THE CLUB OF QUEER FELLOWS

I think it was but the very next evening that in coming out of

Covent Garden Theatre with my eccentric friend Buckthorne, he

proposed to give me another peep at life and character. Finding

me willing for any research of the kind, he took me through a

variety of the narrow courts and lanes about Covent Garden, until

we stopped before a tavern from which we heard the bursts of

merriment of a jovial party. There would be a loud peal of

laughter, then an interval, then another peal; as if a prime wag

were telling a story. After a little while there was a song, and

at the close of each stanza a hearty roar and a vehement thumping

on the table.

“This is the place,” whispered Buckthorne. “It is the ‘Club of

Queer Fellows.’ A great resort of the small wits, third-rate

actors, and newspaper critics of the theatres. Any one can go in

on paying a shilling at the bar for the use of the club.”

We entered, therefore, without ceremony, and took our seats at a

lone table in a dusky corner of the room. The club was assembled

round a table, on which stood beverages of various kinds,

according to the taste of the individual. The members were a set

of queer fellows indeed; but what was my surprise on recognizing

in the prime wit of the meeting the poor devil author whom I had

remarked at the booksellers’ dinner for his promising face and

his complete taciturnity. Matters, however, were entirely changed

with him. There he was a mere cypher: here he was lord of the

ascendant; the choice spirit, the dominant genius. He sat at the

head of the table with his hat on, and an eye beaming even more

luminously than his nose. He had a quiz and a fillip for every

one, and a good thing on every occasion. Nothing could be said or

done without eliciting a spark from him; and I solemnly declare I

have heard much worse wit even from noblemen. His jokes, it must

be confessed, were rather wet, but they suited the circle in

which he presided. The company were in that maudlin mood when a

little wit goes a great way. Every time he opened his lips there

was sure to be a roar, and sometimes before he had time to speak.

We were fortunate enough to enter in time for a glee composed by

him expressly for the club, and which he sang with two boon

companions, who would have been worthy subjects for Hogarth’s

pencil. As they were each provided with a written copy, I was

enabled to procure the reading of it.

Merrily, merrily push round the glass,

And merrily troll the glee,

For he who won’t drink till he wink is an ass,

So neighbor I drink to thee.

Merrily, merrily puddle thy nose,

Until it right rosy shall be;

For a jolly red nose, I speak under the rose,

Is a sign of good company.

We waited until the party broke up, and no one but the wit

remained. He sat at the table with his legs stretched under it,

and wide apart; his hands in his breeches pockets; his head

drooped upon his breast; and gazing with lack-lustre countenance

on an empty tankard. His gayety was gone, his fire completely

quenched.

My companion approached and startled him from his fit of brown

study, introducing himself on the strength of their having dined

together at the booksellers’.

“By the way,” said he, “it seems to me I have seen you before;

your face is surely the face of an old acquaintance, though for

the life of me I cannot tell where I have known you.”

“Very likely,” said he with a smile; “many of my old friends have

forgotten me. Though, to tell the truth, my memory in this

instance is as bad as your own. If, however, it will assist your

recollection in any way, my name is Thomas Dribble, at your

service.”

“What, Tom Dribble, who was at old Birchell’s school in

Warwickshire?”

“The same,” said the other, coolly.

“Why, then we are old schoolmates, though it’s no wonder you

don’t recollect me. I was your junior by several years; don’t you

recollect little Jack Buckthorne?”

Here then ensued a scene of school-fellow recognition; and a

world of talk about old school times and school pranks. Mr.

Dribble ended by observing, with a heavy sigh, “that times were

sadly changed since those days.”

“Faith, Mr. Dribble,” said I, “you seem quite a different man

here from what you were at dinner. I had no idea that you had so

much stuff in you. There you were all silence; but here you

absolutely keep the table in a roar.”

“Ah, my dear sir,” replied he, with a shake of the head and a

shrug of the shoulder, “I’m a mere glow-worm. I never shine by

daylight. Besides, it’s a hard thing for a poor devil of an

author to shine at the table of a rich bookseller. Who do you

think would laugh at any thing I could say, when I had some of

the current wits of the day about me? But here, though a poor

devil, I am among still poorer devils than myself; men who look

up to me as a man of letters and a bel esprit, and all my jokes

pass as sterling gold from the mint.”

“You surely do yourself injustice, sir,” said I; “I have

certainly heard more good things from you this evening than from

any of those beaux esprits by whom you appear to have been so

daunted.”

“Ah, sir! but they have luck on their side; they are in the

fashion— there’s nothing like being in fashion. A man that has

once got his character up for a wit, is always sure of a laugh,

say what he may. He may utter as much nonsense as he pleases, and

all will pass current. No one stops to question the coin of a

rich man; but a poor devil cannot pass off either a joke or a

guinea, without its being examined on both sides. Wit and coin

are always doubted with a threadbare coat.

“For my part,” continued he, giving his hat a twitch a little

more on one side, “for my part, I hate your fine dinners; there’s

nothing, sir, like the freedom of a chop-house. I’d rather, any

time, have my steak and tankard among my own set, than drink

claret and eat venison with your cursed civil, elegant company,

who never laugh at a good joke from a poor devil, for fear of its

being vulgar. A good joke grows in a wet soil; it flourishes in

low places, but withers on your d—d high, dry grounds. I once

kept high company, sir, until I nearly ruined myself; I grew so

dull, and vapid, and genteel. Nothing saved me but being arrested

by my landlady and thrown into prison; where a course of

catch-clubs, eight-penny ale, and poor-devil company, manured my

mind and brought it back to itself again.”

As it was now growing late we parted for the evening; though I

felt anxious to know more of this practical philosopher. I was

glad, therefore, when Buckthorne proposed to have another meeting

to talk over old school times, and inquired his school-mate’s

address. The latter seemed at first a little shy of naming his

lodgings; but suddenly assuming an air of hardihood—“Green Arbour

court, sir,” exclaimed he—“number—in Green Arbour court. You must

know the place. Classic ground, sir! classic ground! It was there

Goldsmith wrote his Vicar of Wakefield. I always like to live in

literary haunts.”

I was amused with this whimsical apology for shabby quarters. On

our Way homewards Buckthorne assured me that this Dribble had

been the prime wit and great wag of the school in their boyish

days, and one of those unlucky urchins denominated bright

geniuses. As he perceived me curious respecting his old

school-mate, he promised to take me with him, in his proposed

visit to Green Arbour court.

A few mornings afterwards he called upon me, and we set forth on

our expedition. He led me through a variety of singular alleys,

and courts, and blind passages; for he appeared to be profoundly

versed in all the intricate geography of the metropolis. At

length we came out upon Fleet Market, and traversing it, turned

up a narrow street to the bottom of a long steep flight of stone

steps, named Break-neck Stairs. These, he told me, led up to

Green Arbour court, and that down them poor Goldsmith might many

a time have risked his neck. When we entered the court, I could

not but smile to think in what out-of-the-way corners genius

produces her bantlings! And the muses, those capricious dames,

who, forsooth, so often refuse to visit palaces, and deny a

single smile to votaries in splendid studies and gilded

drawing-rooms,—what holes and burrows will they frequent to

lavish their favors on some ragged disciple!

This Green Arbour court I found to be a small square of tall and

Miserable houses, the very intestines of which seemed turned

inside out, to judge from the old garments and frippery that

fluttered from every window. It appeared to be a region of

washerwomen, and lines were stretched about the little square, on

which clothes were dangling to dry. Just as we entered the

square, a scuffle took place between two viragos about a disputed

right to a washtub, and immediately the whole community was in a

hubbub. Heads in mob caps popped out of every window, and such a

clamor of tongues ensued that I was fain to stop my ears. Every

Amazon took part with one or other of the disputants, and

brandished her arms dripping with soapsuds, and fired away from

her window as from the embrazure of a fortress; while the swarms

of children nestled and cradled in every procreant chamber of

this hive, waking with the noise, set up their shrill pipes to

swell the general concert.

Poor Goldsmith! what a time must he have had of it, with his

quiet Disposition and nervous habits, penned up in this den of

noise and vulgarity. How strange that while every sight and sound

was sufficient to embitter the heart and fill it with

misanthropy, his pen should be dropping the honey of Hybla. Yet

it is more than probable that he drew many of his inimitable

pictures of low life from the scenes which surrounded him in this

abode. The circumstance of Mrs. Tibbs being obliged to wash her

husband’s two shirts in a neighbor’s house, who refused to lend

her washtub, may have been no sport of fancy, but a fact passing

under his own eye. His landlady may have sat for the picture, and

Beau Tibbs’ scanty wardrobe have been a facsimile of his own.

It was with some difficulty that we found our way to Dribble’s

lodgings. They were up two pair of stairs, in a room that looked

upon the court, and when we entered he was seated on the edge of

his bed, writing at a broken table. He received us, however, with

a free, open, poor devil air, that was irresistible. It is true

he did at first appear slightly confused; buttoned up his

waistcoat a little higher and tucked in a stray frill of linen.

But he recollected himself in an instant; gave a half swagger,

half leer, as he stepped forth to receive us; drew a three-legged

stool for Mr. Buckthorne; pointed me to a lumbering old damask

chair that looked like a dethroned monarch in exile, and bade us

welcome to his garret.

We soon got engaged in conversation. Buckthorne and he had much

to say about early school scenes; and as nothing opens a man’s

heart more than recollections of the kind, we soon drew from him

a brief outline of his literary career.

Tales of a Traveller · 第 19 / 35 题