In the light of preceding and subsequent events, we must confess that
Madame Caprell was “indeed a right smart little woman.” She made
mistakes enough (the letter is not quoted in full), but when we
remember that she not only gave his profession at the moment, but at
least suggested his career for the future; that she approximated the
year of his father’s death as the time when he was thrown upon the
world; that she admonished him against his besetting habit, tobacco;
that she read. minutely not only his characteristics, but his brother
Orion’s; that she outlined the struggle in his conquest of the river;
that she seemingly had knowledge of Orion’s legal bent and his
connection with the Tennessee land, all seems remarkable enough,
supposing, of course, she had no material means of acquiring
knowledge—one can never know certainly about such things.
XXIX
THE END OF PILOTING
It is curious, however, that Madame Caprell, with clairvoyant vision,
should not have seen an important event then scarcely more than two
months distant: the breaking-out of the Civil War, with the closing of
the river and the end of Mark Twain’s career as a pilot. Perhaps these
things were so near as to be “this side” the range of second sight.
There had been plenty of war-talk, but few of the pilots believed that
war was really coming. Traveling that great commercial highway, the
river, with intercourse both of North and South, they did not believe
that any political differences would be allowed to interfere with the
nation’s trade, or would be settled otherwise than on the street
corners, in the halls of legislation, and at the polls. True, several
States, including Louisiana, had declared the Union a failure and
seceded; but the majority of opinions were not clear as to how far a
State had rights in such a matter, or as to what the real meaning of
secession might be. Comparatively few believed it meant war. Samuel
Clemens had no such belief. His Madame Caprell letter bears date of
February 6, 1861, yet contains no mention of war or of any special
excitement in New Orleans —no forebodings as to national conditions.
Such things came soon enough: President Lincoln was inaugurated on the
4th of March, and six weeks later Fort Sumter was fired upon. Men began
to speak out then and to take sides.
It was a momentous time in the Association Rooms. There were pilots who
would go with the Union; there were others who would go with the
Confederacy. Horace Bixby was one of the former, and in due time became
chief of the Union River Service. Another pilot named Montgomery
(Samuel Clemens had once steered for him) declared for the South, and
later commanded the Confederate Mississippi fleet. They were all good
friends, and their discussions, though warm, were not always
acrimonious; but they took sides.
A good many were not very clear as to their opinions. Living both North
and South as they did, they saw various phases of the question and
divided their sympathies. Some were of one conviction one day and of
another the next. Samuel Clemens was of the less radical element. He
knew there was a good deal to be said for either cause; furthermore, he
was not then bloodthirsty. A pilot-house with its elevated position and
transparency seemed a poor place to be in when fighting was going on.
“I’ll think about it,” he said. “I’m not very anxious to get up into a
glass perch and be shot at by either side. I’ll go home and reflect on
the matter.”
He did not realize it, but he had made his last trip as a pilot. It is
rather curious that his final brief note-book entry should begin with
his future nom de plume—a memorandum of soundings—“mark twain,” and
should end with the words “no lead.”
He went up the river as a passenger on a steamer named the _Uncle Sam_.
Zeb Leavenworth was one of the pilots, and Sam Clemens usually stood
watch with him. They heard war-talk all the way and saw preparations,
but they were not molested, though at Memphis they barely escaped the
blockade. At Cairo, Illinois, they saw soldiers drilling—troops later
commanded by Grant. The _Uncle Sam_ came steaming up toward St. Louis,
those on board congratulating themselves on having come through
unscathed. They were not quite through, however. Abreast of Jefferson
Barracks they suddenly heard the boom of a cannon and saw a great whorl
of smoke drifting in their direction. They did not realize that it was
a signal—a thunderous halt—and kept straight on. Less than a minute
later there was another boom, and a shell exploded directly in front of
the pilot-house, breaking a lot of glass and destroying a good deal of
the upper decoration. Zeb Leavenworth fell back into a corner with a
yell.
“Good Lord Almighty! Sam;” he said, “what do they mean by that?”
Clemens stepped to the wheel and brought the boat around. “I guess they
want us to wait a minute, Zeb,” he said.
They were examined and passed. It was the last steamboat to make the
trip from New Orleans to St. Louis. Mark Twain’s pilot-days were over.
He would have grieved had he known this fact.
“I loved the profession far better than any I have followed since,” he
long afterward declared, “and I took a measureless pride in it.”
The dreamy, easy, romantic existence suited him exactly. A sovereign
and an autocrat, the pilot’s word was law; he wore his responsibilities
as a crown. As long as he lived Samuel Clemens would return to those
old days with fondness and affection, and with regret that they were no
more.
XXX
THE SOLDIER
Clemens spent a few days in St. Louis (in retirement, for there was a
pressing war demand for Mississippi pilots), then went up to Hannibal
to visit old friends. They were glad enough to see him, and invited him
to join a company of gay military enthusiasts who were organizing to
“help Gov. ‘Claib’ Jackson repel the invader.” A good many companies
were forming in and about Hannibal, and sometimes purposes were
conflicting and badly mixed. Some of the volunteers did not know for a
time which invader they intended to drive from Missouri soil, and more
than one company in the beginning was made up of young fellows whose
chief ambition was to have a lark regardless as to which cause they
might eventually espouse.*
* The military organizations of Hannibal and Palmyra, in 1861, were as
follows: The Marion Artillery; the Silver Grays; Palmyra Guards; the W.
E. Dennis company, and one or two others. Most of them were small
private affairs, usually composed of about half-and-half Union and
Confederate men, who knew almost nothing of the questions or
conditions, and disbanded in a brief time, to attach themselves to the
regular service according as they developed convictions. The general
idea of these companies was a little camping-out expedition and a good
time. One such company one morning received unexpected reinforcements.
They saw the approach of the recruits, and, remarking how well drilled
the new arrivals seemed to be, mistook them for the enemy and fled.
Samuel Clemens had by this time decided, like Lee, that he would go
with his State and lead battalions to victory. The “battalion” in this
instance consisted of a little squad of young fellows of his own age,
mostly pilots and schoolmates, including Sam Bowen, Ed Stevens, and Ab
Grimes, about a dozen, all told. They organized secretly, for the Union
militia was likely to come over from Illinois any time and look up any
suspicious armies that made an open demonstration. An army might lose
enthusiasm and prestige if it spent a night or two in the calaboose.
So they met in a secret place above Bear Creek Hill, just as Tom
Sawyer’s red-handed bandits had gathered so long before (a good many of
them were of the same lawless lot), and they planned how they would
sell their lives on the field of glory, just as Tom Sawyer’s band might
have done if it had thought about playing “War,” instead of “Indian”
and “Pirate” and “Bandit” with fierce raids on peach orchards and melon
patches. Then, on the evening before marching away, they stealthily
called on their sweethearts—those who had them did, and the others
pretended sweethearts for the occasion—and when it was dark and
mysterious they said good-by and suggested that maybe those girls would
never see them again. And as always happens in such a case, some of
them were in earnest, and two or three of the little group that slipped
away that night never did come back, and somewhere sleep in unmarked
graves.
The “two Sams”—Sam Bowen and Sam Clemens—called on Patty Gore and Julia
Willis for their good-by visit, and, when they left, invited the girls
to “walk through the pickets” with them, which they did as far as Bear
Creek Hill. The girls didn’t notice any pickets, because the pickets
were away calling on girls, too, and probably wouldn’t be back to begin
picketing for some time. So the girls stood there and watched the
soldiers march up Bear Creek Hill and disappear among the trees.
The army had a good enough time that night, marching through the brush
and vines toward New London, though this sort of thing grew rather
monotonous by morning. When they took a look at themselves by daylight,
with their nondescript dress and accoutrements, there was some thing
about it all which appealed to one’s sense of humor rather than to his
patriotism. Colonel Ralls, of Ralls County, however, received them
cordially and made life happier for them with a good breakfast and some
encouraging words. He was authorized to administer the oath of office,
he said, and he proceeded to do it, and made them a speech besides;
also he sent out notice to some of the neighbors—to Col. Bill Splawn,
Farmer Nuck Matson, and others—that the community had an army on its
hands and perhaps ought to do something for it. This brought in a
number of contributions, provisions, paraphernalia, and certain
superfluous horses and mules, which converted the battalion into a
cavalry, and made it possible for it to move on to the front without
further delay. Samuel Clemens, mounted on a small yellow mule whose
tail had been trimmed down to a tassel at the end in a style that
suggested his name, Paint Brush, upholstered and supplemented with an
extra pair of cowskin boots, a pair of gray blankets, a home-made
quilt, frying-pan, a carpet sack, a small valise, an overcoat, an
old-fashioned Kentucky rifle, twenty yards of rope, and an umbrella,
was a representative unit of the brigade. The proper thing for an army
loaded like that was to go into camp, and they did it. They went over
on Salt River, near Florida, and camped not far from a farm-house with
a big log stable; the latter they used as headquarters. Somebody
suggested that when they went into battle they ought to have short
hair, so that in a hand-to-hand conflict the enemy could not get hold
of it. Tom Lyon found a pair of sheep-shears in the stable and acted as
barber. They were not very sharp shears, but the army stood the torture
for glory in the field, and a group of little darkies collected from
the farm-house to enjoy the performance. The army then elected its
officers. William Ely was chosen captain, with Asa Glasscock as first
lieutenant. Samuel Clemens was then voted second lieutenant, and there
were sergeants and orderlies. There were only three privates when the
election was over, and these could not be distinguished by their
deportment. There was scarcely any discipline in this army.
Then it set in to rain. It rained by day and it rained by night. Salt
River rose until it was bank full and overflowed the bottoms. Twice
there was a false night alarm of the enemy approaching, and the
battalion went slopping through the mud and brush into the dark,
picking out the best way to retreat, plodding miserably back to camp
when the alarm was over. Once they fired a volley at a row of mullen
stalks, waving on the brow of a hill, and once a picket shot at his own
horse that had got loose and had wandered toward him in the dusk.
The rank and file did not care for picket duty. Sam Bowen—ordered by
Lieutenant Clemens to go on guard one afternoon—denounced his superior
and had to be threatened with court-martial and death. Sam went
finally, but he sat in a hot open place and swore at the battalion and
the war in general, and finally went to sleep in the broiling sun.
These things began to tell on patriotism. Presently Lieutenant Clemens
developed a boil, and was obliged to make himself comfortable with some
hay in a horse-trough, where he lay most of the day, violently
denouncing the war and the fools that invented it. Then word came that
“General” Tom Harris, who was in command of the district, was stopping
at a farmhouse two miles away, living on the fat of the land.
That settled it. Most of them knew Tom Harris, and they regarded his
neglect of them as perfidy. They broke camp without further ceremony.
Lieutenant Clemens needed assistance to mount Paint Brush, and the
little mule refused to cross the river; so Ab Grimes took the coil of
rope, hitched one end of it to his own saddle and the other end to
Paint Brush’s neck. Grimes was mounted on a big horse, and when he
started it was necessary for Paint Brush to follow. Arriving at the
farther bank, Grimes looked around, and was horrified to see that the
end of the rope led down in the water with no horse and rider in view.
He spurred up the bank, and the hat of Lieutenant Clemens and the ears
of Paint Brush appeared.
“Ah,” said Clemens, as he mopped his face, “do you know that little
devil waded all the way across?”
A little beyond the river they met General Harris, who ordered them
back to camp. They admonished him to “go there himself.” They said they
had been in that camp and knew all about it. They were going now where
there was food—real food and plenty of it. Then he begged them, but it
was no use. By and by they stopped at a farm-house for supplies. A
tall, bony woman came to the door:
“You’re secesh, ain’t you?”
They acknowledged that they were defenders of the cause and that they
wanted to buy provisions. The request seemed to inflame her.
“Provisions!” she screamed. “Provisions for secesh, and my husband a
colonel in the Union Army. You get out of here!”
She reached for a hickory hoop-pole that stood by the door, and the
army moved on. When they arrived at Col. Bill Splawn’s that night
Colonel Splawn and his family had gone to bed, and it seemed unwise to
disturb them. The hungry army camped in the barnyard and crept into the
hay-loft to sleep. Presently somebody yelled “Fire!” One of the boys
had been smoking and started the hay. Lieutenant Clemens suddenly
wakened, made a quick rolling movement from the blaze, and rolled out
of a big hay-window into the barnyard below. The rest of the army,
startled into action, seized the burning hay and pitched it out of the
same window. The lieutenant had sprained his ankle when he struck the
ground, and his boil was far from well, but when the burning hay
descended he forgot his disabilities. Literally and figuratively this
was the final straw. With a voice and vigor suited to the urgencies of
the case, he made a spring from under the burning stuff, flung off the
remnants, and with them his last vestige of interest in the war. The
others, now that the fire was, out, seemed to think the incident
boisterously amusing. Whereupon the lieutenant rose up and told them,
collectively and individually, what he thought of them; also he spoke
of the war and the Confederacy, and of the human race at large. They
helped him in, then, for his ankle was swelling badly. Next morning,
when Colonel Splawn had given them a good breakfast, the army set out
for New London.
But Lieutenant Clemens never got any farther than Nuck Matson’s
farm-house. His ankle was so painful by that time that Mrs. Matson had
him put to bed, where he stayed for several weeks, recovering from the
injury and stress of war. A little negro boy was kept on watch for
Union detachments—they were passing pretty frequently now—and when one
came in sight the lieutenant was secluded until the danger passed. When
he was able to travel, he had had enough of war and the Confederacy. He
decided to visit Orion in Keokuk. Orion was a Union abolitionist and
might lead him to mend his doctrines.
As for the rest of the army, it was no longer a unit in the field. Its
members had drifted this way and that, some to return to their
occupations, some to continue in the trade of war. Sam Bowen is said to
have been caught by the Federal troops and put to sawing wood in the
stockade at Hannibal. Ab (A. C.) Grimes became a noted Confederate spy
and is still among those who have lived to furnish the details here set
down. Properly officered and disciplined, that detachment would have
made as brave soldiers as any. Military effectiveness is a matter of
leaders and tactics.
Mark Twain’s own Private History of a ‘Campaign that Failed’ is, of
course, built on this episode. He gives us a delicious account, even if
it does not strikingly resemble the occurrence. The story might have
been still better if he had not introduced the shooting of the soldier
in the dark. The incident was invented, of course, to present the real
horror of war, but it seems incongruous in this burlesque campaign,
and, to some extent at least, it missed fire in its intention.*
* In a book recently published, Mark Twain’s “nephew” is quoted as
authority for the statement that Mark Twain was detailed for river
duty, captured, and paroled, captured again, and confined in a
tobacco-warehouse in St. Louis, etc. Mark Twain had but one nephew:
Samuel E. Moffett, whose Biographical Sketch (vol. xxii, Mark Twain’s
Works) contains no such statement; and nothing of the sort occurred.
XXXI
OVER THE HILLS AND FAR AWAY
When Madame Caprell prophesied that Orion Clemens would hold office
under government, she must have seen with true clairvoyant vision. The
inauguration of Abraham Lincoln brought Edward Bates into his Cabinet,
and Bates was Orion’s friend. Orion applied for something, and got it.
James W. Nye had been appointed Territorial governor of Nevada, and
Orion was made Territorial secretary. You could strain a point and
refer to the office as “secretary of state,” which was an imposing
title. Furthermore, the secretary would be acting governor in the
governor’s absence, and there would be various subsidiary honors. When
Lieutenant Clemens arrived in Keokuk, Orion was in the first flush of
his triumph and needed only money to carry him to the scene of new
endeavor. The late lieutenant C. S. A. had accumulated money out of his
pilot salary, and there was no comfortable place just then in the
active Middle West for an officer of either army who had voluntarily
retired from the service. He agreed that if Orion would overlook his
recent brief defection from the Union and appoint him now as his
(Orion’s) secretary, he would supply the funds for both overland
passages, and they would start with no unnecessary delay for a country
so new that all human beings, regardless of previous affiliations and
convictions, were flung into the common fusing-pot and recast in the
general mold of pioneer.
The offer was a boon to Orion. He was always eager to forgive, and the
money was vitally necessary. In the briefest possible time he had
packed his belongings, which included a large unabridged dictionary,
and the brothers were on their way to St. Louis for final leave-taking
before setting out for the great mysterious land of promise—the Pacific
West. From St. Louis they took the boat for St. Jo, whence the Overland
stage started, and for six days “plodded” up the shallow, muddy, snaggy
Missouri, a new experience for the pilot of the Father of Waters.
In fact, the boat might almost as well have gone to St. Jo by land, for
she was walking most of the time, anyhow—climbing over reefs and
clambering over snags patiently and laboriously all day long. The
captain said she was a “bully” boat, and all she wanted was some
“shear” and a bigger wheel. I thought she wanted a pair of stilts, but
I had the deep sagacity not to say so.’*
* ‘Roughing It’.
At St. Jo they paid one hundred and fifty dollars apiece for their
stage fare (with something extra for the dictionary), and on the
twenty-sixth of July, 1861, set out on that long, delightful trip
behind sixteen galloping horses—or mules—never stopping except for
meals or to change teams, heading steadily into the sunset, following
it from horizon to horizon over the billowy plains, across the
snow-clad Rockies, covering the seventeen hundred miles between St. Jo
and Carson City (including a two-day halt in Salt Lake City) in
nineteen glorious days. What an inspiration in such a trip! In
‘Roughing It’ he tells it all, and says: “Even at this day it thrills
me through and through to think of the life, the gladness, and the wild
sense of freedom that used to make the blood dance in my face on those
fine Overland mornings.”
The nights, with the uneven mail-bags for a bed and the bounding
dictionary for company, were less exhilarating; but then youth does not
mind.
All things being now ready, stowed the uneasy dictionary where it would
lie as quiet as possible, and placed the water-canteen and pistols
where we could find them in the dark. Then we smoked a final pipe and
swapped a final yarn; after which we put the pipes, tobacco, and bag of
coin in snug holes and caves among the mail-bags, and made the place as
dark as the inside of a cow, as the conductor phrased it in his
picturesque way. It was certainly as dark as any place could be—nothing
was even dimly visible in it. And finally we rolled ourselves up like
silkworms, each person in his own blanket, and sank peacefully to
sleep.
Youth loves that sort of thing, despite its inconvenience. And
sometimes the clatter of the pony-rider swept by in the night, carrying
letters at five dollars apiece and making the Overland trip in eight
days; just a quick beat of hoofs in the distance, a dash, and a hail
from the darkness, the beat of hoofs again, then only the rumble of the
stage and the even, swinging gallop of the mules. Sometimes they got a
glimpse of the ponyrider by day—a flash, as it were, as he sped by. And
every morning brought new scenery, new phases of frontier life,
including, at last, what was to them the strangest phase of all,
Mormonism.
They spent two wonderful days at Salt Lake City, that mysterious and
remote capital of the great American monarchy, who still flaunts her
lawless, orthodox creed the religion of David and Solomon—and thrives.
An obliging official made it his business to show them the city and the
life there, the result of which would be those amusing chapters in
‘Roughing It’ by and by. The Overland travelers set out refreshed from
Salt Lake City, and with a new supply of delicacies—ham, eggs, and
tobacco—things that make such a trip worth while. The author of
‘Roughing It’ assures us of this:
Nothing helps scenery like ham and eggs. Ham and eggs, and after these
a pipe—an old, rank, delicious pipe—ham and eggs and scenery, a
“down-grade,” a flying coach, a fragrant pipe, and a contented
heart—these make happiness. It is what all the ages have struggled for.
But one must read all the story of that long-ago trip. It was a trip so
well worth taking, so well worth recording, so well worth reading and
rereading to-day. We can only read of it now. The Overland stage long
ago made its last trip, and will not start any more. Even if it did,
the life and conditions, the very scenery itself, would not be the
same.
XXXII
THE PIONEER
It was a hot, dusty August 14th that the stage reached Carson City and
drew up before the Ormsby Hotel. It was known that the Territorial
secretary was due to arrive; and something in the nature of a
reception, with refreshments and frontier hospitality, had been
planned. Governor Nye, formerly police commissioner in New York City,
had arrived a short time before, and with his party of retainers
(“heelers” we would call them now), had made an imposing entrance.
Perhaps something of the sort was expected with the advent of the
secretary of state. Instead, the committee saw two way-worn individuals
climb down from the stage, unkempt, unshorn—clothed in the roughest of
frontier costume, the same they had put on at St. Jo—dusty, grimy,
slouchy, and weather-beaten with long days of sun and storm and alkali
desert dust. It is not likely there were two more unprepossessing
officials on the Pacific coast at that moment than the newly arrived
Territorial secretary and his brother: Somebody identified them, and
the committee melted away; the half-formed plan of a banquet faded out
and was not heard of again. Soap and water and fresh garments worked a
transformation; but that first impression had been fatal to festivities
of welcome.
Carson City, the capital of Nevada, was a “wooden town,” with a
population of two thousand souls. Its main street consisted of a few
blocks of small frame stores, some of which are still standing. In
‘Roughing It’ the author writes:
In the middle of the town, opposite the stores, was a “Plaza,” which is
native to all towns beyond the Rocky Mountains, a large, unfenced,
level vacancy with a Liberty Pole in it, and very useful as a place for
public auctions, horse trades, and mass-meetings, and likewise for
teamsters to camp in. Two other sides of the Plaza were faced by
stores, offices, and stables. The rest of Carson City was pretty
scattering.
One sees the place pretty clearly from this brief picture of his, but
it requires an extract from a letter written to his mother somewhat
later to populate it. The mineral excitement was at its height in those
days of the early sixties, and had brought together such a congress of
nations as only the greed for precious metal can assemble. The
sidewalks and streets of Carson, and the Plaza, thronged all day with a
motley aggregation—a museum of races, which it was an education merely
to gaze upon. Jane Clemens had required him to write everything just as
it was —“no better and no worse.”
Well—[he says]—, “Gold Hill” sells at $5,000 per foot, cash down; “Wild
Cat” isn’t worth ten cents. The country is fabulously rich in gold,
silver, copper, lead, coal, iron, quicksilver, marble, granite, chalk,
plaster of Paris (gypsum), thieves, murderers, desperadoes, ladies,
children, lawyers, Christians, Indians, Chinamen, Spaniards, gamblers,
sharpens; coyotes (pronounced ki-yo-ties), poets, preachers, and
jackass rabbits. I overheard a gentleman say, the other day, that it
was “the d—-dest country under the sun,” and that comprehensive
conception I fully subscribe to. It never rains here, and the dew never
falls. No flowers grow here, and no green thing gladdens the eye. The
birds that fly over the land carry their provisions with them. Only the
crow and the raven tarry with us. Our city lies in the midst of a
desert of the purest, most unadulterated and uncompromising sand, in
which infernal soil nothing but that fag-end of vegetable creation,
“sage-brush,” ventures to grow. . . . I said we are situated in a flat,
sandy desert—true. And surrounded on all sides by such prodigious
mountains that when you look disdainfully down (from them) upon the
insignificant village of Carson, in that instant you are seized with a
burning desire to stretch forth your hand, put the city in your pocket,
and walk off with it.
As to churches, I believe they have got a Catholic one here, but,
like that one the New York fireman spoke of, I believe “they don’t
run her now.”
Carson has been through several phases of change since this was written
—for better and for worse. It is a thriving place in these later days,
and new farming conditions have improved the country roundabout. But it
was a desert outpost then, a catch-all for the human drift which every
whirlwind of discovery sweeps along. Gold and silver hunting and mine
speculations were the industries—gambling, drinking, and murder were
the diversions—of the Nevada capital. Politics developed in due course,
though whether as a business or a diversion is not clear at this time.
The Clemens brothers took lodging with a genial Irishwoman, Mrs.
Murphy, a New York retainer of Governor Nye, who boarded the
camp-followers.* This retinue had come in the hope of Territorial
pickings and mine adventure—soldiers of fortune they were, and a
good-natured lot all together. One of them, Bob Howland, a nephew of
the governor, attracted Samuel Clemens by his clean-cut manner and
commanding eye.
* The Mrs. O’Flannigan of ‘Roughing It’.
“The man who has that eye doesn’t need to go armed,” he wrote later.
“He can move upon an armed desperado and quell him and take him a
prisoner without saying a single word.” It was the same Bob Howland who
would be known by and by as the most fearless man in the Territory;
who, as city marshal of Aurora, kept that lawless camp in subjection,
and, when the friends of a lot of condemned outlaws were threatening an
attack with general massacre, sent the famous message to Governor Nye:
“All quiet in Aurora. Five men will be hung in an hour.” And it was
quiet, and the programme was carried out. But this is a digression and
somewhat premature.
Orion Clemens, anxious for laurels, established himself in the meager
fashion which he thought the government would approve; and his brother,
finding neither duties nor salary attached to his secondary position,
devoted himself mainly to the study of human nature as exhibited under
frontier conditions. Sometimes, when the nights were cool, he would
build a fire in the office stove, and, with Bob Howland and a few other
choice members of the “Brigade” gathered around, would tell river yarns
in that inimitable fashion which would win him devoted audiences all
his days. His river life had increased his natural languor of habit,
and his slow speech heightened the lazy impression which he was never
unwilling to convey. His hearers generally regarded him as an
easygoing, indolent good fellow with a love of humor—with talent,
perhaps—but as one not likely ever to set the world afire. They did not
happen to think that the same inclination which made them crowd about
to listen and applaud would one day win for him the attention of all
mankind.
Within a brief time Sam Clemens (he was never known as otherwise than
“Sam” among those pioneers) was about the most conspicuous figure on
the Carson streets. His great bushy head of auburn hair, his piercing,
twinkling eyes, his loose, lounging walk, his careless disorder of
dress, drew the immediate attention even of strangers; made them turn
to look a second time and then inquire as to his identity.
He had quickly adapted himself to the frontier mode. Lately a river
sovereign and dandy, in fancy percales and patent leathers, he had
become the roughest of rough-clad pioneers, in rusty slouch hat,
flannel shirt, coarse trousers slopping half in and half out of the
heavy cowskin boots Always something of a barbarian in love with the
loose habit of unconvention, he went even further than others and
became a sort of paragon of disarray. The more energetic citizens of
Carson did not prophesy much for his future among them. Orion Clemens,
with the stir and bustle of the official new broom, earned their quick
respect; but his brother—well, they often saw him leaning for an hour
or more at a time against an awning support at the corner of King and
Carson streets, smoking a short clay pipe and staring drowsily at the
human kaleidoscope of the Plaza, scarcely changing his position, just
watching, studying, lost in contemplation—all of which was harmless
enough, of course, but how could any one ever get a return out of
employment like that?
Samuel Clemens did not catch the mining fever immediately; there was
too much to see at first to consider any special undertaking. The mere
coming to the frontier was for the present enough; he had no plans. His
chief purpose was to see the world beyond the Rockies, to derive from
it such amusement and profit as might fall in his way. The war would
end, by and by, and he would go back to the river, no doubt. He was
already not far from homesick for the “States” and his associations
there. He closed one letter:
I heard a military band play “What Are the Wild Waves Saying” the other
night, and it brought Ella Creel and Belle (Stotts) across the desert
in an instant, for they sang the song in Orion’s yard the first time I
ever heard it. It was like meeting an old friend. I tell you I could
have swallowed that whole band, trombone and all, if such a compliment
would have been any gratification to them.
His friends contracted the mining mania; Bob Howland and Raish Phillips
went down to Aurora and acquired “feet” in mini-claims and wrote him
enthusiastic letters. With Captain Nye, the governor’s brother, he
visited them and was presented with an interest which permitted him to
contribute an assessment every now and then toward the development of
the mine; but his enthusiasm still languished.
He was interested more in the native riches above ground than in those
concealed under it. He had heard that the timber around Lake Bigler
(Tahoe) promised vast wealth which could be had for the asking. The
lake itself and the adjacent mountains were said to be beautiful beyond
the dream of art. He decided to locate a timber claim on its shores.
He made the trip afoot with a young Ohio lad, John Kinney, and the
account of this trip as set down in ‘Roughing It’ is one of the best
things in the book. The lake proved all they had expected—more than
they expected; it was a veritable habitation of the gods, with its
delicious, winy atmosphere, its vast colonnades of pines, its
measureless depths of water, so clear that to drift on it was like
floating high aloft in mid-nothingness. They staked out a timber claim
and made a semblance of fencing it and of building a habitation, to
comply with the law; but their chief employment was a complete
abandonment to the quiet luxury of that dim solitude: wandering among
the trees, lounging along the shore, or drifting on that transparent,
insubstantial sea. They did not sleep in their house, he says:
“It never occurred to us, for one thing; and, besides, it was built to
hold the ground, and that was enough. We did not wish to strain it.”
They lived by their camp-fire on the borders of the lake, and one
day—it was just at nightfall—it got away from them, fired the forest,
and destroyed their fence and habitation. His picture in ‘Roughing It’
of the superb night spectacle, the mighty mountain conflagration
reflected in the waters of the lake, is splendidly vivid. The reader
may wish to compare it with this extract from a letter written to
Pamela at the time.
The level ranks of flame were relieved at intervals by the
standard-bearers, as we called the tall, dead trees, wrapped in fire,
and waving their blazing banners a hundred feet in the air. Then we
could turn from the scene to the lake, and see every branch and leaf
and cataract of flame upon its banks perfectly reflected, as in a
gleaming, fiery mirror. The mighty roaring of the conflagration,
together with our solitary and somewhat unsafe position (for there was
no one within six miles of us), rendered the scene very impressive.
Occasionally one of us would remove his pipe from his mouth and say,
“Superb, magnificent!—beautifull—but—by the Lord God Almighty, if we
attempt to sleep in this little patch to-night, we’ll never live till
morning!”
This is good writing too, but it lacks the fancy and the choice of
phrasing which would develop later. The fire ended their first
excursion to Tahoe, but they made others and located other
claims—claims in which the “folks at home,” Mr. Moffett, James Lampton,
and others, were included. It was the same James Lampton who would one
day serve as a model for Colonel Sellers. Evidently Samuel Clemens had
a good opinion of his business capacity in that earlier day, for he
writes:
This is just the country for cousin Jim to live in. I don’t believe it
would take him six months to make $100,000 here if he had $3,000 to
commence with. I suppose he can’t leave his family, though.
Further along in the same letter his own overflowing Seller’s optimism
develops.
Orion and I have confidence enough in this country to think that if the
war lets us alone we can make Mr. Moffett rich without its ever costing
him a cent or a particle of trouble.
This letter bears date of October 25th, and from it we gather that a
certain interest in mining claims had by this time developed.
We have got about 1,650 feet of mining ground, and, if it proves good,
Mr. Moffett’s name will go in, and if not I can get “feet” for him in
the spring.
You see, Pamela, the trouble does not consist in getting mining
ground—for there is plenty enough—but the money to work it with
after you get it.
He refers to Pamela’s two little children, his niece Annie and Baby
Sam,* and promises to enter claims for them—timber claims probably—for
he was by no means sanguine as yet concerning the mines. That was a
long time ago. Tahoe land is sold by the lot, now, to summer residents.
Those claims would have been riches to-day, but they were all abandoned
presently, forgotten in the delirium which goes only with the pursuit
of precious ores.
* Samuel E. Moffett, in later life a well-known journalist and editor.
XXXIII
THE PROSPECTOR
It was not until early winter that Samuel Clemens got the real mining
infection. Everybody had it by that time; the miracle is that he had
not fallen an earlier victim. The wildest stories of sudden fortune
were in the air, some of them undoubtedly true. Men had gone to bed
paupers, on the verge of starvation, and awakened to find themselves
millionaires. Others had sold for a song claims that had been suddenly
found to be fairly stuffed with precious ores. Cart-loads of
bricks—silver and gold—daily drove through the streets.
In the midst of these things reports came from the newly opened
Humboldt region—flamed up with a radiance that was fairly blinding. The
papers declared that Humboldt County “was the richest mineral region on
God’s footstool.” The mountains were said to be literally bursting with
gold and silver. A correspondent of the daily Territorial Enterprise
fairly wallowed in rhetoric, yet found words inadequate to paint the
measureless wealth of the Humboldt mines. No wonder those not already
mad speedily became so. No wonder Samuel Clemens, with his natural
tendency to speculative optimism, yielded to the epidemic and became as
“frenzied as the craziest.” The air to him suddenly began to shimmer;
all his thoughts were of “leads” and “ledges” and “veins”; all his
clouds had silver linings; all his dreams were of gold. He joined an
expedition at once; he reproached himself bitterly for not having
started earlier.
Hurry was the word! We wasted no time. Our party consisted of four
persons—a blacksmith sixty years of age, two young lawyers, and myself.
We bought a wagon and two miserable old horses. We put 1,800 pounds of
provisions and mining tools in the wagon and drove out of Carson on a
chilly December afternoon.
In a letter to his mother he states that besides provisions and mining
tools, their load consisted of certain luxuries viz., ten pounds of
killikinick, Watts’s Hymns, fourteen decks of cards, Dombey and Son, a
cribbage-board, one small keg of lager-beer, and the “Carmina Sacra.”
The two young lawyers were A. W.(Gus) Oliver (Oliphant in ‘Roughing
It’), and W. H. Clagget. Sam Clemens had known Billy Clagget as a law
student in Keokuk, and they were brought together now by this
association. Both Clagget and Oliver were promising young men, and
would be heard from in time. The blacksmith’s name was Tillou (Ballou),
a sturdy, honest soul with a useful knowledge of mining and the repair
of tools. There were also two dogs in the party—a small curly-tailed
mongrel, Curney, the property of Mr. Tillou, and a young hound. The
combination seemed a strong one.
It proved a weak one in the matter of horses. Oliver and Clemens had
furnished the team, and their selection had not been of the best. It
was two hundred miles to Humboldt, mostly across sand. The horses could
not drag their load and the miners too, so the miners got out. Then
they found it necessary to push.
Not because we were fond of it, Ma—oh, no! but on Bunker’s account.
Bunker was the “near” horse on the larboard side, named after the
attorney-general of this Territory. My horse—and I am sorry you do not
know him personally, Ma, for I feel toward him, sometimes, as if he
were a blood relation of our family—he is so lazy, you know—my horse—I
was going to say, was the “off” horse on the starboard side. But it was
on Bunker’s account, principally, that we pushed behind the wagon. In
fact, Ma, that horse had something on his mind all the way to
Humboldt.*
* S. L. C. to his mother. Published in the Keokuk (Iowa) Gate city.
So they had to push, and most of that two hundred miles through snow
and sand storm they continued to push and swear and groan, sustained
only by the thought that they must arrive at last, when their troubles
would all be at an end, for they would be millionaires in a brief time
and never know want or fatigue any more.
There were compensations: the camp-fire at night was cheerful, the food
satisfying. They bundled close under the blankets and, when it was too
cold to sleep, looked up at the stars, while the future entertainer of
kings would spin yarn after yarn that made his hearers forget their
discomforts. Judge Oliver, the last one of the party alive, in a recent
letter to the writer of this history, says:
He was the life of the camp; but sometimes there would come a reaction
and he could hardly speak for a day or two. One day a pack of wolves
chased us, and the hound Sam speaks of never stopped to look back till
he reached the next station, many miles ahead.
Judge Oliver adds that an Indian war had just ended, and that they
occasionally passed the charred ruin of a shack, and new graves: This
was disturbing enough. Then they came to that desolation of
desolations, the Alkali Desert, where the sand is of unknown depth,
where the road is strewn thickly with the carcasses of dead beasts of
burden, the charred remains of wagons, chains, bolts, and screws, which
thirsty emigrants, grown desperate, have thrown away in the grand hope
of being able, when less encumbered, to reach water.
They traveled all day and night, pushing through that fierce, waterless
waste to reach camp on the other side. It was three o’clock in the
morning when they got across and dropped down utterly exhausted. Judge
Oliver in his letter tells what happened then:
The sun was high in the heavens when we were aroused from our sleep by
a yelling band of Piute warriors. We were upon our feet in an instant.
The pictures of burning cabins and the lonely graves we had passed were
in our minds. Our scalps were still our own, and not dangling from the
belts of our visitors. Sam pulled himself together, put his hand on his
head as if to make sure he had not been scalped, and then with his
inimitable drawl said: “Boys, they have left us our scalps. Let’s give
them all the flour and sugar they ask for.” And we did give them a good
supply, for we were grateful.
They were eleven weary days pushing their wagon and team the two
hundred miles to Unionville, Humboldt County, arriving at last in a
driving snow-storm. Unionville consisted of eleven poor cabins built in
the bottom of a canon, five on one side and six facing them on the
other. They were poor, three-sided, one-room huts, the fourth side
formed by the hill; the roof, a spread of white cotton. Stones used to
roll down on them sometimes, and Mark Twain tells of live
stock—specifically of a mule and cow—that interrupted the patient,
long-suffering Oliver, who was trying to write poetry, and only
complained when at last “an entire cow came rolling down the hill,
crashed through on the table, and made a shapeless wreck of
everything.”*
* ‘The Innocents Abroad.’
Judge Oliver still does not complain; but he denies the cow. He says
there were no cows in Humboldt in those days, so perhaps it was only a
literary cow, though in any case it will long survive. Judge Oliver’s
name will go down with it to posterity.
In the letter which Samuel Clemens wrote home he tells of what they
found in Unionville.
“National” there was selling at $50 per foot and assayed $2,496 per ton
at the mint in San Francisco. And the “Alda Nueva,” “Peru,” “Delirio,”
“Congress,” “Independent,” and others were immensely rich leads. And
moreover, having winning ways with us, we could get “feet” enough to
make us all rich one of these days.
“I confess with shame,” says the author of ‘Roughing It’, “that I
expected to find masses of silver lying all about the ground.” And he
adds that he slipped away from the cabin to find a claim on his own
account, and tells how he came staggering back under a load of golden
specimens; also how his specimens proved to be only worthless mica; and
how he learned that in mining nothing that glitters is gold. His
account in ‘Roughing It’ of the Humboldt mining experience is
sufficiently good history to make detail here unnecessary. Tillou
instructed them in prospecting, and in time they located a fairly
promising claim. They went to work on it with pick and shovel, then
with drill and blasting-powder. Then they gave it up.
“One week of this satisfied me. I resigned.”
They tried to tunnel, but soon resigned again. It was pleasanter to
prospect and locate and trade claims and acquire feet in every new
ledge than it was to dig-and about as profitable. The golden reports of
Humboldt had been based on assays of selected rich specimens, and were
mainly delirium and insanity. The Clemens-Clagget-Oliver-Tillou
combination never touched their claims again with pick and shovel,
though their faith, or at least their hope, in them did not immediately
die. Billy Clagget put out his shingle as notary public, and Gus Oliver
put out his as probate judge. Sam Clemens and Tillou, with a
fat-witted, arrogant Prussian named Pfersdoff (Ollendorf) set out for
Carson City. It is not certain what became of the wagon and team, or of
the two dogs.
The Carson travelers were water-bound at a tavern on the Carson River
(the scene of the “Arkansas” sketch), with a fighting, drinking lot.
Pfersdoff got them nearly drowned getting away, and finally succeeded
in getting them absolutely lost in the snow. The author of ‘Roughing
It’ tells us how they gave themselves up to die, and how each swore off
whatever he had in the way of an evil habit, how they cast their
tempters-tobacco, cards, and whisky-into the snow. He further tells us
how next morning, when they woke to find themselves alive, within a few
rods of a hostelry, they surreptitiously dug up those things again and,
deep in shame and luxury, resumed their fallen ways: It was the 29th of
January when they reached Carson City. They had been gone not quite two
months, one of which had been spent in travel. It was a brief period,
but it contained an episode, and it seemed like years.
XXXIV
TERRITORIAL CHARACTERISTICS
Meantime, the Territorial secretary had found difficulties in launching
the ship of state. There was no legislative hall in Carson City; and if
Abram Curry, one of the original owners of the celebrated Gould and
Curry mine—“Curry—old Curry—old Abe Curry,” as he called himself—had
not tendered the use of a hall rent free, the first legislature would
have been obliged to “sit in the desert.” Furthermore, Orion had met
with certain acute troubles of his own. The government at Washington
had not appreciated his economies in the matter of cheap office rental,
and it had stipulated the price which he was to pay for public printing
and various other services-prices fixed according to Eastern standards.
These prices did not obtain in Nevada, and when Orion, confident that
because of his other economies the comptroller would stretch a point
and allow the increased frontier tariff, he was met with the usual
thick-headed official lack of imagination, with the result that the
excess paid was deducted from his slender salary. With a man of less
conscience this condition would easily have been offset by another
wherein other rates, less arbitrary, would have been adjusted to
negotiate the official deficit. With Orion Clemens such a remedy was
not even considered; yielding, unstable, blown by every wind of
influence though he was, Orion’s integrity was a rock.
Governor Nye was among those who presently made this discovery. Old
politician that he was—former police commissioner of New York City—Nye
took care of his own problems in the customary manner. To him, politics
was simply a game—to be played to win. He was a popular, jovial man,
well liked and thought of, but he did not lie awake, as Orion did,
planning economies for the government, or how to make up excess charges
out of his salary. To him Nevada was simply a doorway to the United
States Senate, and in the mean time his brigade required official
recognition and perquisites. The governor found Orion Clemens an
impediment to this policy. Orion could not be brought to a proper
political understanding of “special bills and accounts,” and relations
between the secretary of state and the governor were becoming strained.
It was about this time that the man who had been potentate of the
pilot-house of a Mississippi River steamer returned from Humboldt. He
was fond of the governor, but he had still higher regard for the family
integrity. When he had heard Orion’s troubled story, he called on
Governor Nye and delivered himself in his own fashion. In his former
employments he had acquired a vocabulary and moral backbone sufficient
to his needs. We may regret that no stenographic report was made of the
interview. It would be priceless now. But it is lost; we only know that
Orion’s rectitude was not again assailed, and that curiously enough
Governor Nye apparently conceived a strong admiration and respect for
his brother.
Samuel Clemens, miner, remained but a brief time in Carson City—only
long enough to arrange for a new and more persistent venture. He did
not confess his Humboldt failure to his people; in fact, he had not as
yet confessed it to himself; his avowed purpose was to return to
Humboldt after a brief investigation of the Esmeralda mines. He had
been paying heavy assessments on his holdings there; and, with a
knowledge of mining gained at Unionville, he felt that his personal
attention at Aurora might be important. As a matter of fact, he was by
this time fairly daft on the subject of mines and mining, with the rest
of the community for company.
His earlier praises of the wonders and climate of Tahoe had inspired
his sister Pamela, always frail, with a desire to visit that
health-giving land. Perhaps he felt that he recommended the country
somewhat too highly.
“By George, Pamela,” he said, “I begin to fear that I have invoked a
spirit of some kind or other, which I will find more than difficult to
allay.” He proceeds to recommend California as a residence for any or
all of them, but he is clearly doubtful concerning Nevada.
Some people are malicious enough to think that if the devil were set at
liberty and told to confine himself to Nevada Territory, he would come
here and look sadly around awhile, and then get homesick and go back to
hell again …. Why, I have had my whiskers and mustaches so full of
alkali dust that you’d have thought I worked in a starch factory and
boarded in a flour barrel.
But then he can no longer restrain his youth and optimism. How could
he, with a fortune so plainly in view? It was already in his grasp in
imagination; he was on the way home with it.
I expect to return to St. Louis in July—per steamer. I don’t say that I
will return then, or that I shall be able to do it—but I expect to—you
bet. I came down here from Humboldt, in order to look after our
Esmeralda interests. Yesterday, Bob Howland arrived here, and I have
had a talk with him. He owns with me in the “Horatio and Derby” ledge.
He says our tunnel is in 52 feet, and a small stream of water has been
struck, which bids fair to become a “big thing” by the time the ledge
is reached—sufficient to supply a mill. Now, if you knew anything of
the value of water here, you would perceive at a glance that if the
water should amount to 50 or 100 inches, we wouldn’t care whether
school kept or not. If the ledge should prove to be worthless, we’d
sell the water for money enough to give us quite a lift. But, you see,
the ledge will not prove to be worthless. We have located, near by, a
fine site for a mill, and when we strike the ledge, you know, we’ll
have a mill-site, water-power, and payrock, all handy. Then we sha’n’t
care whether we have capital or not. Mill folks will build us a mill,
and wait for their pay. If nothing goes wrong, we’ll strike the ledge
in June—and if we do, I’ll be home in July, you know.
He pauses at this point for a paragraph of self-analysis—characteristic
and crystal-clear.
So, just keep your clothes on, Pamela, until I come. Don’t you know
that undemonstrated human calculations won’t do to bet on? Don’t you
know that I have only talked, as yet, but proved nothing? Don’t you
know that I have expended money in this country but have made none
myself? Don’t you know that I have never held in my hands a gold or
silver bar that belonged to me? Don’t you know that it’s all talk and
no cider so far? Don’t you know that people who always feel jolly, no
matter where they are or what happens to them—who have the organ of
Hope preposterously developed—who are endowed with an unconcealable
sanguine temperament—who never feel concerned about the price of
corn—and who cannot, by any possibility, discover any but the bright
side of a picture—are very apt to go to extremes and exaggerate with
40-horse microscopic power?
But—but—
In the bright lexicon of youth,
There is _no such_ word as Fail—
and I’ll prove it!
Whereupon, he lets himself go again, full-tilt:
By George, if I just had a thousand dollars I’d be all right! Now
there’s the “Horatio,” for instance. There are five or six shareholders
in it, and I know I could buy half of their interests at, say $20 per
foot, now that flour is worth $50 per barrel and they are pressed for
money, but I am hard up myself, and can’t buy —and in June they’ll
strike the ledge, and then “good-by canary.” I can’t get it for love or
money. Twenty dollars a foot! Think of it! For ground that is proven to
be rich. Twenty dollars, Madam—and we wouldn’t part with a foot of our
75 for five times the sum. So it will be in Humboldt next summer. The
boys will get pushed and sell ground for a song that is worth a
fortune. But I am at the helm now. I have convinced Orion that he
hasn’t business talent enough to carry on a peanut-stand, and he has
solemnly promised me that he will meddle no more with mining or other
matters not connected with the secretary’s office. So, you see, if
mines are to be bought or sold, or tunnels run or shafts sunk, parties
have to come to me—and me only. I’m the “firm,” you know.
There are pages of this, all glowing with golden expectations and
plans. Ah, well! we have all written such letters home at one time and
another-of gold-mines of one form or another.
He closes at last with a bit of pleasantry for his mother.
Ma says: “It looks like a man can’t hold public office and be honest.”
Why, certainly not, Madam. A man can’t hold public office and be
honest. Lord bless you, it is a common practice with Orion to go about
town stealing little things that happen to be lying around loose. And I
don’t remember having heard him speak the truth since we have been in
Nevada. He even tries to prevail upon me to do these things, Ma, but I
wasn’t brought up in that way, you know. You showed the public what you
could do in that line when you raised me, Madam. But then you ought to
have raised me first, so that Orion could have had the benefit of my
example. Do you know that he stole all the stamps out of an 8-stamp
quartz-mill one night, and brought them home under his overcoat and hid
them in the back room?
XXXV
THE MINER
He had about exhausted his own funds by this time, and it was necessary
that Orion should become the financier. The brothers owned their
Esmeralda claims in partnership, and it was agreed that Orion, out of
his modest depleted pay, should furnish the means, while the other
would go actively into the field and develop their riches. Neither had
the slightest doubt but that they would be millionaires presently, and
both were willing to struggle and starve for the few intervening weeks.
It was February when the printer-pilot-miner arrived in Aurora, that
rough, turbulent camp of the Esmeralda district lying about one hundred
miles south of Carson City, on the edge of California, in the Sierra
slopes. Everything was frozen and covered with snow; but there was no
lack of excitement and prospecting and grabbing for “feet” in this
ledge and that, buried deep under the ice and drift. The new arrival
camped with Horatio Phillips (Raish), in a tiny cabin with a domestic
roof (the ruin of it still stands), and they cooked and bunked together
and combined their resources in a common fund. Bob Howland joined them
presently, and later an experienced miner, Calvin H. Higbie (Cal), one
day to be immortalized in the story of ‘Roughing It’ and in the
dedication of that book. Around the cabin stove they would gather, and
paw over their specimens, or test them with blow-pipe and “horn” spoon,
after which they would plan tunnels and figure estimates of prospective
wealth. Never mind if the food was poor and scanty, and the chill wind
came in everywhere, and the roof leaked like a filter; they were living
in a land where all the mountains were banked with nuggets, where all
the rivers ran gold. Bob Howland declared later that they used to go
out at night and gather up empty champagne-bottles and fruit-tins and
pile them in the rear of their cabin to convey to others the appearance
of affluence and high living. When they lacked for other employment and
were likely to be discouraged, the ex-pilot would “ride the bunk” and
smoke and, without money and without price, distribute riches more
valuable than any they would ever dig out of those Esmeralda Hills. At
other times he talked little or not at all, but sat in one corner and
wrote, wholly oblivious of his surroundings. They thought he was
writing letters, though letters were not many and only to Orion during
this period. It was the old literary impulse stirring again, the desire
to set things down for their own sake, the natural hunger for print.
One or two of his earlier letters home had found their way into a
Keokuk paper —the ‘Gate City’. Copies containing them had gone back to
Orion, who had shown them to a representative of the Territorial
Enterprise, a young man named Barstow, who thought them amusing. The
Enterprise reprinted at least one of these letters, or portions of it,
and with this encouragement the author of it sent an occasional
contribution direct to that paper over the pen-name “Josh.” He did not
care to sign his own name. He was a miner who was soon to be a magnate;
he had no desire to be known as a camp scribbler.
He received no pay for these offerings, and expected none. They were
sketches of a broadly burlesque sort, the robust horse-play kind of
humor that belongs to the frontier. They were not especially promising
efforts. One of them was about an old rackabones of a horse, a sort of
preliminary study for “Oahu,” of the Sandwich Islands, or “Baalbec” and
“Jericho,” of Syria. If any one had told him, or had told any reader of
this sketch, that the author of it was knocking at the door of the
house of fame such a person’s judgment or sincerity would have been
open to doubt. Nevertheless, it was true, though the knock was timid
and halting and the summons to cross the threshold long delayed.
A winter mining-camp is the most bleak and comfortless of places. The
saloon and gambling-house furnished the only real warmth and cheer. Our
Aurora miners would have been less than human, or more, if they had not
found diversion now and then in the happy harbors of sin. Once there
was a great ball given at a newly opened pavilion, and Sam Clemens is
said to have distinguished himself by his unrestrained and spontaneous
enjoyment of the tripping harmony. Cal Higbie, who was present, writes:
In changing partners, whenever he saw a hand raised he would grasp it
with great pleasure and sail off into another set, oblivious to his
surroundings. Sometimes he would act as though there was no use in
trying to go right or to dance like other people, and with his eyes
closed he would do a hoe-down or a double-shuffle all alone, talking to
himself and saying that he never dreamed there was so much pleasure to
be obtained at a ball. It was all as natural as a child’s play. By the
second set, all the ladies were falling over themselves to get him for
a partner, and most of the crowd, too full of mirth to dance, were
standing or sitting around, dying with laughter.
What a child he always was—always, to the very end? With the first
break of winter the excitement that had been fermenting and stewing
around camp stoves overflowed into the streets, washed up the gullies,
and assailed the hills. There came then a period of madness, beside
which the Humboldt excitement had been mere intoxication. Higbie says:
It was amazing how wild the people became all over the Pacific coast.
In San Francisco and other large cities barbers, hack-drivers,
servant-girls, merchants, and nearly every class of people would club
together and send agents representing all the way from $5,000 to
$500,000 or more to buy mines. They would buy anything. in the shape of
quartz, whether it contained any mineral value or not.
The letters which went from the Aurora miner to Orion are humanly
documentary. They are likely to be staccato in their movement; they
show nervous haste in their composition, eagerness, and suppressed
excitement; they are not always coherent; they are seldom humorous,
except in a savage way; they are often profane; they are likely to be
violent. Even the handwriting has a terse look; the flourish of youth
has gone out of it. Altogether they reveal the tense anxiety of the
gambling mania of which mining is the ultimate form. An extract from a
letter of April is a fair exhibit:
Work not yet begun on the “Horatio and Derby”—haven’t seen it yet. It
is still in the snow. Shall begin on it within 3 or 4 weeks —strike the
ledge in July: Guess it is good—worth from $30 to $50 a foot in
California….
Man named Gebhart shot here yesterday while trying to defend a claim on
Last Chance Hill. Expect he will die.
These mills here are not worth a d—n—except Clayton’s—and it is not in
full working trim yet.
Send me $40 or $50—by mail-immediately. I go to work to-morrow with
pick and shovel. Something’s got to come, by G—, before I let go here.
By the end of April work had become active in the mines, though the
snow in places was still deep and the ground stony with frost. On the
28th he writes:
I have been at work all day blasting and digging, and d—ning one of our
new claims—“Dashaway”—which I don’t think a great deal of, but which I
am willing to try. We are down, now, 10 or 12 a feet. We are following
down under the ledge, but not taking it out. If we get up a windlass
to-morrow we shall take out the ledge, and see whether it is worth
anything or not.
It must have been hard work picking away at the flinty ledges in the
cold; and the “Dashaway” would seem to have proven a disappointment,
for there is no promising mention of it again. Instead, we hear of the
“Flyaway;” and “Annipolitan” and the “Live Yankee” and of a dozen
others, each of which holds out the beacon of hope for a little while
and then passes from notice forever. In May it is the “Monitor” that is
sure to bring affluence, though realization is no longer regarded as
immediate.
To use a French expression, I have “got my d—-d satisfy” at last. Two
years’ time will make us capitalists, in spite of anything.
Therefore we need fret and fume and worry and doubt no more, but just
lie still and put up with privation for six months. Perhaps 3 months
will “let us out.” Then, if government refuses to pay the rent on your
new office we can do it ourselves. We have got to wait six weeks,
anyhow, for a dividend—maybe longer—but that it will come there is no
shadow of a doubt. I have got the thing sifted down to a dead moral
certainty. I own one-eighth of the new “Monitor Ledge, Clemens
Company,” and money can’t buy a foot of it; because I know it to
contain our fortune. The ledge is six feet wide, and one needs no glass
to see gold and silver in it….
When you and I came out here we did not expect ’63 or ’64 to find us
rich men—and if that proposition had been made we would have accepted
it gladly. Now, it is made. I am willing, now, that “Neary’s tunnel” or
anybody else’s tunnel shall succeed. Some of them may beat us a few
months, but we shall be on hand in the fullness of time, as sure as
fate. I would hate to swap chances with any member of the tribe . . . .
It is the same man who twenty-five years later would fasten his faith
and capital to a type-setting machine and refuse to exchange stock in
it, share for share, with the Mergenthaler linotype. He adds:
But I have struck my tent in Esmeralda, and I care for no mines but
those which I can superintend myself. I am a citizen here now, and I am
satisfied, although Ratio and I are “strapped” and we haven’t three
days’ rations in the house…. I shall work the “Monitor” and the other
claims with my own hands. I prospected 3/4 of a pound of “Monitor”
yesterday, and Raish reduced it with the blow-pipe, and got about 10 or
12 cents in gold and silver, besides the other half of it which we
spilt on the floor and didn’t get….
I tried to break a handsome chunk from a huge piece of my darling
“Monitor” which we brought from the croppings yesterday, but it all
splintered up, and I send you the scraps. I call that “choice”—any d—-d
fool would.
Don’t ask if it has been assayed, for it hasn’t. It don’t need it. It
is simply able to speak for itself. It is six feet wide on top, and
traversed through with veins whose color proclaims their worth.
What the devil does a man want with any more feet when he owns in the
invincible bomb-proof “Monitor”?
There is much more of this, and other such letters, most of them ending
with demands for money. The living, the tools, the blasting-powder, and
the help eat it up faster than Orion’s salary can grow.
“Send me $50 or $100, all you can spare; put away $150 subject to my
call—we shall need it soon for the tunnel.” The letters are full of
such admonition, and Orion, more insane, if anything, than his brother,
is scraping his dollars and pennies together to keep the mines going.
He is constantly warned to buy no claims on his own account and
promises faithfully, but cannot resist now and then when luring baits
are laid before him, though such ventures invariably result in violent
and profane protests from Aurora.
“The pick and shovel are the only claims I have any confidence in now,”
the miner concludes, after one fierce outburst. “My back is sore, and
my hands are blistered with handling them to-day.”
But even the pick and shovel did not inspire confidence a little later.
He writes that the work goes slowly, very slowly, but that they still
hope to strike it some day. “But—if we strike it rich—I’ve lost my
guess, that’s all.” Then he adds: “Couldn’t go on the hill to-day. It
snowed. It always snows here, I expect”; and the final heart-sick line,
“Don’t you suppose they have pretty much quit writing at home?”
This is midsummer, and snow still interferes with the work. One feels
the dreary uselessness of the quest.
Yet resolution did not wholly die, or even enthusiasm. These things
were as recurrent as new prospects, which were plentiful enough. In a
still subsequent letter he declares that he will never look upon his
mother’s face again, or his sister’s, or get married, or revisit the
“Banner State,” until he is a rich man, though there is less assurance
than desperation in the words.
In ‘Roughing It’ the author tells us that, when flour had reached one
dollar a pound and he could no longer get the dollar, he abandoned
mining and went to milling “as a common laborer in a quartz-mill at ten
dollars a week.” This statement requires modification. It was not
entirely for the money that he undertook the laborious task of washing
“riffles” and “screening tailings.” The money was welcome enough, no
doubt, but the greater purpose was to learn refining, so that when his
mines developed he could establish his own mill and personally
superintend the work. It is like him to wish us to believe that he was
obliged to give up being a mining magnate to become a laborer in a
quartz-mill, for there is a grim humor in the confession. That he
abandoned the milling experiment at the end of a week is a true
statement. He got a violent cold in the damp place, and came near
getting salivated, he says in a letter, “working in the quicksilver and
chemicals. I hardly think I shall try the experiment again. It is a
confining business, and I will not be confined for love or money.”
As recreation after this trying experience, Higbie took him on a tour,
prospecting for the traditional “Cement Mine,” a lost claim where, in a
deposit of cement rock, gold nuggets were said to be as thick as
raisins in a fruitcake. They did not find the mine, but they visited
Mono Lake —that ghastly, lifeless alkali sea among the hills, which in
‘Roughing It’ he has so vividly pictured. It was good to get away from
the stress of things; and they repeated the experiment. They made a
walking trip to Yosemite, carrying their packs, camping and fishing in
that far, tremendous isolation, which in those days few human beings
had ever visited at all. Such trips furnished a delicious respite from
the fevered struggle around tunnel and shaft. Amid mountain-peaks and
giant forests and by tumbling falls the quest for gold hardly seemed
worth while. More than once that summer he went alone into the
wilderness to find his balance and to get away entirely from humankind.
XXXVI
LAST MINING DAYS
It was late in July when he wrote:
If I do not forget it, I will send you, per next mail, a pinch of
decom. (decomposed rock) which I pinched with thumb and finger from
Wide West ledge a while ago. Raish and I have secured 200 out of a
company with 400 ft. in it, which perhaps (the ledge, I mean) is a spur
from the W. W.—our shaft is about 100 ft. from the W. W. shaft. In
order to get in, we agreed to sink 30 ft. We have sublet to another man
for 50 ft., and we pay for powder and sharpening tools.
This was the “Blind Lead” claim of Roughing It, but the episode as set
down in that book is somewhat dramatized. It is quite true that he
visited and nursed Captain Nye while Higbie was off following the
“Cement” ‘ignus fatuus’ and that the “Wide West” holdings were
forfeited through neglect. But if the loss was regarded as a heavy one,
the letters fail to show it. It is a matter of dispute to-day whether
or not the claim was ever of any value. A well-known California author*
declares:
No one need to fear that he ran any chance of being a millionaire
through the “Wide West” mine, for the writer, as a child, played over
that historic spot and saw only a shut-down mill and desolate hole in
the ground to mark the spot where over-hopeful men had sunk thousands
and thousands, that they never recovered.
* Ella Sterling Cummins, author of The Story of the Files, etc.
The “Blind Lead” episode, as related, is presumably a tale of what
might have happened—a possibility rather than an actuality. It is
vividly true in atmosphere, however, and forms a strong and natural
climax for closing the mining episode, while the literary privilege
warrants any liberties he may have taken for art’s sake.
In reality the close of his mining career was not sudden and
spectacular; it was a lingering close, a reluctant and gradual
surrender. The “Josh” letters to the Enterprise had awakened at least a
measure of interest, and Orion had not failed to identify their author
when any promising occasion offered; as a result certain tentative
overtures had been made for similar material. Orion eagerly
communicated such chances, for the money situation was becoming a
desperate one. A letter from the Aurora miner written near the end of
July presents the situation very fully. An extract or two will be
sufficient:
My debts are greater than I thought for—I bought $25 worth of clothing
and sent $25 to Higbie, in the cement diggings. I owe about $45 or $50,
and have got about $45 in my pocket. But how in the h—l I am going to
live on something over $100 until October or November is singular. The
fact is, I must have something to do, and that shortly, too…. Now write
to the Sacramento Union folks, or to Marsh, and tell them I’ll write as
many letters a week as they want for $10 a week. My board must be paid.
Tell them I have corresponded with the N. Orleans Crescent and other
papers—and the Enterprise.
If they want letters from here—who’ll run from morning till night
collecting material cheaper? I’ll write a short letter twice a week,
for the present for the ‘Age’, for $5 per week. Now it has been a long
time since I couldn’t make my own living, and it shall be a long time
before I loaf another year.
Nothing came of these possibilities, but about this time Barstow, of
the Enterprise, conferred with Joseph T. Goodman, editor and owner of
the paper, as to the advisability of adding the author of the “Josh”
letters to their local staff. Joe Goodman, who had as keen a literary
perception as any man that ever pitched a journalistic tent on the
Pacific coast (and there could be no higher praise than that), looked
over the letters and agreed with Barstow that the man who wrote them
had “something in him.” Two of the sketches in particular he thought
promising. One of them was a burlesque report of an egotistical
lecturer who was referred to as “Professor Personal Pronoun.” It closed
by stating that it was “impossible to print his lecture in full, as the
type-cases had run out of capital I’s.” But it was the other sketch
which settled Goodman’s decision. It was also a burlesque report, this
time of a Fourth-of-July oration. It opened, “I was sired by the Great
American Eagle and foaled by a continental dam.” This was followed by a
string of stock patriotic phrases absurdly arranged. But it was the
opening itself that won Goodman’s heart.
“That is the sort of thing we want,” he said. “Write to him, Barstow,
and ask him if he wants to come up here.”
Barstow wrote, offering twenty-five dollars a week, a tempting sum.
This was at the end of July, 1862.
In ‘Roughing It’ we are led to believe that the author regarded this as
a gift from heaven and accepted it straightaway. As a matter of fact,
he fasted and prayed a good while over the “call.” To Orion he wrote:
Barstow has offered me the post as local reporter for the Enterprise at
$25 a week, and I have written him that I will let him know next mail,
if possible.
There was no desperate eagerness, you see, to break into literature,
even under those urgent conditions. It meant the surrender of all hope
in the mines, the confession of another failure. On August 7th he wrote
again to Orion. He had written to Barstow, he said, asking when they
thought he might be needed. He was playing for time to consider.
Now, I shall leave at midnight to-night, alone and on foot, for a walk
of 60 or 70 miles through a totally uninhabited country, and it is
barely possible that mail facilities may prove infernally “slow.” But
do you write Barstow that I have left here for a week or so, and in
case he should want me, he must write me here, or let me know through
you.
So he had gone into the wilderness to fight out his battle alone. But
eight days later, when he had returned, there was still no decision. In
a letter to Pamela of this date he refers playfully to the discomforts
of his cabin and mentions a hope that he will spend the winter in San
Francisco; but there is no reference in it to any newspaper prospects
—nor to the mines, for that matter. Phillips, Howland, and Higbie would
seem to have given up by this time, and he was camping with Dan Twing
and a dog, a combination amusingly described. It is a pleasant enough
letter, but the note of discouragement creeps in:
I did think for a while of going home this fall—but when I found that
that was, and had been, the cherished intention and the darling
aspiration every year of these old care-worn Californians for twelve
weary years, I felt a little uncomfortable, so I stole a march on
Disappointment and said I would not go home this fall. This country
suits me, and it shall suit me whether or no.
He was dying hard, desperately hard; how could he know, to paraphrase
the old form of Christian comfort, that his end as a miner would mean,
in another sphere, “a brighter resurrection” than even his rainbow
imagination could paint?
XXXVII
THE NEW ESTATE
It was the afternoon of a hot, dusty August day when a worn,
travel-stained pilgrim drifted laggingly into the office of the
Virginia City Enterprise, then in its new building on C Street, and,
loosening a heavy roll of blankets from his shoulders, dropped wearily
into a chair. He wore a rusty slouch hat, no coat, a faded blue flannel
shirt, a Navy revolver; his trousers were hanging on his boot tops. A
tangle of reddish-brown hair fell on his shoulders, and a mass of tawny
beard, dingy with alkali dust, dropped half-way to his waist.
Aurora lay one hundred and thirty miles from Virginia. He had walked
that distance, carrying his heavy load. Editor Goodman was absent at
the moment, but the other proprietor, Denis E. McCarthy, signified that
the caller might state his errand. The wanderer regarded him with a
far-away look and said, absently and with deliberation:
“My starboard leg seems to be unshipped. I’d like about one hundred
yards of line; I think I am falling to pieces.” Then he added: “I want
to see Mr. Barstow, or Mr. Goodman. My name is Clemens, and I’ve come
to write for the paper.”
It was the master of the world’s widest estate come to claim his
kingdom:
William Wright, who had won a wide celebrity on the Coast as Dan de
Quille, was in the editorial chair and took charge of the new arrival.
He was going on a trip to the States soon; it was mainly on this
account that the new man had been engaged. The “Josh” letters were very
good, in Dan’s opinion; he gave their author a cordial welcome, and
took him around to his boarding-place. It was the beginning of an
association that continued during Samuel Clemens’s stay in Virginia
City and of a friendship that lasted many years.
The Territorial Enterprise was one of the most remarkable frontier
papers ever published. Its editor-in-chief, Joseph Goodman, was a man
with rare appreciation, wide human understanding, and a comprehensive
newspaper policy. Being a young man, he had no policy, in fact, beyond
the general purpose that his paper should be a forum for absolutely
free speech, provided any serious statement it contained was based upon
knowledge. His instructions to the new reporter were about as follows:
“Never say we learn so and so, or it is rumored, or we understand so
and so; but go to headquarters and get the absolute facts; then speak
out and say it is so and so. In the one case you are likely to be shot,
and in the other you are pretty certain to be; but you will preserve
the public confidence.”
Goodman was not new to the West. He had come to California as a boy and
had been a miner, explorer, printer, and contributor by turns. Early in
’61, when the Comstock Lode* was new and Virginia in the first flush of
its monster boom, he and Denis McCarthy had scraped together a few
dollars and bought the paper. It had been a hand-to-hand struggle for a
while, but in a brief two years, from a starving sheet in a shanty the
Enterprise, with new building, new presses, and a corps of swift
compositors brought up from San Francisco, had become altogether
metropolitan, as well as the most widely considered paper on the Coast.
It had been borne upward by the Comstock tide, though its fearless,
picturesque utterance would have given it distinction anywhere. Goodman
himself was a fine, forceful writer, and Dan de Quille and R. M.
Daggett (afterward United States minister to Hawaii) were
representative of Enterprise men.**
* Named for its discoverer, Henry T. P. Comstock, a half-crazy miner,
who realized very little from his stupendous find.
** The Comstock of that day became famous for its journalism.
Associated with the Virginia papers then or soon afterward were such
men as Tom Fitch (the silver-tongued orator), Alf Doten, W. J. Forbes,
C. C. Goodwin, H. R. Mighels, Clement T. Rice, Arthur McEwen, and Sam
Davis—a great array indeed for a new Territory.
Samuel Clemens fitted precisely into this group. He added the fresh,
rugged vigor of thought and expression that was the very essence of the
Comstock, which was like every other frontier mining-camp, only on a
more lavish, more overwhelming scale.
There was no uncertainty about the Comstock; the silver and gold were
there. Flanking the foot of Mount Davidson, the towns of Gold Hill and
Virginia and the long street between were fairly underburrowed and
underpinned by the gigantic mining construction of that opulent lode
whose treasures were actually glutting the mineral markets of the
world. The streets overhead seethed and swarmed with miners, mine
owners, and adventurers—riotous, rollicking children of fortune, always
ready to drink and make merry, as eager in their pursuit of pleasure as
of gold. Comstockers would always laugh at a joke; the rougher the
better. The town of Virginia itself was just a huge joke to most of
them. Everybody had, money; everybody wanted to laugh and have a good
time. The Enterprise, “Comstock to the backbone,” did what it could to
help things along.
It was a sort of free ring, with every one for himself. Goodman let the
boys write and print in accordance with their own ideas and upon any
subject. Often they wrote of each other—squibs and burlesques, which
gratified the Comstock far more than mere news.* It was the proper
class-room for Mark Twain, an encouraging audience and free utterance:
fortune could have devised nothing better for him than that.
* The indifference to ‘news’ was noble—none the less so because it was
so blissfully unconscious. Editors Mark or Dan would dismiss a murder
with a couple of inches and sit down and fill up a column with a fancy
sketch: “Arthur McEwen”
He was peculiarly fitted for the position. Unspoiled humanity appealed
to him, and the Comstock presented human nature in its earliest
landscape forms. Furthermore, the Comstock was essentially
optimistic—so was he; any hole in the ground to him held a possible,
even a probable, fortune.
His pilot memory became a valuable asset in news-gathering. Remembering
marks, banks, sounding, and other river detail belonged apparently in
the same category of attainments as remembering items and localities of
news. He could travel all day without a note-book and at night
reproduce the day’s budget or at least the picturesqueness of it,
without error. He was presently accounted a good reporter, except where
statistics —measurements and figures—were concerned. These he gave “a
lick and a promise,” according to De Quille, who wrote afterward of
their associations. De Quille says further:
Mark and I agreed well in our work, which we divided when there was a
rush of events; but we often cruised in company, he taking the items of
news he could handle best, and I such as I felt competent to work up.
However, we wrote at the same table and frequently helped each other
with such suggestions as occurred to us during the brief consultations
we held in regard to the handling of any matters of importance. Never
was there an angry word between us in all the time we worked together.
De Quille tells how Clemens clipped items with a knife when there were
no scissors handy, and slashed through on the top of his desk, which in
time took on the semblance “of a huge polar star, spiritedly dashing
forth a thousand rays.”
The author of ‘Roughing It’ has given us a better picture of the
Virginia City of those days and his work there than any one else will
ever write. He has made us feel the general spirit of affluence that
prevailed; how the problem was not to get money, but to spend it; how
“feet” in any one of a hundred mines could be had for the asking; how
such shares were offered like apples or cigars or bonbons, as a natural
matter of courtesy when one happened to have his supply in view; how
any one connected with a newspaper would have stocks thrust upon him,
and how in a brief time he had acquired a trunk ful of such riches and
usually had something to sell when any of the claims made a stir on the
market. He has told us of the desperadoes and their trifling regard for
human life, and preserved other elemental characters of these prodigal
days. The funeral of Buck Fanshaw that amazing masterpiece—is a
complete epitome of the social frontier.
It would not be the part of wisdom to attempt another inclusive
presentation of Comstock conditions. We may only hope to add a few
details of history, justified now by time and circumstances, to
supplement the picture with certain data of personality preserved from
the drift of years.
XXXVIII
ONE OF THE “STAFF”
The new reporter found acquaintance easy. The office force was like one
family among which there was no line of caste. Proprietors, editors,
and printers were social equals; there was little ceremony among
them—none at all outside of the office.* Samuel Clemens immediately
became “Sam,” or “Josh,” to his associates, just as De Quille was “Dan”
and Goodman “Joe.” He found that he disliked the name of Josh, and, as
he did not sign it again, it was presently dropped. The office, and
Virginia City generally, quickly grew fond of him, delighting in his
originality and measured speech. Enterprise readers began to identify
his work, then unsigned, and to enjoy its fresh phrasing, even when it
was only the usual local item or mining notice. True to its name and
reputation, the paper had added a new attraction.
* “The paper went to press at two in the morning, then all the staff
and all the compositors gathered themselves together in the
composing-room and drank beer and sang the popular war-songs of the day
until dawn.”—S. L. C., in 1908.
It was only a brief time after his arrival in Virginia City that
Clemens began the series of hoaxes which would carry his reputation,
not always in an enviable fashion, across the Sierras and down the
Pacific coast. With one exception these are lost to-day, for so far as
known there is not a single file of the Enterprise in existence. Only a
few stray copies and clippings are preserved, but we know the story of
some of these literary pranks and of their results. They were usually
intended as a special punishment of some particular individual or paper
or locality; but victims were gathered by the wholesale in their
seductive web. Mark Twain himself, in his book of Sketches, has set
down something concerning the first of these, “The Petrified Man,” and
of another, “My Bloody Massacre,” but in neither case has he told it
all. “The Petrified Man” hoax was directed at an official named Sewall,
a coroner and justice of the peace at Humboldt, who had been pompously
indifferent in the matter of supplying news. The story, told with great
circumstance and apparent care as to detail, related the finding of a
petrified prehistoric man, partially imbedded in a rock, in a cave in
the desert more than one hundred miles from Humboldt, and how Sewall
had made the perilous five-day journey in the alkali waste to hold an
inquest over a man that had been dead three hundred years; also how,
“with that delicacy so characteristic of him,” Sewall had forbidden the
miners from blasting him from his position. The account further stated
that the hands of the deceased were arranged in a peculiar fashion; and
the description of the arrangement was so skilfully woven in with other
matters that at first, or even second, reading one might not see that
the position indicated was the ancient one which begins with the thumb
at the nose and in many ages has been used impolitely to express
ridicule and the word “sold.” But the description was a shade too
ingenious. The author expected that the exchanges would see the joke
and perhaps assist in the fun he would have with Sewall. He did not
contemplate a joke on the papers themselves. As a matter of fact, no
one saw the “sell” and most of the papers printed his story of the
petrified man as a genuine discovery. This was a surprise, and a
momentary disappointment; then he realized that he had builded better
than he knew. He gathered up a bundle of the exchanges and sent them to
Sewall; also he sent marked copies to scientific men in various parts
of the United States. The papers had taken it seriously; perhaps the
scientists would. Some of them did, and Sewall’s days became unhappy
because of letters received asking further information. As literature,
the effort did not rank high, and as a trick on an obscure official it
was hardly worth while; but, as a joke on the Coast exchanges and press
generally, it was greatly regarded and its author, though as yet
unnamed, acquired prestige.
Inquiries began to be made as to who was the smart chap in Virginia
that did these things. The papers became wary and read Enterprise items
twice before clipping them. Clemens turned his attention to other
matters to lull suspicion. The great “Dutch Nick Massacre” did not
follow until a year later.
Reference has already been made to the Comstock’s delight in humor of a
positive sort. The practical joke was legal tender in Virginia. One
might protest and swear, but he must take it. An example of Comstock
humor, regarded as the finest assay, is an incident still told of
Leslie Blackburn and Pat Holland, two gay men about town. They were
coming down C Street one morning when they saw some fine watermelons on
a fruit-stand at the International Hotel corner. Watermelons were rare
and costly in that day and locality, and these were worth three dollars
apiece. Blackburn said:
“Pat, let’s get one of those watermelons. You engage that fellow in
conversation while I stand at the corner, where I can step around out
of sight easily. When you have got him interested, point to something
on the back shelf and pitch me a melon.”
This appealed to Holland, and he carried out his part of the plan
perfectly; but when he pitched the watermelon Blackburn simply put his
hands in his pockets, and stepped around the corner, leaving the melon
a fearful disaster on the pavement. It was almost impossible for Pat to
explain to the fruit-man why he pitched away a three-dollar melon like
that even after paying for it, and it was still more trying, also more
expensive, to explain to the boys facing the various bars along C
Street.
Sam Clemens, himself a practical joker in his youth, found a healthy
delight in this knock-down humor of the Comstock. It appealed to his
vigorous, elemental nature. He seldom indulged physically in such
things; but his printed squibs and hoaxes and his keen love of the
ridiculous placed him in the joker class, while his prompt temper,
droll manner, and rare gift of invective made him an enticing victim.
Among the Enterprise compositors was one by the name of Stephen E.
Gillis (Steve, of course—one of the “fighting Gillises”), a small,
fearless young fellow, handsome, quick of wit, with eyes like
needle-points.
“Steve weighed only ninety-five pounds,” Mark Twain once wrote of him,
“but it was well known throughout the Territory that with his fists he
could whip anybody that walked on two legs, let his weight and science
be what they might.”
Clemens was fond of Steve Gillis from the first. The two became closely
associated in time, and were always bosom friends; but Steve was a
merciless joker, and never as long as they were together could he
“resist the temptation of making Sam swear,” claiming that his
profanity was grander than any music.
A word hereabout Mark Twain’s profanity. Born with a matchless gift of
phrase, the printing-office, the river, and the mines had developed it
in a rare perfection. To hear him denounce a thing was to give one the
fierce, searching delight of galvanic waves. Every characterization
seemed the most perfect fit possible until he applied the next. And
somehow his profanity was seldom an offense. It was not mere idle
swearing; it seemed always genuine and serious. His selection of
epithet was always dignified and stately, from whatever source—and it
might be from the Bible or the gutter. Some one has defined dirt as
misplaced matter. It is perhaps the greatest definition ever uttered.
It is absolutely universal in its application, and it recurs now,
remembering Mark Twain’s profanity. For it was rarely misplaced; hence
it did not often offend. It seemed, in fact, the safety-valve of his
high-pressure intellectual engine. When he had blown off he was always
calm, gentle; forgiving, and even tender. Once following an outburst he
said, placidly:
“In certain trying circumstances, urgent circumstances, desperate
circumstances, profanity furnishes a relief denied even to prayer.”
It seems proper to add that it is not the purpose of this work to
magnify or modify or excuse that extreme example of humankind which
forms its chief subject; but to set him down as he was inadequately, of
course, but with good conscience and clear intent.
Led by Steve Gillis, the Enterprise force used to devise tricks to set
him going. One of these was to hide articles from his desk. He detested
the work necessary to the care of a lamp, and wrote by the light of a
candle. To hide “Sam’s candle” was a sure way to get prompt and
vigorous return. He would look for it a little; then he would begin a
slow, circular walk—a habit acquired in the limitations of the
pilot-house —and his denunciation of the thieves was like a great
orchestration of wrong. By and by the office boy, supposedly innocent,
would find another for him, and all would be forgotten. He made a
placard, labeled with fearful threats and anathemas, warning any one
against touching his candle; but one night both the placard and the
candle were gone.
Now, among his Virginia acquaintances was a young minister, a Mr.
Rising, “the fragile, gentle new fledgling” of the Buck Fanshaw
episode. Clemens greatly admired Mr. Rising’s evident sincerity, and
the young minister had quickly recognized the new reporter’s
superiority of mind. Now and then he came to the office to call on him.
Unfortunately, he happened to step in just at that moment when,
infuriated by the latest theft of his property, Samuel Clemens was
engaged in his rotary denunciation of the criminals, oblivious of every
other circumstance. Mr. Rising stood spellbound by this, to him, new
phase of genius, and at last his friend became dimly aware of him. He
did not halt in his scathing treadmill and continued in the slow
monotone of speech:
“I know, Mr. Rising, I know it’s wicked to talk like this; I know it is
wrong. I know I shall certainly go to hell for it. But if you had a
candle, Mr. Rising, and those thieves should carry it off every night,
I know that you would say, just as I say, Mr. Rising, G-d d—n their
impenitent souls, may they roast in hell for a million years.”
The little clergyman caught his breath.
“Maybe I should, Mr. Clemens,” he replied, “but I should try to say,
‘Forgive them, Father, they know not what they do.’”
“Oh, well! if you put it on the ground that they are just fools, that
alters the case, as I am one of that class myself. Come in and we’ll
try to forgive them and forget about it.”*
* Mark Twain had a good many experiences with young ministers. He was
always fond of them, and they often sought him out. Once, long
afterward, at a hotel, he wanted a boy to polish his shoes, and had
rung a number of times without getting any response. Presently, he
thought he heard somebody approaching in the hall outside. He flung
open the door, and a small, youngish-looking person, who seemed to have
been hesitating at the door, made a movement as though to depart
hastily. Clemens grabbed him by the collar.
“Look here,” he said, “I’ve been waiting and ringing here for half
an hour. Now I want you to take those shoes, and polish them,
quick. Do you hear?”
The slim, youthful person trembled a good deal, and said: “I would,
Mr. Clemens, I would indeed, sir, if I could. But I’m a minister of
the Gospel, and I’m not prepared for such work.”
XXXIX
PHILOSOPHY AND POETRY
There was a side to Samuel Clemens that in those days few of his
associates saw. This was the poetic, the philosophic, the contemplative
side. Joseph Goodman recognized this phase of his character, and, while
he perhaps did not regard it as a future literary asset, he delighted
in it, and in their hours of quiet association together encouraged its
exhibition. It is rather curious that with all his literary penetration
Goodman did not dream of a future celebrity for Clemens. He afterward
said:
“If I had been asked to prophesy which of the two men, Dan de Quille or
Sam, would become distinguished, I should have said De Quille. Dan was
talented, industrious, and, for that time and place, brilliant. Of
course, I recognized the unusualness of Sam’s gifts, but he was
eccentric and seemed to lack industry; it is not likely that I should
have prophesied fame for him then.”
Goodman, like MacFarlane in Cincinnati, half a dozen years before,
though by a different method, discovered and developed the deeper vein.
Often the two, dining together in a French restaurant, discussed life,
subtler philosophies, recalled various phases of human history,
remembered and recited the poems that gave them especial enjoyment.
“The Burial of Moses,” with its noble phrasing and majestic imagery,
appealed strongly to Clemens, and he recited it with great power. The
first stanza in particular always stirred him, and it stirred his
hearer as well. With eyes half closed and chin lifted, a lighted cigar
between his fingers, he would lose himself in the music of the stately
lines.
By Nebo’s lonely mountain,
On this side Jordan’s wave,
In a vale in the land of Moab,
There lies a lonely grave.
And no man knows that sepulchre,
And no man saw it e’er,
For the angels of God, upturned the sod,
And laid the dead man there.
Another stanza that he cared for almost as much was the one beginning:
And had he not high honor
—The hill-side for a pall,
To lie in state while angels wait
With stars for tapers tall,
And the dark rock-pines, like tossing plumes,
Over his bier to wave,
And God’s own hand in that lonely land,
To lay him in the grave?
Without doubt he was moved to emulate the simple grandeur of that poem,
for he often repeated it in those days, and somewhat later we find it
copied into his notebook in full. It would seem to have become to him a
sort of literary touchstone; and in some measure it may be regarded as
accountable for the fact that in the fullness of time “he made use of
the purest English of any modern writer.” These are Goodman’s words,
though William Dean Howells has said them, also, in substance, and
Brander Matthews, and many others who know about such things. Goodman
adds, “The simplicity and beauty of his style are almost without a
parallel, except in the common version of the Bible,” which is also
true. One is reminded of what Macaulay said of Milton:
“There would seem at first sight to be no more in his words than in
other words. But they are words of enchantment. No sooner are they
pronounced than the past is present and the distance near. New forms of
beauty start at once into existence, and all the burial-places of the
memory give up their dead.”
One drifts ahead, remembering these things. The triumph of words, the
mastery of phrases, lay all before him at the time of which we are
writing now. He was twenty-seven. At that age Rudyard Kipling had
reached his meridian. Samuel Clemens was still in the classroom.
Everything came as a lesson-phrase, form, aspect, and combination;
nothing escaped unvalued. The poetic phase of things particularly
impressed him. Once at a dinner with Goodman, when the lamp-light from
the chandelier struck down through the claret on the tablecloth in a
great red stain, he pointed to it dramatically “Look, Joe,” he said,
“the angry tint of wine.”
It was at one of these private sessions, late in ’62, that Clemens
proposed to report the coming meeting of the Carson legislature. He
knew nothing of such work and had small knowledge of parliamentary
proceedings. Formerly it had been done by a man named Gillespie, but
Gillespie was now clerk of the house. Goodman hesitated; then,
remembering that whether Clemens got the reports right or not, he would
at least make them readable, agreed to let him undertake the work.
XL
“MARK TWAIN”
The early Nevada legislature was an interesting assembly. All State
legislatures are that, and this was a mining frontier. No attempt can
be made to describe it. It was chiefly distinguished for a large
ignorance of procedure, a wide latitude of speech, a noble appreciation
of humor, and plenty of brains. How fortunate Mark Twain was in his
schooling, to be kept away from institutional training, to be placed in
one after another of those universities of life where the sole
curriculum is the study of the native inclinations and activities of
mankind! Sometimes, in after-years, he used to regret the lack of
systematic training. Well for him—and for us—that he escaped that
blight.
For the study of human nature the Nevada assembly was a veritable
lecture-room. In it his understanding, his wit, his phrasing, his
self-assuredness grew like Jack’s bean-stalk, which in time was ready
to break through into a land above the sky. He made some curious
blunders in his reports, in the beginning; but he was so frank in his
ignorance and in his confession of it that the very unsophistication of
his early letters became their chief charm. Gillespie coached him on
parliamentary matters, and in time the reports became technically as
well as artistically good. Clemens in return christened Gillespie
“Young, Jefferson’s Manual,” a title which he bore, rather proudly
indeed, for many years.
Another “entitlement” growing out of those early reports, and possibly
less satisfactory to its owner, was the one accorded to Clement T.
Rice, of the Virginia City Union. Rice knew the legislative work
perfectly and concluded to poke fun at the Enterprise letters.
But this was a mistake. Clemens in his next letter declared that Rice’s
reports might be parliamentary enough, but that they covered with
glittering technicalities the most festering mass of misstatement, and
even crime. He avowed that they were wholly untrustworthy; dubbed the
author of them “The Unreliable,” and in future letters never referred
to him by any other term. Carson and the Comstock and the papers of the
Coast delighted in this burlesque journalistic warfare, and Rice was
“The Unreliable” for life.
Rice and Clemens, it should be said, though rivals, were the best of
friends, and there was never any real animosity between them.
Clemens quickly became a favorite with the members; his sharp letters,
with their amusing turn of phrase and their sincerity, won general
friendship. Jack Simmons, speaker of the house, and Billy Clagget, the
Humboldt delegation, were his special cronies and kept him on the
inside of the political machine. Clagget had remained in Unionville
after the mining venture, warned his Keokuk sweetheart, and settled
down into politics and law. In due time he would become a leading light
and go to Congress. He was already a notable figure of forceful
eloquence and tousled, unkempt hair. Simmons, Clagget, and Clemens were
easily the three conspicuous figures of the session.
It must have been gratifying to the former prospector and miner to come
back to Carson City a person of consequence, where less than a year
before he had been regarded as no more than an amusing indolent fellow,
a figure to smile at, but unimportant. There is a photograph extant of
Clemens and his friends Clagget and Simmons in a group, and we gather
from it that he now arrayed himself in a long broadcloth cloak, a
starched shirt, and polished boots. Once more he had become the glass
of fashion that he had been on the river. He made his residence with
Orion, whose wife and little daughter Jennie had by this time come out
from the States. “Sister Mollie,” as wife of the acting governor, was
presently social leader of the little capital; her brilliant
brother-in-law its chief ornament. His merriment and songs and good
nature made him a favorite guest. His lines had fallen in pleasant
places; he could afford to smile at the hard Esmeralda days.
He was not altogether satisfied. His letters, copied and quoted all
along the Coast, were unsigned. They were easily identified with one
another, but not with a personality. He realized that to build a
reputation it was necessary to fasten it to an individuality, a name.
He gave the matter a good deal of thought. He did not consider the use
of his own name; the ‘nom de plume’ was the fashion of the time. He
wanted something brief, crisp, definite, unforgettable. He tried over a
good many combinations in his mind, but none seemed convincing. Just
then—this was early in 1863—news came to him that the old pilot he had
wounded by his satire, Isaiah Sellers, was dead. At once the pen-name
of Captain Sellers recurred to him. That was it; that was the sort of
name he wanted. It was not trivial; it had all the qualities—Sellers
would never need it again. Clemens decided he would give it a new
meaning and new association in this far-away land. He went up to
Virginia City.
“Joe,” he said, to Goodman, “I want to sign my articles. I want to be
identified to a wider audience.”
“All right, Sam. What name do you want to use ‘Josh’?”
“No, I want to sign them ‘Mark Twain.’ It is an old river term, a
leads-man’s call, signifying two fathoms—twelve feet. It has a richness
about it; it was always a pleasant sound for a pilot to hear on a dark
night; it meant safe water.”
He did not then mention that Captain Isaiah Sellers had used and
dropped the name. He was ashamed of his part in that episode, and the
offense was still too recent for confession. Goodman considered a
moment:
“Very well, Sam,” he said, “that sounds like a good name.”
It was indeed a good name. In all the nomenclature of the world no more
forceful combination of words could have been selected to express the
man for whom they stood. The name Mark Twain is as infinite, as
fundamental as that of John Smith, without the latter’s wasting
distribution of strength. If all the prestige in the name of John Smith
were combined in a single individual, its dynamic energy might give it
the carrying power of Mark Twain. Let this be as it may, it has proven
the greatest ‘nom de plume’ ever chosen—a name exactly in accord with
the man, his work, and his career.
It is not surprising that Goodman did not recognize this at the moment.
We should not guess the force that lies in a twelve-inch shell if we
had never seen one before or heard of its seismic destruction. We
should have to wait and see it fired, and take account of the result.
It was first signed to a Carson letter bearing date of February 2,
1863, and from that time was attached to all Samuel Clemens’s work. The
work was neither better nor worse than before, but it had suddenly
acquired identification and special interest. Members of the
legislature and friends in Virginia and Carson immediately began to
address him as “Mark.” The papers of the Coast took it up, and within a
period to be measured by weeks he was no longer “Sam” or “Clemens” or
“that bright chap on the Enterprise,” but “Mark”—“Mark Twain.” No ‘nom
de plume’ was ever so quickly and generally accepted as that. De
Quille, returning from the East after an absence of several months,
found his room and deskmate with the distinction of a new name and
fame.
It is curious that in the letters to the home folks preserved from that
period there is no mention of his new title and its success. In fact,
the writer rarely speaks of his work at all, and is more inclined to
tell of the mining shares he has accumulated, their present and
prospective values. However, many of the letters are undoubtedly
missing. Such as have been preserved are rather airy epistles full of
his abounding joy of life and good nature. Also they bear evidence of
the renewal of his old river habit of sending money home—twenty dollars
in each letter, with intervals of a week or so between.
XLI
THE CREAM OF COMSTOCK HUMOR
With the adjournment of the legislature, Samuel Clemens returned to
Virginia City distinctly a notability—Mark Twain. He was regarded as
leading man on the Enterprise—which in itself was high distinction on
the Comstock—while his improved dress and increased prosperity
commanded additional respect. When visitors of note came
along—well-known actors, lecturers, politicians—he was introduced as
one of the Comstock features which it was proper to see, along with the
Ophir and Gould and Curry mines, and the new hundred-stamp quartz-mill.
He was rather grieved and hurt, therefore, when, after several
collections had been taken up in the Enterprise office to present
various members of the staff with meerschaum pipes, none had come to
him. He mentioned this apparent slight to Steve Gillis:
“Nobody ever gives me a meerschaum pipe,” he said, plaintively. “Don’t
I deserve one yet?”
Unhappy day! To that remorseless creature, Steve Gillis, this was a
golden opportunity for deviltry of a kind that delighted his soul. This
is the story, precisely as Gillis himself told it to the writer of
these annals more than a generation later:
“There was a German kept a cigar store in Virginia City and always had
a fine assortment of meerschaum pipes. These pipes usually cost
anywhere from forty to seventy-five dollars.
“One day Denis McCarthy and I were walking by the old German’s place,
and stopped to look in at the display in the window. Among other things
there was one large imitation meerschaum with a high bowl and a long
stem, marked a dollar and a half.
“I decided that that would be just the pipe for Sam. We went in and
bought it, also a very much longer stem. I think the stem alone cost
three dollars. Then we had a little German-silver plate engraved with
Mark’s name on it and by whom presented, and made preparations for the
presentation. Charlie Pope—[afterward proprietor of Pope’s Theater, St.
Louis]—was playing at the Opera House at the time, and we engaged him
to make the presentation speech.
“Then we let in Dan de Quille, Mark’s closest friend, to act the part
of Judas—to tell Mark privately that he, was going to be presented with
a fine pipe, so that he could have a speech prepared in reply to
Pope’s. It was awful low-down in Dan. We arranged to have the affair
come off in the saloon beneath the Opera House after the play was over.
“Everything went off handsomely; but it was a pretty remorseful
occasion, and some of us had a hang-dog look; for Sam took it in such
sincerity, and had prepared one of the most beautiful speeches I ever
heard him make. Pope’s presentation, too, was beautifully done. He told
Sam how his friends all loved him, and that this pipe, purchased at so
great an expense, was but a small token of their affection. But Sam’s
reply, which was supposed to be impromptu, actually brought the tears
to the eyes of some of us, and he was interrupted every other minute
with applause. I never felt so sorry for anybody.
“Still, we were bent on seeing the thing through. After Sam’s speech
was finished, he ordered expensive wines—champagne and sparkling
Moselle. Then we went out to do the town, and kept things going until
morning to drown our sorrow.
“Well, next day, of course, he started in to color the pipe. It
wouldn’t color any more than a piece of chalk, which was about all it
was. Sam would smoke and smoke, and complain that it didn’t seem to
taste right, and that it wouldn’t color. Finally Denis said to him one
day:
“‘Oh, Sam, don’t you know that’s just a damned old egg-shell, and that
the boys bought it for a dollar and a half and presented you with it
for a joke?’
“Then Sam was furious, and we laid the whole thing on Dan de Quille. He
had a thunder-cloud on his face when he started up for the Local Room,
where Dan was. He went in and closed the door behind him, and locked
it, and put the key in his pocket—an awful sign. Dan was there alone,
writing at his table.
“Sam said, ‘Dan, did you know, when you invited me to make that speech,
that those fellows were going to give me a bogus pipe?’
“There was no way for Dan to escape, and he confessed. Sam walked up
and down the floor, as if trying to decide which way to slay Dan.
Finally he said:
“‘Oh, Dan, to think that you, my dearest friend, who knew how little
money I had, and how hard I would work to prepare a speech that would
show my gratitude to my friends, should be the traitor, the Judas, to
betray me with a kiss! Dan, I never want to look on your face again.
You knew I would spend every dollar I had on those pirates when I
couldn’t afford to spend anything; and yet you let me do it; you aided
and abetted their diabolical plan, and you even got me to get up that
damned speech to make the thing still more ridiculous.’
“Of course Dan felt terribly, and tried to defend himself by saying
that they were really going to present him with a fine pipe—a genuine
one, this time. But Sam at first refused to be comforted; and when, a
few days later, I went in with the pipe and said, ‘Sam, here’s the pipe
the boys meant to give you all the time,’ and tried to apologize, he
looked around a little coldly, and said:
“‘Is that another of those bogus old pipes?’