Truly your brother, SAM

P.S.—I have written this by a light so dim that you nor Ma could not

read by it. Write, and let me know how Henry is.

It is a good letter; it is direct and clear in its descriptive quality,

and it gives us a scale of things. Double the population of Hannibal

visited the Crystal Palace in one day! and the water to supply the city

came a distance of thirty-eight miles! Doubtless these were amazing

statistics.

Then there was the interest in family affairs—always strong—his concern

for Henry, whom he loved tenderly; his memory of the promise to his

mother; his understanding of her craving to visit her old home. He did

not write to her direct, for the reason that Orion’s plans were then

uncertain, and it was not unlikely that he had already found a new

location. From this letter, too, we learn that the boy who detested

school was reveling in a library of four thousand books—more than he

had ever seen together before. We have somehow the feeling that he had

all at once stepped from boyhood to manhood, and that the separation

was marked by a very definite line.

The work he had secured was in Cliff Street in the printing

establishment of John A. Gray & Green, who agreed to pay him four

dollars a week, and did pay that amount in wildcat money, which saved

them about twenty-five per cent. of the sum. He lodged at a mechanics’

boarding-house in Duane Street, and when he had paid his board and

washing he sometimes had as much as fifty cents to lay away.

He did not like the board. He had been accustomed to the Southern mode

of cooking, and wrote home complaining that New-Yorkers did not have

“hot-bread” or biscuits, but ate “light-bread,” which they allowed to

get stale, seeming to prefer it in that way. On the whole, there was

not much inducement to remain in New York after he had satisfied

himself with its wonders. He lingered, however, through the hot months

of 1853, and found it not easy to go. In October he wrote to Pamela,

suggesting plans for Orion; also for Henry and Jim Wolfe, whom he seems

never to have overlooked. Among other things he says:

I have not written to any of the family for some time, from the fact,

firstly, that I didn’t know where they were, and, secondly, because I

have been fooling myself with the idea that I was going to leave New

York every day for the last two weeks. I have taken a liking to the

abominable place, and every time I get ready to leave I put it off a

day or so, from some unaccountable cause. I think I shall get off

Tuesday, though.

Edwin Forrest has been playing for the last sixteen days at the

Broadway Theater, but I never went to see him till last night. The play

was the “Gladiator.” I did not like parts of it much, but other

portions were really splendid. In the latter part of the last act,

where the “Gladiator” (Forrest) dies at his brother’s feet (in all the

fierce pleasure of gratified revenge), the man’s whole soul seems

absorbed in the part he is playing; and it is really startling to see

him. I am sorry I did not see him play “Damon and Pythias” —the former

character being the greatest. He appears in Philadelphia on Monday

night.

I have not received a letter from home lately, but got a “Journal” the

other day, in which I see the office has been sold . . . .

If my letters do not come often, you need not bother yourself about me;

for if you have a brother nearly eighteen years of age who is not able

to take care of himself a few miles from home, such a brother is not

worth one’s thoughts; and if I don’t manage to take care of No. 1, be

assured you will never know it. I am not afraid, however; I shall ask

favors of no one and endeavor to be (and shall be) as “independent as a

wood-sawyer’s clerk.”. . .

Passage to Albany (160 miles) on the finest steamers that ply the

Hudson is now 25 cents—cheap enough, but is generally cheaper than that

in the summer.

“I have been fooling myself with the idea that I was going to leave New

York” is distinctly a Mark Twain phrase. He might have said that fifty

years later.

He did go to Philadelphia presently and found work “subbing” on a daily

paper,‘The Inquirer.’ He was a fairly swift compositor. He could set

ten thousand ems a day, and he received pay according to the amount of

work done. Days or evenings when there was no vacant place for him to

fill he visited historic sites, the art-galleries, and the libraries.

He was still acquiring education, you see. Sometimes at night when he

returned to his boardinghouse his room-mate, an Englishman named

Sumner, grilled a herring, and this was regarded as a feast. He tried

his hand at writing in Philadelphia, though this time without success.

For some reason he did not again attempt to get into the Post, but

offered his contributions to the Philadelphia ‘Ledger’—mainly poetry of

an obituary kind. Perhaps it was burlesque; he never confessed that,

but it seems unlikely that any other obituary poetry would have failed

of print.

“My efforts were not received with approval,” was all he ever said of

it afterward.

There were two or three characters in the ‘Inquirer’ office whom he did

not forget. One of these was an old compositor who had “held a case” in

that office for many years. His name was Frog, and sometimes when he

went away the “office devils” would hang a line over his case, with a

hook on it baited with a piece of red flannel. They never got tired of

this joke, and Frog was always able to get as mad over it as he had

been in the beginning. Another old fellow there furnished amusement. He

owned a house in the distant part of the city and had an abnormal fear

of fire. Now and then, when everything was quiet except the clicking of

the types, some one would step to the window and say with a concerned

air:

“Doesn’t that smoke—[or that light, if it was evening]—seem to be in

the northwestern part of the city?” or “There go the fire-bells again!”

and away the old man would tramp up to the roof to investigate. It was

not the most considerate sport, and it is to be feared that Sam Clemens

had his share in it.

He found that he liked Philadelphia. He could save a little money

there, for one thing, and now and then sent something to his

mother—small amounts, but welcome and gratifying, no doubt. In a letter

to Orion —whom he seems to have forgiven with absence—written October

26th, he incloses a gold dollar to buy her a handkerchief, and “to

serve as a specimen of the kind of stuff we are paid with in

Philadelphia.” Further along he adds:

Unlike New York, I like this Philadelphia amazingly, and the people in

it. There is only one thing that gets my “dander” up—and that is the

hands are always encouraging me: telling me “it’s no use to get

discouraged—no use to be downhearted, for there is more work here than

you can do!” “Downhearted,” the devil! I have not had a particle of

such a feeling since I left Hannibal, more than four months ago. I

fancy they’ll have to wait some time till they see me downhearted or

afraid of starving while I have strength to work and am in a city of

400,000 inhabitants. When I was in Hannibal, before I had scarcely

stepped out of the town limits, nothing could have convinced me that I

would starve as soon as I got a little way from home.

He mentions the grave of Franklin in Christ Churchyard with its

inscription “Benjamin and Deborah Franklin,” and one is sharply

reminded of the similarity between the early careers of Benjamin

Franklin and Samuel Clemens. Each learned the printer’s trade; each

worked in his brother’s printing-office and wrote for the paper; each

left quietly and went to New York, and from New York to Philadelphia,

as a journeyman printer; each in due season became a world figure,

many-sided, human, and of incredible popularity.

The foregoing letter ends with a long description of a trip made on the

Fairmount stage. It is a good, vivid description—impressions of a

fresh, sensitive mind, set down with little effort at fine writing; a

letter to convey literal rather than literary enjoyment. The Wire

Bridge, Fairmount Park and Reservoir, new buildings—all these passed in

review. A fine residence about completed impressed him:

It was built entirely of great blocks of red granite. The pillars in

front were all finished but one. These pillars were beautiful,

ornamental fluted columns, considerably larger than a hogshead at the

base, and about as high as Clapinger’s second-story front windows . . .

. To see some of them finished and standing, and then the huge blocks

lying about, looks so massy, and carries one, in imagination, to the

ruined piles of ancient Babylon. I despise the infernal bogus brick

columns plastered over with mortar. Marble is the cheapest

building-stone about Philadelphia.

There is a flavor of the ‘Innocents’ about it; then a little further

along:

I saw small steamboats, with their signs up—“For Wissahickon and

Manayunk 25 cents.” Geo. Lippard, in his Legends of Washington and his

Generals, has rendered the Wissahickon sacred in my eyes, and I shall

make that trip, as well as one to Germantown, soon . . . .

There is one fine custom observed in Phila. A gentleman is always

expected to hand up a lady’s money for her. Yesterday I sat in the

front end of the bus, directly under the driver’s box—a lady sat

opposite me. She handed me her money, which was right. But, Lord! a St.

Louis lady would think herself ruined if she should be so familiar with

a stranger. In St. Louis a man will sit in the front end of the stage,

and see a lady stagger from the far end to pay her fare.

There are two more letters from Philadelphia: one of November, 28th, to

Orion, who by this time had bought a paper in Muscatine, Iowa, and

located the family there; and one to Pamela dated December 5th.

Evidently Orion had realized that his brother might be of value as a

contributor, for the latter says:

I will try to write for the paper occasionally, but I fear my letters

will be very uninteresting, for this incessant night work dulls one’s

ideas amazingly…. I believe I am the only person in the Inquirer office

that does not drink. One young fellow makes $18 for a few weeks, and

gets on a grand “bender” and spends every cent of it.

How do you like “free soil”?—I would like amazingly to see a good

old-fashioned negro. My love to all.

Mark Twain: A Biography. Volume I, Part 1: 1835-1866 · 第 6 / 11 题