THE MAKING OF MAC'S

Mac's Restaurant--nobody calls it MacFarland's--is a mystery. It is off

the beaten track. It is not smart. It does not advertise. It provides

nothing nearer to an orchestra than a solitary piano, yet, with all

these things against it, it is a success. In theatrical circles

especially it holds a position which might turn the white lights of

many a supper-palace green with envy.

This is mysterious. You do not expect Soho to compete with and even

eclipse Piccadilly in this way. And when Soho does so compete, there is

generally romance of some kind somewhere in the background.

Somebody happened to mention to me casually that Henry, the old waiter,

had been at Mac's since its foundation.

'Me?' said Henry, questioned during a slack spell in the afternoon.

'Rather!'

'Then can you tell me what it was that first gave the place the impetus

which started it on its upward course? What causes should you say were

responsible for its phenomenal prosperity? What--'

'What gave it a leg-up? Is that what you're trying to get at?'

'Exactly. What gave it a leg-up? Can you tell me?'

'Me?' said Henry. 'Rather!'

And he told me this chapter from the unwritten history of the London

whose day begins when Nature's finishes.

* * * * *

Old Mr MacFarland (_said Henry_) started the place fifteen years

ago. He was a widower with one son and what you might call half a

daughter. That's to say, he had adopted her. Katie was her name, and

she was the child of a dead friend of his. The son's name was Andy. A

little freckled nipper he was when I first knew him--one of those

silent kids that don't say much and have as much obstinacy in them as

if they were mules. Many's the time, in them days, I've clumped him on

the head and told him to do something; and he didn't run yelling to his

pa, same as most kids would have done, but just said nothing and went

on not doing whatever it was I had told him to do. That was the sort of

disposition Andy had, and it grew on him. Why, when he came back from

Oxford College the time the old man sent for him--what I'm going to

tell you about soon--he had a jaw on him like the ram of a battleship.

Katie was the kid for my money. I liked Katie. We all liked Katie.

Old MacFarland started out with two big advantages. One was Jules, and

the other was me. Jules came from Paris, and he was the greatest cook

you ever seen. And me--well, I was just come from ten years as waiter

at the Guelph, and I won't conceal it from you that I gave the place a

tone. I gave Soho something to think about over its chop, believe me.

It was a come-down in the world for me, maybe, after the Guelph, but

what I said to myself was that, when you get a tip in Soho, it may be

only tuppence, but you keep it; whereas at the Guelph about ninety-nine

hundredths of it goes to helping to maintain some blooming head waiter

in the style to which he has been accustomed. It was through my kind of

harping on that fact that me and the Guelph parted company. The head

waiter complained to the management the day I called him a fat-headed

vampire.

Well, what with me and what with Jules, MacFarland's--it wasn't Mac's

in them days--began to get a move on. Old MacFarland, who knew a good

man when he saw one and always treated me more like a brother than

anything else, used to say to me, 'Henry, if this keeps up, I'll be

able to send the boy to Oxford College'; until one day he changed it

to, 'Henry, I'm going to send the boy to Oxford College'; and next

year, sure enough, off he went.

Katie was sixteen then, and she had just been given the cashier job, as

a treat. She wanted to do something to help the old man, so he put her

on a high chair behind a wire cage with a hole in it, and she gave the

customers their change. And let me tell you, mister, that a man that

wasn't satisfied after he'd had me serve him a dinner cooked by Jules

and then had a chat with Katie through the wire cage would have groused

at Paradise. For she was pretty, was Katie, and getting prettier every

day. I spoke to the boss about it. I said it was putting temptation in

the girl's way to set her up there right in the public eye, as it were.

And he told me to hop it. So I hopped it.

Katie was wild about dancing. Nobody knew it till later, but all this

while, it turned out, she was attending regular one of them schools.

That was where she went to in the afternoons, when we all thought she

was visiting girl friends. It all come out after, but she fooled us

then. Girls are like monkeys when it comes to artfulness. She called me

Uncle Bill, because she said the name Henry always reminded her of cold

mutton. If it had been young Andy that had said it I'd have clumped him

one; but he never said anything like that. Come to think of it, he

never said anything much at all. He just thought a heap without opening

his face.

So young Andy went off to college, and I said to him, 'Now then, you

young devil, you be a credit to us, or I'll fetch you a clip when you

come home.' And Katie said, 'Oh, Andy, I _shall_ miss you.' And

Andy didn't say nothing to me, and he didn't say nothing to Katie, but

he gave her a look, and later in the day I found her crying, and she

said she'd got toothache, and I went round the corner to the chemist's

and brought her something for it.

It was in the middle of Andy's second year at college that the old man

had the stroke which put him out of business. He went down under it as

if he'd been hit with an axe, and the doctor tells him he'll never be

able to leave his bed again.

So they sent for Andy, and he quit his college, and come back to London

to look after the restaurant.

I was sorry for the kid. I told him so in a fatherly kind of way. And

he just looked at me and says, 'Thanks very much, Henry.'

'What must be must be,' I says. 'Maybe, it's all for the best. Maybe

it's better you're here than in among all those young devils in your

Oxford school what might be leading you astray.'

'If you would think less of me and more of your work, Henry,' he says,

'perhaps that gentleman over there wouldn't have to shout sixteen times

for the waiter.'

Which, on looking into it, I found to be the case, and he went away

without giving me no tip, which shows what you lose in a hard world by

being sympathetic.

I'm bound to say that young Andy showed us all jolly quick that he

hadn't come home just to be an ornament about the place. There was

exactly one boss in the restaurant, and it was him. It come a little

hard at first to have to be respectful to a kid whose head you had

spent many a happy hour clumping for his own good in the past; but he

pretty soon showed me I could do it if I tried, and I done it. As for

Jules and the two young fellers that had been taken on to help me owing

to increase of business, they would jump through hoops and roll over if

he just looked at them. He was a boy who liked his own way, was Andy,

and, believe me, at MacFarland's Restaurant he got it.

And then, when things had settled down into a steady jog, Katie took

the bit in her teeth.

She done it quite quiet and unexpected one afternoon when there was

only me and her and Andy in the place. And I don't think either of them

knew I was there, for I was taking an easy on a chair at the back,

reading an evening paper.

The Man with Two Left Feet, and Other Stories · 第 45 / 60 题