetable garden, the

two of them. The older man, black-bearded and powerful, walked in

front, a gun in his hand. The curly-headed lad followed tremblingly,

and looked constantly behind.

Near the bathhouse, in the grass, lay a huge white dog, whining

piteously. Its head, black on the crown, was raised to the moon, which

pursued its way in the cold sky; its hind legs were strangely thrown

backward, while the front ones, firm and straight, pressed hard against

the ground.

In the pale green and unreal light of the moon it seemed enormous, so

huge a dog was surely never seen on earth. It was thick and fat. The

black spot, which began at the head and stretched in uneven strands

down the entire spine, seemed like a woman’s loosened hair. No tail was

visible, presumably it was turned under. The fur on the body was so

short that in the distance the dog seemed wholly naked, and its hide

shone dimly in the moonlight, so that altogether it resembled the body

of a nude woman, who lay in the grass and bayed at the moon.

The man with the black beard took aim. The curly-haired lad crossed

himself and mumbled something.

The discharge of a rifle sounded in the night air. The dog gave a

groan, jumped up on its hind legs, became a naked woman, who, her body

covered with blood, started to run, all the while groaning, weeping and

raising cries of distress.

The black-bearded one and the curly-haired one threw themselves in the

grass, and began to moan in wild terror.

The Old House, and Other Tales · 第 65 / 122 题